<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1093256133395673204</id><updated>2012-01-27T20:20:50.838Z</updated><title type='text'>Radio Lists</title><subtitle type='html'>Weekly Listings for BBC Radio 3 supported by backstage.bbc.co.uk and bbc.co.uk/programmes/</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://radiolists.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1093256133395673204/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://radiolists.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/1093256133395673204/posts/default?start-index=101&amp;max-results=100'/><author><name>Radio Lists</name><uri>http://www.blogger.com/profile/13339663840985935965</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>166</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-1093256133395673204.post-1867578269791836780</id><published>2012-01-27T20:20:00.001Z</published><updated>2012-01-27T20:20:50.895Z</updated><title type='text'>Radio 3 Listings for 28/01/2012 - 03/02/2012</title><content type='html'>&lt;PRE&gt;&lt;FONT size = 3 face = arial&gt;&lt;P&gt;Go to: &lt;A href='#SU'&gt;SUN&lt;/A&gt; &lt;A href='#MO'&gt;MON&lt;/A&gt; &lt;A href='#TU'&gt;TUE&lt;/A&gt; &lt;A href='#WE'&gt;WED&lt;/A&gt; &lt;A href='#TH'&gt;THU&lt;/A&gt; &lt;A href='#FR'&gt;FRI&lt;/A&gt;&lt;/P&gt;

&lt;TT&gt;SAT        &lt;/TT&gt;&lt;A name='SA'&gt;&lt;B&gt;SATURDAY 28 JANUARY 2012&lt;/B&gt;&lt;/A&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;01:00 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m8zd.html&gt;b019m8zd&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m8zd&gt;(Listen)&lt;/A&gt;&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Susan Sharpe presents choral music by Brahms and Bruckner's
&lt;TT&gt;SAT        &lt;/TT&gt;9th Symphony
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;1:01 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Bach, Johann Sebastian [1685-1750] arr. Busoni, Ferruccio
&lt;TT&gt;SAT        &lt;/TT&gt;(1866-1924)
&lt;TT&gt;SAT        &lt;/TT&gt;Nun komm, der Heiden Heiland
&lt;TT&gt;SAT        &lt;/TT&gt;Jan Lisiecki (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;segue
&lt;TT&gt;SAT        &lt;/TT&gt;Brahms, Johannes (1833-1897) and Glanert, Detlev (b. 1960)
&lt;TT&gt;SAT        &lt;/TT&gt;Four Preludes and Serious Songs, op. 121,
&lt;TT&gt;SAT        &lt;/TT&gt;with preludes and
&lt;TT&gt;SAT        &lt;/TT&gt;a postlude by Detlev Glanert
&lt;TT&gt;SAT        &lt;/TT&gt;Marie-Nicole Lemieux (contralto) Montreal Symphony
&lt;TT&gt;SAT        &lt;/TT&gt;Orchestra, Kent Nagano (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;segue
&lt;TT&gt;SAT        &lt;/TT&gt;Bach, Johann Sebastian [1685-1750] arr. Busoni, Ferruccio
&lt;TT&gt;SAT        &lt;/TT&gt;(1866-1924)
&lt;TT&gt;SAT        &lt;/TT&gt;Wachet auf, ruft uns die Stimme
&lt;TT&gt;SAT        &lt;/TT&gt;Jan Lisiecki (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;1:35 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Bruckner, Anton [1824-1896]
&lt;TT&gt;SAT        &lt;/TT&gt;Symphony no. 9 in D minor (unfinished)
&lt;TT&gt;SAT        &lt;/TT&gt;Montreal Symphony Orchestra, Kent Nagano (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;2:39 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Haydn, Joseph (1732-1809)
&lt;TT&gt;SAT        &lt;/TT&gt;String Quartet in G major (Op.76 No.1)
&lt;TT&gt;SAT        &lt;/TT&gt;Vertavo Quartet
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;3:01 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Ravel, Maurice (1875-1937)
&lt;TT&gt;SAT        &lt;/TT&gt;Gaspard de la nuit for piano
&lt;TT&gt;SAT        &lt;/TT&gt;Anna Vinnitskaya (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;3:23 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Penderecki, Krzysztof (b. 1933)
&lt;TT&gt;SAT        &lt;/TT&gt;Concerto Grosso for Three Cellos and Orchestra
&lt;TT&gt;SAT        &lt;/TT&gt;Ivan Monighetti, Adam Klocek, Kazimierz Koslacz (cellos),
&lt;TT&gt;SAT        &lt;/TT&gt;National Philharmonic Orchestra, Antoni Wit (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;3:59 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Strauss, Richard (1864-1949)
&lt;TT&gt;SAT        &lt;/TT&gt;Rosenkavalier -- Grand Suite
&lt;TT&gt;SAT        &lt;/TT&gt;Orchestre du Conservatoire de Musique du Quebec, Franz-Paul
&lt;TT&gt;SAT        &lt;/TT&gt;Decker (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;4:21 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Purcell, Henry (1659-1695)
&lt;TT&gt;SAT        &lt;/TT&gt;Sonata No.6 for 2 violins and continuo in G minor (Z.807)
&lt;TT&gt;SAT        &lt;/TT&gt;(1697)
&lt;TT&gt;SAT        &lt;/TT&gt;Ensemble Il Tempo
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;4:29 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Palestrina, Giovanni Pierluigi da (c.1525-1594)
&lt;TT&gt;SAT        &lt;/TT&gt;Tu es Petrus - motet for 6 voices
&lt;TT&gt;SAT        &lt;/TT&gt;Silvia Piccollo &amp; Emmanuela Galli (sopranos), Fabian
&lt;TT&gt;SAT        &lt;/TT&gt;Schofrin (alto), Marco Beasley (tenor), Daniele Carnovich
&lt;TT&gt;SAT        &lt;/TT&gt;(bass), Chorus of Swiss Radio, Lugano, Theatrum
&lt;TT&gt;SAT        &lt;/TT&gt;Instrumentorum (seems to be a subtle trombone doubling bass
&lt;TT&gt;SAT        &lt;/TT&gt;part) , Diego Fasolis (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;4:35 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Ranta, Sulho (1901-1960)
&lt;TT&gt;SAT        &lt;/TT&gt;Finnish Folk Dances - suite for orchestra (Op.51)
&lt;TT&gt;SAT        &lt;/TT&gt;Finnish Radio Symphony Orchestra, Jukka-Pekka Saraste
&lt;TT&gt;SAT        &lt;/TT&gt;(conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;4:44 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Scott, Cyril (1879-1970)
&lt;TT&gt;SAT        &lt;/TT&gt;Lotus Land (Op.47 No.1)
&lt;TT&gt;SAT        &lt;/TT&gt;Cristina Ortiz (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;4:49 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Brahms, Johannes (1833-1897)
&lt;TT&gt;SAT        &lt;/TT&gt;Academic Festival Overture (Op.80)
&lt;TT&gt;SAT        &lt;/TT&gt;Hungarian Radio Symphony Orchestra, Tamás Vásáry (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;5:01 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Bellini, Vincenzo (1801-1835), arr. unknown
&lt;TT&gt;SAT        &lt;/TT&gt;Concerto in E flat for oboe (arranged for trumpet)
&lt;TT&gt;SAT        &lt;/TT&gt;Geoffrey Payne (trumpet), Melbourne Symphony Orchestra,
&lt;TT&gt;SAT        &lt;/TT&gt;Michael Halasz (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;5:09 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Fauré, Gabriel (1845-1924)
&lt;TT&gt;SAT        &lt;/TT&gt;Nocturne No.1 in E flat minor (Op.33 No.1)
&lt;TT&gt;SAT        &lt;/TT&gt;Jean-Yves Thibaudet (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;5:18 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Grieg, Edvard (1843-1907)
&lt;TT&gt;SAT        &lt;/TT&gt;Two Lyric Pieces: Evening in the Mountains (Op.68 No.4); At
&lt;TT&gt;SAT        &lt;/TT&gt;the cradle (Op.68 No.5)
&lt;TT&gt;SAT        &lt;/TT&gt;CBC Vancouver Orchestra, Mario Bernardi (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;5:26 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Albrecht, Alexander (1885-1958)
&lt;TT&gt;SAT        &lt;/TT&gt;Quintet for piano, flute, oboe, clarinet and bassoon (Op.6)
&lt;TT&gt;SAT        &lt;/TT&gt;(1913)
&lt;TT&gt;SAT        &lt;/TT&gt;Pavol Kovác (piano), Bratislava Wind Quintet
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;5:35 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Haydn, Joseph (1732-1809) [Text: Peter Pindar]
&lt;TT&gt;SAT        &lt;/TT&gt;Der Sturm - chorus for SATB choir and orchestra (H.24a.8)
&lt;TT&gt;SAT        &lt;/TT&gt;Netherlands Radio Choir and Chamber Orchestra, Antoni
&lt;TT&gt;SAT        &lt;/TT&gt;Ros-Marba (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;5:45 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Debussy, Claude (1862-1918)
&lt;TT&gt;SAT        &lt;/TT&gt;Sonata for violin and piano in G minor
&lt;TT&gt;SAT        &lt;/TT&gt;Janine Jansen (violin), David Kuyken (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;6:00 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791)
&lt;TT&gt;SAT        &lt;/TT&gt;Horn Concerto No.4 in E flat (K.495)
&lt;TT&gt;SAT        &lt;/TT&gt;James Sommerville (horn), CBC Vancouver Orchestra, Mario
&lt;TT&gt;SAT        &lt;/TT&gt;Bernardi (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;6:17 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Bach, Johann Sebastian (1685-1750)
&lt;TT&gt;SAT        &lt;/TT&gt;Jesu, meine Freude - motet (BWV.227)
&lt;TT&gt;SAT        &lt;/TT&gt;Orchestra and Choir of Latvian Radio, Aivars Kalejas
&lt;TT&gt;SAT        &lt;/TT&gt;(organ), Sigvards Klava (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;6:39 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Stravinsky, Igor (1882-1971)
&lt;TT&gt;SAT        &lt;/TT&gt;Dances Concertantes for chamber orchestra
&lt;TT&gt;SAT        &lt;/TT&gt;Polish Radio Orchestra, Warsaw, Krzystzof Slowinski
&lt;TT&gt;SAT        &lt;/TT&gt;(conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:00 Breakfast &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pmv4.html&gt;b019pmv4&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pmv4&gt;(Listen)&lt;/A&gt;&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;NB This playlist is subject to change during transmission.
&lt;TT&gt;SAT        &lt;/TT&gt;The final playlist will be put up by noon on Monday.
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:03&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Franz Liszt
&lt;TT&gt;SAT        &lt;/TT&gt;Valse oubliee No.1
&lt;TT&gt;SAT        &lt;/TT&gt;Stephen Hough (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;HYPERION CDA67686
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:07&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Sergei Sergeyevich Prokofiev
&lt;TT&gt;SAT        &lt;/TT&gt;Finale from Symphony No.1 in D major, op.25, “Classical”
&lt;TT&gt;SAT        &lt;/TT&gt;Berlin Philharmonic Orchestra
&lt;TT&gt;SAT        &lt;/TT&gt;Herbert von Karajan (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;DEUTSCHE GRAMMOPHON 437 253-2
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:12&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Johann Sebastian Bach
&lt;TT&gt;SAT        &lt;/TT&gt;Sinfonia from Cantata BWV 169
&lt;TT&gt;SAT        &lt;/TT&gt;Accademia Bizantina
&lt;TT&gt;SAT        &lt;/TT&gt;Ottavio Dantone (director)
&lt;TT&gt;SAT        &lt;/TT&gt;DECCA 478 2718
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:21&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Pyotr Ilyich Tchaikovsky
&lt;TT&gt;SAT        &lt;/TT&gt;Melodie (from Souvenir d'un lieu cher, Op.42’3)
&lt;TT&gt;SAT        &lt;/TT&gt;Itzhak Perlman (violin)
&lt;TT&gt;SAT        &lt;/TT&gt;Samuel Sanders (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;EMI CLASSICS 4 76957 2
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:25&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Malcolm Arnold
&lt;TT&gt;SAT        &lt;/TT&gt;Comedy Suite from St. Trinians
&lt;TT&gt;SAT        &lt;/TT&gt;BBC Philharmonic Orchestra
&lt;TT&gt;SAT        &lt;/TT&gt;Rumon Gamba (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;CHANDOS CHAN 9851
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:34&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Wolfgang Amadeus Mozart
&lt;TT&gt;SAT        &lt;/TT&gt;Rondo from Piano Sonata in D major, K.311
&lt;TT&gt;SAT        &lt;/TT&gt;Rafal Bechacz (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;DEUTSCHE GRAMMOPHON 477 7453
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:41&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Edvard Grieg
&lt;TT&gt;SAT        &lt;/TT&gt;Symphonic Dance no.3, Allegro giocoso
&lt;TT&gt;SAT        &lt;/TT&gt;Gothenburg Symphony Orchestra
&lt;TT&gt;SAT        &lt;/TT&gt;Neeme Jarvi (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;DEUTSCHE GRAMMOPHON 4713002
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:48&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Giacomo Puccini
&lt;TT&gt;SAT        &lt;/TT&gt;E lucevan le stelle from Tosca
&lt;TT&gt;SAT        &lt;/TT&gt;Placido Domingo (tenor)
&lt;TT&gt;SAT        &lt;/TT&gt;Philharmonia Orchestra
&lt;TT&gt;SAT        &lt;/TT&gt;James Levine (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;VIRGIN CLASSICS 50999 6 08528 2
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:52&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Carl Maria von Weber
&lt;TT&gt;SAT        &lt;/TT&gt;Final movement (Alla Polacca) from Concerto No.2, Op.74 in E
&lt;TT&gt;SAT        &lt;/TT&gt;flat major for clarinet and orchestra
&lt;TT&gt;SAT        &lt;/TT&gt;Michael Collins (clarinet / conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;City of London Sinfonia
&lt;TT&gt;SAT        &lt;/TT&gt;CHANDOS CHAN 10702
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:03&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;George Frideric Handel
&lt;TT&gt;SAT        &lt;/TT&gt;My heart is inditing, from Coronation Anthem No.4, HWV 261
&lt;TT&gt;SAT        &lt;/TT&gt;The Sixteen
&lt;TT&gt;SAT        &lt;/TT&gt;Harry Christophers (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;CORO CO16092
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:06&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Georges Bizet
&lt;TT&gt;SAT        &lt;/TT&gt;Symphony in C major: Finale
&lt;TT&gt;SAT        &lt;/TT&gt;City of London Sinfonia
&lt;TT&gt;SAT        &lt;/TT&gt;Richard Hickox (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;EMI CLASSICS 2 06777 2
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:15&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Joseph Haydn
&lt;TT&gt;SAT        &lt;/TT&gt;Quartet in F major, Op.74’2: 1st mvt
&lt;TT&gt;SAT        &lt;/TT&gt;Takacs Quartet
&lt;TT&gt;SAT        &lt;/TT&gt;HYPERION CDA67781
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:22&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Sylvius Leopold Weiss
&lt;TT&gt;SAT        &lt;/TT&gt;Bourree from Sonata No.96 in G major
&lt;TT&gt;SAT        &lt;/TT&gt;Robert Barto (baroque lute)
&lt;TT&gt;SAT        &lt;/TT&gt;NAXOS 8.572680
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:25&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Johann Strauss II
&lt;TT&gt;SAT        &lt;/TT&gt;Rosen aus dem Suden (Roses from the South)
&lt;TT&gt;SAT        &lt;/TT&gt;Vienna Philharmonic Orchestra
&lt;TT&gt;SAT        &lt;/TT&gt;Willi Boskovsky (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;DECCA 4177062
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:44&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Claude Debussy
&lt;TT&gt;SAT        &lt;/TT&gt;Danse profane for harp and strings
&lt;TT&gt;SAT        &lt;/TT&gt;Emmanuel Ceysson (harp)
&lt;TT&gt;SAT        &lt;/TT&gt;Orchestre National de Lyon
&lt;TT&gt;SAT        &lt;/TT&gt;Jun Markl (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;NAXOS 8.509002
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:49&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;John Ireland
&lt;TT&gt;SAT        &lt;/TT&gt;Spring Sorrow
&lt;TT&gt;SAT        &lt;/TT&gt;Arranger: Lloyd Webber
&lt;TT&gt;SAT        &lt;/TT&gt;Julian Lloyd Webber (cello)
&lt;TT&gt;SAT        &lt;/TT&gt;John Lenehan (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;NAXOS 8.572902
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:53&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Charles-Marie Widor
&lt;TT&gt;SAT        &lt;/TT&gt;Toccata from Organ Symphony No.5, op.42’1
&lt;TT&gt;SAT        &lt;/TT&gt;Simon Preston (organ)
&lt;TT&gt;SAT        &lt;/TT&gt;DEUTSCHE GRAMMOPHON 477 8168
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;09:00 CD Review &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pmv6.html&gt;b019pmv6&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pmv6&gt;(Listen)&lt;/A&gt;&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Building a Library: Mendelssohn's Elijah
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;9.05am&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;GRANADOS: Goyescas, o Los majos enamorados; El pelele
&lt;TT&gt;SAT        &lt;/TT&gt;‘Escena goyesca’; Allegro de concierto
&lt;TT&gt;SAT        &lt;/TT&gt;Garrick Ohlsson (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;HYPERION CDA67846 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;DE FALLA: The Three-cornered Hat; Nights in the Gardens of
&lt;TT&gt;SAT        &lt;/TT&gt;Spain; Tributes
&lt;TT&gt;SAT        &lt;/TT&gt;Jean-Efflam Bavouzet (piano); Raquel Lojendio (soprano); BBC
&lt;TT&gt;SAT        &lt;/TT&gt;Philharmonic; Juanjo Mena (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;CHANDOS CHAN10694 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;GERHARD: Piano Trio No 1
&lt;TT&gt;SAT        &lt;/TT&gt;MONTSALVATGE: Piano Trio
&lt;TT&gt;SAT        &lt;/TT&gt;CASSADO: Piano Trio in C major
&lt;TT&gt;SAT        &lt;/TT&gt;Trio Arriaga: Daniel Ligorio (piano), Felipe Rodriguez
&lt;TT&gt;SAT        &lt;/TT&gt;(violin), David Apellaniz (cello)
&lt;TT&gt;SAT        &lt;/TT&gt;NAXOS 8572647 (CD, budget)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;9.30am Building a Library&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Iain Burnside surveys recordings of Mendelssohn’s Elijah and
&lt;TT&gt;SAT        &lt;/TT&gt;makes a recommendation
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;10.20am New Releases&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;VON WEBER: Clarinet Concertino in E flat major Op. 26 J
&lt;TT&gt;SAT        &lt;/TT&gt;109; Clarinet Concerto No. 1 in F minor Op. 73 J 114; Horn
&lt;TT&gt;SAT        &lt;/TT&gt;Concertino in E minor Op. 45 J 188; Clarinet Concerto No. 2
&lt;TT&gt;SAT        &lt;/TT&gt;in E flat major Op. 74 J 118
&lt;TT&gt;SAT        &lt;/TT&gt;Michael Collins (clarinet), Stephen Stirling (horn), City of
&lt;TT&gt;SAT        &lt;/TT&gt;London Sinfonia, Laura Samuel (leader)
&lt;TT&gt;SAT        &lt;/TT&gt;CHANDOS CHAN10702 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;BRITTEN: Violin Concerto Op 15; Double Concerto in B minor;
&lt;TT&gt;SAT        &lt;/TT&gt;7 Lachrymae Op 48a
&lt;TT&gt;SAT        &lt;/TT&gt;Anthony Marwood (violin), Lawrence Power (viola), BBC
&lt;TT&gt;SAT        &lt;/TT&gt;Scottish Symphony Orchestra, Ilan Volkov (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;HYPERION CDA67801 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;10:40am&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Simon Heighes joins Andrew to discuss some recent releases
&lt;TT&gt;SAT        &lt;/TT&gt;of baroque repertoire:
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Sublime Discourses; John Milton and Martin Peerson - The
&lt;TT&gt;SAT        &lt;/TT&gt;Complete Instrumental Music
&lt;TT&gt;SAT        &lt;/TT&gt;PEERSON: Fantasia Acquaintance (G minor) a 6 (P III/2);
&lt;TT&gt;SAT        &lt;/TT&gt;Almaine (G minor) a 6 (P III/U3); Fantasia Beauty (G major)
&lt;TT&gt;SAT        &lt;/TT&gt;a 6 (P III/4); Almaine (G major) a 6 (P III/5); Piper’s
&lt;TT&gt;SAT        &lt;/TT&gt;Pavan (P VI/2); Fantasia Chowse (D major and minor) a 6 (P
&lt;TT&gt;SAT        &lt;/TT&gt;III/6); Almaine (G major) a 6 (P III/7); Fantasia Delicate
&lt;TT&gt;SAT        &lt;/TT&gt;(D minor) a 6 (P III/8); Almaine (G major) a 6 (P III/9);
&lt;TT&gt;SAT        &lt;/TT&gt;Alman (P VI/1); Fantasia (D minor) a 6 (P III/10); Almaine
&lt;TT&gt;SAT        &lt;/TT&gt;(D major) a 6 (P III/11); Fantasia Attendite a 5 (P III/1);
&lt;TT&gt;SAT        &lt;/TT&gt;Fantasia (G major) a 6 (P III/12); Almaine (G major) a 6 (P
&lt;TT&gt;SAT        &lt;/TT&gt;III/13); Almaine (G major) a 6 (P III/14); The Fall of the
&lt;TT&gt;SAT        &lt;/TT&gt;Leafe (P VI/3); The Primerose (P VI/4); Fantasia (D minor) a
&lt;TT&gt;SAT        &lt;/TT&gt;6 (P III/15)
&lt;TT&gt;SAT        &lt;/TT&gt;MILTON: Fantazia 1 (G minor) a 5 (M 16); Fantazia 3 (G
&lt;TT&gt;SAT        &lt;/TT&gt;major) a 5 (M 18); Fantazia 2 (A minor) a 5 (M 17); In
&lt;TT&gt;SAT        &lt;/TT&gt;Nomine, If that a sinner’s sighs (M 15); Fantazia 4 (D
&lt;TT&gt;SAT        &lt;/TT&gt;minor) a 5 (M 19); Fantazia 5 (A minor) a 6 (M 20);
&lt;TT&gt;SAT        &lt;/TT&gt;Michael Chance (countertenor), Sophie Yates (virginals),
&lt;TT&gt;SAT        &lt;/TT&gt;Fretwork
&lt;TT&gt;SAT        &lt;/TT&gt;REGENT REGCD341 (CD, mid-price)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;LOCKE: The Broken Consort; Triple concordia in G minor;
&lt;TT&gt;SAT        &lt;/TT&gt;Triple concordia in G major
&lt;TT&gt;SAT        &lt;/TT&gt;The Locke Consort: John Wilson Meyer (violin), Mimi
&lt;TT&gt;SAT        &lt;/TT&gt;Mitchell (violin), Susanne Braumann (viola da gamba), Fred
&lt;TT&gt;SAT        &lt;/TT&gt;Jacobs (theorbo)
&lt;TT&gt;SAT        &lt;/TT&gt;METRONOME METCD1086 (2CD, mid-price)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;FINGER: Sonatae pro diversis instrumentis op. 1.
&lt;TT&gt;SAT        &lt;/TT&gt;Echo du Danube: Martin Jopp, Lotta Suvanto and Jorn
&lt;TT&gt;SAT        &lt;/TT&gt;Sebastian Kuhlmann (violins); Eva Salonen (viola); Lutz
&lt;TT&gt;SAT        &lt;/TT&gt;Gillmann (harpsichord and organ); Christian Zincke (viola da
&lt;TT&gt;SAT        &lt;/TT&gt;gamba and director)
&lt;TT&gt;SAT        &lt;/TT&gt;ACCENT ACC24264 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;The Father, The Son and The Godfather
&lt;TT&gt;SAT        &lt;/TT&gt;TELEMANN: Trio Sonata in D minor TWV42:d7; Sonata in D major
&lt;TT&gt;SAT        &lt;/TT&gt;TWV41:D6; Trio Sonata in G minor TWV42:g9
&lt;TT&gt;SAT        &lt;/TT&gt;JS BACH: Sonata in B minor BWV1030
&lt;TT&gt;SAT        &lt;/TT&gt;CPE BACH: Trio Sonata in F major Wq163; Sonata in G minor
&lt;TT&gt;SAT        &lt;/TT&gt;Wq88
&lt;TT&gt;SAT        &lt;/TT&gt;Paradiso Musicale: Dan Laurin (recorder), Henrik Frendin
&lt;TT&gt;SAT        &lt;/TT&gt;(viola), Mats Olofsson (cello), Anna Paradiso (harpsichord)
&lt;TT&gt;SAT        &lt;/TT&gt;BIS BISCD1895 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Telemann Opera Arias
&lt;TT&gt;SAT        &lt;/TT&gt;TELEMANN: Kommm o Schlaf und lass mein Leid (from
&lt;TT&gt;SAT        &lt;/TT&gt;Germanicus); Das Auge starrt die Lippen beben, Erscheine
&lt;TT&gt;SAT        &lt;/TT&gt;bald du Irrlicht meiner Sinne, Violin Concerto in A minor,
&lt;TT&gt;SAT        &lt;/TT&gt;Steckt Mars den Degen ein (from Emma und Eginhard); Mir
&lt;TT&gt;SAT        &lt;/TT&gt;schmeichelt die Hoffnung, Violin Concerto in C Major, Mich
&lt;TT&gt;SAT        &lt;/TT&gt;trostet die Hoffnung (from Der geduldige Socrates); Ach seht
&lt;TT&gt;SAT        &lt;/TT&gt;mich doch geliebte Augen (from Der neumodische Liebhaber
&lt;TT&gt;SAT        &lt;/TT&gt;Damon); Ach was fur Qual und Schmerz (from Der ungluckliche
&lt;TT&gt;SAT        &lt;/TT&gt;Alcmeon); Meine Trunen werden Wellen (from Der geduldige
&lt;TT&gt;SAT        &lt;/TT&gt;Socrates)
&lt;TT&gt;SAT        &lt;/TT&gt;Nuria Rial (soprano), Julia Shroder (solo violin),
&lt;TT&gt;SAT        &lt;/TT&gt;Kammerorchester Basel
&lt;TT&gt;SAT        &lt;/TT&gt;SONY 88697922562 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;VIVALDI: Concerto in C major RV114; Sonata a 4 in E flat
&lt;TT&gt;SAT        &lt;/TT&gt;major ‘Al Santo Sepolcro’ RV 130; Concerto in G minor RV152;
&lt;TT&gt;SAT        &lt;/TT&gt;Concerto in D minor RV128; Concerto in D minor ‘Concerto
&lt;TT&gt;SAT        &lt;/TT&gt;madrigalesco’ RV129; Sinfonia in C major from La Senna
&lt;TT&gt;SAT        &lt;/TT&gt;festeggiante RV693; Concerto in F minor RV143; Concerto in G
&lt;TT&gt;SAT        &lt;/TT&gt;minor RV157; Concerto in E minor RV134; Concerto in A major
&lt;TT&gt;SAT        &lt;/TT&gt;RV158
&lt;TT&gt;SAT        &lt;/TT&gt;Arte dei Suonatori, Aureluisz Golinski (leader)
&lt;TT&gt;SAT        &lt;/TT&gt;BIS BISCD1845 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;11.40am Disc of the Week&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;WAGNER: Die Meistersinger von Nurnberg (The Mastersingers of
&lt;TT&gt;SAT        &lt;/TT&gt;Nuremberg)
&lt;TT&gt;SAT        &lt;/TT&gt;Albert Dohmen (baritone, Hans Sachs); Dietrich Henschel
&lt;TT&gt;SAT        &lt;/TT&gt;(bass, Sixtus Beckmesser); Edith Haller (soprano, Eva);
&lt;TT&gt;SAT        &lt;/TT&gt;Robert Dean Smith (tenor, Walther); Rundfunkchor Berlin;
&lt;TT&gt;SAT        &lt;/TT&gt;Rundfunk-Sinfonieorchester Berlin; Marek Janowski
&lt;TT&gt;SAT        &lt;/TT&gt;(conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;PENTATONE PTC5186402 (4CD + book)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;12:15 Music Feature &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pmv8.html&gt;b019pmv8&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pmv8&gt;(Listen)&lt;/A&gt;&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;The Cellists that Time Forgot
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Think of cellists from the past and the names Casals,
&lt;TT&gt;SAT        &lt;/TT&gt;Fournier, Rostropovich and Du Pre immediately spring to
&lt;TT&gt;SAT        &lt;/TT&gt;mind. But what about the ones that got away? There are great
&lt;TT&gt;SAT        &lt;/TT&gt;cellists who, over time, have faded from public
&lt;TT&gt;SAT        &lt;/TT&gt;consciousness - until now. In this compelling feature,
&lt;TT&gt;SAT        &lt;/TT&gt;Julian Lloyd Webber reveals four forgotten 'heroes' who
&lt;TT&gt;SAT        &lt;/TT&gt;helped to shape his own destiny as one of the foremost
&lt;TT&gt;SAT        &lt;/TT&gt;cellists of his generation.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;As an instrument the cello has never been more popular and
&lt;TT&gt;SAT        &lt;/TT&gt;the level of playing, never better. From humble beginnings
&lt;TT&gt;SAT        &lt;/TT&gt;the cello is now an established solo instrument that any
&lt;TT&gt;SAT        &lt;/TT&gt;present-day composer would want to write for. In this - his
&lt;TT&gt;SAT        &lt;/TT&gt;sixtieth birthday year - one of today's most renowned solo
&lt;TT&gt;SAT        &lt;/TT&gt;cellists, Julian Lloyd Webber, not only tells the story of
&lt;TT&gt;SAT        &lt;/TT&gt;his cellist heroes, but introduces rare and relatively
&lt;TT&gt;SAT        &lt;/TT&gt;unheard recordings. He'll tell the story of the cellists
&lt;TT&gt;SAT        &lt;/TT&gt;themselves, explore how they have inspired him, and look at
&lt;TT&gt;SAT        &lt;/TT&gt;how the art and style of the cellist has changed through the
&lt;TT&gt;SAT        &lt;/TT&gt;centuries.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;1) Felix Salmond (1888 - 1952). A marvellous cellist whose
&lt;TT&gt;SAT        &lt;/TT&gt;career was overshadowed by the disastrous first performance
&lt;TT&gt;SAT        &lt;/TT&gt;of Elgar's Cello Concerto in which he was the soloist.
&lt;TT&gt;SAT        &lt;/TT&gt;Although no-one laid the blame on him (the problem was with
&lt;TT&gt;SAT        &lt;/TT&gt;the under-rehearsed orchestra) his career (and his
&lt;TT&gt;SAT        &lt;/TT&gt;confidence) suffered and he fled to America where he
&lt;TT&gt;SAT        &lt;/TT&gt;embarked on a very distinguished teaching career which
&lt;TT&gt;SAT        &lt;/TT&gt;produced some of the finest players of modern times.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;2) Milos Sadlo (1912 - 2003). Everyone thinks that it was
&lt;TT&gt;SAT        &lt;/TT&gt;Rostropovich who re-introduced the long lost Haydn C major
&lt;TT&gt;SAT        &lt;/TT&gt;Concerto to the world after it was rediscovered in Prague in
&lt;TT&gt;SAT        &lt;/TT&gt;1961. But it was Milos Sadlo - a fabulous cellist with a
&lt;TT&gt;SAT        &lt;/TT&gt;wide discography.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;3) Antonio Janigro (1918 -1989). The Italian cellist Antonio
&lt;TT&gt;SAT        &lt;/TT&gt;Janigro was a prolific recording artist. When war broke out
&lt;TT&gt;SAT        &lt;/TT&gt;in 1939 he found himself trapped in Zagreb where he was on
&lt;TT&gt;SAT        &lt;/TT&gt;holiday, and was forced to remain there. Luckily he was
&lt;TT&gt;SAT        &lt;/TT&gt;offered a professorship at Zagreb Conservatory and he
&lt;TT&gt;SAT        &lt;/TT&gt;eventually formed the widely recorded I Soloisti di Zagreb
&lt;TT&gt;SAT        &lt;/TT&gt;which he both conducted and played with as a cello soloist.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;4) Leonard Rose (1918-1984). An American cellist who not
&lt;TT&gt;SAT        &lt;/TT&gt;only enjoyed a distinguished recording career but went on to
&lt;TT&gt;SAT        &lt;/TT&gt;be one of the world's leading pedagogues, counting Yo Yo Ma
&lt;TT&gt;SAT        &lt;/TT&gt;and Lynn Harrell among his pupils.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;This feature is more than a biographical snapshot into cello
&lt;TT&gt;SAT        &lt;/TT&gt;history. Julian relates these cellists to wider developments
&lt;TT&gt;SAT        &lt;/TT&gt;in the cellist repertoire, fusing this with his personal
&lt;TT&gt;SAT        &lt;/TT&gt;passions.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Presented by Julian Lloyd Webber.
&lt;TT&gt;SAT        &lt;/TT&gt;Interviewees: Tully Potter - music historian; Professor
&lt;TT&gt;SAT        &lt;/TT&gt;Robin Stowell - Cardiff University; Kenneth Woods - cellist
&lt;TT&gt;SAT        &lt;/TT&gt;&amp; conductor.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;13:00 The Early Music Show &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pmvb.html&gt;b019pmvb&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pmvb&gt;(Listen)&lt;/A&gt;&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Kitty Clive
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Lucie Skeaping talks to musicologist Berta Joncus about the
&lt;TT&gt;SAT        &lt;/TT&gt;one of the 18th Century's colourful characters, the soprano
&lt;TT&gt;SAT        &lt;/TT&gt;Kitty Clive. Clive was born in London in the early 18th
&lt;TT&gt;SAT        &lt;/TT&gt;century, and rose to become London's top singer and comic
&lt;TT&gt;SAT        &lt;/TT&gt;actress, and a celebrity in her day. Berta Joncus is
&lt;TT&gt;SAT        &lt;/TT&gt;currently writing a book about Kitty Clive, and how she
&lt;TT&gt;SAT        &lt;/TT&gt;fascinated audiences for decades. The programme includes
&lt;TT&gt;SAT        &lt;/TT&gt;music she made famous, including Arne's 'Rule Britannia',
&lt;TT&gt;SAT        &lt;/TT&gt;and also music written for her by Handel.
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;George Frideric Handel
&lt;TT&gt;SAT        &lt;/TT&gt;Air: ‘Mirth, admit me of thy crew’ from ‘L'Allegro, il
&lt;TT&gt;SAT        &lt;/TT&gt;Penseroso ed il Moderato’ (pastoral ode)
&lt;TT&gt;SAT        &lt;/TT&gt;Claron McFadden (soprano), The King’s Consort, Robert King
&lt;TT&gt;SAT        &lt;/TT&gt;(conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;HYPERION
&lt;TT&gt;SAT        &lt;/TT&gt;CDA 67283/4
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;John Gay
&lt;TT&gt;SAT        &lt;/TT&gt;Now Ponder Well’ from Act 1 of ‘The Beggar’s Opera
&lt;TT&gt;SAT        &lt;/TT&gt;Bronwen Mills (soprano), The Broadside Band, Jeremy Barlow
&lt;TT&gt;SAT        &lt;/TT&gt;(director)
&lt;TT&gt;SAT        &lt;/TT&gt;HYPERION
&lt;TT&gt;SAT        &lt;/TT&gt;CDA 66591/2
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;George Frideric Handel
&lt;TT&gt;SAT        &lt;/TT&gt;‘Was ever a Man possest’ (adapted from the aria ‘No, non
&lt;TT&gt;SAT        &lt;/TT&gt;temere, o bella’ in the opera ‘Ottone’)
&lt;TT&gt;SAT        &lt;/TT&gt;Mary Bevan (soprano), Greg Tassell (tenor), L'Avventura
&lt;TT&gt;SAT        &lt;/TT&gt;London, Zak Ozmo (director)
&lt;TT&gt;SAT        &lt;/TT&gt;OPELLA NOVA
&lt;TT&gt;SAT        &lt;/TT&gt;ONCD 014
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Thomas Arne
&lt;TT&gt;SAT        &lt;/TT&gt;Rule, Britannia (from the masque ‘Alfred’)
&lt;TT&gt;SAT        &lt;/TT&gt;Catherine Bott (soprano), Joseph Cornwell (tenor), Psalmody,
&lt;TT&gt;SAT        &lt;/TT&gt;The Parley of Instruments, Peter Holman (director)
&lt;TT&gt;SAT        &lt;/TT&gt;HYPERION
&lt;TT&gt;SAT        &lt;/TT&gt;CDA 67115
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;George Frideric Handel
&lt;TT&gt;SAT        &lt;/TT&gt;‘There were shepherds abiding in the field…’ (from Part 1 of
&lt;TT&gt;SAT        &lt;/TT&gt;‘Messiah’, London version, 1743)
&lt;TT&gt;SAT        &lt;/TT&gt;Elly Ameling (soprano), Academy of St Martin-in-the-Fields,
&lt;TT&gt;SAT        &lt;/TT&gt;Neville Marriner (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;DECCA
&lt;TT&gt;SAT        &lt;/TT&gt;421 234-2
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;George Frideric Handel
&lt;TT&gt;SAT        &lt;/TT&gt;‘My Faith and Truth’ (from Act 2 scene 2 of ‘Samson’)
&lt;TT&gt;SAT        &lt;/TT&gt;Lynda Russell (soprano), Lynne Dawson (soprano), The
&lt;TT&gt;SAT        &lt;/TT&gt;Sixteen, The Symphony of Harmony and Invention, Harry
&lt;TT&gt;SAT        &lt;/TT&gt;Christophers (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;CORO
&lt;TT&gt;SAT        &lt;/TT&gt;COR 16008
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Thomas Arne
&lt;TT&gt;SAT        &lt;/TT&gt;When Daisies pied and violets blue
&lt;TT&gt;SAT        &lt;/TT&gt;Catherine Bott (soprano), The Parley of Instruments, Peter
&lt;TT&gt;SAT        &lt;/TT&gt;Holman (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;HYPERION
&lt;TT&gt;SAT        &lt;/TT&gt;CDA 67450
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;William Boyce
&lt;TT&gt;SAT        &lt;/TT&gt;Allegro from ‘Ode for the King’s Birthday’; ‘Corydon and
&lt;TT&gt;SAT        &lt;/TT&gt;Miranda’
&lt;TT&gt;SAT        &lt;/TT&gt;Julia Gooding (soprano), Philippa Hyde (soprano), Joseph
&lt;TT&gt;SAT        &lt;/TT&gt;Cornwell (tenor), Timothy Kenworthy-Brown (countertenor),
&lt;TT&gt;SAT        &lt;/TT&gt;Christopher Lemmings (tenor), Andrew Dale-Forbes (bass),
&lt;TT&gt;SAT        &lt;/TT&gt;Michael Bundy (bass), Opera Restor’d, Peter Holman
&lt;TT&gt;SAT        &lt;/TT&gt;(director)
&lt;TT&gt;SAT        &lt;/TT&gt;HYPERION
&lt;TT&gt;SAT        &lt;/TT&gt;CDA 66935
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;George Frideric Handel
&lt;TT&gt;SAT        &lt;/TT&gt;Excerpt from ‘Sweet bird, that shun’st the noise of Folly’
&lt;TT&gt;SAT        &lt;/TT&gt;(from Part 1 of ‘L’Allegro, il Penseroso ed il Moderato’)
&lt;TT&gt;SAT        &lt;/TT&gt;Rachel Brown (flute), The King’s Consort, Robert King
&lt;TT&gt;SAT        &lt;/TT&gt;(conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;HYPERION
&lt;TT&gt;SAT        &lt;/TT&gt;CDA 67283/4
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;14:00 Radio 3 Lunchtime Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m31w.html&gt;b019m31w&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m31w&gt;(Listen)&lt;/A&gt;&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Takacs Quartet
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Formed in 1975, the Takacs Quartet are widely acknowledged
&lt;TT&gt;SAT        &lt;/TT&gt;as one of the world's pre-eminent string quartets. In this
&lt;TT&gt;SAT        &lt;/TT&gt;broadcast in Radio 3's regular Monday lunchtime series
&lt;TT&gt;SAT        &lt;/TT&gt;from London's Wigmore Hall, they perform Haydn's Quartet in
&lt;TT&gt;SAT        &lt;/TT&gt;D, Op 64 No. 5 (known as 'The Lark' because of its soaring
&lt;TT&gt;SAT        &lt;/TT&gt;first violin line) and a less well known Dvorak quartet, the
&lt;TT&gt;SAT        &lt;/TT&gt;one in E flat, Op 51. Presented by Sarah Walker.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Haydn: String Quartet in D Op 64 No 5 'The Lark'
&lt;TT&gt;SAT        &lt;/TT&gt;Dvorak: String Quartet in E flat Op 51
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Takacs Quartet.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:00 Saturday Classics &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pmvd.html&gt;b019pmvd&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pmvd&gt;(Listen)&lt;/A&gt;&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Simon Heffer's British Music, Episode 3 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;The third of four programmes in which journalist Simon 
&lt;TT&gt;SAT        &lt;/TT&gt;Heffer makes a personal selection of music from the British 
&lt;TT&gt;SAT        &lt;/TT&gt;Isles, including works by familiar composers as well as some 
&lt;TT&gt;SAT        &lt;/TT&gt;attractive pieces by less well-known names. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:00&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;William Alwyn 
&lt;TT&gt;SAT        &lt;/TT&gt;Derby Day - overture 
&lt;TT&gt;SAT        &lt;/TT&gt;Richard HICKOX 
&lt;TT&gt;SAT        &lt;/TT&gt;London Symphony Orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;CHANDOS 
&lt;TT&gt;SAT        &lt;/TT&gt;CHAN-9093 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:06&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Sir William Walton 
&lt;TT&gt;SAT        &lt;/TT&gt;Concerto for cello and orchestra - 3rd movement; Tema ed 
&lt;TT&gt;SAT        &lt;/TT&gt;improvvisazioni 
&lt;TT&gt;SAT        &lt;/TT&gt;Charles MUNCH 
&lt;TT&gt;SAT        &lt;/TT&gt;Gregor PIATIGORSKY - Cello 
&lt;TT&gt;SAT        &lt;/TT&gt;Boston Symphony Orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;RCA 
&lt;TT&gt;SAT        &lt;/TT&gt;09026-61498-2 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:19&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;[traditional] 
&lt;TT&gt;SAT        &lt;/TT&gt;The Keys of Canterbury arr. Cecil Sharp for voice &amp; piano 
&lt;TT&gt;SAT        &lt;/TT&gt;Gerald MOORE - Piano 
&lt;TT&gt;SAT        &lt;/TT&gt;Steuart WILSON - Tenor 
&lt;TT&gt;SAT        &lt;/TT&gt;ACE OF CLUBS 
&lt;TT&gt;SAT        &lt;/TT&gt;ACL LP 303 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:22&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;[traditional] 
&lt;TT&gt;SAT        &lt;/TT&gt;O No, John, arr. Cecil Sharp for voice &amp; piano 
&lt;TT&gt;SAT        &lt;/TT&gt;Gerald MOORE - Piano 
&lt;TT&gt;SAT        &lt;/TT&gt;Steuart WILSON - Tenor 
&lt;TT&gt;SAT        &lt;/TT&gt;ACE OF CLUBS 
&lt;TT&gt;SAT        &lt;/TT&gt;ACL LP 303 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:25&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;[traditional] 
&lt;TT&gt;SAT        &lt;/TT&gt;Mowing the barley, arr. Cecil Sharp for voice &amp; piano 
&lt;TT&gt;SAT        &lt;/TT&gt;Gerald MOORE - Piano 
&lt;TT&gt;SAT        &lt;/TT&gt;Steuart WILSON - Tenor 
&lt;TT&gt;SAT        &lt;/TT&gt;ACE OF CLUBS 
&lt;TT&gt;SAT        &lt;/TT&gt;ACL LP 303 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:28&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;John Foulds 
&lt;TT&gt;SAT        &lt;/TT&gt;3 Mantras Op.61b for orchestra - no.2; Mantra II (of bliss) 
&lt;TT&gt;SAT        &lt;/TT&gt;[with female chorus, ad lib] 
&lt;TT&gt;SAT        &lt;/TT&gt;Barry WORDSWORTH 
&lt;TT&gt;SAT        &lt;/TT&gt;London Philharmonic Orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;Warner Classics 
&lt;TT&gt;SAT        &lt;/TT&gt;2564-61525-2 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:41&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Gerald Finzi 
&lt;TT&gt;SAT        &lt;/TT&gt;By Footpath and Stile Op.2 for baritone and string quartet 
&lt;TT&gt;SAT        &lt;/TT&gt;Roderick WILLIAMS - Baritone 
&lt;TT&gt;SAT        &lt;/TT&gt;Sacconi Quartet 
&lt;TT&gt;SAT        &lt;/TT&gt;Naxos 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;8.557963&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;16:04&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Hamilton Harty 
&lt;TT&gt;SAT        &lt;/TT&gt;Fantasy Scenes from an Eastern Romance 
&lt;TT&gt;SAT        &lt;/TT&gt;Takuo YUASA 
&lt;TT&gt;SAT        &lt;/TT&gt;Ulster Orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;Naxos 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;8.557731&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;16:16&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;George Lloyd 
&lt;TT&gt;SAT        &lt;/TT&gt;Symphony no. 4 in B major - 4th movement; Finale 
&lt;TT&gt;SAT        &lt;/TT&gt;Rumon GAMBA 
&lt;TT&gt;SAT        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;16:36&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;George Butterworth 
&lt;TT&gt;SAT        &lt;/TT&gt;Love blows as the wind blows - 3 songs, arr. for baritone 
&lt;TT&gt;SAT        &lt;/TT&gt;and small orchestra (orig. 4 songs with piano) 
&lt;TT&gt;SAT        &lt;/TT&gt;Vernon HANDLEY 
&lt;TT&gt;SAT        &lt;/TT&gt;Robert TEAR - Tenor 
&lt;TT&gt;SAT        &lt;/TT&gt;City Of Birmingham S O. 
&lt;TT&gt;SAT        &lt;/TT&gt;EMI 
&lt;TT&gt;SAT        &lt;/TT&gt;CDM7 64731-2 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;16:46&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Gordon Jacob 
&lt;TT&gt;SAT        &lt;/TT&gt;Concerto for trombone and orchestra - 1st movement 
&lt;TT&gt;SAT        &lt;/TT&gt;Grant LLEWELLYN 
&lt;TT&gt;SAT        &lt;/TT&gt;Christian LINDBERG - Trombone 
&lt;TT&gt;SAT        &lt;/TT&gt;BBC National Orchestra Of Wales 
&lt;TT&gt;SAT        &lt;/TT&gt;BIS 
&lt;TT&gt;SAT        &lt;/TT&gt;CD 658 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;17:00 Jazz Record Requests &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pmvg.html&gt;b019pmvg&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pmvg&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Geoffrey Smith presents a selection of listeners' jazz 
&lt;TT&gt;SAT        &lt;/TT&gt;requests. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Artist: Wynton Marsalis 
&lt;TT&gt;SAT        &lt;/TT&gt;Title: Oh, but on the Third Day (Happy Feet Blues) (JRR 
&lt;TT&gt;SAT        &lt;/TT&gt;Signature Tune) 
&lt;TT&gt;SAT        &lt;/TT&gt;Wynton Marsalis 
&lt;TT&gt;SAT        &lt;/TT&gt;Wynton Marsalis (tp), Marcus Roberts (p), Todd Williams 
&lt;TT&gt;SAT        &lt;/TT&gt;(ts), Dr Michael White (cl), Danny Barker (bj), Teddy Riley 
&lt;TT&gt;SAT        &lt;/TT&gt;(tp), Freddie Lonzo (tb), Reginald Veal (b), Herlin Riley 
&lt;TT&gt;SAT        &lt;/TT&gt;(d) 
&lt;TT&gt;SAT        &lt;/TT&gt;Recorded: 28 October 1988 
&lt;TT&gt;SAT        &lt;/TT&gt;Album: The Majesty of the Blues 
&lt;TT&gt;SAT        &lt;/TT&gt;Label: 1989 CD CBS 465129 2 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Artist: Juanita Hall 
&lt;TT&gt;SAT        &lt;/TT&gt;Title: Lovin’ Sam from Alabam’ 
&lt;TT&gt;SAT        &lt;/TT&gt;Perry Bradford 
&lt;TT&gt;SAT        &lt;/TT&gt;Juanita Hall (v), Claude Hopkins (p &amp; arranger), Coleman 
&lt;TT&gt;SAT        &lt;/TT&gt;Hawkins (tenor sax), Buster Bailey (cl), Doc Cheatham (tr), 
&lt;TT&gt;SAT        &lt;/TT&gt;Jimmy Crawford (d), George Duvivier (b) 
&lt;TT&gt;SAT        &lt;/TT&gt;Recorded: 1957 
&lt;TT&gt;SAT        &lt;/TT&gt;Album: Sings the Blues 
&lt;TT&gt;SAT        &lt;/TT&gt;Label: Fresh Record Sounds FSRCD68 
&lt;TT&gt;SAT        &lt;/TT&gt;Track: Track 12 2.35 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Artist: George Shearing 
&lt;TT&gt;SAT        &lt;/TT&gt;Title: Parry Opus 
&lt;TT&gt;SAT        &lt;/TT&gt;Parry Opus 
&lt;TT&gt;SAT        &lt;/TT&gt;George Shearing (p), Harry Parry (cl), Roy Marsh 
&lt;TT&gt;SAT        &lt;/TT&gt;(vibraphone), Frank Deniz (g), Sam Molineaux (b), Ben 
&lt;TT&gt;SAT        &lt;/TT&gt;Edwards (d) 
&lt;TT&gt;SAT        &lt;/TT&gt;Recorded: May 3rd 1941 
&lt;TT&gt;SAT        &lt;/TT&gt;Album: The Early Years 
&lt;TT&gt;SAT        &lt;/TT&gt;Label: JSP Records JSP954B 
&lt;TT&gt;SAT        &lt;/TT&gt;Track: Track 11 3.11 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Artist: Mike Daniels’ Delta Jazzband 
&lt;TT&gt;SAT        &lt;/TT&gt;Title: Steamboat Stomp 
&lt;TT&gt;SAT        &lt;/TT&gt;Boyd Senter 
&lt;TT&gt;SAT        &lt;/TT&gt;Mike Daniels (tr), Johnny Barnes (cl), Gordon Blundy (tb), 
&lt;TT&gt;SAT        &lt;/TT&gt;Dez Bacon (p &amp; cl), Geoff Walker (banjo), Don Smith (b), 
&lt;TT&gt;SAT        &lt;/TT&gt;Arthur Fyatt (d) 
&lt;TT&gt;SAT        &lt;/TT&gt;Recorded: 10th and 17th March 1960 
&lt;TT&gt;SAT        &lt;/TT&gt;Album: Mike on Mike 
&lt;TT&gt;SAT        &lt;/TT&gt;Label: Columbia SX1256 
&lt;TT&gt;SAT        &lt;/TT&gt;T rack: S1/1 4.10 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Artist: Woody Herman 
&lt;TT&gt;SAT        &lt;/TT&gt;Title: Let it Snow! Let it Snow! Let it Snow! 
&lt;TT&gt;SAT        &lt;/TT&gt;Sammy Cahn and Julie Styne 
&lt;TT&gt;SAT        &lt;/TT&gt;Woody Herman (cl, as, voc), Sonny Berman, Neal Hefti, Irv 
&lt;TT&gt;SAT        &lt;/TT&gt;Lewis, Pete Candoli, Conte Candoli (tp), Ralph Pfeffner, 
&lt;TT&gt;SAT        &lt;/TT&gt;Bill Harris, Ed Kiefer (tb), Sam Marowitz, John La Porta 
&lt;TT&gt;SAT        &lt;/TT&gt;(cl, as), Flip Phillips, Mickey Folus (ts), Sam Rubinowitch 
&lt;TT&gt;SAT        &lt;/TT&gt;(fl, bs) Tony Aless (p), Billy Bauer (g), Don Lamond (d) 
&lt;TT&gt;SAT        &lt;/TT&gt;Recorded: New York, 10 December 1945 
&lt;TT&gt;SAT        &lt;/TT&gt;Album: The Woody Herman Story 
&lt;TT&gt;SAT        &lt;/TT&gt;Label: Proper P1159 
&lt;TT&gt;SAT        &lt;/TT&gt;Track: Disc 3, Track 4 3.14 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Artist: Bob Brookmeyer 
&lt;TT&gt;SAT        &lt;/TT&gt;Title: On the Sunny Side of the Street 
&lt;TT&gt;SAT        &lt;/TT&gt;McHugh &amp; Fields 
&lt;TT&gt;SAT        &lt;/TT&gt;Bob Brookmeyer (tb), Jimmy Rowles (p), Buddy Clark (b), Mel 
&lt;TT&gt;SAT        &lt;/TT&gt;Lewis (d) 
&lt;TT&gt;SAT        &lt;/TT&gt;Recorded: Los Angeles, 16 June 1960 
&lt;TT&gt;SAT        &lt;/TT&gt;Album: The Blues Hot and Cold 
&lt;TT&gt;SAT        &lt;/TT&gt;Label: HMV CLP 1438 
&lt;TT&gt;SAT        &lt;/TT&gt;Track: S1/1 6.05 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Artist: Bruce Turner 
&lt;TT&gt;SAT        &lt;/TT&gt;Title: Sandpiper 
&lt;TT&gt;SAT        &lt;/TT&gt;Bruce Turner 
&lt;TT&gt;SAT        &lt;/TT&gt;Bruce Turner (as), Dave Cliff (g), Dave Green (b), Eddie 
&lt;TT&gt;SAT        &lt;/TT&gt;Taylor (d) 
&lt;TT&gt;SAT        &lt;/TT&gt;Recorded: Porcupine Studio, London, 1985 
&lt;TT&gt;SAT        &lt;/TT&gt;Album: The Dirty Bopper 
&lt;TT&gt;SAT        &lt;/TT&gt;Label: Upbeat Jazz URCD147 
&lt;TT&gt;SAT        &lt;/TT&gt;Track: Track 1 5.13 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Artist: Blues for C.A 
&lt;TT&gt;SAT        &lt;/TT&gt;Title: Jimmy Smith 
&lt;TT&gt;SAT        &lt;/TT&gt;Jimmy Smith 
&lt;TT&gt;SAT        &lt;/TT&gt;Jimmy Smith (organ), Jimmy Maxwell, Joe Newman, Snooky Young 
&lt;TT&gt;SAT        &lt;/TT&gt;(tr), Kai Winding, Jimmy Cleveland, Melba Liston, Paul 
&lt;TT&gt;SAT        &lt;/TT&gt;Faulise (tb), Jerry Dodgion, Marvin Holladay, Budd Johnson, 
&lt;TT&gt;SAT        &lt;/TT&gt;Seldon Powell, Phil Woods (s), Kenny Burrell (g), Art Davis 
&lt;TT&gt;SAT        &lt;/TT&gt;(b), Bob Bushness (fender b), George Devens (perc), Herb 
&lt;TT&gt;SAT        &lt;/TT&gt;Lovelle (d) 
&lt;TT&gt;SAT        &lt;/TT&gt;Recorded: New York, 1963 
&lt;TT&gt;SAT        &lt;/TT&gt;Album: Any Number Can Win 
&lt;TT&gt;SAT        &lt;/TT&gt;Label: Verve VLP 9057 
&lt;TT&gt;SAT        &lt;/TT&gt;Track: S2/5 3.42 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Artist: Johnny Hodges 
&lt;TT&gt;SAT        &lt;/TT&gt;Title: Let’s Fall in Love 
&lt;TT&gt;SAT        &lt;/TT&gt;Harold Arlen 
&lt;TT&gt;SAT        &lt;/TT&gt;Johnny Hodges (as), Ben Webster (ts), Roy Eldridge (tr), 
&lt;TT&gt;SAT        &lt;/TT&gt;Lawrence Brown (tb), Billy Strayhorn (p), Wendell Marshall 
&lt;TT&gt;SAT        &lt;/TT&gt;(b), Jo Jones (d) 
&lt;TT&gt;SAT        &lt;/TT&gt;Recorded: Nola Studios, New York, 14 August 1958 
&lt;TT&gt;SAT        &lt;/TT&gt;Album: Side by Side 
&lt;TT&gt;SAT        &lt;/TT&gt;Label: Verve 521 405-2 
&lt;TT&gt;SAT        &lt;/TT&gt;Track: Track 6, 6.45 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Artist: Gwilym Simcock 
&lt;TT&gt;SAT        &lt;/TT&gt;Title: Blues Vignette 
&lt;TT&gt;SAT        &lt;/TT&gt;Gwilym Simcock 
&lt;TT&gt;SAT        &lt;/TT&gt;Gwilym Simcock (p), Yuri Goloubev (b), James Maddren (d) 
&lt;TT&gt;SAT        &lt;/TT&gt;Recorded: Berry House, Ardingly, West Sussex, August 2009 
&lt;TT&gt;SAT        &lt;/TT&gt;Album: Blues Vignette 
&lt;TT&gt;SAT        &lt;/TT&gt;Label: Basho SRCD322 (2) 
&lt;TT&gt;SAT        &lt;/TT&gt;Track: Disk 2, Track 3 8.12 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Artist: Sonny Rollins 
&lt;TT&gt;SAT        &lt;/TT&gt;Title: Pent-up House 
&lt;TT&gt;SAT        &lt;/TT&gt;Sonny Rollins 
&lt;TT&gt;SAT        &lt;/TT&gt;Sonny Rollins (ts), Clifford Brown (tr), Richie Powell (p), 
&lt;TT&gt;SAT        &lt;/TT&gt;George Morrow (b), Max Roach (d) 
&lt;TT&gt;SAT        &lt;/TT&gt;Recorded: New York, 22 March 1956 
&lt;TT&gt;SAT        &lt;/TT&gt;Album: Plus 4 
&lt;TT&gt;SAT        &lt;/TT&gt;Label: Prestige OJCCD2432 (1) 
&lt;TT&gt;SAT        &lt;/TT&gt;Track: Track 5 8.50 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;18:00 Opera on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pmvj.html&gt;b019pmvj&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pmvj&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Puccini's Tosca 
&lt;TT&gt;SAT        &lt;/TT&gt;Live from The Met 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;The action of Puccini's masterpiece takes place over a 
&lt;TT&gt;SAT        &lt;/TT&gt;single day and night in Rome. During that day an escaped 
&lt;TT&gt;SAT        &lt;/TT&gt;political prisoner shelters in a church. An artist, Mario 
&lt;TT&gt;SAT        &lt;/TT&gt;Cavaradossi, helps him. The artist's lover is opera-singer 
&lt;TT&gt;SAT        &lt;/TT&gt;Floria Tosca - passionate and jealous. The sadistic Chief of 
&lt;TT&gt;SAT        &lt;/TT&gt;Police Baron Scarpia is hunting both the escaped prisoner 
&lt;TT&gt;SAT        &lt;/TT&gt;and (for very different reasons) Tosca. By the following 
&lt;TT&gt;SAT        &lt;/TT&gt;morning Scarpia, Cavaradossi and Tosca are all dead - 
&lt;TT&gt;SAT        &lt;/TT&gt;murder, a firing squad and suicide. All of the ingredients 
&lt;TT&gt;SAT        &lt;/TT&gt;for the grandest of operas are present and Puccini's mastery 
&lt;TT&gt;SAT        &lt;/TT&gt;of the art of music-theatre produces an opera that manages 
&lt;TT&gt;SAT        &lt;/TT&gt;to be both ingeniously composed and highly popular. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;The Met has assembled a strong cast for this revival. 
&lt;TT&gt;SAT        &lt;/TT&gt;Leading American soprano Patricia Racette sings the title 
&lt;TT&gt;SAT        &lt;/TT&gt;role, the outstanding Argentine tenor Marcelo Álvarez is 
&lt;TT&gt;SAT        &lt;/TT&gt;Cavaradossi and the veteran American bass-baritone James 
&lt;TT&gt;SAT        &lt;/TT&gt;Morris brings his enormous experience to the role of 
&lt;TT&gt;SAT        &lt;/TT&gt;Scarpia. The conductor is the young Finnish maestro Mikko 
&lt;TT&gt;SAT        &lt;/TT&gt;Franck. He's currently Finnish National Opera's Artistic 
&lt;TT&gt;SAT        &lt;/TT&gt;Director and General Music Director - a job to which he was 
&lt;TT&gt;SAT        &lt;/TT&gt;appointed 8 years ago at the age of 25. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Tosca...Patricia Racette (Soprano) 
&lt;TT&gt;SAT        &lt;/TT&gt;Cavaradossi...Marcelo Álvarez (Tenor) 
&lt;TT&gt;SAT        &lt;/TT&gt;Scarpia...James Morris (Bass) 
&lt;TT&gt;SAT        &lt;/TT&gt;Sacristan...Paul Plishka (Bass) 
&lt;TT&gt;SAT        &lt;/TT&gt;Cesare Angelotti...Richard Bernstein (Bass) 
&lt;TT&gt;SAT        &lt;/TT&gt;Spoletta...Joel Sorensen (Tenor) 
&lt;TT&gt;SAT        &lt;/TT&gt;Sciarrone...James Courtney (Bass) 
&lt;TT&gt;SAT        &lt;/TT&gt;Jailer...Jeremy Galyon (Bass) 
&lt;TT&gt;SAT        &lt;/TT&gt;New York Metropolitan Opera Orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;New York Metropolitan Opera Chorus 
&lt;TT&gt;SAT        &lt;/TT&gt;Conductor.....Mikko Franck. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;21:30 Between the Ears &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pmvl.html&gt;b019pmvl&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pmvl&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;When You're Gone, You're Gone 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;English composer Jocelyn Pook leads a poignant and engaging 
&lt;TT&gt;SAT        &lt;/TT&gt;piece in which she explores what happens when we die. With 
&lt;TT&gt;SAT        &lt;/TT&gt;especially composed music and compelling recordings of local 
&lt;TT&gt;SAT        &lt;/TT&gt;shop keepers and friends, an Irish mystic and, not least, a 
&lt;TT&gt;SAT        &lt;/TT&gt;conversation she had with her mother, before she died last 
&lt;TT&gt;SAT        &lt;/TT&gt;year, this programme will captivate believers and non 
&lt;TT&gt;SAT        &lt;/TT&gt;believers to ponder. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;22:00 Pre-Hear &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pmvn.html&gt;b019pmvn&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pmvn&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Ahead of tonight's Total Immersion celebration of Jonathan 
&lt;TT&gt;SAT        &lt;/TT&gt;Harvey's music, a work by one of his erstwhile influences - 
&lt;TT&gt;SAT        &lt;/TT&gt;Milton Babbitt, with whom Jonathan Harvey studied during his 
&lt;TT&gt;SAT        &lt;/TT&gt;time in the USA at the end of the sixties. Babbitt died a 
&lt;TT&gt;SAT        &lt;/TT&gt;year ago tomorrow. The Composers Ensemble, directed by Paul 
&lt;TT&gt;SAT        &lt;/TT&gt;Zukofsky play his 1992 score 'Septet but Equal' scored for 
&lt;TT&gt;SAT        &lt;/TT&gt;three clarinets, piano, and string trio. Mark van de Wiel, 
&lt;TT&gt;SAT        &lt;/TT&gt;Duncan Prescott, clarinets; Robert Ault, clarinet/bass 
&lt;TT&gt;SAT        &lt;/TT&gt;clarinet; Ian Brown, piano; David le Page, violin; Sophie 
&lt;TT&gt;SAT        &lt;/TT&gt;Renshaw, violin; Zoe Martlew, cello. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;22:30 Hear and Now &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pmvq.html&gt;b019pmvq&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pmvq&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Jonathan Harvey, Episode 1 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;The first of two programmes celebrating one of Britain's 
&lt;TT&gt;SAT        &lt;/TT&gt;greatest living composers, Jonathan Harvey whose haunting, 
&lt;TT&gt;SAT        &lt;/TT&gt;spiritual and ecstatic music embraces the ideas of both East 
&lt;TT&gt;SAT        &lt;/TT&gt;and West. Recorded at the Barbican's 'Total Immersion' event 
&lt;TT&gt;SAT        &lt;/TT&gt;and presented by Tom Service in conversation with Jonathan 
&lt;TT&gt;SAT        &lt;/TT&gt;Cross 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Calling Across Time 
&lt;TT&gt;SAT        &lt;/TT&gt;Guildhall Symphony Orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;Richard Baker, conductor 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Marahi 
&lt;TT&gt;SAT        &lt;/TT&gt;Forms of Emptiness 
&lt;TT&gt;SAT        &lt;/TT&gt;BBC Singers 
&lt;TT&gt;SAT        &lt;/TT&gt;David Hill, conductor 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Madonna of Winter and Spring 
&lt;TT&gt;SAT        &lt;/TT&gt;BBC Symphony Orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;Martyn Brabbins, conductor. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;A name='SU'&gt;&lt;B&gt;SUNDAY 29 JANUARY 2012&lt;/B&gt;&lt;/A&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;00:00 Jazz Library &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pnf1.html&gt;b019pnf1&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pnf1&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge is one of Britain's most versatile jazz 
&lt;TT&gt;SUN        &lt;/TT&gt;musicians. He joins Alyn Shipton to pick his recordings, 
&lt;TT&gt;SUN        &lt;/TT&gt;including Soft Machine and his acclaimed duo with John 
&lt;TT&gt;SUN        &lt;/TT&gt;Williams. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Soft Machine 
&lt;TT&gt;SUN        &lt;/TT&gt;Huffin 
&lt;TT&gt;SUN        &lt;/TT&gt;K. Jenkins 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge, (g); John Marshall, (d); Karl Jenkins, (k); 
&lt;TT&gt;SUN        &lt;/TT&gt; Rick Sanders. (vn); Steve Cook, (b). 1978. 
&lt;TT&gt;SUN        &lt;/TT&gt;Harvest 
&lt;TT&gt;SUN        &lt;/TT&gt;4083 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;S Grapelli 
&lt;TT&gt;SUN        &lt;/TT&gt;Blues in G for B T 
&lt;TT&gt;SUN        &lt;/TT&gt;S Grapelli 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge, (g) ; Stephane Grapelli, (vn); Diz Disley, 
&lt;TT&gt;SUN        &lt;/TT&gt;(g); Brian Torf, (b). 15th April 1978. 
&lt;TT&gt;SUN        &lt;/TT&gt;Doctor Jazz 
&lt;TT&gt;SUN        &lt;/TT&gt;ASLP1001 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;S Grapelli 
&lt;TT&gt;SUN        &lt;/TT&gt;Minor Swing 
&lt;TT&gt;SUN        &lt;/TT&gt;Reinhardt / Grapelli 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge, (g) ; Stephane Grapelli, (vn); Martin 
&lt;TT&gt;SUN        &lt;/TT&gt;Taylor, (g); Jack Sewing, (b). 1981. 
&lt;TT&gt;SUN        &lt;/TT&gt;Concord Jazz 
&lt;TT&gt;SUN        &lt;/TT&gt;CJ-139 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge &amp; Vic Juris 
&lt;TT&gt;SUN        &lt;/TT&gt;Chips 
&lt;TT&gt;SUN        &lt;/TT&gt;Etheridge 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge, (g); Vic Juris, (g); Miroslav Vitous, (b) ; 
&lt;TT&gt;SUN        &lt;/TT&gt;Marcello Pelliteri, (d). Stuttgart, 1988. 
&lt;TT&gt;SUN        &lt;/TT&gt;Jazzpoint 
&lt;TT&gt;SUN        &lt;/TT&gt;jp1023 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge 
&lt;TT&gt;SUN        &lt;/TT&gt;Venerable Bede 
&lt;TT&gt;SUN        &lt;/TT&gt;Etheridge 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge, (g); Steve Franklin, (k); Henry Thomas, (b) 
&lt;TT&gt;SUN        &lt;/TT&gt;; Mark Fletcher, (d); Dudley Phillips, (b). 1992. 
&lt;TT&gt;SUN        &lt;/TT&gt;JazzPrint 
&lt;TT&gt;SUN        &lt;/TT&gt;JPVP102CD 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Sweet Chorus 
&lt;TT&gt;SUN        &lt;/TT&gt;Small Hotel 
&lt;TT&gt;SUN        &lt;/TT&gt;Rogers / Hart 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge, (g); Chris Garrick, (v); Dave Kelbie, (rg); 
&lt;TT&gt;SUN        &lt;/TT&gt;Andy Crowdy, (bs). 2009 
&lt;TT&gt;SUN        &lt;/TT&gt;Dyad 
&lt;TT&gt;SUN        &lt;/TT&gt;DY 027 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Sweet Chorus 
&lt;TT&gt;SUN        &lt;/TT&gt;Geantology 
&lt;TT&gt;SUN        &lt;/TT&gt;Etheridge 
&lt;TT&gt;SUN        &lt;/TT&gt;as above. 
&lt;TT&gt;SUN        &lt;/TT&gt;Dyad 
&lt;TT&gt;SUN        &lt;/TT&gt;DY027 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge 
&lt;TT&gt;SUN        &lt;/TT&gt;Sofa No 1 
&lt;TT&gt;SUN        &lt;/TT&gt;Frank Zappa 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge, (g); Steve Lodder, (k); Annie Whitehead, 
&lt;TT&gt;SUN        &lt;/TT&gt;(tb); Ben Castle, (s); Paul Jayasinha, (t); Teena Lyle, 
&lt;TT&gt;SUN        &lt;/TT&gt;(perc); Rob Statham, (b) ; Mike Bradley, (d). 1999 
&lt;TT&gt;SUN        &lt;/TT&gt;VoicePrint 
&lt;TT&gt;SUN        &lt;/TT&gt;JPVP 122CD 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge 
&lt;TT&gt;SUN        &lt;/TT&gt;My Romance 
&lt;TT&gt;SUN        &lt;/TT&gt;Rogers / Hammerstein 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge Solo (g) 2004 
&lt;TT&gt;SUN        &lt;/TT&gt;Dyad 
&lt;TT&gt;SUN        &lt;/TT&gt;DY 024 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Soft Machine Legacy 
&lt;TT&gt;SUN        &lt;/TT&gt;In the Back Room 
&lt;TT&gt;SUN        &lt;/TT&gt;Etheridge 
&lt;TT&gt;SUN        &lt;/TT&gt;John Etheridge, (el.g) ; Theo Travis, (sop/as); Hugh 
&lt;TT&gt;SUN        &lt;/TT&gt;Hopper, (el.b) ; John Marshall, (d). 2007 
&lt;TT&gt;SUN        &lt;/TT&gt;Moon June 
&lt;TT&gt;SUN        &lt;/TT&gt;MJR016 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;John Williams and John Etheridge 
&lt;TT&gt;SUN        &lt;/TT&gt;Mitopia 
&lt;TT&gt;SUN        &lt;/TT&gt;Rossi 
&lt;TT&gt;SUN        &lt;/TT&gt;John Williams, (g), John Etheridge (g). 2007. 
&lt;TT&gt;SUN        &lt;/TT&gt;Sony 
&lt;TT&gt;SUN        &lt;/TT&gt;70097 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;01:00 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pnf3.html&gt;b019pnf3&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pnf3&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Jonathan Swain presents a concert from the 2011 Bodensee 
&lt;TT&gt;SUN        &lt;/TT&gt;Festival with music by Beethoven, Mendelssohn and Hindemith 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;1:01 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Beethoven, Ludwig van [1770 -1827] 
&lt;TT&gt;SUN        &lt;/TT&gt;Trio for clarinet (or violin), cello and piano (Op.11) in B 
&lt;TT&gt;SUN        &lt;/TT&gt;flat major 
&lt;TT&gt;SUN        &lt;/TT&gt;Sharon Kam (clarinet), Gustav Rivinius (cello), Paul 
&lt;TT&gt;SUN        &lt;/TT&gt;Rivinius (piano), 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;1:23 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Mendelssohn, Felix [1809-1847] 
&lt;TT&gt;SUN        &lt;/TT&gt;Trio for piano and strings no. 2 (Op.66) in C minor 
&lt;TT&gt;SUN        &lt;/TT&gt;Antje Weithaas (violin), Gustav Rivinius (cello), Paul 
&lt;TT&gt;SUN        &lt;/TT&gt;Rivinius (piano), 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;1:51 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Hindemith, Paul [1895-1963] 
&lt;TT&gt;SUN        &lt;/TT&gt;Quartet for clarinet, violin, cello and piano 
&lt;TT&gt;SUN        &lt;/TT&gt;Sharon Kam (clarinet), Antje Weithaas (violin), Gustav 
&lt;TT&gt;SUN        &lt;/TT&gt;Rivinius (cello), Paul Rivinius (piano), 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;2:18 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Prokofiev, Sergey (1891-1953) 
&lt;TT&gt;SUN        &lt;/TT&gt;Symphony No.5 (Op.100) 
&lt;TT&gt;SUN        &lt;/TT&gt;Bulgarian National Radio Symphony Orchestra, Milen Nachev 
&lt;TT&gt;SUN        &lt;/TT&gt;(conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;3:01 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Dvorak, Antonin [1841-1904] 
&lt;TT&gt;SUN        &lt;/TT&gt;Cello Concerto in B minor (Op.104) 
&lt;TT&gt;SUN        &lt;/TT&gt;Truls Mørk (cello), Bergen Philharmonic Orchestra, Andrew 
&lt;TT&gt;SUN        &lt;/TT&gt;Litton (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;3:42 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Schubert, Franz (1797-1828) 
&lt;TT&gt;SUN        &lt;/TT&gt;6 Moments Musicaux (D.780) 
&lt;TT&gt;SUN        &lt;/TT&gt;Alfred Brendel (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;4:09 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Touchemoulin, Joseph (1727-1801) 
&lt;TT&gt;SUN        &lt;/TT&gt;Sinfonia in B flat major 
&lt;TT&gt;SUN        &lt;/TT&gt;Neue Düsseldorfer Hofsmusik 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;4:23 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Willan, Healey (1880-1968) 
&lt;TT&gt;SUN        &lt;/TT&gt;Te Deum Laudamus 
&lt;TT&gt;SUN        &lt;/TT&gt;Vancouver Bach Choir, Vancouver Symphony Orchestra, Bruce 
&lt;TT&gt;SUN        &lt;/TT&gt;Pullan (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;4:35 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Milhaud, Darius (1892-1974), arr. Timothy Kain 
&lt;TT&gt;SUN        &lt;/TT&gt;Scaramouche 
&lt;TT&gt;SUN        &lt;/TT&gt;Guitar Trek: Timothy Kain, Carolyn Kidd, Mark Norton, Peter 
&lt;TT&gt;SUN        &lt;/TT&gt;Constant (guitars) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;4:45 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Bach, Johann Sebastian (1685-1750) 
&lt;TT&gt;SUN        &lt;/TT&gt;Keyboard Concerto No.7 in G minor (BWV.1058) 
&lt;TT&gt;SUN        &lt;/TT&gt;Angela Hewitt (piano), Norwegian Chamber Orchestra. 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;5:01 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Abel, Carl Friedrich (1723-1787) 
&lt;TT&gt;SUN        &lt;/TT&gt;Trio in G major for 2 flutes and continuo (Op.16 No.4) 
&lt;TT&gt;SUN        &lt;/TT&gt;La Stagione Frankfurt: Karl Kaiser and Michael Schneider 
&lt;TT&gt;SUN        &lt;/TT&gt;(flutes), Rainer Zipperling (cello) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;5:11 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Sor, Fernando (1778-1839) 
&lt;TT&gt;SUN        &lt;/TT&gt;Introduction and variations on Mozart's 'O cara armonia' for 
&lt;TT&gt;SUN        &lt;/TT&gt;guitar (Op.9) 
&lt;TT&gt;SUN        &lt;/TT&gt;Ana Vidovic (guitar) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;5:19 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Ciurlionis, Mikalojus Konstantinas (1875-1911) 
&lt;TT&gt;SUN        &lt;/TT&gt;De Profundis (cantata) 
&lt;TT&gt;SUN        &lt;/TT&gt;Kaunas State Choir, Lithuanian National Symphony Orchestra, 
&lt;TT&gt;SUN        &lt;/TT&gt;Petras Bingelis (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;5:28 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Chopin, Frédéric (1810-1849) 
&lt;TT&gt;SUN        &lt;/TT&gt;Scherzo No.2 in B flat minor (Op.31) 
&lt;TT&gt;SUN        &lt;/TT&gt;Alex Slobodyanik (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;5:39 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Barber, Samuel [1910-1981] 
&lt;TT&gt;SUN        &lt;/TT&gt;Dover beach for voice and string quartet (Op.3) 
&lt;TT&gt;SUN        &lt;/TT&gt;Ronan Collett (baritone), Psophos Quartet (string quartet) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;5:48 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Hammerschmidt, Andreas (1611/12-1675) 
&lt;TT&gt;SUN        &lt;/TT&gt;Suite in D minor for gambas - from the collection 'Ester 
&lt;TT&gt;SUN        &lt;/TT&gt;Fleiß' 
&lt;TT&gt;SUN        &lt;/TT&gt;Hesperion XX, Jordi Savall (director) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;6:03 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791) 
&lt;TT&gt;SUN        &lt;/TT&gt;Concerto for piano and orchestra no.21 (K.467) in C major 
&lt;TT&gt;SUN        &lt;/TT&gt;Håvard Gimse (piano), Trondheim Symphony Orchestra, Susanna 
&lt;TT&gt;SUN        &lt;/TT&gt;Mälkki (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;6:30 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Suk, Josef (1874-1935) 
&lt;TT&gt;SUN        &lt;/TT&gt;Serenade for string orchestra (Op.6) in E flat major 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC National Orchestra of Wales, James Clark (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:00 Breakfast &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pnf5.html&gt;b019pnf5&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pnf5&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;NB This playlist is subject to change during transmission. 
&lt;TT&gt;SUN        &lt;/TT&gt;The final playlist will be put up by noon on Monday. 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:03&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Percy Grainger 
&lt;TT&gt;SUN        &lt;/TT&gt;Ye banks and braes o’ bonnie Doon (words by Robert Burns) 
&lt;TT&gt;SUN        &lt;/TT&gt;Polyphony 
&lt;TT&gt;SUN        &lt;/TT&gt;Stephen Layton (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;HYPERION CDA66793 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:06&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Wolfgang Amadeus Mozart 
&lt;TT&gt;SUN        &lt;/TT&gt;Presto from A Musical Joke, K522 
&lt;TT&gt;SUN        &lt;/TT&gt;Philharmonia Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Guido Cantelli (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI CLASSICS 6 95457 2 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:11&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Manuel de Falla 
&lt;TT&gt;SUN        &lt;/TT&gt;Jota from Suite populaire espagnole 
&lt;TT&gt;SUN        &lt;/TT&gt;Arranger: Paul Kochanski 
&lt;TT&gt;SUN        &lt;/TT&gt;Daniel Hope (violin) 
&lt;TT&gt;SUN        &lt;/TT&gt;Sebastian Knauer (lutheal) 
&lt;TT&gt;SUN        &lt;/TT&gt;WARNER CLASSICS 2564613292 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:15&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;SUN        &lt;/TT&gt;Dawn from Four Sea Interludes, Op.33a (from Peter Grimes) 
&lt;TT&gt;SUN        &lt;/TT&gt;Philharmonia Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Carlo Maria Giulini (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI CZS7677232 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:19&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Mily Alexeyevich Balakirev 
&lt;TT&gt;SUN        &lt;/TT&gt;Valse-Caprice No.2 in D flat major (after Alexander Taneyev) 
&lt;TT&gt;SUN        &lt;/TT&gt;Danny Driver (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;HYPERION CDA67806 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:26&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Antonio Vivaldi 
&lt;TT&gt;SUN        &lt;/TT&gt;Concerto for flute, strings and bassoon in F, RV100 
&lt;TT&gt;SUN        &lt;/TT&gt;Katy Bircher (flute) 
&lt;TT&gt;SUN        &lt;/TT&gt;Peter Whelan (bassoon) 
&lt;TT&gt;SUN        &lt;/TT&gt;La Serenissima 
&lt;TT&gt;SUN        &lt;/TT&gt;Adrian Chandler (director) 
&lt;TT&gt;SUN        &lt;/TT&gt;AVIE AV2178 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:34&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Isaac Albéniz 
&lt;TT&gt;SUN        &lt;/TT&gt;Sevilla 
&lt;TT&gt;SUN        &lt;/TT&gt;Arranger: Williams 
&lt;TT&gt;SUN        &lt;/TT&gt;John Williams (guitar) 
&lt;TT&gt;SUN        &lt;/TT&gt;SONY CLASSICAL 88697529852 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:39&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Eric Coates 
&lt;TT&gt;SUN        &lt;/TT&gt;By the sleepy lagoon 
&lt;TT&gt;SUN        &lt;/TT&gt;East of England Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Malcolm Nabarro (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;ASV CDWHL2053 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:44&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;William Byrd 
&lt;TT&gt;SUN        &lt;/TT&gt;Laudibus in sanctis 
&lt;TT&gt;SUN        &lt;/TT&gt;The Sixteen 
&lt;TT&gt;SUN        &lt;/TT&gt;Harry Christophers (director) 
&lt;TT&gt;SUN        &lt;/TT&gt;CORO COR16077 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:50&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Ludwig van Beethoven 
&lt;TT&gt;SUN        &lt;/TT&gt;Rondo finale from Piano Concerto No.3 in C minor, Op.37 
&lt;TT&gt;SUN        &lt;/TT&gt;Radu Lupu (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;London Symphony Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Lawrence Foster (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;DECCA 478 2340 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;08:03&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Johann Sebastian Bach 
&lt;TT&gt;SUN        &lt;/TT&gt;Sinfonia from Cantata BWV 174 
&lt;TT&gt;SUN        &lt;/TT&gt;Bach Collegium Japan 
&lt;TT&gt;SUN        &lt;/TT&gt;Masaaki Suzuki (director) 
&lt;TT&gt;SUN        &lt;/TT&gt;BIS-SACD-1941 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;08:10&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Fritz Kreisler 
&lt;TT&gt;SUN        &lt;/TT&gt;La Gitana (Zigeunerlied) 
&lt;TT&gt;SUN        &lt;/TT&gt;Tasmin Little (violin) 
&lt;TT&gt;SUN        &lt;/TT&gt;John Lenehan (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI CLASSICS 9 67007 2 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;08:13&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Sergey Vasilievich Rachmaninov 
&lt;TT&gt;SUN        &lt;/TT&gt;Symphonic Dance No.2, Op.45 (Tempo di Valse) 
&lt;TT&gt;SUN        &lt;/TT&gt;St Petersburg Philharmonic Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Mariss Jansons (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI CLASSICS 5 75510 2 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;08:23&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Maurice Ravel 
&lt;TT&gt;SUN        &lt;/TT&gt;Modere from Sonatine 
&lt;TT&gt;SUN        &lt;/TT&gt;Boris Berezovsky (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;TELDEC 4509 94539-2 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;08:28&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Frederick Delius 
&lt;TT&gt;SUN        &lt;/TT&gt;On hearing the first cuckoo in spring 
&lt;TT&gt;SUN        &lt;/TT&gt;Academy of St Martin-in-the-Fields 
&lt;TT&gt;SUN        &lt;/TT&gt;Neville Marriner (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;DECCA 417 778-2 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;08:36&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Giovanni Gabrieli 
&lt;TT&gt;SUN        &lt;/TT&gt;Magnificat a 14 
&lt;TT&gt;SUN        &lt;/TT&gt;The Taverner Choir 
&lt;TT&gt;SUN        &lt;/TT&gt;London Cornett and Sackbut Ensemble 
&lt;TT&gt;SUN        &lt;/TT&gt;Andrew Parrott (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;OISEAU-LYRE 4368602 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;08:43&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Ignaz Friedman 
&lt;TT&gt;SUN        &lt;/TT&gt;Musical Box 
&lt;TT&gt;SUN        &lt;/TT&gt;Stephen Hough (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;NIMBUS NI 2540 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;08:47&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Johannes Brahms 
&lt;TT&gt;SUN        &lt;/TT&gt;2nd mvt Andante from Concerto for Violin, Cello and 
&lt;TT&gt;SUN        &lt;/TT&gt;Orchestra Op.102 “Double” Concerto 
&lt;TT&gt;SUN        &lt;/TT&gt;Yo-Yo Ma (cello) 
&lt;TT&gt;SUN        &lt;/TT&gt;Isaac Stern (violin) 
&lt;TT&gt;SUN        &lt;/TT&gt;Chicago Symphony Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Claudio Abbado (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;SONY CLASSICAL 88697 04443 2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;09:00 Sunday Morning &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pnf7.html&gt;b019pnf7&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pnf7&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Rob Cowan presents three hours of great music, featuring the 
&lt;TT&gt;SUN        &lt;/TT&gt;best recordings from the archive and the present day. Today 
&lt;TT&gt;SUN        &lt;/TT&gt;with works by Faure, Turina, Haydn and Mozart. Plus, a 
&lt;TT&gt;SUN        &lt;/TT&gt;challenge for your Innocent Ear. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Georg Böhm 
&lt;TT&gt;SUN        &lt;/TT&gt;Praeludium and Fugue in C 
&lt;TT&gt;SUN        &lt;/TT&gt;Bernard Foccroulle (van Hagerbeer organ, at the Great 
&lt;TT&gt;SUN        &lt;/TT&gt;Laurens Church in Alkmaar, Holland) 
&lt;TT&gt;SUN        &lt;/TT&gt;Ricercar RIC 319, track 1 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Gustav Mahler 
&lt;TT&gt;SUN        &lt;/TT&gt;Des Knaben Wunderhorn: Revelge 
&lt;TT&gt;SUN        &lt;/TT&gt;Hanno Müller-Brachmann (baritone), SWR Symphony Orchestra, 
&lt;TT&gt;SUN        &lt;/TT&gt;Baden-Baden and Freiburg, Michael Gielen (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Hänssler Classic CD 93.274, track 14 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Gabriel Fauré 
&lt;TT&gt;SUN        &lt;/TT&gt;Nocturne No, 4 in E flat, Op. 36 
&lt;TT&gt;SUN        &lt;/TT&gt;Germaine Thyssens-Valentin (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Testament SBT 1262, track 4 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;George Frideric Handel 
&lt;TT&gt;SUN        &lt;/TT&gt;Concerto grosso Op. 3 No. 5 
&lt;TT&gt;SUN        &lt;/TT&gt;Academy of St Martin in the Fields, Iona Brown (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Hänssler Classic CD 94. 601, CD 2, tracks 16-20 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Joseph Haydn 
&lt;TT&gt;SUN        &lt;/TT&gt;The Creation - Und Gott sprach: Es bringe die Erde hervor 
&lt;TT&gt;SUN        &lt;/TT&gt;lebende Geschöpfe … Nun scheint in vollem Glanze der Himmel 
&lt;TT&gt;SUN        &lt;/TT&gt;Kim Borg (bass), Berlin PO, Igor Markevitch (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;DG 437 380-2, Disc 2, tracks 1-3 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Pyotr Ilyich Tchaikovsky 
&lt;TT&gt;SUN        &lt;/TT&gt;The Snow Maiden: Introduction, Melodrama and Dance of the 
&lt;TT&gt;SUN        &lt;/TT&gt;Comedians 
&lt;TT&gt;SUN        &lt;/TT&gt;USSR Academic Symphony Orchestra, Yevgeny Svetlanov 
&lt;TT&gt;SUN        &lt;/TT&gt;(conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Olympia OCD 249, track 6 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Joaquín Turina 
&lt;TT&gt;SUN        &lt;/TT&gt;Danzas fantasticas 
&lt;TT&gt;SUN        &lt;/TT&gt;Alicia de Larrocha (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;DG 477 9527, CD s, tracks, 1-3 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Arvo Pärt 
&lt;TT&gt;SUN        &lt;/TT&gt;Dopo la vittoria 
&lt;TT&gt;SUN        &lt;/TT&gt;Polyphony, Stephen Layton (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Hyperion CDA67375, track 1 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Johannes Brahms 
&lt;TT&gt;SUN        &lt;/TT&gt;Violin Sonata No. 1 in G major, Op. 78: iii, Allegro molto 
&lt;TT&gt;SUN        &lt;/TT&gt;moderato 
&lt;TT&gt;SUN        &lt;/TT&gt;Georg Kulenkampff (violin), Georg Solti (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Decca 473 127-2, Disc 1, track 3 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Wolfgang Amadeus Mozart 
&lt;TT&gt;SUN        &lt;/TT&gt;Kegelstatt Trio in E flat, K498 
&lt;TT&gt;SUN        &lt;/TT&gt;Alfred Boskovsky (clarinet), Willi Boskovsky (viola), Walter 
&lt;TT&gt;SUN        &lt;/TT&gt;Panhofer (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Decca 480 2378, disc 1, tracks 5-7 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Dmitri Shostakovich 
&lt;TT&gt;SUN        &lt;/TT&gt;The Bolt, Symphonic Suite 
&lt;TT&gt;SUN        &lt;/TT&gt;Czech Philharmonic Orchestra, Gennadi Rozhdestvensky 
&lt;TT&gt;SUN        &lt;/TT&gt;(conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Praga PR 7250 053, tracks 1-4 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Franz Liszt 
&lt;TT&gt;SUN        &lt;/TT&gt;Sonnetto 123 de Petrarca 
&lt;TT&gt;SUN        &lt;/TT&gt;Jeanne Marie Darré (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Vanguard 08 6168 71 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Steve Reich 
&lt;TT&gt;SUN        &lt;/TT&gt;Different Trains 
&lt;TT&gt;SUN        &lt;/TT&gt;Quatuor Diotima 
&lt;TT&gt;SUN        &lt;/TT&gt;Naïve V 5272, tracks 1-3 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Joseph Haydn 
&lt;TT&gt;SUN        &lt;/TT&gt;Symphony No. 88 in G 
&lt;TT&gt;SUN        &lt;/TT&gt;Leningrad Philharmonic Orchestra, Yevgeny Mravinsky 
&lt;TT&gt;SUN        &lt;/TT&gt;(conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI 5 75953 2, disc 2, tracks 1-4 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;12:00 Private Passions &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b00dp1p3.html&gt;b00dp1p3&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b00dp1p3&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Jennifer Worth 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Another chance to hear a programme recorded in 2008 with 
&lt;TT&gt;SUN        &lt;/TT&gt;Jennifer Worth, who died last year. Her books based on her 
&lt;TT&gt;SUN        &lt;/TT&gt;early life as a young midwife working among the poor of 
&lt;TT&gt;SUN        &lt;/TT&gt;London's East End in the immediate postwar years became 
&lt;TT&gt;SUN        &lt;/TT&gt;surprise best-sellers, and have just been adapted as a BBC1 
&lt;TT&gt;SUN        &lt;/TT&gt;TV series. Music was always an abiding passion for Jennifer, 
&lt;TT&gt;SUN        &lt;/TT&gt;as she reveals to Michael Berkeley. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;M Berkeley: The Wakeful Poet (Music from Chaucer) (pub OUP) 
&lt;TT&gt;SUN        &lt;/TT&gt;00 25 
&lt;TT&gt;SUN        &lt;/TT&gt;Beaux-Arts Brass Quintet BBQ BBQ 003 T10 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Verdi: Chi fai?...Amami Alfredo! (from La traviata, Act 2, 
&lt;TT&gt;SUN        &lt;/TT&gt;scene 1) 
&lt;TT&gt;SUN        &lt;/TT&gt;Maria Callas (Violetta), Giuseppe di Stefano (Alfredo), 
&lt;TT&gt;SUN        &lt;/TT&gt;Orchestra of La Scala, Milan/Carlo Maria Giulini 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI CMS 763628-2 CD1 T22 02 32 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Archangelsky: Lord, Hear my prayer 
&lt;TT&gt;SUN        &lt;/TT&gt;Russian Metropolitan Church Choir, Paris/Nicholas Afonsky 
&lt;TT&gt;SUN        &lt;/TT&gt;EP: HMV 7EG 8262 S2 B1 04 10 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Edith Piaf: C'est merveilleux (Contet/Monnot) 
&lt;TT&gt;SUN        &lt;/TT&gt;La vie parisienne PAST PERFECT PPCD 78149 T24 03 04 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Dvorak: Sonatina in G, Op 100 (II. Larghetto) 
&lt;TT&gt;SUN        &lt;/TT&gt;Anthony Marwood (violin), Susan Tomes (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Dvorak HYPERION CDA66934 T2 03 50 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Howells: King David 
&lt;TT&gt;SUN        &lt;/TT&gt;Janet Baker (mezzo soprano), Martin Isepp (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Janet Baker SAGA SCD 9012 T11 04 19 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Chopin: Nocturne in C sharp minor, Op 27 No 1 
&lt;TT&gt;SUN        &lt;/TT&gt;Vladimir Horowitz (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Chopin RCA 09026 60986-2 T13 05 17 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Hebridean folksong arr Marjory Kennedy-Fraser: Skye Fisher's 
&lt;TT&gt;SUN        &lt;/TT&gt;Song 
&lt;TT&gt;SUN        &lt;/TT&gt;Kenneth McKellar (tenor), orchestra conducted by Bob 
&lt;TT&gt;SUN        &lt;/TT&gt;Sharples 
&lt;TT&gt;SUN        &lt;/TT&gt;The Bens of Jura LP: DECCA SKL 4137 S2 B4 02 55 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Traditional Paraguayan: Pajaro Campana (The Bell Bird) 
&lt;TT&gt;SUN        &lt;/TT&gt;Bill Morgan and his Paraguayan Harp 
&lt;TT&gt;SUN        &lt;/TT&gt;Bill Morgan and his Paraguayan Harp PARADISE STUDIOS 001 S2 
&lt;TT&gt;SUN        &lt;/TT&gt;T8 03 54 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Bach: Prelude and Fugue in G (Well-Tempered Clavier, Book 2) 
&lt;TT&gt;SUN        &lt;/TT&gt;Angela Hewitt (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Bach HYPERION CDS44291/4 CD4 T5-6 03 53 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Vivaldi: Gloria in excelsis Deo (from the Gloria) 
&lt;TT&gt;SUN        &lt;/TT&gt;Choir of King's College, Cambridge, ASMF/Sir David Willcocks 
&lt;TT&gt;SUN        &lt;/TT&gt;Vivaldi LP ARGO 240D S6 B1 02 51. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;13:00 The Early Music Show &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pnf9.html&gt;b019pnf9&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pnf9&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Merula and Uccellini 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Lucie Skeaping introduces music by two less well-known 
&lt;TT&gt;SUN        &lt;/TT&gt;composers of the 17th century: Tarquinio Merula and Marco 
&lt;TT&gt;SUN        &lt;/TT&gt;Uccellini. Both Italian and violinists, they were also at 
&lt;TT&gt;SUN        &lt;/TT&gt;the forefront of compositional developments, and new violin 
&lt;TT&gt;SUN        &lt;/TT&gt;techniques. Music in the programme includes some of their 
&lt;TT&gt;SUN        &lt;/TT&gt;canzonas and sonatas performed by the ensemble La Ciaconna 
&lt;TT&gt;SUN        &lt;/TT&gt;from a concert they gave in 2011 in Geneva, and also 
&lt;TT&gt;SUN        &lt;/TT&gt;repertoire from recordings by Ensemble Fitzwilliam, Schola 
&lt;TT&gt;SUN        &lt;/TT&gt;Cantorum Basiliensis and Romanesca. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Tarquinio Merula 
&lt;TT&gt;SUN        &lt;/TT&gt;La Posteria (canzona for instruments &amp; basso continuo) 
&lt;TT&gt;SUN        &lt;/TT&gt;La Ciaconna 
&lt;TT&gt;SUN        &lt;/TT&gt;Recording provided by the European Broadcasting Union 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Tarquinio Merula 
&lt;TT&gt;SUN        &lt;/TT&gt;Corde et animo (motet) 
&lt;TT&gt;SUN        &lt;/TT&gt;Ensemble Fitzwilliam 
&lt;TT&gt;SUN        &lt;/TT&gt;AUVIDIS VALOIS 
&lt;TT&gt;SUN        &lt;/TT&gt;V 4641 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Tarquinio Merula 
&lt;TT&gt;SUN        &lt;/TT&gt;La Dada &amp; La Pighetta Canzonas 
&lt;TT&gt;SUN        &lt;/TT&gt;La Ciaconna 
&lt;TT&gt;SUN        &lt;/TT&gt;Recording provided by the European Broadcasting Union 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Tarquinio Merula 
&lt;TT&gt;SUN        &lt;/TT&gt;Capriccio cromatico 
&lt;TT&gt;SUN        &lt;/TT&gt;Ensemble Fitzwilliam, Bernard Aubertin (harpsichord) 
&lt;TT&gt;SUN        &lt;/TT&gt;AUVIDIS VALOIS 
&lt;TT&gt;SUN        &lt;/TT&gt;V 4641 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Tarquinio Merula 
&lt;TT&gt;SUN        &lt;/TT&gt;O quam, o quam dilecta (motet) 
&lt;TT&gt;SUN        &lt;/TT&gt;Ensemble Fitzwilliam 
&lt;TT&gt;SUN        &lt;/TT&gt;AUVIDIS VALOIS 
&lt;TT&gt;SUN        &lt;/TT&gt;V 4641 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Tarquinio Merula 
&lt;TT&gt;SUN        &lt;/TT&gt;La Ciaccona 
&lt;TT&gt;SUN        &lt;/TT&gt;La Ciaconna 
&lt;TT&gt;SUN        &lt;/TT&gt;Recording provided by the European Broadcasting Union 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Marco Uccellini 
&lt;TT&gt;SUN        &lt;/TT&gt;Sonata overo Toccata quinta detta ‘La Laura rilucente’ for 
&lt;TT&gt;SUN        &lt;/TT&gt;violin &amp; basso continuo 
&lt;TT&gt;SUN        &lt;/TT&gt;La Ciaconna 
&lt;TT&gt;SUN        &lt;/TT&gt;Recording provided by the European Broadcasting Union 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Marco Uccellini 
&lt;TT&gt;SUN        &lt;/TT&gt;Aria II, op IV 
&lt;TT&gt;SUN        &lt;/TT&gt;Romanesca: Nigel North (theorbo) and John Toll (harpsichord) 
&lt;TT&gt;SUN        &lt;/TT&gt;HARMONIA MUNDI 
&lt;TT&gt;SUN        &lt;/TT&gt;HMU 907196 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Marco Uccellini 
&lt;TT&gt;SUN        &lt;/TT&gt;Sonata nona from L’Ozio Regio, Op.7 
&lt;TT&gt;SUN        &lt;/TT&gt;Schola Cantorum Basiliensis 
&lt;TT&gt;SUN        &lt;/TT&gt;DEUTSCHE HARMONIA MUNDI 
&lt;TT&gt;SUN        &lt;/TT&gt;05472 77468 2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Marco Uccellini 
&lt;TT&gt;SUN        &lt;/TT&gt;Aria quinta sopra ‘La Bergamasca’ (from Sonata, Aria &amp; 
&lt;TT&gt;SUN        &lt;/TT&gt;correnti for 2-3 instruments and Basso continuo) 
&lt;TT&gt;SUN        &lt;/TT&gt;La Ciaconna 
&lt;TT&gt;SUN        &lt;/TT&gt;Recording provided by the European Broadcasting Union 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;14:00 Sunday Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pp80.html&gt;b019pp80&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pp80&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC SO - Norman, Britten, Shostakovich 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Presented by Catherine Bott. 
&lt;TT&gt;SUN        &lt;/TT&gt;From the Barbican Hall, London. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Andrew Gourlay and the BBC SO play Shostakovich's Symphony 
&lt;TT&gt;SUN        &lt;/TT&gt;No 10, and are joined by Daniel Hope in Britten's Violin 
&lt;TT&gt;SUN        &lt;/TT&gt;Concerto. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Of all Shostakovich's symphonies, the Tenth is often said to 
&lt;TT&gt;SUN        &lt;/TT&gt;be the most perfectly formed and deeply felt. In total 
&lt;TT&gt;SUN        &lt;/TT&gt;contrast, Unstuck by young American composer Andrew Norman 
&lt;TT&gt;SUN        &lt;/TT&gt;is cheerfully upbeat, until it gets 'stuck' in a repetitive 
&lt;TT&gt;SUN        &lt;/TT&gt;groove and has trouble fighting free. Britten's concerto, 
&lt;TT&gt;SUN        &lt;/TT&gt;with its combination of wit and elegiac lyricism, sits 
&lt;TT&gt;SUN        &lt;/TT&gt;somewhere in between. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Andrew Norman: Unstuck (UK premiere) 
&lt;TT&gt;SUN        &lt;/TT&gt;Britten: Violin Concerto 
&lt;TT&gt;SUN        &lt;/TT&gt;Shostakovich: Symphony No. 10 in E minor 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Daniel Hope, violin, 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Symphony Orchestra, 
&lt;TT&gt;SUN        &lt;/TT&gt;Andrew Gourlay, conductor. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;16:00 Choral Evensong &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m5wh.html&gt;b019m5wh&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m5wh&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;From Durham Cathedral on the Feast of the Conversion of St 
&lt;TT&gt;SUN        &lt;/TT&gt;Paul. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Introit: Happy and blest are they (Mendelssohn) 
&lt;TT&gt;SUN        &lt;/TT&gt;Responses: Ayleward 
&lt;TT&gt;SUN        &lt;/TT&gt;Office Hymn: We sing the glorious conquest (King's Lynn) 
&lt;TT&gt;SUN        &lt;/TT&gt;Psalm: 119, vv41-64 (Turle) 
&lt;TT&gt;SUN        &lt;/TT&gt;First Lesson: Isaiah 56vv1-8 
&lt;TT&gt;SUN        &lt;/TT&gt;Canticles: The St Hild Service (Richard Lloyd) 
&lt;TT&gt;SUN        &lt;/TT&gt;Second Lesson: Colossians 1v24-2v7 
&lt;TT&gt;SUN        &lt;/TT&gt;Anthems: How lovely are the messengers (Mendelssohn) 
&lt;TT&gt;SUN        &lt;/TT&gt;See what love hath the Father (Mendelssohn) 
&lt;TT&gt;SUN        &lt;/TT&gt;Hymn: Disposer supreme (Old 104th) 
&lt;TT&gt;SUN        &lt;/TT&gt;Organ Voluntary: Allegro maestoso from Sonata in D, Opus 65 
&lt;TT&gt;SUN        &lt;/TT&gt;No 5 (Mendelssohn) 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;James Lancelot (Master of the Choristers and Organist) 
&lt;TT&gt;SUN        &lt;/TT&gt;Francesca Massey (Sub-Organist). 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;17:00 The Choir &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pp82.html&gt;b019pp82&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pp82&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Choral Works by Berlioz and Gabrieli 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Aled Jones examines how Berlioz's fascination with the use 
&lt;TT&gt;SUN        &lt;/TT&gt;of space and sonority, fired his imagination in his large 
&lt;TT&gt;SUN        &lt;/TT&gt;scale Requiem Mass, a celebration of another great choral 
&lt;TT&gt;SUN        &lt;/TT&gt;innovator, Giovanni Gabrieli, to mark the 400th anniversary 
&lt;TT&gt;SUN        &lt;/TT&gt;of his death. There's also news of the Gabrieli Consort, who 
&lt;TT&gt;SUN        &lt;/TT&gt;celebrate their 30th anniversary in 2012, under the baton of 
&lt;TT&gt;SUN        &lt;/TT&gt;their musical director Paul McCreesh. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Joseph Haydn 
&lt;TT&gt;SUN        &lt;/TT&gt;The Creation - Chorus: Awake the harp, the lyre awake 
&lt;TT&gt;SUN        &lt;/TT&gt;Mark Padmore (Tenor), Chetham's Chamber Choir, Gabrieli 
&lt;TT&gt;SUN        &lt;/TT&gt;Consort, Gabrieli Players, Paul McCreesh (Director) 
&lt;TT&gt;SUN        &lt;/TT&gt;DEUTSCHE GRAMMOPHON 
&lt;TT&gt;SUN        &lt;/TT&gt;477-7361 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Giovanni Gabrieli 
&lt;TT&gt;SUN        &lt;/TT&gt;Buccinate in neomenia tuba for 19 voices [Blow the trumpet 
&lt;TT&gt;SUN        &lt;/TT&gt;when the moon is new] 
&lt;TT&gt;SUN        &lt;/TT&gt;Gabrieli Consort, Gabrieli Players, Paul McCreesh (Director) 
&lt;TT&gt;SUN        &lt;/TT&gt;ARCHIV 
&lt;TT&gt;SUN        &lt;/TT&gt;449-1802 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Claudio Monteverdi 
&lt;TT&gt;SUN        &lt;/TT&gt;Vespro della Beata Vergine - Psalm 121: Laetatus sum 
&lt;TT&gt;SUN        &lt;/TT&gt;Gabrieli Consort, Gabrieli Players, Paul McCreesh (Director) 
&lt;TT&gt;SUN        &lt;/TT&gt;DEUTSCHE GRAMMOPHON 
&lt;TT&gt;SUN        &lt;/TT&gt;477-6147 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Johann Sebastian Bach 
&lt;TT&gt;SUN        &lt;/TT&gt;Matthauspassion BWV.244 - Opening chorus: Kommt, ihr 
&lt;TT&gt;SUN        &lt;/TT&gt;Tochter, halft mir klagen [Come, you daughter, help me 
&lt;TT&gt;SUN        &lt;/TT&gt;grieve!] 
&lt;TT&gt;SUN        &lt;/TT&gt;Deborah York (Soprano), James Gilchrist (Tenor), Julia 
&lt;TT&gt;SUN        &lt;/TT&gt;Gooding (Soprano), Magdalena Kozena (Mezzo-soprano), Mark 
&lt;TT&gt;SUN        &lt;/TT&gt;Padmore (Tenor), Peter Harvey (Baritone), Stephan Loges 
&lt;TT&gt;SUN        &lt;/TT&gt;(Baritone), Susan Bickley (Mezzo-soprano), performer: 
&lt;TT&gt;SUN        &lt;/TT&gt;Gabrieli Players, Paul McCreesh (Director) 
&lt;TT&gt;SUN        &lt;/TT&gt;ARCHIV 
&lt;TT&gt;SUN        &lt;/TT&gt;.-4742002 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Arnold Bax 
&lt;TT&gt;SUN        &lt;/TT&gt;Mater ora filium 
&lt;TT&gt;SUN        &lt;/TT&gt;Gabrieli Consort, Paul McCreesh (Director) 
&lt;TT&gt;SUN        &lt;/TT&gt;Deutsche Gramophon 
&lt;TT&gt;SUN        &lt;/TT&gt;477-7635 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;SUN        &lt;/TT&gt;A Ceremony of carols Op.28 
&lt;TT&gt;SUN        &lt;/TT&gt;David HILL 
&lt;TT&gt;SUN        &lt;/TT&gt;Sioned Williams (Harp), Westminster Cathedral Choir 
&lt;TT&gt;SUN        &lt;/TT&gt;HYPERION 
&lt;TT&gt;SUN        &lt;/TT&gt;CDA-66220 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Hector Berlioz 
&lt;TT&gt;SUN        &lt;/TT&gt;Grande messe des morts Op.5 - Dies irae 
&lt;TT&gt;SUN        &lt;/TT&gt;Paul McCreesh 
&lt;TT&gt;SUN        &lt;/TT&gt;Robert Murray (Tenor), Chetham's School of Music Symphonic 
&lt;TT&gt;SUN        &lt;/TT&gt;Brass Ensemble, Gabrieli Consort, Gabrieli Players, Wroclaw 
&lt;TT&gt;SUN        &lt;/TT&gt;Philharmonic Choir, Wroclaw Philharmonic Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;SIGNUM CLASSICS 
&lt;TT&gt;SUN        &lt;/TT&gt;SIGCD 280 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Herbert Howells 
&lt;TT&gt;SUN        &lt;/TT&gt;Take him, earth, for cherishing 
&lt;TT&gt;SUN        &lt;/TT&gt;Gabrieli Consort, Paul McCreesh (Director) 
&lt;TT&gt;SUN        &lt;/TT&gt;DEUTSCHE GRAMMOPHON 
&lt;TT&gt;SUN        &lt;/TT&gt;477 660-5 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Felix Mendelssohn 
&lt;TT&gt;SUN        &lt;/TT&gt;Elijah Op.70 - Chorus: He, watching over Israel, slumbers 
&lt;TT&gt;SUN        &lt;/TT&gt;not He, watching over Israel, slumbers not 
&lt;TT&gt;SUN        &lt;/TT&gt;Rafael Fruhbeck de Burgos 
&lt;TT&gt;SUN        &lt;/TT&gt;Wilhelm Pitz 
&lt;TT&gt;SUN        &lt;/TT&gt;Dietrich Fischer-Dieskau (Baritone), Gwyneth Jones 
&lt;TT&gt;SUN        &lt;/TT&gt;(Soprano), Janet Baker (Mezzo-soprano), Nicolai Gedda 
&lt;TT&gt;SUN        &lt;/TT&gt;(Tenor), New Philharmonia Chorus, New Philharmonia 
&lt;TT&gt;SUN        &lt;/TT&gt;Orchestra, Wandsworth School Boys' Choir 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI CLASSICS 
&lt;TT&gt;SUN        &lt;/TT&gt;568-6012 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Giovanni Gabrieli 
&lt;TT&gt;SUN        &lt;/TT&gt;Magnificat for 33 voices (arranged by H. Keyte) 
&lt;TT&gt;SUN        &lt;/TT&gt;Gabrieli Consort, Gabrieli Players, Paul McCreesh (Director) 
&lt;TT&gt;SUN        &lt;/TT&gt;ARCHIV 
&lt;TT&gt;SUN        &lt;/TT&gt;449-1802 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;18:30 Words and Music &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pp84.html&gt;b019pp84&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pp84&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;The Outsider 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Lesley Manville and Tom Goodman-Hill read poetry and prose 
&lt;TT&gt;SUN        &lt;/TT&gt;on the theme of outsiders, from those who seek to escape 
&lt;TT&gt;SUN        &lt;/TT&gt;society's constraints, to those who long to conform. With 
&lt;TT&gt;SUN        &lt;/TT&gt;words by Jean-Jacques Rousseau, John Clare, Mary Shelley, 
&lt;TT&gt;SUN        &lt;/TT&gt;Albert Camus, George Orwell, Maya Angelou and Jeanette 
&lt;TT&gt;SUN        &lt;/TT&gt;Winterson, and music by Gesualdo, Strauss, Berg and Feldman. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;This programme is dedicated to men and women who dare to – 
&lt;TT&gt;SUN        &lt;/TT&gt;or can’t help but – stand out from society. We begin with a 
&lt;TT&gt;SUN        &lt;/TT&gt;spectacular boast from the philosopher, novelist and 
&lt;TT&gt;SUN        &lt;/TT&gt;sometime music theorist Jean-Jacques Rousseau, paired with 
&lt;TT&gt;SUN        &lt;/TT&gt;music by Scriabin – a man of such hubris that he practically 
&lt;TT&gt;SUN        &lt;/TT&gt;believed in his own divinity. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Simeon Stylites’ feat of standing on a pillar for thirty 
&lt;TT&gt;SUN        &lt;/TT&gt;years demonstrates the lengths to which people will go in 
&lt;TT&gt;SUN        &lt;/TT&gt;order to avoid engaging with everyone else. His monotonous 
&lt;TT&gt;SUN        &lt;/TT&gt;routine is reflected by a fraction of Morton Feldman’s 
&lt;TT&gt;SUN        &lt;/TT&gt;six-hour-long String Quartet (II). 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Next the delusional Don Quixote tilts at windmills in both 
&lt;TT&gt;SUN        &lt;/TT&gt;Cervantes’s original and Strauss’s portrait. Alan Bennett’s 
&lt;TT&gt;SUN        &lt;/TT&gt;neighbour/local tramp, Miss Shepherd, has frequent visions 
&lt;TT&gt;SUN        &lt;/TT&gt;of the ‘BVM’. The Blessed Virgin Mary’s appears to the 
&lt;TT&gt;SUN        &lt;/TT&gt;accompaniment of this ‘Vision’ by Messiaen. In contrast to 
&lt;TT&gt;SUN        &lt;/TT&gt;the poverty of Miss Shepherd, Jay Gatsby’s wealth makes him 
&lt;TT&gt;SUN        &lt;/TT&gt;an outsider at his own party; Louis Armstrong and Ella 
&lt;TT&gt;SUN        &lt;/TT&gt;Fitzgerald’s rendition of ‘Tenderly’ strikes a note of 
&lt;TT&gt;SUN        &lt;/TT&gt;wistful romance on a warm summer’s night. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;On to other worlds, and Herrick’s ‘Beggar to Mab, the Fairy 
&lt;TT&gt;SUN        &lt;/TT&gt;Queen’; Mendelssohn’s scherzo from ‘A Midsummer Night’s 
&lt;TT&gt;SUN        &lt;/TT&gt;Dream’ brings to life this diminutive world, where an ant or 
&lt;TT&gt;SUN        &lt;/TT&gt;the ear of a mouse makes for a nourishing and tasty meal. 
&lt;TT&gt;SUN        &lt;/TT&gt;Alice is an odd girl out in a whole host of misfits in 
&lt;TT&gt;SUN        &lt;/TT&gt;Wonderland, and Cinderella is an outcast in her own home, 
&lt;TT&gt;SUN        &lt;/TT&gt;here, in Mikhail Pletnev’s sparkling arrangement of 
&lt;TT&gt;SUN        &lt;/TT&gt;Prokofiev’s original ballet. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;In the first of his adventures Gulliver finds himself a 
&lt;TT&gt;SUN        &lt;/TT&gt;giant among the Lilliputians, accompanied by Mussorgsky’s 
&lt;TT&gt;SUN        &lt;/TT&gt;Unhatched Chicks from ‘Pictures at an Exhibition’. Another 
&lt;TT&gt;SUN        &lt;/TT&gt;‘Picture’ –the fearsome witch Baba Yaga – transports us to 
&lt;TT&gt;SUN        &lt;/TT&gt;the miserable world of Frankenstein’s creature, who has been 
&lt;TT&gt;SUN        &lt;/TT&gt;outcast by an intolerant and unforgiving society. Berg sums 
&lt;TT&gt;SUN        &lt;/TT&gt;up a similar experience in the poignant interlude from the 
&lt;TT&gt;SUN        &lt;/TT&gt;end of ‘Wozzeck’, another outsider driven to murder. Emily 
&lt;TT&gt;SUN        &lt;/TT&gt;Dickinson reminds us that judgment is subjective, but 
&lt;TT&gt;SUN        &lt;/TT&gt;there’s a warning for those whose views don’t correspond 
&lt;TT&gt;SUN        &lt;/TT&gt;with the majority’s. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Bach’s chorus from cantata BWV 12, ‘Weinen, Klagen, Sorgen, 
&lt;TT&gt;SUN        &lt;/TT&gt;Zagen’ (‘Weeping, lamenting, worrying, fearing’), continues 
&lt;TT&gt;SUN        &lt;/TT&gt;the dark mood and leads us to the interrogation of Winston 
&lt;TT&gt;SUN        &lt;/TT&gt;in George Orwell’s classic, ‘Nineteen-Eighty-Four’. His 
&lt;TT&gt;SUN        &lt;/TT&gt;torturer argues that reality can be controlled by the Party 
&lt;TT&gt;SUN        &lt;/TT&gt;– cue the Fourth Symphony of Shostakovich, a composer whose 
&lt;TT&gt;SUN        &lt;/TT&gt;life was blighted by political control. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Quentin Crisp protests too: he describes his education of 
&lt;TT&gt;SUN        &lt;/TT&gt;the English masses with his customary wit, accompanied by 
&lt;TT&gt;SUN        &lt;/TT&gt;Robert Farnon’s jaunty ‘Portrait of a Flirt’. Where Crisp 
&lt;TT&gt;SUN        &lt;/TT&gt;flaunted his difference, the heroine of Jeanette Winterson’s 
&lt;TT&gt;SUN        &lt;/TT&gt;semi-autobiographical ‘Oranges Are Not the Only Fruit’ longs 
&lt;TT&gt;SUN        &lt;/TT&gt;to blend in but is set apart by her evangelical upbringing. 
&lt;TT&gt;SUN        &lt;/TT&gt;The Dixie Hummingbird’s foot-tapping rendition of ‘The Devil 
&lt;TT&gt;SUN        &lt;/TT&gt;Can’t Harm A Praying Man’ brings us to a humiliating Easter 
&lt;TT&gt;SUN        &lt;/TT&gt;Sunday in Maya Angelou’s childhood, and Billie Holiday’s 
&lt;TT&gt;SUN        &lt;/TT&gt;‘Gloomy Sunday’. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Next the Renaissance composer and nobleman Gesualdo, 
&lt;TT&gt;SUN        &lt;/TT&gt;infamous for the murder of his wife and her lover, whose 
&lt;TT&gt;SUN        &lt;/TT&gt;radical harmonies are displayed in‘O vos omnes’. The 
&lt;TT&gt;SUN        &lt;/TT&gt;anti-hero of Albert Camus’s novel ‘The Outsider’ is 
&lt;TT&gt;SUN        &lt;/TT&gt;sympathetically portrayed, despite having no regret for his 
&lt;TT&gt;SUN        &lt;/TT&gt;callous murder of a stranger. Beethoven was a stranger to 
&lt;TT&gt;SUN        &lt;/TT&gt;his audience with the following ultra modern-sounding fugue. 
&lt;TT&gt;SUN        &lt;/TT&gt;The haunting melodies of Britten’s Violin Concerto and John 
&lt;TT&gt;SUN        &lt;/TT&gt;Clare’s moving poem of alienation, ‘I Am’, end the programme 
&lt;TT&gt;SUN        &lt;/TT&gt;on an ambiguous note. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Clara Nissen (Producer) 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;19:45 Sunday Feature &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pp86.html&gt;b019pp86&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pp86&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Bach and the Art of Bee-Keeping 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;On first hearing Arvo Pärt and J.S.Bach appear to write very 
&lt;TT&gt;SUN        &lt;/TT&gt;different music: one distilled to the point of 
&lt;TT&gt;SUN        &lt;/TT&gt;crystalization, the other fizzing with richly-hued life. But 
&lt;TT&gt;SUN        &lt;/TT&gt;both have the same notion of order in the universe, of a 
&lt;TT&gt;SUN        &lt;/TT&gt;harmony greater than the musical expressions they give to 
&lt;TT&gt;SUN        &lt;/TT&gt;it. In this patchwork narrative the singer Kathryn Knight 
&lt;TT&gt;SUN        &lt;/TT&gt;uncovers the common denominators and extramusical 
&lt;TT&gt;SUN        &lt;/TT&gt;connections between these two iconic figures - from the art 
&lt;TT&gt;SUN        &lt;/TT&gt;of fugue via quantum mechanics and the honeycomb to the 
&lt;TT&gt;SUN        &lt;/TT&gt;technique of tintinnabulation. With the Reverend Alan 
&lt;TT&gt;SUN        &lt;/TT&gt;Walker, Dr John Crook, Guy Denning, and Konrad Volker. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Written and produced by Antony Pitts. 
&lt;TT&gt;SUN        &lt;/TT&gt;A Golden Radio production. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Charles Tomlinson's poem begins: 
&lt;TT&gt;SUN        &lt;/TT&gt;If Bach had been a beekeeper 
&lt;TT&gt;SUN        &lt;/TT&gt;he would have heard 
&lt;TT&gt;SUN        &lt;/TT&gt;all those notes 
&lt;TT&gt;SUN        &lt;/TT&gt;suspended above one another 
&lt;TT&gt;SUN        &lt;/TT&gt;in the air of his ear... 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Linked superficially by Pärt's musical references in If Bach 
&lt;TT&gt;SUN        &lt;/TT&gt;had been a Bee-keeper and other works, Bach and his Estonian 
&lt;TT&gt;SUN        &lt;/TT&gt;co-conspirator seem to represent opposing currents in the 
&lt;TT&gt;SUN        &lt;/TT&gt;ocean of Western classical music, but in this meditative and 
&lt;TT&gt;SUN        &lt;/TT&gt;wide-ranging tour their strange numerical relationship comes 
&lt;TT&gt;SUN        &lt;/TT&gt;to light. With his imperial touch Old Bach apotheosized all 
&lt;TT&gt;SUN        &lt;/TT&gt;existing forms in timeless Elysian gold, while those same 
&lt;TT&gt;SUN        &lt;/TT&gt;traditional casts were shattered by the Estonian 
&lt;TT&gt;SUN        &lt;/TT&gt;revolutionary Arvo Pärt, in order to reshape a musical 
&lt;TT&gt;SUN        &lt;/TT&gt;future from the simplest elements of sound and silence. 
&lt;TT&gt;SUN        &lt;/TT&gt;Around these central two strands are heard an ebb and flow 
&lt;TT&gt;SUN        &lt;/TT&gt;of creative responses from very different worlds... 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;20:30 Drama on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pp88.html&gt;b019pp88&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pp88&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Sea Change 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;By John Fletcher. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;This is the story of the battle between appeasers and 
&lt;TT&gt;SUN        &lt;/TT&gt;anti-appeasers in the period before - and just after - the 
&lt;TT&gt;SUN        &lt;/TT&gt;start of the Second World War, and the formation of a 
&lt;TT&gt;SUN        &lt;/TT&gt;coalition which, like the election of 2010, abruptly 
&lt;TT&gt;SUN        &lt;/TT&gt;ruptured all previous political alignments. 
&lt;TT&gt;SUN        &lt;/TT&gt;New political alliances and social organizations - which had 
&lt;TT&gt;SUN        &lt;/TT&gt;first arisen in the Bridgwater by-election of 1938, but 
&lt;TT&gt;SUN        &lt;/TT&gt;which had been ignored by the London-based political and 
&lt;TT&gt;SUN        &lt;/TT&gt;media establishments - united in their fight against 
&lt;TT&gt;SUN        &lt;/TT&gt;appeasement. Suddenly and dramatically, in May of that year, 
&lt;TT&gt;SUN        &lt;/TT&gt;this new united front rose against the government and, in 
&lt;TT&gt;SUN        &lt;/TT&gt;the space of only three days, overthrew it. Somewhat 
&lt;TT&gt;SUN        &lt;/TT&gt;surprisingly, the magnificent story behind this overthrow is 
&lt;TT&gt;SUN        &lt;/TT&gt;little known. It is a story of ferocious loyalty and 
&lt;TT&gt;SUN        &lt;/TT&gt;betrayal, outrageous media manipulation, blackmail, 
&lt;TT&gt;SUN        &lt;/TT&gt;prejudice - and not a little courage. 
&lt;TT&gt;SUN        &lt;/TT&gt;The appeasers are principally represented by Neville 
&lt;TT&gt;SUN        &lt;/TT&gt;Chamberlain and his ruthless, over-protective spin doctor 
&lt;TT&gt;SUN        &lt;/TT&gt;Joseph Ball - a man who would have eaten Alistair Campbell 
&lt;TT&gt;SUN        &lt;/TT&gt;for breakfast. The anti-appeasers, battling through various 
&lt;TT&gt;SUN        &lt;/TT&gt;foreign policy crises, are a disparate group: an Australian, 
&lt;TT&gt;SUN        &lt;/TT&gt;Rex Leeper, the Foreign Office's press officer, constantly - 
&lt;TT&gt;SUN        &lt;/TT&gt;and largely unsuccessfully - countering Ball's 
&lt;TT&gt;SUN        &lt;/TT&gt;pro-appeasement spin from Number 10; Harold Nicolson MP, 
&lt;TT&gt;SUN        &lt;/TT&gt;bravely opposing appeasement amid the innuendos of fellow 
&lt;TT&gt;SUN        &lt;/TT&gt;backbenchers and Ball's press smears; Vernon Bartlett, a 
&lt;TT&gt;SUN        &lt;/TT&gt;radical foreign correspondent for the News Chronicle, who is 
&lt;TT&gt;SUN        &lt;/TT&gt;asked to stand as the anti-appeasement candidate in the 
&lt;TT&gt;SUN        &lt;/TT&gt;Bridgwater by-election; and Guy Burgess, anti-appeasement 
&lt;TT&gt;SUN        &lt;/TT&gt;patriot, communist and BBC political producer, who is 
&lt;TT&gt;SUN        &lt;/TT&gt;blackmailed over his homosexuality by Ball into couriering 
&lt;TT&gt;SUN        &lt;/TT&gt;secret messages between Chamberlain and the dictators. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;The fascinating and little known story of the struggle to 
&lt;TT&gt;SUN        &lt;/TT&gt;establish the coalition government of 1940 - a story of 
&lt;TT&gt;SUN        &lt;/TT&gt;idealism, blackmail, and political skulduggery. Based on 
&lt;TT&gt;SUN        &lt;/TT&gt;real events. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Harold Nicolson ..... Charles Edwards 
&lt;TT&gt;SUN        &lt;/TT&gt;Joseph Ball .... Kim Wall 
&lt;TT&gt;SUN        &lt;/TT&gt;Neville Chamberlain ..... John Rowe 
&lt;TT&gt;SUN        &lt;/TT&gt;Rex Leeper ..... Richard Dillane 
&lt;TT&gt;SUN        &lt;/TT&gt;Guy Burgess ..... Carl Prekopp 
&lt;TT&gt;SUN        &lt;/TT&gt;Vernon Bartlett ..... Adam Billington 
&lt;TT&gt;SUN        &lt;/TT&gt;Rev. Cresswell Webb ..... Gerard McDermott 
&lt;TT&gt;SUN        &lt;/TT&gt;Metford Bown ..... James Lailey 
&lt;TT&gt;SUN        &lt;/TT&gt;Queen Elizabeth ..... Adjoa Andoh 
&lt;TT&gt;SUN        &lt;/TT&gt;Other parts played by Christopher Webster and Rikki Lawton 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Directed by Marc Beeby. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;22:00 World Routes &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pp8b.html&gt;b019pp8b&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pp8b&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;World Routes Academy, 2012, World Routes Academy 2012: The 
&lt;TT&gt;SUN        &lt;/TT&gt;Launch Concert 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Lucy Duran launches the 2012 World Routes Academy with live 
&lt;TT&gt;SUN        &lt;/TT&gt;performances by oud player Khyam Allami and veena player 
&lt;TT&gt;SUN        &lt;/TT&gt;Hari Sivanesan, as well as the new apprentice and their 
&lt;TT&gt;SUN        &lt;/TT&gt;mentor, who are announced at this special event from the BBC 
&lt;TT&gt;SUN        &lt;/TT&gt;Radio Theatre in London. Producer James Parkin. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;World Routes celebrates the 2012 apprentice and mentor of 
&lt;TT&gt;SUN        &lt;/TT&gt;the BBC Radio 3 World Routes Academy. It will be announced 
&lt;TT&gt;SUN        &lt;/TT&gt;that a UK-based, 19 year old self-taught virtuoso will 
&lt;TT&gt;SUN        &lt;/TT&gt;become the youngest member of the World Routes Academy. His 
&lt;TT&gt;SUN        &lt;/TT&gt;or her mentor is flying in specially from the other side of 
&lt;TT&gt;SUN        &lt;/TT&gt;the world to be at the BBC Radio Theatre. Launched in 2010, 
&lt;TT&gt;SUN        &lt;/TT&gt;the BBC Radio 3 World Routes Academy aims to support and 
&lt;TT&gt;SUN        &lt;/TT&gt;inspire young world music artists by bringing them together 
&lt;TT&gt;SUN        &lt;/TT&gt;with an internationally renowned artist in the same field 
&lt;TT&gt;SUN        &lt;/TT&gt;and belonging to the same tradition. The scheme targets 
&lt;TT&gt;SUN        &lt;/TT&gt;forms of music and musical skills that are under threat to 
&lt;TT&gt;SUN        &lt;/TT&gt;help preserve them. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Tonight's programme broadcasts highlights of the event held 
&lt;TT&gt;SUN        &lt;/TT&gt;in London two days previously. Oud player Khyam Allami and 
&lt;TT&gt;SUN        &lt;/TT&gt;Veena player Hari Sivanesan took part in the World Routes 
&lt;TT&gt;SUN        &lt;/TT&gt;Academy in 2010 and 2011 respectively. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;23:00 Jazz Line-Up &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pp8d.html&gt;b019pp8d&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pp8d&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Julian Joseph profiles saxophonist David Murray's album 
&lt;TT&gt;SUN        &lt;/TT&gt;'Ming' in the company of Kevin Le Gendre in this month's 
&lt;TT&gt;SUN        &lt;/TT&gt;'Now Is The Time' feature.Plus an interview with writer and 
&lt;TT&gt;SUN        &lt;/TT&gt;broadcaster Alyn Shipton examining the Smithsonian Folkways 
&lt;TT&gt;SUN        &lt;/TT&gt;Jazz box-set, released on the non profit record label of the 
&lt;TT&gt;SUN        &lt;/TT&gt;United States national museum. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;David Bowie 
&lt;TT&gt;SUN        &lt;/TT&gt;Young Americans 
&lt;TT&gt;SUN        &lt;/TT&gt;David Bowie 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI 7243 8 28099 2 0 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;David Murray 
&lt;TT&gt;SUN        &lt;/TT&gt;Dewey’s Circle 
&lt;TT&gt;SUN        &lt;/TT&gt;David Murray (Sax), Henry Threadhill, (Alto Sax), Olu Dara 
&lt;TT&gt;SUN        &lt;/TT&gt;(Trumpet), Lawrence ‘Butch’ Morris (Cornet), George Lewis 
&lt;TT&gt;SUN        &lt;/TT&gt;(Trombone), Anthony Davis (Piano), Wilbur Morris (Bass), 
&lt;TT&gt;SUN        &lt;/TT&gt;Steve McCall (Percussion) 
&lt;TT&gt;SUN        &lt;/TT&gt;David Murray 
&lt;TT&gt;SUN        &lt;/TT&gt;Black Saint MSR 0045 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Tubby Hayes Quartet 
&lt;TT&gt;SUN        &lt;/TT&gt;Opus De Funk 
&lt;TT&gt;SUN        &lt;/TT&gt;Horace Silver 
&lt;TT&gt;SUN        &lt;/TT&gt;Proper Properbox 117 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Bruno Heinen’s Dialogues Trio with Julian Siegel 
&lt;TT&gt;SUN        &lt;/TT&gt;Waltz for Rossie 
&lt;TT&gt;SUN        &lt;/TT&gt;Bruno Heinen (Piano), Andrea Di Biase (Bass), John Scott 
&lt;TT&gt;SUN        &lt;/TT&gt;(Drums), Julian Siegel (Reeds) 
&lt;TT&gt;SUN        &lt;/TT&gt;Bruno Heinen 
&lt;TT&gt;SUN        &lt;/TT&gt;Babel 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Marius Neset &amp; Daniel Herskedal 
&lt;TT&gt;SUN        &lt;/TT&gt;Curling 
&lt;TT&gt;SUN        &lt;/TT&gt;Marius Neset (Sax &amp; Electronics), Daniel Herskedal (Tuba &amp; 
&lt;TT&gt;SUN        &lt;/TT&gt;Electronics) 
&lt;TT&gt;SUN        &lt;/TT&gt;Marius Neset 
&lt;TT&gt;SUN        &lt;/TT&gt;Edition Promo n/a 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;David Murray 
&lt;TT&gt;SUN        &lt;/TT&gt;Jasvan 
&lt;TT&gt;SUN        &lt;/TT&gt;David Murray (Sax), Henry Threadhill, (Alto Sax), Olu Dara 
&lt;TT&gt;SUN        &lt;/TT&gt;(Trumpet), Lawrence ‘Butch’ Morris (Cornet), George Lewis 
&lt;TT&gt;SUN        &lt;/TT&gt;(Trombone), Anthony Davis (Piano), Wilbur Morris (Bass), 
&lt;TT&gt;SUN        &lt;/TT&gt;Steve McCall (Percussion) 
&lt;TT&gt;SUN        &lt;/TT&gt;David Murray 
&lt;TT&gt;SUN        &lt;/TT&gt;Black Saint MSR 0045 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;David Murray 
&lt;TT&gt;SUN        &lt;/TT&gt;Ming 
&lt;TT&gt;SUN        &lt;/TT&gt;David Murray (Sax), Henry Threadhill, (Alto Sax), Olu Dara 
&lt;TT&gt;SUN        &lt;/TT&gt;(Trumpet), Lawrence ‘Butch’ Morris (Cornet), George Lewis 
&lt;TT&gt;SUN        &lt;/TT&gt;(Trombone), Anthony Davis (Piano), Wilbur Morris (Bass), 
&lt;TT&gt;SUN        &lt;/TT&gt;Steve McCall (Percussion) 
&lt;TT&gt;SUN        &lt;/TT&gt;David Murray 
&lt;TT&gt;SUN        &lt;/TT&gt;Black Saint MSR 0045 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;David Murray 
&lt;TT&gt;SUN        &lt;/TT&gt;Dewey’s Circle 
&lt;TT&gt;SUN        &lt;/TT&gt;David Murray (Sax), Henry Threadhill, (Alto Sax), Olu Dara 
&lt;TT&gt;SUN        &lt;/TT&gt;(Trumpet), Lawrence ‘Butch’ Morris (Cornet), George Lewis 
&lt;TT&gt;SUN        &lt;/TT&gt;(Trombone), Anthony Davis (Piano), Wilbur Morris (Bass), 
&lt;TT&gt;SUN        &lt;/TT&gt;Steve McCall (Percussion) 
&lt;TT&gt;SUN        &lt;/TT&gt;David Murray 
&lt;TT&gt;SUN        &lt;/TT&gt;Black Saint MSR 0045 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Robert Glasper, featuring Bilal 
&lt;TT&gt;SUN        &lt;/TT&gt;Letter to Hermoine 
&lt;TT&gt;SUN        &lt;/TT&gt;Robert Glasper 
&lt;TT&gt;SUN        &lt;/TT&gt;Blue Note 88333 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;George Russell Sextet 
&lt;TT&gt;SUN        &lt;/TT&gt;Round Midnight 
&lt;TT&gt;SUN        &lt;/TT&gt;Bernie Hanighen, Cootie Williams, Thelonious Monk 
&lt;TT&gt;SUN        &lt;/TT&gt;Smithsonian Folkways Recordings SFWCD 40820 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Keith Jarrett 
&lt;TT&gt;SUN        &lt;/TT&gt;My Song 
&lt;TT&gt;SUN        &lt;/TT&gt;Keith Jarrett 
&lt;TT&gt;SUN        &lt;/TT&gt;Smithsonian Folkways Recordings SFWCD 40820 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Steve Coleman Group 
&lt;TT&gt;SUN        &lt;/TT&gt;The Glide Was In The Ride 
&lt;TT&gt;SUN        &lt;/TT&gt;Geri Allen 
&lt;TT&gt;SUN        &lt;/TT&gt;Smithsonian Folkways Recordings SFWCD 40820 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Portico Quartet 
&lt;TT&gt;SUN        &lt;/TT&gt;Rubidium 
&lt;TT&gt;SUN        &lt;/TT&gt;Duncan Bellamy, Milo Fitzpatrick, Keir Vine, Jack Wyllie 
&lt;TT&gt;SUN        &lt;/TT&gt;Real World Records Promo 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Nigel Clark 
&lt;TT&gt;SUN        &lt;/TT&gt;Hymn To Freedom 
&lt;TT&gt;SUN        &lt;/TT&gt;Oscar Peterson 
&lt;TT&gt;SUN        &lt;/TT&gt;Circular Records na na 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;A name='MO'&gt;&lt;B&gt;MONDAY 30 JANUARY 2012&lt;/B&gt;&lt;/A&gt; 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;00:30 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pq99.html&gt;b019pq99&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pq99&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Susan Sharpe presents the National Polish Radio Symphony 
&lt;TT&gt;MON        &lt;/TT&gt;Orchestra in concert 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;12:31 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Mussorgsky, Modest (1839-1881) 
&lt;TT&gt;MON        &lt;/TT&gt;Dawn over the Moscow River from Khovanshchina 
&lt;TT&gt;MON        &lt;/TT&gt;National Polish Radio Symphony Orchestra in Katowice, 
&lt;TT&gt;MON        &lt;/TT&gt;Michael Klauza (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;12:38 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Rachmaninov, Sergey (1873-1943) 
&lt;TT&gt;MON        &lt;/TT&gt;Concerto for piano and orchestra no. 4 (Op.40) in G minor 
&lt;TT&gt;MON        &lt;/TT&gt;Olga Kern (piano), National Polish Radio Symphony Orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;in Katowice, Michal Klauza (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;1:05 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Rachmaninov, Sergey (1873-1943) 
&lt;TT&gt;MON        &lt;/TT&gt;Polishynel 
&lt;TT&gt;MON        &lt;/TT&gt;Olga Kern (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;1:08 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Rimsky-Korsakov, Nikolay (1844-1908) 
&lt;TT&gt;MON        &lt;/TT&gt;Flight of the Bumblebee 
&lt;TT&gt;MON        &lt;/TT&gt;Olga Kern (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;1:10 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Shostakovich, Dmitry (1906-1975) 
&lt;TT&gt;MON        &lt;/TT&gt;Symphony no. 11 (Op.103) in G minor "The Year 1905" 
&lt;TT&gt;MON        &lt;/TT&gt;National Polish Radio Symphony Orchestra in Katowice, 
&lt;TT&gt;MON        &lt;/TT&gt;Michael Klauza (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;2:15 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Vivaldi, Antonio (1678-1741) 
&lt;TT&gt;MON        &lt;/TT&gt;Magnificat in G minor (RV.610) for SSAT soloists, choir, 
&lt;TT&gt;MON        &lt;/TT&gt;string orchestra and 2 oboes 
&lt;TT&gt;MON        &lt;/TT&gt;Unidentified soloists, Choir of Latvian Radio and the Riga 
&lt;TT&gt;MON        &lt;/TT&gt;Chamber Players, Sigvards Klava (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;2:31 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Bach, Carl Philipp Emanuel (1714-1788) 
&lt;TT&gt;MON        &lt;/TT&gt;Concerto for flute and orchestra in G major (Wq.169) 
&lt;TT&gt;MON        &lt;/TT&gt;Tom Ottar Andreassen (flute), Norwegian Radio Orchestra, Roy 
&lt;TT&gt;MON        &lt;/TT&gt;Goodman (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;2:55 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Musorgsky, Modest (1839-1881) 
&lt;TT&gt;MON        &lt;/TT&gt;Pictures from an Exhibition, for piano 
&lt;TT&gt;MON        &lt;/TT&gt;Aldo Ciccolini (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;3:29 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Wolf, Hugo (1860-1903) 
&lt;TT&gt;MON        &lt;/TT&gt;Intermezzo for string quartet in E flat major (1886) 
&lt;TT&gt;MON        &lt;/TT&gt;Ljubljana String Quartet 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;3:40 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Debussy, Claude (1862-1918) 
&lt;TT&gt;MON        &lt;/TT&gt;Sonata for cello and piano in D minor 
&lt;TT&gt;MON        &lt;/TT&gt;Duo Krarup-Shirinyan: Johan Krarup (cello), Marianna 
&lt;TT&gt;MON        &lt;/TT&gt;Shirinyan (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;3:52 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Lazar, Milko (b.1965) 
&lt;TT&gt;MON        &lt;/TT&gt;Prelude 
&lt;TT&gt;MON        &lt;/TT&gt;Mojca Zlobko Vajgl (harp), Bojan Gori?ek (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:01 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Lassus, Orlande de (1532-1594) 
&lt;TT&gt;MON        &lt;/TT&gt;Pelli meae consumptis carnibus 
&lt;TT&gt;MON        &lt;/TT&gt;The King's Singers 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:09 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Berlioz, Hector (1803-1869) 
&lt;TT&gt;MON        &lt;/TT&gt;Overture - Beatrice and Benedict (Op.27) 
&lt;TT&gt;MON        &lt;/TT&gt;New Zealand Symphony Orchestra, Sir Neville Marriner 
&lt;TT&gt;MON        &lt;/TT&gt;(conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:18 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Albicastro, Henricus (fl.1700-06) 
&lt;TT&gt;MON        &lt;/TT&gt;Trio Sonata (Op.8 No.11) 
&lt;TT&gt;MON        &lt;/TT&gt;Ensemble 415, Chiara Banchini (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:31 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Zagar, Peter (b. 1961) 
&lt;TT&gt;MON        &lt;/TT&gt;Blumenthal Dance No.2 for violin, viola, cello, clarinet and 
&lt;TT&gt;MON        &lt;/TT&gt;piano (1999) 
&lt;TT&gt;MON        &lt;/TT&gt;Opera Aperta Ensemble 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:39 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Weckmann, Matthias (1616-1674) 
&lt;TT&gt;MON        &lt;/TT&gt;Wenn der Herr die Gefangenen zu Zion erlosen wird 
&lt;TT&gt;MON        &lt;/TT&gt;Soloists from Rheinische Kantorei, Musica Alta Ripa, Hermann 
&lt;TT&gt;MON        &lt;/TT&gt;Max (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:48 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791), arranged Grieg, Edvard 
&lt;TT&gt;MON        &lt;/TT&gt;(1843-1907) 
&lt;TT&gt;MON        &lt;/TT&gt;Sonata for piano in C major (K.545) (arr. Grieg for two 
&lt;TT&gt;MON        &lt;/TT&gt;pianos) 
&lt;TT&gt;MON        &lt;/TT&gt;Julie Adam and Daniel Herscovitch (pianos) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:58 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Grieg, Edvard Hagerup [1843-1907] 
&lt;TT&gt;MON        &lt;/TT&gt;2 Norwegian Dances (Op.35, nos. 1 &amp; 2) 
&lt;TT&gt;MON        &lt;/TT&gt;Plovdiv Philharmonic Orchestra, Rouslan Raychev (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;5:08 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Fesch, Willem de (1687-c.1757) 
&lt;TT&gt;MON        &lt;/TT&gt;Concerto for violin and orchestra in C minor (Op.5 No.5) 
&lt;TT&gt;MON        &lt;/TT&gt;Manfred Kraemer (violin), Musica ad Rhenum 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;5:18 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Poulenc, Francis (1899-1963) 
&lt;TT&gt;MON        &lt;/TT&gt;Litanies à la Vierge Noire 
&lt;TT&gt;MON        &lt;/TT&gt;Maîtrise de Radio France, Orchestre National de France, 
&lt;TT&gt;MON        &lt;/TT&gt;George Prêtre (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;5:28 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Barber, Samuel (1910-1981) 
&lt;TT&gt;MON        &lt;/TT&gt;Adagio for Strings (Op.11) 
&lt;TT&gt;MON        &lt;/TT&gt;Netherlands Radio Symphony Orchestra, Richard Dufallo 
&lt;TT&gt;MON        &lt;/TT&gt;(conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;5:39 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Debussy, Claude (1862-1918) 
&lt;TT&gt;MON        &lt;/TT&gt;String Quartet in G minor (Op.10) 
&lt;TT&gt;MON        &lt;/TT&gt;Yggdrasil String Quartet: 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;6:03 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Brahms, Johannes (1833-1897) 
&lt;TT&gt;MON        &lt;/TT&gt;Trio for viola, cello and piano (Op.114) in A minor 
&lt;TT&gt;MON        &lt;/TT&gt;Maxim Rysanov (viola); Ekaterina Apekisheva (piano); 
&lt;TT&gt;MON        &lt;/TT&gt;Kristina Blaumane (cello) 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;06:30 Breakfast &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pq9c.html&gt;b019pq9c&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pq9c&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;NB This playlist is subject to change during transmission. 
&lt;TT&gt;MON        &lt;/TT&gt;The final playlist will be put up by noon on the day of 
&lt;TT&gt;MON        &lt;/TT&gt;broadcast. 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;06:31&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Hector Berlioz 
&lt;TT&gt;MON        &lt;/TT&gt;Marche hongroise (Rakoczy march) (La Damnation de Faust) 
&lt;TT&gt;MON        &lt;/TT&gt;Royal Philharmonic Orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;Enrique Bátiz (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;RPO CDRPO 5006 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;06:36&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Ivor Gurney 
&lt;TT&gt;MON        &lt;/TT&gt;Sleep 
&lt;TT&gt;MON        &lt;/TT&gt;Lynne Dawson (soprano) 
&lt;TT&gt;MON        &lt;/TT&gt;Malcolm Martineau (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;Hyperion CDA67227 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;06:36&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Anatoly Konstantinovich Lyadov 
&lt;TT&gt;MON        &lt;/TT&gt;Mazurka “Village scene by the Inn” 
&lt;TT&gt;MON        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;MON        &lt;/TT&gt;Vassily Sinaisky (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;Chandos CHAN 9911 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;06:45&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Frédéric Chopin 
&lt;TT&gt;MON        &lt;/TT&gt;Scherzo No 3 in C sharp minor, Op 39 
&lt;TT&gt;MON        &lt;/TT&gt;Benjamin Grosvenor (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;Decca 478 3206 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;06:52&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;William Boyce 
&lt;TT&gt;MON        &lt;/TT&gt;Symphony No 2 in A major 
&lt;TT&gt;MON        &lt;/TT&gt;The Academy of Ancient Music 
&lt;TT&gt;MON        &lt;/TT&gt;Christopher Hogwood (director) 
&lt;TT&gt;MON        &lt;/TT&gt;L’oiseau-lyre 436 761-2 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:03&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Gustav Holst 
&lt;TT&gt;MON        &lt;/TT&gt;The Planets: Uranus, the Magician 
&lt;TT&gt;MON        &lt;/TT&gt;BBC Symphony Orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;Andrew Davies (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;Teldec 4509-94541-2 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:10&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;César Franck 
&lt;TT&gt;MON        &lt;/TT&gt;Violin Sonata in A major: final mvt 
&lt;TT&gt;MON        &lt;/TT&gt;Augustin Dumay (violin) 
&lt;TT&gt;MON        &lt;/TT&gt;Maria João Pires (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;DG 445 880-2 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:17&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Wolfgang Amadeus Mozart 
&lt;TT&gt;MON        &lt;/TT&gt;Laudate Dominum (Vesperae SolennesK339) 
&lt;TT&gt;MON        &lt;/TT&gt;Cecilia Bartoli (mezzo-soprano) 
&lt;TT&gt;MON        &lt;/TT&gt;Orchestra and Chorus of the Accademia Nazionale di Santa 
&lt;TT&gt;MON        &lt;/TT&gt;Cecilia 
&lt;TT&gt;MON        &lt;/TT&gt;Myung-Whun Chung (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;Decca 478 2249 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:22&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Johann Sebastian Bach 
&lt;TT&gt;MON        &lt;/TT&gt;Suite No 4 BWV 809: Prélude 
&lt;TT&gt;MON        &lt;/TT&gt;Gustav Leonhardt (harpsichord) 
&lt;TT&gt;MON        &lt;/TT&gt;EMI CDS 7 49000 8 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:28&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Thomas Morley 
&lt;TT&gt;MON        &lt;/TT&gt;Sing we and chant it 
&lt;TT&gt;MON        &lt;/TT&gt;Kings Singers 
&lt;TT&gt;MON        &lt;/TT&gt;Robert Spencer (lute) 
&lt;TT&gt;MON        &lt;/TT&gt;EMI CDC 7 49265 2 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:35&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Claude Debussy 
&lt;TT&gt;MON        &lt;/TT&gt;Jardins sous la pluie (Estampes) 
&lt;TT&gt;MON        &lt;/TT&gt;Alexis Weissenberg (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;DG 415 510-2 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:38&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Henry Purcell 
&lt;TT&gt;MON        &lt;/TT&gt;Rejoice in the Lord alway 
&lt;TT&gt;MON        &lt;/TT&gt;Michael Cockerham (alto) 
&lt;TT&gt;MON        &lt;/TT&gt;Andrew King (tenor) 
&lt;TT&gt;MON        &lt;/TT&gt;Nicholas Hayes (bass) 
&lt;TT&gt;MON        &lt;/TT&gt;Choir of King’s College, Cambridge 
&lt;TT&gt;MON        &lt;/TT&gt;Academy of St Martin in the Fields 
&lt;TT&gt;MON        &lt;/TT&gt;Philip Ledger (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;EMI CDM 7 63966 2 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:48&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Ralph Vaughan Williams 
&lt;TT&gt;MON        &lt;/TT&gt;Norfolk Rhapsody No 1 in E minor 
&lt;TT&gt;MON        &lt;/TT&gt;Academy of St Martin in the Fields 
&lt;TT&gt;MON        &lt;/TT&gt;Sir Neville Marriner (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;Philips 442 427-2 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:03&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Franz Schubert 
&lt;TT&gt;MON        &lt;/TT&gt;Piano Sonata in B flat D960: Scherzo 
&lt;TT&gt;MON        &lt;/TT&gt;Alfred Brendel (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;Decca 478 2116 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:08&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Hans Christian Lumbye 
&lt;TT&gt;MON        &lt;/TT&gt;Concertpolka 
&lt;TT&gt;MON        &lt;/TT&gt;Norwegian Radio Orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;Ari Rasilainen (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;Finlandia 0927-49253-2 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:12&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Alonso Lobo 
&lt;TT&gt;MON        &lt;/TT&gt;Versa est in luctum 
&lt;TT&gt;MON        &lt;/TT&gt;The Tallis Scholars 
&lt;TT&gt;MON        &lt;/TT&gt;Peter Phillips (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;Gimell 453 931-2 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:17&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Felix Mendelssohn 
&lt;TT&gt;MON        &lt;/TT&gt;Symphony No 4 “Italian”: mvt I – Allegro Vivace 
&lt;TT&gt;MON        &lt;/TT&gt;Vienna Philharmonic 
&lt;TT&gt;MON        &lt;/TT&gt;Christoph Dohnányi (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;Decca 460 239-2 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:26&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Nicola Matteis 
&lt;TT&gt;MON        &lt;/TT&gt;Gavotta condivisiono (Sett of Ayres in F) 
&lt;TT&gt;MON        &lt;/TT&gt;Palladian Ensemble 
&lt;TT&gt;MON        &lt;/TT&gt;Linn CKD 041 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:45&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Leonard Bernstein 
&lt;TT&gt;MON        &lt;/TT&gt;On the Town: Three dance episodes 
&lt;TT&gt;MON        &lt;/TT&gt;New York Philharmonic 
&lt;TT&gt;MON        &lt;/TT&gt;Leonard Bernstein (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;CBS MK 42263 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:55&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;George Frideric Handel 
&lt;TT&gt;MON        &lt;/TT&gt;Where’er you walk (Semele) 
&lt;TT&gt;MON        &lt;/TT&gt;John Mark Ainsley (tenor) 
&lt;TT&gt;MON        &lt;/TT&gt;The King’s Consort 
&lt;TT&gt;MON        &lt;/TT&gt;Robert King (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;Regis RRC 1062 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;09:00 Essential Classics &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pq9f.html&gt;b019pq9f&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pq9f&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;9am 
&lt;TT&gt;MON        &lt;/TT&gt;A selection of music including the Essential CD of the Week: 
&lt;TT&gt;MON        &lt;/TT&gt;Robert Johnson: The Prince's Almain and other dances for 
&lt;TT&gt;MON        &lt;/TT&gt;lute (Nigel North) 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;9.30am&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;A daily brainteaser and performances by the Artist of the 
&lt;TT&gt;MON        &lt;/TT&gt;Week, cellist Steven Isserlis, in music by Saint-Saens (La 
&lt;TT&gt;MON        &lt;/TT&gt;muse et le poete, op.132) and Haydn (Sinfonia Concertante in 
&lt;TT&gt;MON        &lt;/TT&gt;B flat for violin, cello, oboe and bassoon, Hob I:105). 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;10.30am&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;The Essential Classics guest is weather presenter Sian 
&lt;TT&gt;MON        &lt;/TT&gt;Lloyd, who introduces her essential pieces of classical 
&lt;TT&gt;MON        &lt;/TT&gt;music. Today she reveals the first piece of classical music 
&lt;TT&gt;MON        &lt;/TT&gt;she remembers hearing, and talks about a work that reminds 
&lt;TT&gt;MON        &lt;/TT&gt;her of a particular place. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;11am 
&lt;TT&gt;MON        &lt;/TT&gt;Sarah's Essential Choice 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Mendelssohn: 
&lt;TT&gt;MON        &lt;/TT&gt;Elijah, op.70 (excerpt) 
&lt;TT&gt;MON        &lt;/TT&gt;The Building a Library recommendation from last Saturday's 
&lt;TT&gt;MON        &lt;/TT&gt;CD Review. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Claudio Monteverdi 
&lt;TT&gt;MON        &lt;/TT&gt;Toccata from Orfeo 
&lt;TT&gt;MON        &lt;/TT&gt;Le Concert d’Astrée, Emmanuelle Haïm (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;VIRGIN 5 45642 2 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Gioachino Rossini 
&lt;TT&gt;MON        &lt;/TT&gt;Overture to Semiramide 
&lt;TT&gt;MON        &lt;/TT&gt;Philharmonia Orchestra, Carlo Maria Giulini (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;EMI 7 69042 2 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Robert Johnson 
&lt;TT&gt;MON        &lt;/TT&gt;The Fairies’ Dance 
&lt;TT&gt;MON        &lt;/TT&gt;Nigel North (lute) 
&lt;TT&gt;MON        &lt;/TT&gt;NAXOS 8.572178 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Mussorgsky arr. Rimsky Korsakov 
&lt;TT&gt;MON        &lt;/TT&gt;A Night on Bald Mountain 
&lt;TT&gt;MON        &lt;/TT&gt;Chicago Symphony Orchestra, Fritz Reiner (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;RCA 09026 61958 2 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Camille Saint-Saëns 
&lt;TT&gt;MON        &lt;/TT&gt;Cello Concerto no.1 in A minor, op.33 
&lt;TT&gt;MON        &lt;/TT&gt;Steven Isserlis (cello), London Symphony Orchestra, Michael 
&lt;TT&gt;MON        &lt;/TT&gt;Tilson Thomas (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;RCA 09026 61678 2 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Antonio Vivaldi 
&lt;TT&gt;MON        &lt;/TT&gt;Bassoon Concerto RV 471 in C 
&lt;TT&gt;MON        &lt;/TT&gt;Sergio Azzolini (bassoon), L’Aura Soave Cremona 
&lt;TT&gt;MON        &lt;/TT&gt;NAIVE OP 30496 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Franz Liszt 
&lt;TT&gt;MON        &lt;/TT&gt;Au lac de Wallenstadt from Années de Pélerinage Bk 1, S160 
&lt;TT&gt;MON        &lt;/TT&gt;Bertrand Chamayou (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;NAIVE V 5260 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Joseph Haydn 
&lt;TT&gt;MON        &lt;/TT&gt;Sinfonia Concertante in B flat for violin, cello, oboe and 
&lt;TT&gt;MON        &lt;/TT&gt;bassoon 
&lt;TT&gt;MON        &lt;/TT&gt;Marieke Blankestijn (violin), Steven Isserlis (cello), 
&lt;TT&gt;MON        &lt;/TT&gt;Douglas Boyd (oboe), Matthew Wilkie (bassoon), Chamber 
&lt;TT&gt;MON        &lt;/TT&gt;Orchestra of Europe, Roger Norrington (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;RCA 09026 68578 2 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Ludwig van Beethoven 
&lt;TT&gt;MON        &lt;/TT&gt;Symphony no.7, op.92 – 1st movement 
&lt;TT&gt;MON        &lt;/TT&gt;Philharmonia Orchestra, Herbert von Karajan (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;EMI 7 63312 2 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Jacques Offenbach 
&lt;TT&gt;MON        &lt;/TT&gt;Entracte et Barcarolle – ‘Belle Nuit’ from The Tales of 
&lt;TT&gt;MON        &lt;/TT&gt;Hoffmann, Act 3 
&lt;TT&gt;MON        &lt;/TT&gt;Joan Sutherland (soprano – Giulietta), Huguette Tourangeau 
&lt;TT&gt;MON        &lt;/TT&gt;(mezzo-soprano – Niklausse), Choeur de la Radio Suisse 
&lt;TT&gt;MON        &lt;/TT&gt;Romande, Choeur Pro Arte du Lausanne, Choeur Du Brassus, 
&lt;TT&gt;MON        &lt;/TT&gt;Orchestre de la Suisse Romande, Richard Bonynge (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;DECCA 00289 477 9336 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Felix Mendelssohn 
&lt;TT&gt;MON        &lt;/TT&gt;Elijah (excerpt) 
&lt;TT&gt;MON        &lt;/TT&gt;The Building a Library recommendation from last Saturday’s 
&lt;TT&gt;MON        &lt;/TT&gt;CD Review 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Johann Sebastian Bach 
&lt;TT&gt;MON        &lt;/TT&gt;Toccata in F, BWV540 
&lt;TT&gt;MON        &lt;/TT&gt;Ton Koopman (organ) 
&lt;TT&gt;MON        &lt;/TT&gt;ARCHIV 410 999-2 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Igor Stravinsky 
&lt;TT&gt;MON        &lt;/TT&gt;Violin Concerto 
&lt;TT&gt;MON        &lt;/TT&gt;Hilary Hahn (violin), Academy of St Martin-in-the-Fields, 
&lt;TT&gt;MON        &lt;/TT&gt;Neville Marriner (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;SONY 89649 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;12:00 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b016vn00.html&gt;b016vn00&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b016vn00&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Edward Elgar (1857-1934), The Edwardian Golden Summer 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;By the end of the Great War, Sir Edward Elgar couldn't 
&lt;TT&gt;MON        &lt;/TT&gt;compose any music to celebrate peace, disillusioned as he 
&lt;TT&gt;MON        &lt;/TT&gt;was by the whole period, which Donald Macleod explores in 
&lt;TT&gt;MON        &lt;/TT&gt;conversation with Terry Charman from the Imperial War 
&lt;TT&gt;MON        &lt;/TT&gt;Museum. At the outbreak of war, Elgar was noted for being 
&lt;TT&gt;MON        &lt;/TT&gt;more concerned about his beloved horses, than for any 
&lt;TT&gt;MON        &lt;/TT&gt;soldiers fighting. Little did anyone know how many horses or 
&lt;TT&gt;MON        &lt;/TT&gt;people would die in this conflict, which lasted more than 
&lt;TT&gt;MON        &lt;/TT&gt;the predicted three months. Elgar did do his bit though, 
&lt;TT&gt;MON        &lt;/TT&gt;joining the Special Reserve, conducting charity concerts to 
&lt;TT&gt;MON        &lt;/TT&gt;raise much needed funds, and composing the odd bit of 
&lt;TT&gt;MON        &lt;/TT&gt;jingoistic music to rally the people. It is the Great War 
&lt;TT&gt;MON        &lt;/TT&gt;period back at home in Great Britain, with Zeppelin raids, 
&lt;TT&gt;MON        &lt;/TT&gt;German cruisers shelling Whitby and Scarborough, to 
&lt;TT&gt;MON        &lt;/TT&gt;xenophobic riots in London, which Donald Macleod explores 
&lt;TT&gt;MON        &lt;/TT&gt;tracing how these events affected the life and music of Sir 
&lt;TT&gt;MON        &lt;/TT&gt;Edward Elgar. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;1914, and in the age of Empire and British supremacy at sea, 
&lt;TT&gt;MON        &lt;/TT&gt;it was the Edwardian Golden Summer. Few people realised that 
&lt;TT&gt;MON        &lt;/TT&gt;war was looming, and commissions were coming in for Elgar, 
&lt;TT&gt;MON        &lt;/TT&gt;such as from the Sons of Clergy Festival at St. Paul's 
&lt;TT&gt;MON        &lt;/TT&gt;Cathedral, for which he composed his anthem Give unto the 
&lt;TT&gt;MON        &lt;/TT&gt;Lord. Soon, with motor vehicles requisitioned, and the 
&lt;TT&gt;MON        &lt;/TT&gt;unmistakable increase of men in khaki, the Great War had 
&lt;TT&gt;MON        &lt;/TT&gt;begun. Elgar soon received his first war commission in aid 
&lt;TT&gt;MON        &lt;/TT&gt;of the Belgian Fund, writing a work for narrator and 
&lt;TT&gt;MON        &lt;/TT&gt;orchestra, Carillon. But many of Elgar's most fierce 
&lt;TT&gt;MON        &lt;/TT&gt;supporters were German, including Hans Richter, to whom he 
&lt;TT&gt;MON        &lt;/TT&gt;dedicated his Three Bavarian Dances. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;MON        &lt;/TT&gt;Land of hope and glory for chorus &amp; orch, arr. Fagge (1914) 
&lt;TT&gt;MON        &lt;/TT&gt;from trio of Pomp and Circumstance march no.1 
&lt;TT&gt;MON        &lt;/TT&gt;Richard HICKOX 
&lt;TT&gt;MON        &lt;/TT&gt;London Symphony Chorus 
&lt;TT&gt;MON        &lt;/TT&gt;Northern Sinfonia. 
&lt;TT&gt;MON        &lt;/TT&gt;EMI 
&lt;TT&gt;MON        &lt;/TT&gt;CDC7494812 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;MON        &lt;/TT&gt;Give unto the Lord (Psalm 29) Op.74 vers. for chorus and 
&lt;TT&gt;MON        &lt;/TT&gt;organ 
&lt;TT&gt;MON        &lt;/TT&gt;Christopher ROBINSON 
&lt;TT&gt;MON        &lt;/TT&gt;Jonathan VAUGHN - Organ 
&lt;TT&gt;MON        &lt;/TT&gt;St John's College Cambridge Choir 
&lt;TT&gt;MON        &lt;/TT&gt;NAXOS 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;8.55-7288&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;MON        &lt;/TT&gt;Sospiri Op.70 vers. for str, harp &amp; org 
&lt;TT&gt;MON        &lt;/TT&gt;George HURST 
&lt;TT&gt;MON        &lt;/TT&gt;Bournemouth Sinfonietta. 
&lt;TT&gt;MON        &lt;/TT&gt;CHANDOS 
&lt;TT&gt;MON        &lt;/TT&gt;CHAN6544 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;MON        &lt;/TT&gt;The King's Way (1909) [arr. From Pomp and Circumstance march 
&lt;TT&gt;MON        &lt;/TT&gt;no.4] 
&lt;TT&gt;MON        &lt;/TT&gt;Amanda ROOCROFT - Soprano 
&lt;TT&gt;MON        &lt;/TT&gt;Reinild MEES - Piano 
&lt;TT&gt;MON        &lt;/TT&gt;Channel Classics 
&lt;TT&gt;MON        &lt;/TT&gt;CCS SA 28610 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;MON        &lt;/TT&gt;Carillon Op.75 for reciter and orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;Barry COLLETT 
&lt;TT&gt;MON        &lt;/TT&gt;Richard PASCO - Speaker 
&lt;TT&gt;MON        &lt;/TT&gt;Rutland Sinfonia 
&lt;TT&gt;MON        &lt;/TT&gt;PEARL 
&lt;TT&gt;MON        &lt;/TT&gt;SHE CD-9602 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;MON        &lt;/TT&gt;3 Bavarian dances for orchestra [from nos. 1, 3 &amp; 6 of 'From 
&lt;TT&gt;MON        &lt;/TT&gt;the Bavarian highlands', Op.27] 
&lt;TT&gt;MON        &lt;/TT&gt;Norman DEL MAR 
&lt;TT&gt;MON        &lt;/TT&gt;Bournemouth Sinfonietta. 
&lt;TT&gt;MON        &lt;/TT&gt;CHANDOS 
&lt;TT&gt;MON        &lt;/TT&gt;CHAN-6544 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;13:00 Radio 3 Lunchtime Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pq9h.html&gt;b019pq9h&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pq9h&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Elias String Quartet, Leon Fleisher 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Introduced live from London's Wigmore Hall by Fiona 
&lt;TT&gt;MON        &lt;/TT&gt;Talkington. The Elias String Quartet recently completed a 
&lt;TT&gt;MON        &lt;/TT&gt;highly successful term as Radio 3 New Generation Artists; 
&lt;TT&gt;MON        &lt;/TT&gt;today they perform Webern's youthful Langsamer Satz, before 
&lt;TT&gt;MON        &lt;/TT&gt;being joined by veteran American pianist Leon Fleisher in 
&lt;TT&gt;MON        &lt;/TT&gt;Brahms's richly Romantic Piano Quintet in F minor, Op 34. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Webern: Langsamer Satz 
&lt;TT&gt;MON        &lt;/TT&gt;Brahms: Piano Quintet in F minor Op 34 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Elias String Quartet 
&lt;TT&gt;MON        &lt;/TT&gt;Leon Fleisher (piano). 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;14:00 Afternoon on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pq9k.html&gt;b019pq9k&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pq9k&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Russian Music, Episode 1 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Katie Derham begins a week long exploration of Russian music 
&lt;TT&gt;MON        &lt;/TT&gt;from Glinka to Stravinsky. 
&lt;TT&gt;MON        &lt;/TT&gt;Today there's a chance to hear live recordings by the Ulster 
&lt;TT&gt;MON        &lt;/TT&gt;Orchestra of a well-known concerto and symphony and also a 
&lt;TT&gt;MON        &lt;/TT&gt;rarity by Scriabin which was once hailed as 'the new Bible.' 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Borodin Prince Igor - Overture 
&lt;TT&gt;MON        &lt;/TT&gt;Ulster Orchestra, Dmitri Slobodeniuk (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Tchaikovsky: Symphony no. 4 in F minor Op.36 
&lt;TT&gt;MON        &lt;/TT&gt;Ulster Orchestra, Dmitri Slobodeniuk (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Rachmaninov: Piano Concerto no. 3 in D minor Op.30 
&lt;TT&gt;MON        &lt;/TT&gt;Sofya Gulyak (piano), Ulster Orchestra, Alan Buribayev 
&lt;TT&gt;MON        &lt;/TT&gt;(conductor) 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Scriabin: Symphony no. 2 in C minor Op.2 
&lt;TT&gt;MON        &lt;/TT&gt;Ulster Orchestra, Alan Buribayev (conductor)s. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;16:30 In Tune &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pq9m.html&gt;b019pq9m&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pq9m&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Suzy Klein presents, with live music and guests from the 
&lt;TT&gt;MON        &lt;/TT&gt;music world - including composer Nicola Lefanu, whose new 
&lt;TT&gt;MON        &lt;/TT&gt;opera, Dream Hunter, premieres at Wilton's Music Hall in 
&lt;TT&gt;MON        &lt;/TT&gt;London this week. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Main news headlines are at 5.00 and 6.00 
&lt;TT&gt;MON        &lt;/TT&gt;E-mail: in.tune@bbc.co.uk 
&lt;TT&gt;MON        &lt;/TT&gt;Twitter: BBCInTune. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;18:30 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b016vn00.html&gt;b016vn00&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b016vn00&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;[Repeat of broadcast at 12:00 today] 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;19:30 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pq9p.html&gt;b019pq9p&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pq9p&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Classical Opera Company - Mozart, Kozeluch 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Live from the Wigmore Hall 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;A concert of remarkable G minor symphonies by Mozart and 
&lt;TT&gt;MON        &lt;/TT&gt;Czech contemporary Kozeluch which frame arias by Mozart. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Ian Page conducts a programme featuring the two magnificent 
&lt;TT&gt;MON        &lt;/TT&gt;concert arias conceived by Mozart for the celebrated Czech 
&lt;TT&gt;MON        &lt;/TT&gt;soprano Josepha Duschek. One story has it that the soprano 
&lt;TT&gt;MON        &lt;/TT&gt;kept Mozart locked up in a pavilion in her garden until he 
&lt;TT&gt;MON        &lt;/TT&gt;had written 'Bella mia fiamma' for her - Mozart allegedly 
&lt;TT&gt;MON        &lt;/TT&gt;retaliated by writing an extremely tricky part for the 
&lt;TT&gt;MON        &lt;/TT&gt;soloist - certainly it's a work which tests any soprano. 
&lt;TT&gt;MON        &lt;/TT&gt;Tonight the soprano is the young South African - Sarah-Jane 
&lt;TT&gt;MON        &lt;/TT&gt;Brandon - who has won rave reviews since winning the 
&lt;TT&gt;MON        &lt;/TT&gt;Kathleen Ferrier Competition in 2009. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;These arias are framed by two symphonies in G minor - 
&lt;TT&gt;MON        &lt;/TT&gt;Mozart's 40th Symphony was one of only two symphonies he 
&lt;TT&gt;MON        &lt;/TT&gt;wrote in a minor key and has become one of his most popular 
&lt;TT&gt;MON        &lt;/TT&gt;pieces. Much less well known is 
&lt;TT&gt;MON        &lt;/TT&gt;the G minor Symphony of Czech composer Leopold Kozeluch, a 
&lt;TT&gt;MON        &lt;/TT&gt;contemporary of Mozart - and sometimes bitter rival - but 
&lt;TT&gt;MON        &lt;/TT&gt;very popular at the time in Vienna. Compare their works in 
&lt;TT&gt;MON        &lt;/TT&gt;this intriguing programme. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Kozeluch - Symphony in G minor 
&lt;TT&gt;MON        &lt;/TT&gt;Mozart - Ah, lo previdi. Ah, t'invola agl'occhi miei 
&lt;TT&gt;MON        &lt;/TT&gt;Mozart - E Susanna non vien. Dove sono i bei momenti from Le 
&lt;TT&gt;MON        &lt;/TT&gt;nozze di Figaro 
&lt;TT&gt;MON        &lt;/TT&gt;Mozart - Bella mia fiamma. Resta, o cara 
&lt;TT&gt;MON        &lt;/TT&gt;Mozart - Symphony No. 40 in G minor K550 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Sarah-Jane Brandon (soprano) 
&lt;TT&gt;MON        &lt;/TT&gt;Classical Opera Company 
&lt;TT&gt;MON        &lt;/TT&gt;Ian Page (conductor). 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;22:00 Night Waves &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pq9r.html&gt;b019pq9r&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pq9r&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Bombay Beach 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Matthew Sweet with a discussion of the American documentary 
&lt;TT&gt;MON        &lt;/TT&gt;film 'Bombay Beach',once a vacation resort for the rich and 
&lt;TT&gt;MON        &lt;/TT&gt;now one of the poorest communities in southern California. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;22:45 The Essay &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pq9t.html&gt;b019pq9t&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pq9t&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Tagore and the Bengali Sensibility, A Cherished Acquaintance 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;The Indian novelist, critic, musician and Professor of 
&lt;TT&gt;MON        &lt;/TT&gt;Contemporary Literature at the University of East Anglia, 
&lt;TT&gt;MON        &lt;/TT&gt;Amit Chaudhuri presents five essays on the creative work of 
&lt;TT&gt;MON        &lt;/TT&gt;Bengali polymath Rabindranath Tagore on the occasion of the 
&lt;TT&gt;MON        &lt;/TT&gt;150th anniversary of his birth. Chaudhuri explores the work, 
&lt;TT&gt;MON        &lt;/TT&gt;influence and the legacy of one of India's most revered 
&lt;TT&gt;MON        &lt;/TT&gt;artists and reflects on how Tagore's work provides an 
&lt;TT&gt;MON        &lt;/TT&gt;appreciation and an understanding of the Bengali 
&lt;TT&gt;MON        &lt;/TT&gt;intellectual and creative sensibility. 
&lt;TT&gt;MON        &lt;/TT&gt;With readings by John Hug. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;23:00 Jazz on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pq9w.html&gt;b019pq9w&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pq9w&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Tampere Festival 2011 Highlights 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Jez Nelson presents highlights from the 2011 Tampere 
&lt;TT&gt;MON        &lt;/TT&gt;Festival in Finland. Now in its 30th year, the event brings 
&lt;TT&gt;MON        &lt;/TT&gt;together international artists as well as showcasing an 
&lt;TT&gt;MON        &lt;/TT&gt;increasingly exciting Finnish jazz scene. Among the 
&lt;TT&gt;MON        &lt;/TT&gt;musicians this year are New York-based Finnish guitarist 
&lt;TT&gt;MON        &lt;/TT&gt;Raoul Bjorkenheim; Space Machine, a jazz-funk ensemble led 
&lt;TT&gt;MON        &lt;/TT&gt;by drummer Hanni Pulle; and Polish trumpeter and ECM 
&lt;TT&gt;MON        &lt;/TT&gt;stalwart Tomasz Stanko. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Presenter: Jez Nelson 
&lt;TT&gt;MON        &lt;/TT&gt;Studio guest: Marcus O'Dair 
&lt;TT&gt;MON        &lt;/TT&gt;Producer: Joby Waldman. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Line-up: Hanne Pulli (drums), Kalevi Louhivuori (trumpet, 
&lt;TT&gt;MON        &lt;/TT&gt;effects), Petri Kautto (guitar), Antti Kujanpaa (keyboards), 
&lt;TT&gt;MON        &lt;/TT&gt;Jori Huhtala (bass) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;23:03&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Hanne Pulli Space Machine 
&lt;TT&gt;MON        &lt;/TT&gt;Tapaus Zap 
&lt;TT&gt;MON        &lt;/TT&gt;Hanne Pulli 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;23:15&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Edward Vesala 
&lt;TT&gt;MON        &lt;/TT&gt;Nan Mandol 
&lt;TT&gt;MON        &lt;/TT&gt;ECM 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Line-up: Raoul Bjorkenheim (guitar); Pauli Lyytinen (soprano 
&lt;TT&gt;MON        &lt;/TT&gt;saxophone, tenor saxophone); Jori Hutala (bass); Markku 
&lt;TT&gt;MON        &lt;/TT&gt;Ounaskari (drums) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;23:20&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Raoul Bjorkenheim's Ecstasy 
&lt;TT&gt;MON        &lt;/TT&gt;Maelstorm Mary 
&lt;TT&gt;MON        &lt;/TT&gt;Raoul Bjorkenheim 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;23:31&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Raoul Bjorkenheim's Ecstasy 
&lt;TT&gt;MON        &lt;/TT&gt;As luck would have it 
&lt;TT&gt;MON        &lt;/TT&gt;Raoul Bjorkenheim 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;23:37&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Raoul Bjorkenheim's Ecstasy 
&lt;TT&gt;MON        &lt;/TT&gt;Acid Rain 
&lt;TT&gt;MON        &lt;/TT&gt;Raoul Bjorkenheim 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;23:51&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Mikko Innanen 
&lt;TT&gt;MON        &lt;/TT&gt;Mikko Innanen's forest solo 
&lt;TT&gt;MON        &lt;/TT&gt;Mikko Innanen 
&lt;TT&gt;MON        &lt;/TT&gt;Mikko Innanen's Solo Forest Session, recorded in a forest 
&lt;TT&gt;MON        &lt;/TT&gt;outside the Tampere Jazz Happening, November 2011 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Line-up: Tomasz Stanko (trumpet); Jakob Bro (guitar); Anders 
&lt;TT&gt;MON        &lt;/TT&gt;Christensen; Alexi Tuomarila (piano); Olavi Louhivouri 
&lt;TT&gt;MON        &lt;/TT&gt;(drums) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;00:00&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Tomasz Sta?ko Quintet 
&lt;TT&gt;MON        &lt;/TT&gt;Song for H 
&lt;TT&gt;MON        &lt;/TT&gt;Tomasz Stanko 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;00:08&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Tomasz Sta?ko Quintet 
&lt;TT&gt;MON        &lt;/TT&gt;Terminal 7 
&lt;TT&gt;MON        &lt;/TT&gt;Tomasz Stanko 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;00:17&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Tomasz Sta?ko Quintet 
&lt;TT&gt;MON        &lt;/TT&gt;Nice One 
&lt;TT&gt;MON        &lt;/TT&gt;Tomasz Stanko 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;A name='TU'&gt;&lt;B&gt;TUESDAY 31 JANUARY 2012&lt;/B&gt;&lt;/A&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;00:30 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pqh8.html&gt;b019pqh8&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pqh8&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Jonathan Swain presents the Danish Radio choir performing 
&lt;TT&gt;TUE        &lt;/TT&gt;Brahms, Bach and Strauss 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;12:31 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Brahms, Johannes [1833-1897] 
&lt;TT&gt;TUE        &lt;/TT&gt;Fest und Gedenkspruche Op. 109; 
&lt;TT&gt;TUE        &lt;/TT&gt;DR Concert Choir, Florian Helgath (director) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;12:43 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Bach, Johann Sebastian [1685-1750] 
&lt;TT&gt;TUE        &lt;/TT&gt;Komm, Jesu, komm BWV 229 
&lt;TT&gt;TUE        &lt;/TT&gt;DR Concert Choir, Florian Helgath (director) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;12:53 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Sandström, Sven-David (b. 1942) 
&lt;TT&gt;TUE        &lt;/TT&gt;Komm, Jesu, komm 
&lt;TT&gt;TUE        &lt;/TT&gt;DR Concert Choir, Florian Helgath (director) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;1:02 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Strauss, Richard [1864-1949] 
&lt;TT&gt;TUE        &lt;/TT&gt;Traumlicht 
&lt;TT&gt;TUE        &lt;/TT&gt;DR Concert Choir, Florian Helgath (director) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;1:09 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Verdi, Giuseppe [1813-1901] 
&lt;TT&gt;TUE        &lt;/TT&gt;Laudi alla Vergine Maria 
&lt;TT&gt;TUE        &lt;/TT&gt;DR Concert Choir, Florian Helgath (director) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;1:15 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Mendelssohn, Felix [1809-1847] 
&lt;TT&gt;TUE        &lt;/TT&gt;3 Psalms 
&lt;TT&gt;TUE        &lt;/TT&gt;DR Concert Choir, Florian Helgath (director) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;1:37 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Schumann, Robert (1810-1856) 
&lt;TT&gt;TUE        &lt;/TT&gt;Humoreske for piano in B flat major (Op.20) 
&lt;TT&gt;TUE        &lt;/TT&gt;Ivetta Irkha (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;2:01 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Busoni, Ferrucio (1866-1924) 
&lt;TT&gt;TUE        &lt;/TT&gt;Suite No.2 for orchestra (Op.34a) 
&lt;TT&gt;TUE        &lt;/TT&gt;Finnish Radio Symphony Orchestra, Esa-Pekka Salonen 
&lt;TT&gt;TUE        &lt;/TT&gt;(conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;2:31 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Vivaldi, Antonio (1678-1741) 
&lt;TT&gt;TUE        &lt;/TT&gt;Concerto in D major (RV.208) 
&lt;TT&gt;TUE        &lt;/TT&gt;Elizabeth Wallfisch (baroque violin), Australian Brandenburg 
&lt;TT&gt;TUE        &lt;/TT&gt;Orchestra, Paul Dyer (director) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;2:46 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Beethoven, Ludwig van (1770-1827) 
&lt;TT&gt;TUE        &lt;/TT&gt;Symphony No.7 in A major (Op.92) 
&lt;TT&gt;TUE        &lt;/TT&gt;Oslo Philharmonic Orchestra, André Previn (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;3:27 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Arensky, Anton Stepanovich (1861-1906) 
&lt;TT&gt;TUE        &lt;/TT&gt;Suite No.1 in F major for 2 pianos (Op.15) 
&lt;TT&gt;TUE        &lt;/TT&gt;James Anagnason, Leslie Kinton (pianos) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;3:42 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Schoeck, Othmar (1886-1957) 
&lt;TT&gt;TUE        &lt;/TT&gt;Sommernacht (Summer Night): pastoral intermezzo for string 
&lt;TT&gt;TUE        &lt;/TT&gt;orchestra (Op.58) 
&lt;TT&gt;TUE        &lt;/TT&gt;Camerata Bern (no conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;3:54 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Mattheson, Johann (1681-1764) 
&lt;TT&gt;TUE        &lt;/TT&gt;Burla in F major - from Die wohlklingende Fingersprache 
&lt;TT&gt;TUE        &lt;/TT&gt;(1735) 
&lt;TT&gt;TUE        &lt;/TT&gt;Gonny van der Maten (organ) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;3:56 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Albéniz, Isaac (1860-1909) 
&lt;TT&gt;TUE        &lt;/TT&gt;Cordoba - from Cantos de Espana (Op.232 No.4) 
&lt;TT&gt;TUE        &lt;/TT&gt;Eolina Quartet 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:02 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Norman, Ludvig (1831-1885) 
&lt;TT&gt;TUE        &lt;/TT&gt;Rosa rorans bonitatem (Op.45) 
&lt;TT&gt;TUE        &lt;/TT&gt;Eva Wedin (mezzo-soprano soloist), Swedish Radio Choir, 
&lt;TT&gt;TUE        &lt;/TT&gt;Swedish Radio Symphony Orchestra, Gustaf Sjökvist 
&lt;TT&gt;TUE        &lt;/TT&gt;(conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:11 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791) 
&lt;TT&gt;TUE        &lt;/TT&gt;Fantasy in C minor (K.396) 
&lt;TT&gt;TUE        &lt;/TT&gt;Valdis Jancis (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:21 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Piccinini, Alessandro (1566-c.1638) 
&lt;TT&gt;TUE        &lt;/TT&gt;Toccata/Chiaccona 
&lt;TT&gt;TUE        &lt;/TT&gt;Stephen Stubbs (chitaronne) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:26 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Offenbach, Jacques [1819-1880] arr. Max Woltag 
&lt;TT&gt;TUE        &lt;/TT&gt;Belle Nuit (Barcarolle from Contes d'Hoffmann) 
&lt;TT&gt;TUE        &lt;/TT&gt;Moshe Hammer (violin), Tsuyoshi Tsutsumi (cello), William 
&lt;TT&gt;TUE        &lt;/TT&gt;Tritt (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:31 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Goldmark, Károly (1830-1915) 
&lt;TT&gt;TUE        &lt;/TT&gt;Night Piece - from the opera 'Die Königin von Saba' (The 
&lt;TT&gt;TUE        &lt;/TT&gt;Queen of Sheba), Act 2 Introduction 
&lt;TT&gt;TUE        &lt;/TT&gt;Calgary Philharmonic Orchestra, Mario Bernardi (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:38 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Grainger, Percy (1882-1961) 
&lt;TT&gt;TUE        &lt;/TT&gt;Après un rêve 
&lt;TT&gt;TUE        &lt;/TT&gt;Leslie Howard (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:42 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Kodály, Zoltán (1882-1967) 
&lt;TT&gt;TUE        &lt;/TT&gt;Mountain Nights IV 
&lt;TT&gt;TUE        &lt;/TT&gt;La Gioia 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:45 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Bach, Carl Philipp Emmanuel (1714-1788) 
&lt;TT&gt;TUE        &lt;/TT&gt;Sinfonia No.2 in B flat major 
&lt;TT&gt;TUE        &lt;/TT&gt;Camerata Bern 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:57 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Schumann, Robert (1810-1856) 
&lt;TT&gt;TUE        &lt;/TT&gt;Genoveva, overture (Op.81) 
&lt;TT&gt;TUE        &lt;/TT&gt;Orchestre Nationale De France, Heinz Wallberg (Conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;5:07 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Casella, Alfredo (1883-1947) 
&lt;TT&gt;TUE        &lt;/TT&gt;Sicilienne and Burlesque (1914) 
&lt;TT&gt;TUE        &lt;/TT&gt;Kathleen Rudolph (flute), Rena Sharon (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;5:16 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Strauss, Johann Jr (1825-1899) arranged by Schoenberg, 
&lt;TT&gt;TUE        &lt;/TT&gt;Arnold (1874-1951) 
&lt;TT&gt;TUE        &lt;/TT&gt;Kaiser-Walzer (Op.437) (1888) 
&lt;TT&gt;TUE        &lt;/TT&gt;Canadian Chamber Ensemble, Raffi Armenian (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;5:28 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Handel, Georg Frideric (1685-1759) 
&lt;TT&gt;TUE        &lt;/TT&gt;Concerto Grosso in A major (Op.6 No.11) 
&lt;TT&gt;TUE        &lt;/TT&gt;Barbara Jane Gilbey (violin), Tasmanian Symphony Chamber 
&lt;TT&gt;TUE        &lt;/TT&gt;Players 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;5:46 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Ravel, Maurice (1875-1937) 
&lt;TT&gt;TUE        &lt;/TT&gt;Piano Concerto in G major 
&lt;TT&gt;TUE        &lt;/TT&gt;Pascal Rogé (piano), New Zealand Symphony Orchestra, 
&lt;TT&gt;TUE        &lt;/TT&gt;Alexander Lazarev (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;6:08 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Tchaikovsky, Pyotr Il'yich (1840-1893) 
&lt;TT&gt;TUE        &lt;/TT&gt;Romeo and Juliet - fantasy overture 
&lt;TT&gt;TUE        &lt;/TT&gt;BBC National Orchestra of Wales, Grant Llewellyn (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;06:30 Breakfast &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pqpf.html&gt;b019pqpf&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pqpf&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;09:00 Essential Classics &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019pqph.html&gt;b019pqph&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019pqph&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;9am 
&lt;TT&gt;TUE        &lt;/TT&gt;A selection of music including the Essential CD of the Week: 
&lt;TT&gt;TUE        &lt;/TT&gt;Robert Johnson: The Prince's Almain and other dances for 
&lt;TT&gt;TUE        &lt;/TT&gt;lute (Nigel North) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;9.30am&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;A daily brainteaser and performances by the Artist of the 
&lt;TT&gt;TUE        &lt;/TT&gt;Week, cellist Steven Isserlis. Today we hear him in 
&lt;TT&gt;TUE        &lt;/TT&gt;Schumann's Marchenerzahlungen op.132 and in Tchaikovsky's 
&lt;TT&gt;TUE        &lt;/TT&gt;Variations on a Rococo Theme, op.33. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;10.30am&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;The Essential Classics guest is weather presenter Sian 
&lt;TT&gt;TUE        &lt;/TT&gt;Lloyd, who introduces her essential pieces of classical 
&lt;TT&gt;TUE        &lt;/TT&gt;music. Today she discusses music that makes her feel glad to 
&lt;TT&gt;TUE        &lt;/TT&gt;be alive, and reveals the first piece that stimulated her 
&lt;TT&gt;TUE        &lt;/TT&gt;interest in classical music. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;11am 
&lt;TT&gt;TUE        &lt;/TT&gt;Sarah's Essential Choice 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Mendelssohn: Piano Concerto no.2 in D minor, op.40 
&lt;TT&gt;TUE        &lt;/TT&gt;Rudolf Serkin (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;Columbia Symphony Orchestra 
&lt;TT&gt;TUE        &lt;/TT&gt;Eugene Ormandy (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;CBS MPK 45690. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Felix Mendelssohn 
&lt;TT&gt;TUE        &lt;/TT&gt;Song Without Words, op.67 no.4 in C 
&lt;TT&gt;TUE        &lt;/TT&gt;Murray Perahia (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;SONY SK 66511 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Hérold 
&lt;TT&gt;TUE        &lt;/TT&gt;Overture from Zampa 
&lt;TT&gt;TUE        &lt;/TT&gt;BBC Philharmonic, Yan Pascal Tortelier (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;CHANDOS CHAN 9765 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Robert Johnson 
&lt;TT&gt;TUE        &lt;/TT&gt;2 Almains 
&lt;TT&gt;TUE        &lt;/TT&gt;Nigel North (lute) 
&lt;TT&gt;TUE        &lt;/TT&gt;NAXOS 8.572178 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Bach arr. Hogwood 
&lt;TT&gt;TUE        &lt;/TT&gt;Concerto in D for 3 violins, BWV 1064 
&lt;TT&gt;TUE        &lt;/TT&gt;Christopher Hirons (violin 1), Monica Huggett (violin 2), 
&lt;TT&gt;TUE        &lt;/TT&gt;Catherine Mackintosh (violin 3), Academy of Ancient Music, 
&lt;TT&gt;TUE        &lt;/TT&gt;Christopher Hogwood (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;L’OISEAU-LYRE 455 700-2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Robert Schumann 
&lt;TT&gt;TUE        &lt;/TT&gt;Märchenerzählungen for clarinet, viola [cello] and piano, 
&lt;TT&gt;TUE        &lt;/TT&gt;op.132 
&lt;TT&gt;TUE        &lt;/TT&gt;Michael Collins (clarinet), Steven Isserlis (cello), Stephen 
&lt;TT&gt;TUE        &lt;/TT&gt;Hough (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;RCA 09026 63504 2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Carl Nielsen 
&lt;TT&gt;TUE        &lt;/TT&gt;Helios Overture, op.17 
&lt;TT&gt;TUE        &lt;/TT&gt;Philadelphia Orchestra, Eugene Ormandy (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;SONY SM4K 45 989 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Johannes Brahms 
&lt;TT&gt;TUE        &lt;/TT&gt;Rhapsody in B minor, op.79 no.1 
&lt;TT&gt;TUE        &lt;/TT&gt;Julius Katchen (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;DECCA 455 247-2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Pyotr Ilyich Tchaikovsky 
&lt;TT&gt;TUE        &lt;/TT&gt;Variations on a Rococo Theme, op.33 
&lt;TT&gt;TUE        &lt;/TT&gt;Steven Isserlis (cello), Chamber Orchestra of Europe, John 
&lt;TT&gt;TUE        &lt;/TT&gt;Eliot Gardiner (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;VIRGIN VC 7 91134-2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Trad arr. Britten 
&lt;TT&gt;TUE        &lt;/TT&gt;Bugeilio’r Gwenith Gwyn 
&lt;TT&gt;TUE        &lt;/TT&gt;Philip Langridge (tenor), Osian Ellis (harp) 
&lt;TT&gt;TUE        &lt;/TT&gt;NAXOS 8.557222 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Antonin Dvorak 
&lt;TT&gt;TUE        &lt;/TT&gt;Symphony no. 9 in E minor, op.95 (‘From the New World’) – 
&lt;TT&gt;TUE        &lt;/TT&gt;2nd mvt 
&lt;TT&gt;TUE        &lt;/TT&gt;Czech Philharmonic Orchestra, Karel Ancerl (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;SUPRAPHON SU 3662-2 011 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Felix Mendelssohn 
&lt;TT&gt;TUE        &lt;/TT&gt;Piano Concerto no.2 in D minor, op.40 
&lt;TT&gt;TUE        &lt;/TT&gt;Rudolf Serkin (piano), Columbia Symphony Orchestra, Eugene 
&lt;TT&gt;TUE        &lt;/TT&gt;Ormandy (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;CBS MPK 45 690 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Pyotr Ilyich Tchaikovsky 
&lt;TT&gt;TUE        &lt;/TT&gt;Symphony no.2 in C minor, op.17 (‘Little Russian’) 
&lt;TT&gt;TUE        &lt;/TT&gt;Oslo Philharmonic Orchestra, Mariss Jansons (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;CHANDOS CHAN 8460 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;12:00 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b016vn67.html&gt;b016vn67&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b016vn67&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Edward Elgar (1857-1934), Elgar and the Zeppelin Raids on 
&lt;TT&gt;TUE        &lt;/TT&gt;London 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;By the end of the Great War, Sir Edward Elgar couldn't 
&lt;TT&gt;TUE        &lt;/TT&gt;compose any music to celebrate peace, disillusioned as he 
&lt;TT&gt;TUE        &lt;/TT&gt;was by the whole period, which Donald Macleod explores in 
&lt;TT&gt;TUE        &lt;/TT&gt;conversation with Terry Charman from the Imperial War 
&lt;TT&gt;TUE        &lt;/TT&gt;Museum. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;At the beginning of 1915, came the realisation that the 
&lt;TT&gt;TUE        &lt;/TT&gt;Great War was not going to be over in three months. German 
&lt;TT&gt;TUE        &lt;/TT&gt;cruisers had been shelling Whitby and Scarborough, and 
&lt;TT&gt;TUE        &lt;/TT&gt;Zeppelin raids were happening over London. Keen to do his 
&lt;TT&gt;TUE        &lt;/TT&gt;bit, Elgar joined the Hampstead Special Reserve, being 
&lt;TT&gt;TUE        &lt;/TT&gt;called out when needed for air-raid duties. He also started 
&lt;TT&gt;TUE        &lt;/TT&gt;to compose a work genuinely inspired by the pity of war and 
&lt;TT&gt;TUE        &lt;/TT&gt;the inhumanity of warfare, his The Spirit of England. But 
&lt;TT&gt;TUE        &lt;/TT&gt;with the sinking of the Lusitania, riots took place in 
&lt;TT&gt;TUE        &lt;/TT&gt;London, and xenophobia was on the rise. At this very same 
&lt;TT&gt;TUE        &lt;/TT&gt;time, Elgar was writing his Polonia, a symphonic prelude in 
&lt;TT&gt;TUE        &lt;/TT&gt;aid of the Polish Relief Fund. However, what the people 
&lt;TT&gt;TUE        &lt;/TT&gt;needed more than anything, was escapism, and Elgar supplied 
&lt;TT&gt;TUE        &lt;/TT&gt;it by returning to fairyland, with his Starlight Express. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;TUE        &lt;/TT&gt;The Windlass for chorus a 4 [c.1914] 
&lt;TT&gt;TUE        &lt;/TT&gt;David TEMPLE 
&lt;TT&gt;TUE        &lt;/TT&gt;Philharmonic Chamber Choir 
&lt;TT&gt;TUE        &lt;/TT&gt;MERIDIAN 
&lt;TT&gt;TUE        &lt;/TT&gt;CDE-84173 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;TUE        &lt;/TT&gt;2 Songs Op.41 
&lt;TT&gt;TUE        &lt;/TT&gt;John BRECKNOCK - Tenor 
&lt;TT&gt;TUE        &lt;/TT&gt;Victor MORRIS - Piano 
&lt;TT&gt;TUE        &lt;/TT&gt;Meridian 
&lt;TT&gt;TUE        &lt;/TT&gt;CDE84173 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;TUE        &lt;/TT&gt;The Spirit of England Op.80 for high voice, chorus and 
&lt;TT&gt;TUE        &lt;/TT&gt;orchestra 
&lt;TT&gt;TUE        &lt;/TT&gt;Richard HICKOX 
&lt;TT&gt;TUE        &lt;/TT&gt;Felicity LOTT - Soprano 
&lt;TT&gt;TUE        &lt;/TT&gt;London S O. 
&lt;TT&gt;TUE        &lt;/TT&gt;Northern Sinfonia. 
&lt;TT&gt;TUE        &lt;/TT&gt;EMI 
&lt;TT&gt;TUE        &lt;/TT&gt;CDC-7494812 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;TUE        &lt;/TT&gt;Polonia - symphonic prelude Op.76 
&lt;TT&gt;TUE        &lt;/TT&gt;Adrian BOULT 
&lt;TT&gt;TUE        &lt;/TT&gt;London Philharmonic Orchestra 
&lt;TT&gt;TUE        &lt;/TT&gt;EMI 
&lt;TT&gt;TUE        &lt;/TT&gt;CDM-7 69207 2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;TUE        &lt;/TT&gt;Une voix dans le desert Op.77 for reciter, soprano and 
&lt;TT&gt;TUE        &lt;/TT&gt;orchestra 
&lt;TT&gt;TUE        &lt;/TT&gt;Barry COLLETT 
&lt;TT&gt;TUE        &lt;/TT&gt;Richard PASCO - Speaker 
&lt;TT&gt;TUE        &lt;/TT&gt;Rutland Sinfonia 
&lt;TT&gt;TUE        &lt;/TT&gt;Pearl 
&lt;TT&gt;TUE        &lt;/TT&gt;SHE CD9602 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;TUE        &lt;/TT&gt;End of Act 3 Scene 2 The Starlight Express - incidental 
&lt;TT&gt;TUE        &lt;/TT&gt;music Op.78 [for Algernon Blackwood's play] 
&lt;TT&gt;TUE        &lt;/TT&gt;Vernon HANDLEY 
&lt;TT&gt;TUE        &lt;/TT&gt;Derek HAMMOND-STROUD - Baritone 
&lt;TT&gt;TUE        &lt;/TT&gt;Valerie MASTERSON - Soprano 
&lt;TT&gt;TUE        &lt;/TT&gt;London Philharmonic Orchestra 
&lt;TT&gt;TUE        &lt;/TT&gt;EMI 
&lt;TT&gt;TUE        &lt;/TT&gt;7243 5-85907 2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;13:00 Radio 3 Lunchtime Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019prng.html&gt;b019prng&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019prng&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Southwest Festivals 2011, Episode 1 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;A week of programmes celebrating the summer festival season 
&lt;TT&gt;TUE        &lt;/TT&gt;in the south west, beginning at the idyllic church of St 
&lt;TT&gt;TUE        &lt;/TT&gt;John the Baptist, Plush, in the thickest Hardy country. Plus 
&lt;TT&gt;TUE        &lt;/TT&gt;a trip to Jersey and the island's annual celebration of 
&lt;TT&gt;TUE        &lt;/TT&gt;liberation from the occupying Nazi forces in May 1945. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Mozart: Oboe Quartet K.370 
&lt;TT&gt;TUE        &lt;/TT&gt;Nicholas Daniel (oboe) 
&lt;TT&gt;TUE        &lt;/TT&gt;Edward Dusinberre (violin) 
&lt;TT&gt;TUE        &lt;/TT&gt;Louise Hopkins (cello) 
&lt;TT&gt;TUE        &lt;/TT&gt;Timothy Boulton (viola) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Brahms: Clarinet Quintet Op.115 
&lt;TT&gt;TUE        &lt;/TT&gt;Michael Collins (clarinet) 
&lt;TT&gt;TUE        &lt;/TT&gt;Alexander Sitkovetsky (violin) 
&lt;TT&gt;TUE        &lt;/TT&gt;Nicola Benedetti (violin) 
&lt;TT&gt;TUE        &lt;/TT&gt;Philip Dukes (viola) 
&lt;TT&gt;TUE        &lt;/TT&gt;Natalie Clein (cello). 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;14:00 Afternoon on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019prnj.html&gt;b019prnj&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019prnj&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Russian Music, Episode 2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Katie Derham continues a week long exploration of Russian 
&lt;TT&gt;TUE        &lt;/TT&gt;music from Glinka to Stravinsky with a live concert from the 
&lt;TT&gt;TUE        &lt;/TT&gt;Ulster Hall, Belfast. 
&lt;TT&gt;TUE        &lt;/TT&gt;Live at 2pm The Ulster Orchestra are conducted by JoAnn 
&lt;TT&gt;TUE        &lt;/TT&gt;Falletta in 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Glinka: Kamarinskaya - fantasy for orchestra 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Prokofiev: Violin Concerto no. 2 in G minor Op.63 with 
&lt;TT&gt;TUE        &lt;/TT&gt;Eugene Ugorski (violin) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;approx 2.40pm 
&lt;TT&gt;TUE        &lt;/TT&gt;During the Interval the St. Petersburg Glinka State Academic 
&lt;TT&gt;TUE        &lt;/TT&gt;Cappella Choir in concert at the 
&lt;TT&gt;TUE        &lt;/TT&gt;Negotin Festival in Serbia 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Zoran Mulic The Divine Liturgy of St. John Chrysostom 
&lt;TT&gt;TUE        &lt;/TT&gt;Molitve (Prayers), in the Romani language 
&lt;TT&gt;TUE        &lt;/TT&gt;Our Father, Holy God, We sing to Thee, Cherubic song and It 
&lt;TT&gt;TUE        &lt;/TT&gt;is truly proper 
&lt;TT&gt;TUE        &lt;/TT&gt;St. Petersburg Glinka State Academic Cappella Choir 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;approx 3pm Tchaikovsky: Symphony no. 5 in E minor Op.64 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;followed at c.4pm by 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Lyadov: 8 Russian folk songs Op.58 for orchestra 
&lt;TT&gt;TUE        &lt;/TT&gt;Ulster Orchestra, Rumon Gamba (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Rachmaninov: Symphony in D minor in one movement (Youth) 
&lt;TT&gt;TUE        &lt;/TT&gt;Ulster Orchestra, Howard Shelley (conductor). 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;16:30 In Tune &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019prnl.html&gt;b019prnl&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019prnl&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Suzy Klein presents, with live music and guests from the 
&lt;TT&gt;TUE        &lt;/TT&gt;music world - including pianist David Greilsammer, ahead of 
&lt;TT&gt;TUE        &lt;/TT&gt;a gig later tonight at the 100 Club on Oxford Street. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Main news headlines are at 5.00 and 6.00 
&lt;TT&gt;TUE        &lt;/TT&gt;E-mail: in.tune@bbc.co.uk 
&lt;TT&gt;TUE        &lt;/TT&gt;Twitter: BBCInTune. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;18:30 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b016vn67.html&gt;b016vn67&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b016vn67&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;[Repeat of broadcast at 12:00 today] 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;19:30 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019prnn.html&gt;b019prnn&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019prnn&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Live from the Wigmore Hall, London, Der Wanderer an den 
&lt;TT&gt;TUE        &lt;/TT&gt;Mond, Im Fruhling, Alinde 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Tenor Werner Güra and pianist Roger Vignoles 
&lt;TT&gt;TUE        &lt;/TT&gt;celebrate Schubert's birthday at the Wigmore Hall, with a 
&lt;TT&gt;TUE        &lt;/TT&gt;programme of his finest songs. Güra's lyrical warmth and his 
&lt;TT&gt;TUE        &lt;/TT&gt;capacity to illuminate words and their meanings have 
&lt;TT&gt;TUE        &lt;/TT&gt;characterised his Schubert interpretations over the past 
&lt;TT&gt;TUE        &lt;/TT&gt;decade. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Schubert: 
&lt;TT&gt;TUE        &lt;/TT&gt;Der Wanderer an den Mond 
&lt;TT&gt;TUE        &lt;/TT&gt;Im Frühling 
&lt;TT&gt;TUE        &lt;/TT&gt;Alinde 
&lt;TT&gt;TUE        &lt;/TT&gt;Sehnsucht 
&lt;TT&gt;TUE        &lt;/TT&gt;Bei dir allein 
&lt;TT&gt;TUE        &lt;/TT&gt;Der Fischer 
&lt;TT&gt;TUE        &lt;/TT&gt;Daß sie hier gewesen 
&lt;TT&gt;TUE        &lt;/TT&gt;Der Schiffer 
&lt;TT&gt;TUE        &lt;/TT&gt;Willkommen und Abschied 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Werner Güra, tenor 
&lt;TT&gt;TUE        &lt;/TT&gt;Roger Vignoles, piano. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;20:10 Twenty Minutes &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b00y26sg.html&gt;b00y26sg&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b00y26sg&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Zipper and His Father 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;"Why, I asked, was Arnold's older brother never 
&lt;TT&gt;TUE        &lt;/TT&gt;photographed? 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;He was named Caesar. It seemed this name had proved a burden 
&lt;TT&gt;TUE        &lt;/TT&gt;to the boy, had set him tasks for which he was not born. He 
&lt;TT&gt;TUE        &lt;/TT&gt;had either to be a genius or a scoundrel. With a name like 
&lt;TT&gt;TUE        &lt;/TT&gt;that who coulde ever satify his parents? " 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Precisely. And when Herr Zipper, Caesar's father, decides 
&lt;TT&gt;TUE        &lt;/TT&gt;that the boy must learn the violin all hell lets loose. The 
&lt;TT&gt;TUE        &lt;/TT&gt;boy goes to lessons for two years before Herr Zipper makes a 
&lt;TT&gt;TUE        &lt;/TT&gt;shocking discovery, which leads to family confrontation. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;This extract from the author's famous novel about musical 
&lt;TT&gt;TUE        &lt;/TT&gt;aspirations going comically 
&lt;TT&gt;TUE        &lt;/TT&gt;off course is read by Jonathan Firth. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;The producer is Duncan Minshull. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;20:30 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019prns.html&gt;b019prns&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019prns&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Live from the Wigmore Hall, London, Der Wanderer, Im Walde 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Der Wanderer 
&lt;TT&gt;TUE        &lt;/TT&gt;Im Walde 
&lt;TT&gt;TUE        &lt;/TT&gt;Wandrers Nachtlied I 
&lt;TT&gt;TUE        &lt;/TT&gt;Heine songs from Schwanengesang: 
&lt;TT&gt;TUE        &lt;/TT&gt;Das Fischermädchen 
&lt;TT&gt;TUE        &lt;/TT&gt;Ihr Bild 
&lt;TT&gt;TUE        &lt;/TT&gt;Der Atlas 
&lt;TT&gt;TUE        &lt;/TT&gt;Die Stadt 
&lt;TT&gt;TUE        &lt;/TT&gt;Am Meer 
&lt;TT&gt;TUE        &lt;/TT&gt;Der Doppelgänger 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Werner Güra, tenor 
&lt;TT&gt;TUE        &lt;/TT&gt;Roger Vignoles, piano. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;22:00 Night Waves &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhkn.html&gt;b019qhkn&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhkn&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;She Stoops to Conquer 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Philip Dodd with a first night review of Goldsmith's 
&lt;TT&gt;TUE        &lt;/TT&gt;eighteenth century comedy 'She Stoops to Conquer' at the 
&lt;TT&gt;TUE        &lt;/TT&gt;National Theatre. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;22:45 The Essay &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhkq.html&gt;b019qhkq&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhkq&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Tagore and the Bengali Sensibility, The Poet of a Turning 
&lt;TT&gt;TUE        &lt;/TT&gt;Point 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;The Indian novelist, critic, musician and Professor of 
&lt;TT&gt;TUE        &lt;/TT&gt;Contemporary Literature at the University of East Anglia, 
&lt;TT&gt;TUE        &lt;/TT&gt;Amit Chaudhuri presents five essays on the creative work of 
&lt;TT&gt;TUE        &lt;/TT&gt;Bengali polymath Rabindranath Tagore on the occasion of the 
&lt;TT&gt;TUE        &lt;/TT&gt;150th anniversary of his birth. Chaudhuri explores the work, 
&lt;TT&gt;TUE        &lt;/TT&gt;influence and the legacy of one of India's most revered 
&lt;TT&gt;TUE        &lt;/TT&gt;artists and reflects on how Tagore's work provides an 
&lt;TT&gt;TUE        &lt;/TT&gt;appreciation and an understanding of the Bengali 
&lt;TT&gt;TUE        &lt;/TT&gt;intellectual and creative sensibility. 
&lt;TT&gt;TUE        &lt;/TT&gt;With readings by John Hug. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;23:00 World on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhks.html&gt;b019qhks&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhks&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Celtic Connections 2012, Episode 1 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Mary Ann Kennedy live from Glasgow at the world's biggest 
&lt;TT&gt;TUE        &lt;/TT&gt;winter music festival. The first of four Late Night 
&lt;TT&gt;TUE        &lt;/TT&gt;Sessions, with a top line-up of festival artists and also 
&lt;TT&gt;TUE        &lt;/TT&gt;recorded concert highlights. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Celtic Connections is held in 20 venues over 18 days with 
&lt;TT&gt;TUE        &lt;/TT&gt;300 events taking place throughout the whole festival, 
&lt;TT&gt;TUE        &lt;/TT&gt;involving over 2100 musicians from 26 countries. Scots and 
&lt;TT&gt;TUE        &lt;/TT&gt;Irish celtic music is at the centre of the festival, but it 
&lt;TT&gt;TUE        &lt;/TT&gt;has always embraced the music of the celtic cultures of the 
&lt;TT&gt;TUE        &lt;/TT&gt;USA, Canada, France and Spain, together with the closely 
&lt;TT&gt;TUE        &lt;/TT&gt;connected cultures of Scandinavia and eastern Europe. In 
&lt;TT&gt;TUE        &lt;/TT&gt;recent years the Festival has also connected with traditions 
&lt;TT&gt;TUE        &lt;/TT&gt;across Africa and Asia. The concerts range from the most 
&lt;TT&gt;TUE        &lt;/TT&gt;traditional to the most experimental, all brought together 
&lt;TT&gt;TUE        &lt;/TT&gt;in the context of one of the world's liveliest folk 
&lt;TT&gt;TUE        &lt;/TT&gt;cultures, with a never-ending stream of young Scottish 
&lt;TT&gt;TUE        &lt;/TT&gt;musicians who are reinventing their own traditions for their 
&lt;TT&gt;TUE        &lt;/TT&gt;own time. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;For the past three years, World on 3 has hosted some of the 
&lt;TT&gt;TUE        &lt;/TT&gt;Festival's Late Night Sessions at Glasgow's Royal Concert 
&lt;TT&gt;TUE        &lt;/TT&gt;Hall. These start late, and finish early, usually well into 
&lt;TT&gt;TUE        &lt;/TT&gt;the next day. Bands often come straight from a concert in a 
&lt;TT&gt;TUE        &lt;/TT&gt;main venue to play at the Sessions. World on 3 hosts the 
&lt;TT&gt;TUE        &lt;/TT&gt;Late Night Sessions for four nights during the final week of 
&lt;TT&gt;TUE        &lt;/TT&gt;the Festival, from Tuesday 31st January until Friday 3rd 
&lt;TT&gt;TUE        &lt;/TT&gt;February. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;The line-up of the Late Night Sessions is always kept secret 
&lt;TT&gt;TUE        &lt;/TT&gt;until the day of the event. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;A name='WE'&gt;&lt;B&gt;WEDNESDAY 01 FEBRUARY 2012&lt;/B&gt;&lt;/A&gt; 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;00:30 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhp0.html&gt;b019qhp0&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhp0&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Jonathan Swain presents a performance of Handel's Rinaldo 
&lt;TT&gt;WED        &lt;/TT&gt;from the BBC Proms 2011. 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;12:32 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Handel, Georg Frideric [1685-1759] 
&lt;TT&gt;WED        &lt;/TT&gt;Rinaldo 
&lt;TT&gt;WED        &lt;/TT&gt;Sonia Prina (contralto - Rinaldo), Varduhi Abrahamyan 
&lt;TT&gt;WED        &lt;/TT&gt;(contralto - Goffredo), Annett Fritsch (soprano - Almirena), 
&lt;TT&gt;WED        &lt;/TT&gt;Brenda Rae (soprano - Armida), Luca Pisaroni (baritone - 
&lt;TT&gt;WED        &lt;/TT&gt;Argante), Tim Mead (countertenor - Eustazio), William Towers 
&lt;TT&gt;WED        &lt;/TT&gt;(contertenor - A Christian Magician) Glyndebourne Chorus, 
&lt;TT&gt;WED        &lt;/TT&gt;Orchestra of the Age of Enlightenment 
&lt;TT&gt;WED        &lt;/TT&gt;Ottavio Dantone (director) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;3:14 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Mendelssohn, Felix (1809-1847) 
&lt;TT&gt;WED        &lt;/TT&gt;Meeresstille und gluckliche Fahrt - overture (Op.27) 
&lt;TT&gt;WED        &lt;/TT&gt;Orchestre National de France, Riccardo Muti (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;3:27 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Beethoven, Ludwig van (1770-1827) 
&lt;TT&gt;WED        &lt;/TT&gt;Quartet for strings in F major "Rasumovsky" (Op.59 No.1) 
&lt;TT&gt;WED        &lt;/TT&gt;Quatuor Mosaïques 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;4:07 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Albinoni, Tomasi (1671-1750) 
&lt;TT&gt;WED        &lt;/TT&gt;Concerto à 5 for oboe &amp; strings in D minor (Op.9 No.2) 
&lt;TT&gt;WED        &lt;/TT&gt;Frank de Bruine (oboe), The King's Consort, Robert King 
&lt;TT&gt;WED        &lt;/TT&gt;(director) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;4:19 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Liszt, Franz [1811-1886] 
&lt;TT&gt;WED        &lt;/TT&gt;Legende No.1: St Francois d'Assise prechant aux oiseaux 
&lt;TT&gt;WED        &lt;/TT&gt;(S.175) 
&lt;TT&gt;WED        &lt;/TT&gt;Jos Van Immerseel (piano - instrument is an Erard of 1897) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;4:31 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Dubois, Pierre Max (1930-1995) 
&lt;TT&gt;WED        &lt;/TT&gt;Quartet for flutes 
&lt;TT&gt;WED        &lt;/TT&gt;Valentinas Kazlauskas, Lina Baublyte, Albertas Stupakas, 
&lt;TT&gt;WED        &lt;/TT&gt;Giedrius Gelgoras (flutes) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;4:39 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Gade, Niels Wilhelm (1817-1890) 
&lt;TT&gt;WED        &lt;/TT&gt;Ved solnedgang (Op.46) - for choir and orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;Danish National Radio Choir, Danish Radio Concert Orchestra, 
&lt;TT&gt;WED        &lt;/TT&gt;Roman Zeilinger (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;4:47 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Fougstedt, Nils-Eric (1910-1961) 
&lt;TT&gt;WED        &lt;/TT&gt;Concert Overture (1941) 
&lt;TT&gt;WED        &lt;/TT&gt;Finnish Radio Symphony Orchestra, Jukka-Pekka Saraste 
&lt;TT&gt;WED        &lt;/TT&gt;(conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;4:55 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Hellendaal, Pieter (1721-1799) 
&lt;TT&gt;WED        &lt;/TT&gt;Sonata no.8 in G for cello and continuo (Op.5) from 'Eight 
&lt;TT&gt;WED        &lt;/TT&gt;solos for the violoncello with a thorough bass' 
&lt;TT&gt;WED        &lt;/TT&gt;Jaap ter Linden (cello), Ton Koopman (harpsichord), Ageet 
&lt;TT&gt;WED        &lt;/TT&gt;Zweistra (cello continuo) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;5:05 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Manchicourt, Pierre de (1510-1564) 
&lt;TT&gt;WED        &lt;/TT&gt;Nunc enim si centum lingue sint (Antwerp 1547) 
&lt;TT&gt;WED        &lt;/TT&gt;Corona Coloniensis, Peter Seymour (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;5:13 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Stants, Iet (1903-1968) 
&lt;TT&gt;WED        &lt;/TT&gt;String Quartet No.2 
&lt;TT&gt;WED        &lt;/TT&gt;Dufy Quartet 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;5:27 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Gossec, François-Joseph (1734-1829) 
&lt;TT&gt;WED        &lt;/TT&gt;Symphony in D major (Op.5 No.3) 'Pastorella' 
&lt;TT&gt;WED        &lt;/TT&gt;Tafelmusik Orchestra, Jeanne Lamon (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;5:43 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Mendelssohn, Felix (1809-1847) 
&lt;TT&gt;WED        &lt;/TT&gt;Concerto for violin, piano and string orchestra in D minor 
&lt;TT&gt;WED        &lt;/TT&gt;Leonidas Kavakos (violin), Enrico Pace (piano), Risør 
&lt;TT&gt;WED        &lt;/TT&gt;Festival Strings 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;6:21 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Beethoven, Ludwig van (1770 -1827) 
&lt;TT&gt;WED        &lt;/TT&gt;Sonata for piano no. 24 (Op.78) in F sharp major 
&lt;TT&gt;WED        &lt;/TT&gt;Cédric Tiberghien (piano) 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;06:30 Breakfast &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhp2.html&gt;b019qhp2&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhp2&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;09:00 Essential Classics &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhp4.html&gt;b019qhp4&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhp4&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;9am 
&lt;TT&gt;WED        &lt;/TT&gt;A selection of music including the Essential CD of the Week: 
&lt;TT&gt;WED        &lt;/TT&gt;Robert Johnson: The Prince's Almain and other dances for 
&lt;TT&gt;WED        &lt;/TT&gt;lute (Nigel North). 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;9.30am&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;A daily brainteaser and performances by the Artist of the 
&lt;TT&gt;WED        &lt;/TT&gt;Week, cellist Steven Isserlis. Isserlis is an illustrious 
&lt;TT&gt;WED        &lt;/TT&gt;chamber musician and today we hear him in two chamber 
&lt;TT&gt;WED        &lt;/TT&gt;masterworks: Beethovens Andante and Variations in D, WoO44 
&lt;TT&gt;WED        &lt;/TT&gt;no.2; and Ravel's Piano Trio in A minor. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;10.30am&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;The Essential Classics guest is weather presenter Sian 
&lt;TT&gt;WED        &lt;/TT&gt;Lloyd, who discusses the first classical recording she 
&lt;TT&gt;WED        &lt;/TT&gt;bought herself. Sian also reveals which instrument she would 
&lt;TT&gt;WED        &lt;/TT&gt;choose to play if she were a virtuoso, and the piece she 
&lt;TT&gt;WED        &lt;/TT&gt;would most like to perform on it. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;11am 
&lt;TT&gt;WED        &lt;/TT&gt;Sarah's Essential Choice 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Mendelssohn: 
&lt;TT&gt;WED        &lt;/TT&gt;Octet in E flat, op.20 
&lt;TT&gt;WED        &lt;/TT&gt;Vienna Octet 
&lt;TT&gt;WED        &lt;/TT&gt;DECCA 421 093-2. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Percy Grainger 
&lt;TT&gt;WED        &lt;/TT&gt;Father and Daughter 
&lt;TT&gt;WED        &lt;/TT&gt;Monteverdi Choir, English Country Gardiner Orchestra, John 
&lt;TT&gt;WED        &lt;/TT&gt;Eliot Gardiner (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;PHILIPS 446 657-2 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Dohnanyi 
&lt;TT&gt;WED        &lt;/TT&gt;Rhapsody in C, op.11 no.3 
&lt;TT&gt;WED        &lt;/TT&gt;Martin Roscoe (piano) 
&lt;TT&gt;WED        &lt;/TT&gt;HYPERION CDA67871 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Robert Johnson 
&lt;TT&gt;WED        &lt;/TT&gt;The Prince’s Almain, Masque and Coranto 
&lt;TT&gt;WED        &lt;/TT&gt;Nigel North (lute) 
&lt;TT&gt;WED        &lt;/TT&gt;NAXOS 8.572178 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Sir William Walton 
&lt;TT&gt;WED        &lt;/TT&gt;Crown Imperial 
&lt;TT&gt;WED        &lt;/TT&gt;Royal Philharmonic Orchestra, André Previn (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;TELARC CD-80125 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Ferde Grofé 
&lt;TT&gt;WED        &lt;/TT&gt;Cloudburst, from Grand Canyon Suite 
&lt;TT&gt;WED        &lt;/TT&gt;New York Philharmonic, Leonard Bernstein (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;CBS MK 42264 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Beethoven arr. Isserlis 
&lt;TT&gt;WED        &lt;/TT&gt;Andante &amp; Variations in D [originally for mandolin and 
&lt;TT&gt;WED        &lt;/TT&gt;harpsichord] 
&lt;TT&gt;WED        &lt;/TT&gt;Steven Isserlis (cello), Maggie Cole (harpsichord) 
&lt;TT&gt;WED        &lt;/TT&gt;RCA 09026 68928 2 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Maurice Ravel 
&lt;TT&gt;WED        &lt;/TT&gt;Trio for piano, violin and cello 
&lt;TT&gt;WED        &lt;/TT&gt;Jean-Yves Thibaudet (piano), Joshua Bell (violin), Steven 
&lt;TT&gt;WED        &lt;/TT&gt;Isserlis (cello) 
&lt;TT&gt;WED        &lt;/TT&gt;DECCA 425 860-2 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;George Frideric Handel 
&lt;TT&gt;WED        &lt;/TT&gt;The Arrival of the Queen of Sheba, from Solomon, Act 3 
&lt;TT&gt;WED        &lt;/TT&gt;The English Concert, Trevor Pinnock (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;ARCHIV 415 518-2 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Pyotr Ilyich Tchaikovsky 
&lt;TT&gt;WED        &lt;/TT&gt;Cherubical Hymn from Liturgy of St John Chrysostom 
&lt;TT&gt;WED        &lt;/TT&gt;USSR Ministry of Culture Chamber Choir, Valeri Polyansky 
&lt;TT&gt;WED        &lt;/TT&gt;(conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;MELODIYA 74321 25186 26 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Felix Mendelssohn 
&lt;TT&gt;WED        &lt;/TT&gt;Octet in E flat, op.20 
&lt;TT&gt;WED        &lt;/TT&gt;The Vienna Octet 
&lt;TT&gt;WED        &lt;/TT&gt;DECCA 421 093-2 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Richard Strauss 
&lt;TT&gt;WED        &lt;/TT&gt;Concerto in D for Oboe and Small Orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;Lothar Koch (oboe), Berlin Philharmonic, Herbert von Karajan 
&lt;TT&gt;WED        &lt;/TT&gt;(conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;DG 477 9814 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;12:00 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b016vpxp.html&gt;b016vpxp&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b016vpxp&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Edward Elgar (1857-1934), Elgar and the Gramophone Company 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;By the end of the Great War, Sir Edward Elgar couldn't 
&lt;TT&gt;WED        &lt;/TT&gt;compose any music to celebrate peace, disillusioned as he 
&lt;TT&gt;WED        &lt;/TT&gt;was by the whole period, which Donald Macleod explores in 
&lt;TT&gt;WED        &lt;/TT&gt;conversation with Terry Charman from the Imperial War 
&lt;TT&gt;WED        &lt;/TT&gt;Museum. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;The Great War dragged on, and by 1916 the government was 
&lt;TT&gt;WED        &lt;/TT&gt;forced to introduce compulsory national service. Elgar found 
&lt;TT&gt;WED        &lt;/TT&gt;himself touring the North of England and Scotland, with 
&lt;TT&gt;WED        &lt;/TT&gt;morale-raising concerts and music including To Women from 
&lt;TT&gt;WED        &lt;/TT&gt;The Spirit of England. But Elgar was unwell even before the 
&lt;TT&gt;WED        &lt;/TT&gt;war started, and war events combined with his exhausting 
&lt;TT&gt;WED        &lt;/TT&gt;work were dragging him down. His wife Alice refused to let 
&lt;TT&gt;WED        &lt;/TT&gt;Elgar accept the offer of a conducting tour of Russia, due 
&lt;TT&gt;WED        &lt;/TT&gt;to his ill health. He still managed though to keep working 
&lt;TT&gt;WED        &lt;/TT&gt;on a theme or two of his, such as his incomplete Piano 
&lt;TT&gt;WED        &lt;/TT&gt;Concerto, and a jingoistic work Fight for Right. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;WED        &lt;/TT&gt;Fight for Right 
&lt;TT&gt;WED        &lt;/TT&gt;Barry COLLETT 
&lt;TT&gt;WED        &lt;/TT&gt;Stephen HOLLOWAY - Bass 
&lt;TT&gt;WED        &lt;/TT&gt;PEARL SHE 
&lt;TT&gt;WED        &lt;/TT&gt;CD9635 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;WED        &lt;/TT&gt;The Starlight Express - incidental music Op.78 [for Algernon 
&lt;TT&gt;WED        &lt;/TT&gt;Blackwood's play] 
&lt;TT&gt;WED        &lt;/TT&gt;Edward ELGAR 
&lt;TT&gt;WED        &lt;/TT&gt;Charles MOTT - Baritone 
&lt;TT&gt;WED        &lt;/TT&gt;Unknown Orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;PEARL GEMM 
&lt;TT&gt;WED        &lt;/TT&gt;CD 9951 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;WED        &lt;/TT&gt;The Spirit of England Op.80 for high voice, chorus and 
&lt;TT&gt;WED        &lt;/TT&gt;orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;Alexander GIBSON 
&lt;TT&gt;WED        &lt;/TT&gt;SCOTTISH NATIONAL ORCHESTRA - Main Artist 
&lt;TT&gt;WED        &lt;/TT&gt;Teresa CAHILL - Soprano 
&lt;TT&gt;WED        &lt;/TT&gt;Scottish National Orchestra Chorus 
&lt;TT&gt;WED        &lt;/TT&gt;CHANDOS 
&lt;TT&gt;WED        &lt;/TT&gt;CHAN6574 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;WED        &lt;/TT&gt;Concerto Op.90 for piano and orchestra, compl. Robert Walker 
&lt;TT&gt;WED        &lt;/TT&gt;[from Elgar's sketches] 
&lt;TT&gt;WED        &lt;/TT&gt;Douglas BOSTOCK 
&lt;TT&gt;WED        &lt;/TT&gt;Margaret FINGERHUT - Piano 
&lt;TT&gt;WED        &lt;/TT&gt;Munich S O 
&lt;TT&gt;WED        &lt;/TT&gt;CLASSICO 
&lt;TT&gt;WED        &lt;/TT&gt;CLASSCD 334 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;WED        &lt;/TT&gt;Great is the Lord (Psalm 48) Op.67 for chorus and organ 
&lt;TT&gt;WED        &lt;/TT&gt;Donald HUNT 
&lt;TT&gt;WED        &lt;/TT&gt;Adrian PARTINGTON - Organ 
&lt;TT&gt;WED        &lt;/TT&gt;Worcester Cathedral Choir 
&lt;TT&gt;WED        &lt;/TT&gt;Helios 
&lt;TT&gt;WED        &lt;/TT&gt;CDH55157 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;WED        &lt;/TT&gt;Allegro molto 3rd Mvmt, Concerto in B minor Op.61 for violin 
&lt;TT&gt;WED        &lt;/TT&gt;and orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;Leonard SLATKIN 
&lt;TT&gt;WED        &lt;/TT&gt;Pinchas ZUKERMAN - Violin 
&lt;TT&gt;WED        &lt;/TT&gt;St Louis S O 
&lt;TT&gt;WED        &lt;/TT&gt;RCA 
&lt;TT&gt;WED        &lt;/TT&gt;82876603892 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;13:00 Radio 3 Lunchtime Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhp6.html&gt;b019qhp6&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhp6&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Southwest Festivals 2011, Episode 2 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Celebrating music festivals in the south west. Music at 
&lt;TT&gt;WED        &lt;/TT&gt;Plush brings Europe's finest chamber artists to the rural 
&lt;TT&gt;WED        &lt;/TT&gt;countryside under the curation of cellist Adrian Brendel. 
&lt;TT&gt;WED        &lt;/TT&gt;Plus a trip to the Cornish coast and a summer festival where 
&lt;TT&gt;WED        &lt;/TT&gt;locals and tourists gather annually in the sea air to share 
&lt;TT&gt;WED        &lt;/TT&gt;their musical passion. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Ades: Darkness Visible 
&lt;TT&gt;WED        &lt;/TT&gt;Alasdair Beatson (piano) 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Faure : Cello Sonata in G minor 
&lt;TT&gt;WED        &lt;/TT&gt;Louise Hopkins (cello) 
&lt;TT&gt;WED        &lt;/TT&gt;Charles Owen (piano) 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Prokofiev: Selection from 'Romeo and Juliet' 
&lt;TT&gt;WED        &lt;/TT&gt;Silvia Simionescu (viola) 
&lt;TT&gt;WED        &lt;/TT&gt;Noam Greenberg (piano) 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Rachmaninov: 'Elegiac' Piano Trio no.1 in G minor 
&lt;TT&gt;WED        &lt;/TT&gt;Marina Chiche (violin) 
&lt;TT&gt;WED        &lt;/TT&gt;Alexander Chaushian (cello) 
&lt;TT&gt;WED        &lt;/TT&gt;Noam Greenberg (piano). 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;14:00 Afternoon on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhp8.html&gt;b019qhp8&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhp8&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Russian Music, Episode 3 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Katie Derham continues a week long exploration of Russian 
&lt;TT&gt;WED        &lt;/TT&gt;music from Glinka to Stravinsky. Today there's the chance to 
&lt;TT&gt;WED        &lt;/TT&gt;hear a concert given recently by the BBC National Orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;of Wales featuring the nineteen year old Rachmaninov's first 
&lt;TT&gt;WED        &lt;/TT&gt;Piano Concerto and Tchaikovsky's homage to Byron's great 
&lt;TT&gt;WED        &lt;/TT&gt;hero, Manfred. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Rachmaninov: Piano Concerto in f sharp minor, no 1, op 1 
&lt;TT&gt;WED        &lt;/TT&gt;Stephen Hough (piano), BBC National Orchestra of Wales, 
&lt;TT&gt;WED        &lt;/TT&gt;Jurjen Hempel (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;at 2.25pm 
&lt;TT&gt;WED        &lt;/TT&gt;Tchaikovsky: Manfred symphony Op.58 
&lt;TT&gt;WED        &lt;/TT&gt;BBC National Orchestra of Wales, Jurjen Hempel (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;Recorded at St David's Hall, Cardiff on 20 January. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;15:30 Choral Evensong &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhpb.html&gt;b019qhpb&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhpb&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Live from St Paul's Cathedral on the Eve of the Presentation 
&lt;TT&gt;WED        &lt;/TT&gt;of Christ in the Temple 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Introit: Hodie beata Virgo Maria (Peter Philips) 
&lt;TT&gt;WED        &lt;/TT&gt;Responses: Tomkins 
&lt;TT&gt;WED        &lt;/TT&gt;Psalm: 118 (Gray) 
&lt;TT&gt;WED        &lt;/TT&gt;First Lesson: 1 Samuel 1 vv19b-end 
&lt;TT&gt;WED        &lt;/TT&gt;Office Hymn: Quod chorus vatum (Tallis) 
&lt;TT&gt;WED        &lt;/TT&gt;Canticles: Collegium Sancti Johannis Cantabrigiense 
&lt;TT&gt;WED        &lt;/TT&gt;(Tippett) 
&lt;TT&gt;WED        &lt;/TT&gt;Second Lesson: Hebrews 4 vv11-end 
&lt;TT&gt;WED        &lt;/TT&gt;Anthem: Videte miraculum (Tallis) 
&lt;TT&gt;WED        &lt;/TT&gt;Final Hymn: New light has dawned (West Ashton) 
&lt;TT&gt;WED        &lt;/TT&gt;Organ Voluntary: Rédemption (Franck, arr. Daniel Roth) 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Andrew Carwood (Director of Music) 
&lt;TT&gt;WED        &lt;/TT&gt;Simon Johnson (Organist). 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;16:30 In Tune &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhpd.html&gt;b019qhpd&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhpd&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Suzy Klein presents, with live music and guests from the 
&lt;TT&gt;WED        &lt;/TT&gt;music world - including conductor Grant Llewellyn, 
&lt;TT&gt;WED        &lt;/TT&gt;celebrating the 25th anniversary of Bristol's Brandon Hill 
&lt;TT&gt;WED        &lt;/TT&gt;Chamber Orchestra. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Main news headlines are at 5.00 and 6.00 
&lt;TT&gt;WED        &lt;/TT&gt;E-mail: in.tune@bbc.co.uk 
&lt;TT&gt;WED        &lt;/TT&gt;Twitter: BBCInTune. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;18:30 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b016vpxp.html&gt;b016vpxp&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b016vpxp&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;[Repeat of broadcast at 12:00 today] 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;19:30 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhpg.html&gt;b019qhpg&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhpg&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Bournemouth Symphony Orchestra - Beethoven, Rachmaninov, 
&lt;TT&gt;WED        &lt;/TT&gt;Shostakovich 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Live from the Lighthouse, Poole 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Marin Alsop conducts the Bournemouth Symphony Orchestra in 
&lt;TT&gt;WED        &lt;/TT&gt;music by Beethoven and Shostakovich. They are joined by 
&lt;TT&gt;WED        &lt;/TT&gt;pianist Denis Kozhukhin for Rachmaninov's Paganini Rhapsody. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;The American conductor Marin Alsop was Principal Conductor 
&lt;TT&gt;WED        &lt;/TT&gt;of the Bournemouth Symphony Orchestra for six years and is 
&lt;TT&gt;WED        &lt;/TT&gt;now Conductor Emeritus. She is always a welcome return 
&lt;TT&gt;WED        &lt;/TT&gt;visitor and this concert is eagerly anticipated. Orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;and conductor are joined by the Russian-born pianist Denis 
&lt;TT&gt;WED        &lt;/TT&gt;Kozhukhin (a prizewinner at the 2006 Leeds International 
&lt;TT&gt;WED        &lt;/TT&gt;Piano Competition) for one of Rachmaninov's most popular 
&lt;TT&gt;WED        &lt;/TT&gt;concert pieces. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Th concert begins with one of Beethoven's attempts to write 
&lt;TT&gt;WED        &lt;/TT&gt;an overture for the opera we now know as Fidelio and it's a 
&lt;TT&gt;WED        &lt;/TT&gt;dramatic summary of the opera's plot. Rachmaninov's Paganini 
&lt;TT&gt;WED        &lt;/TT&gt;Rhapsody manages to be both technically ingenious and full 
&lt;TT&gt;WED        &lt;/TT&gt;of the highest of spirits - and in its 18th variation it 
&lt;TT&gt;WED        &lt;/TT&gt;also contains one of Rachmaninov's most glorious melodies. 
&lt;TT&gt;WED        &lt;/TT&gt;Shostakovich wrote his 5th Symphony at a time when he faced 
&lt;TT&gt;WED        &lt;/TT&gt;a crisis in his life and had come into direct confrontation 
&lt;TT&gt;WED        &lt;/TT&gt;with no less a figure than Josef Stalin. His response was 
&lt;TT&gt;WED        &lt;/TT&gt;one of his most powerful symphonies that has proved to be 
&lt;TT&gt;WED        &lt;/TT&gt;both hugely popular and somewhat enigmatic - there are 
&lt;TT&gt;WED        &lt;/TT&gt;secrets hidden within! 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Beethoven: Leonore Overture No.3 
&lt;TT&gt;WED        &lt;/TT&gt;Rachmaninov: Rhapsody on a Theme of Paganini 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;8.10: Interval&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;8.30 Part 2&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Shostakovich: Symphony No.5 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Bournemouth Symphony Orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;Marin Alsop (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;Denis Kozhukhin (piano). 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;22:00 Night Waves &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhpj.html&gt;b019qhpj&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhpj&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Our Man in Rome 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Juliet Gardiner with a new book by Catherine Fletcher 
&lt;TT&gt;WED        &lt;/TT&gt;documenting the story of Henry VIII's divorce and told from 
&lt;TT&gt;WED        &lt;/TT&gt;the point of view of Henry's ambassador in Rome, Gregorio 
&lt;TT&gt;WED        &lt;/TT&gt;Casali. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;22:45 The Essay &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhpl.html&gt;b019qhpl&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhpl&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Tagore and the Bengali Sensibility, A Pact with Nature 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;The Indian novelist, critic, musician and Professor of 
&lt;TT&gt;WED        &lt;/TT&gt;Contemporary Literature at the University of East Anglia, 
&lt;TT&gt;WED        &lt;/TT&gt;Amit Chaudhuri presents five essays on the creative work of 
&lt;TT&gt;WED        &lt;/TT&gt;Bengali polymath Rabindranath Tagore on the occasion of the 
&lt;TT&gt;WED        &lt;/TT&gt;150th anniversary of his birth. Chaudhuri explores the work, 
&lt;TT&gt;WED        &lt;/TT&gt;influence and the legacy of one of India's most revered 
&lt;TT&gt;WED        &lt;/TT&gt;artists and reflects on how Tagore's work provides an 
&lt;TT&gt;WED        &lt;/TT&gt;appreciation and an understanding of the Bengali 
&lt;TT&gt;WED        &lt;/TT&gt;intellectual and creative sensibility. 
&lt;TT&gt;WED        &lt;/TT&gt;With readings by John Hug. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;23:00 World on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhpn.html&gt;b019qhpn&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhpn&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Celtic Connections 2012, Episode 2 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Mary Ann Kennedy live from Glasgow at the world's biggest 
&lt;TT&gt;WED        &lt;/TT&gt;winter music festival. The second of four Late Night 
&lt;TT&gt;WED        &lt;/TT&gt;Sessions, with a top line-up of festival artists and also 
&lt;TT&gt;WED        &lt;/TT&gt;recorded concert highlights. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Celtic Connections is held in 20 venues over 18 days with 
&lt;TT&gt;WED        &lt;/TT&gt;300 events taking place throughout the whole festival, 
&lt;TT&gt;WED        &lt;/TT&gt;involving over 2100 musicians from 26 countries. Scots and 
&lt;TT&gt;WED        &lt;/TT&gt;Irish celtic music is at the centre of the festival, but it 
&lt;TT&gt;WED        &lt;/TT&gt;has always embraced the music of the celtic cultures of the 
&lt;TT&gt;WED        &lt;/TT&gt;USA, Canada, France and Spain, together with the closely 
&lt;TT&gt;WED        &lt;/TT&gt;connected cultures of Scandinavia and eastern Europe. In 
&lt;TT&gt;WED        &lt;/TT&gt;recent years the Festival has also connected with traditions 
&lt;TT&gt;WED        &lt;/TT&gt;across Africa and Asia. The concerts range from the most 
&lt;TT&gt;WED        &lt;/TT&gt;traditional to the most experimental, all brought together 
&lt;TT&gt;WED        &lt;/TT&gt;in the context of one of the world's liveliest folk 
&lt;TT&gt;WED        &lt;/TT&gt;cultures, with a never-ending stream of young Scottish 
&lt;TT&gt;WED        &lt;/TT&gt;musicians who are reinventing their own traditions for their 
&lt;TT&gt;WED        &lt;/TT&gt;own time. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;For the past three years, World on 3 has hosted some of the 
&lt;TT&gt;WED        &lt;/TT&gt;Festival's Late Night Sessions at Glasgow's Royal Concert 
&lt;TT&gt;WED        &lt;/TT&gt;Hall. These start late, and finish early, usually well into 
&lt;TT&gt;WED        &lt;/TT&gt;the next day. Bands often come straight from a concert in a 
&lt;TT&gt;WED        &lt;/TT&gt;main venue to play at the Sessions. World on 3 hosts the 
&lt;TT&gt;WED        &lt;/TT&gt;Late Night Sessions for four nights during the final week of 
&lt;TT&gt;WED        &lt;/TT&gt;the Festival, from Tuesday 31st January until Friday 3rd 
&lt;TT&gt;WED        &lt;/TT&gt;February. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;The line-up of the Late Night Sessions is always kept secret 
&lt;TT&gt;WED        &lt;/TT&gt;until the day of the event. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;A name='TH'&gt;&lt;B&gt;THURSDAY 02 FEBRUARY 2012&lt;/B&gt;&lt;/A&gt; 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;00:30 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhsh.html&gt;b019qhsh&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhsh&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Jonathan presents a concert with the Casals Quartet playing 
&lt;TT&gt;THU        &lt;/TT&gt;Mozart, Shostakovich and Schubert "Death and the Maiden" 
&lt;TT&gt;THU        &lt;/TT&gt;Quartet 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;12:31 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Mozart, Wolfgang Amadeus [1756-1791] 
&lt;TT&gt;THU        &lt;/TT&gt;Quartet for strings (K.421) in D minor 
&lt;TT&gt;THU        &lt;/TT&gt;Casals Quartet 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;12:58 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Shostakovich, Dmitry [1906-1975] 
&lt;TT&gt;THU        &lt;/TT&gt;Quartet for strings no. 2 (Op.68) in A major 
&lt;TT&gt;THU        &lt;/TT&gt;Casals Quartet 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;1:36 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Schubert, Franz [1797-1828] 
&lt;TT&gt;THU        &lt;/TT&gt;Quartet for strings (D.810) in D minor "Death and the 
&lt;TT&gt;THU        &lt;/TT&gt;maiden"; 
&lt;TT&gt;THU        &lt;/TT&gt;Casals Quartet 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;2:15 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Bartok, Bela [1881-1945] 
&lt;TT&gt;THU        &lt;/TT&gt;Quartet for strings no. 4 (Sz.91) 
&lt;TT&gt;THU        &lt;/TT&gt;Casals Quartet 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;2:18 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Liszt, Franz (1811-1886) 
&lt;TT&gt;THU        &lt;/TT&gt;Légende No.1: St. François d'Assise prêchant aux oiseaux 
&lt;TT&gt;THU        &lt;/TT&gt;(S.175) 
&lt;TT&gt;THU        &lt;/TT&gt;Llyr Williams (piano) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;2:31 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Poulenc, Francis (1899-1963) 
&lt;TT&gt;THU        &lt;/TT&gt;Gloria for soprano, chorus and orchestra in G major 
&lt;TT&gt;THU        &lt;/TT&gt;Annick Massis (soprano), Choeur de Radio France, Orchestre 
&lt;TT&gt;THU        &lt;/TT&gt;National de France, George Prêtre (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;3:00 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Mendelssohn, Felix (1809-1847) 
&lt;TT&gt;THU        &lt;/TT&gt;Symphony no. 1 (Op. 11) in C minor 
&lt;TT&gt;THU        &lt;/TT&gt;Bergen Philharmonic Orchestra, Andrew Litton (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;3:31 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Hellendaal, Pieter (1721-1799) 
&lt;TT&gt;THU        &lt;/TT&gt;Concerto grosso for strings and continuo in E flat major 
&lt;TT&gt;THU        &lt;/TT&gt;(Op.3 No.4) 
&lt;TT&gt;THU        &lt;/TT&gt;Combattimento Consort Amsterdam 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;3:44 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791) 
&lt;TT&gt;THU        &lt;/TT&gt;10 Variations in G on the aria 'Unser dummer Pöbel meint' 
&lt;TT&gt;THU        &lt;/TT&gt;from the opera 'La rencontre imprévue' by Christoph 
&lt;TT&gt;THU        &lt;/TT&gt;Willibald Gluck (K. 455) 
&lt;TT&gt;THU        &lt;/TT&gt;Shai Wosner (piano) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;3:58 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Vaughan Williams, Ralph (1872-1958) 
&lt;TT&gt;THU        &lt;/TT&gt;Variations for Brass Band 
&lt;TT&gt;THU        &lt;/TT&gt;The Hannaford Street Silver Band, Bramwell Tovey (Conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:11 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Barnes, Milton (1931-2001) 
&lt;TT&gt;THU        &lt;/TT&gt;Three Folk Dances 
&lt;TT&gt;THU        &lt;/TT&gt;Moshe Hammer (violin), Valerie Tryon (piano) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:16 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Svendsen, Johan (1840-1911) 
&lt;TT&gt;THU        &lt;/TT&gt;Carnival in Paris - Overture/Episode for orchestra (Op.9) 
&lt;TT&gt;THU        &lt;/TT&gt;Bergen Philharmonic Orchestra, Ole Kristian Ruud (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:31 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Weber, Carl Maria von (1786-1826) 
&lt;TT&gt;THU        &lt;/TT&gt;Overture - from 'Der Freischütz' 
&lt;TT&gt;THU        &lt;/TT&gt;Netherlands Radio Philharmonic, Kenneth Montgomery 
&lt;TT&gt;THU        &lt;/TT&gt;(conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:41 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Spohr, Louis (1784-1859) 
&lt;TT&gt;THU        &lt;/TT&gt;Fantasy, Theme and Variations a theme of Danzi in B minor 
&lt;TT&gt;THU        &lt;/TT&gt;(Op.81) 
&lt;TT&gt;THU        &lt;/TT&gt;László Horvath (clarinet), New Budapest String Quartet 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:49 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Schumann, Robert (1810-1856) 
&lt;TT&gt;THU        &lt;/TT&gt;Theme and variations on the Name 'Abegg' (Op.1) 
&lt;TT&gt;THU        &lt;/TT&gt;Seung-Hee Hyun (female) (piano) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:57 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Gassmann, Florian Leopold (1729-1774) 
&lt;TT&gt;THU        &lt;/TT&gt;Stabat Mater 
&lt;TT&gt;THU        &lt;/TT&gt;Cappella Nova Graz (with continuo), Otto Kargl (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;5:10 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Elgar, Edward (1857-1934) 
&lt;TT&gt;THU        &lt;/TT&gt;Serenade for string orchestra (Op.20) in E minor 
&lt;TT&gt;THU        &lt;/TT&gt;BBC Concert Orchestra, Stephen Cleobury (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;5:23 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Jenner, Gustav Uwe (1865-1920) 
&lt;TT&gt;THU        &lt;/TT&gt;Trio in E flat for Clarinet, Horn and Piano (1900) 
&lt;TT&gt;THU        &lt;/TT&gt;James Campbell (clarinet), Martin Hackleman (horn), Jane 
&lt;TT&gt;THU        &lt;/TT&gt;Coop (piano) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;5:49 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Bach, Johann Sebastian (1685-1750) 
&lt;TT&gt;THU        &lt;/TT&gt;Concerto in the Italian style for keyboard (BWV.971) in F 
&lt;TT&gt;THU        &lt;/TT&gt;major 
&lt;TT&gt;THU        &lt;/TT&gt;Christian Ihle Hadland (piano) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;6:02 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Grieg, Edvard (1843-1907) 
&lt;TT&gt;THU        &lt;/TT&gt;Cello Sonata in A minor (Op. 36) 
&lt;TT&gt;THU        &lt;/TT&gt;Truls Mørk (cello), Håvard Gimse (piano) 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;06:30 Breakfast &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhsk.html&gt;b019qhsk&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhsk&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;09:00 Essential Classics &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhsm.html&gt;b019qhsm&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhsm&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;9am 
&lt;TT&gt;THU        &lt;/TT&gt;A selection of music including the Essential CD of the Week: 
&lt;TT&gt;THU        &lt;/TT&gt;Robert Johnson: The Prince's Almain and other dances for 
&lt;TT&gt;THU        &lt;/TT&gt;lute (Nigel North). 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;9.30am&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;A daily brainteaser and performances by the Artist of the 
&lt;TT&gt;THU        &lt;/TT&gt;Week, cellist Steven Isserlis. Today he is heard as the 
&lt;TT&gt;THU        &lt;/TT&gt;soloist in Strauss's Romance in F for cello and orchestra, 
&lt;TT&gt;THU        &lt;/TT&gt;as well as Brahms's Cello Sonata no.2 in F, op.99, where he 
&lt;TT&gt;THU        &lt;/TT&gt;is accompanied by pianist Stephen Hough. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;10.30am&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;The Essential Classics guest is weather presenter Sian 
&lt;TT&gt;THU        &lt;/TT&gt;Lloyd, who introduces music that is significant to her. 
&lt;TT&gt;THU        &lt;/TT&gt;Today Sian mentions which piece of music she particularly 
&lt;TT&gt;THU        &lt;/TT&gt;likes listening to while on a journey, as well as music she 
&lt;TT&gt;THU        &lt;/TT&gt;likes to listen to while working. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;11am 
&lt;TT&gt;THU        &lt;/TT&gt;Sarah's Essential Choice 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Mendelssohn: 
&lt;TT&gt;THU        &lt;/TT&gt;Symphony no.4 in A, op.90 'Italian' 
&lt;TT&gt;THU        &lt;/TT&gt;The London Classical Players 
&lt;TT&gt;THU        &lt;/TT&gt;Roger Norrington (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;EMI 7 54000 2. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Sergei Sergeyevich Prokofiev 
&lt;TT&gt;THU        &lt;/TT&gt;Troika from Lieutenant Kijé, symphonic suite op.60 
&lt;TT&gt;THU        &lt;/TT&gt;Chicago Symphony Orchestra, Claudio Abbado (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;DG 419 603-2 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Malcolm Arnold 
&lt;TT&gt;THU        &lt;/TT&gt;Scottish Dances, op.59 
&lt;TT&gt;THU        &lt;/TT&gt;London Philharmonic Orchestra, Malcolm Arnold (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;LYRITA SRCD.201 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Robert Johnson 
&lt;TT&gt;THU        &lt;/TT&gt;Fantasie 
&lt;TT&gt;THU        &lt;/TT&gt;Nigel North (lute) 
&lt;TT&gt;THU        &lt;/TT&gt;NAXOS 8.572178 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Johann Strauss II 
&lt;TT&gt;THU        &lt;/TT&gt;An der schönen, blauen Donau 
&lt;TT&gt;THU        &lt;/TT&gt;Vienna Johann Strauss Orchestra, Willi Boskovsky (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;EMI CD-EMX 2162 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Richard Strauss 
&lt;TT&gt;THU        &lt;/TT&gt;Romance in F for cello and orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;Steven Isserlis (cello), Bavarian Radio Symphony Orchestra, 
&lt;TT&gt;THU        &lt;/TT&gt;Lorin Maazel (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;RCA 74321 75398 2 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Joseph Haydn 
&lt;TT&gt;THU        &lt;/TT&gt;Piano Sonata no.50 in D, Hob XVI:37 
&lt;TT&gt;THU        &lt;/TT&gt;Rudolf Buchbinder (piano) 
&lt;TT&gt;THU        &lt;/TT&gt;WARNER 2564 63782-2 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Franz Schubert 
&lt;TT&gt;THU        &lt;/TT&gt;‘Ewige Liebe’ – from 3 Songs, D825, for male chorus [TTBB] 
&lt;TT&gt;THU        &lt;/TT&gt;Arnold Schoenberg Choir, Erwin Ortner (chorus master) 
&lt;TT&gt;THU        &lt;/TT&gt;TELDEC 4509-94546-2 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Lully 
&lt;TT&gt;THU        &lt;/TT&gt;La Fête Infernale Les Démons, from Alceste 
&lt;TT&gt;THU        &lt;/TT&gt;Concert Des Nations, Jordi Savall 
&lt;TT&gt;THU        &lt;/TT&gt;ALIA VOX AV9807 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Johannes Brahms 
&lt;TT&gt;THU        &lt;/TT&gt;Cello Sonata no.2 in F, op.99 
&lt;TT&gt;THU        &lt;/TT&gt;Steven Isserlis (cello), Stephen Hough (piano) 
&lt;TT&gt;THU        &lt;/TT&gt;HYPERION CDA67529 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Léo Delibes 
&lt;TT&gt;THU        &lt;/TT&gt;‘Viens, Mallika… Sous le dome épais’ (Flower Duet) from 
&lt;TT&gt;THU        &lt;/TT&gt;Lakmé, Act 1 
&lt;TT&gt;THU        &lt;/TT&gt;Mady Mesplé (soprano – Lakmé), Danielle Millet 
&lt;TT&gt;THU        &lt;/TT&gt;(mezzo-soprano – Mallika), Orchestre du Théâtre National de 
&lt;TT&gt;THU        &lt;/TT&gt;l'Opéra-Comique, Alain Lombard (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;EMI 7494302 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Johann Sebastian Bach 
&lt;TT&gt;THU        &lt;/TT&gt;Brandenburg Concerto no. 3 in G, BWV 1048 
&lt;TT&gt;THU        &lt;/TT&gt;The English Concert, Trevor Pinnock (harpsichord and 
&lt;TT&gt;THU        &lt;/TT&gt;director) 
&lt;TT&gt;THU        &lt;/TT&gt;ARCHIV 423 492 2 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Felix Mendelssohn 
&lt;TT&gt;THU        &lt;/TT&gt;Symphony no. 4 in A, op.90 (‘Italian’) 
&lt;TT&gt;THU        &lt;/TT&gt;London Classical Players, Roger Norrington (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;EMI 7 54000 2 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Domenico Scarlatti 
&lt;TT&gt;THU        &lt;/TT&gt;Sonata in G, K. 124 
&lt;TT&gt;THU        &lt;/TT&gt;Christophe Rousset (harpsichord) 
&lt;TT&gt;THU        &lt;/TT&gt;DECCA 458 165 2 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Leos Janacek 
&lt;TT&gt;THU        &lt;/TT&gt;Sinfonietta 
&lt;TT&gt;THU        &lt;/TT&gt;Vienna Philharmonic, Charles Mackerras (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;DECCA 410 138 2 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;12:00 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b016vq3p.html&gt;b016vq3p&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b016vq3p&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Edward Elgar (1857-1934), Elgar and The Fringes of the Fleet 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;By the end of the Great War, Sir Edward Elgar couldn't 
&lt;TT&gt;THU        &lt;/TT&gt;compose any music to celebrate peace, disillusioned as he 
&lt;TT&gt;THU        &lt;/TT&gt;was by the whole period, which Donald Macleod explores in 
&lt;TT&gt;THU        &lt;/TT&gt;conversation with Terry Charman from the Imperial War 
&lt;TT&gt;THU        &lt;/TT&gt;Museum. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;With no end in sight for the war, it continued on into 1917. 
&lt;TT&gt;THU        &lt;/TT&gt;This is when Elgar heard of the death of his friend and 
&lt;TT&gt;THU        &lt;/TT&gt;supporter Hans Richter, who had given the premiere of some 
&lt;TT&gt;THU        &lt;/TT&gt;of Elgar's best known works, including the Enigma 
&lt;TT&gt;THU        &lt;/TT&gt;Variations. Things however were starting to change in 
&lt;TT&gt;THU        &lt;/TT&gt;Britain, with a new government, and the introduction of 
&lt;TT&gt;THU        &lt;/TT&gt;convoys to protect cargo and hospital ships from the German 
&lt;TT&gt;THU        &lt;/TT&gt;u-boat campaign. But with the continued reports of 
&lt;TT&gt;THU        &lt;/TT&gt;atrocities on the front line, and increased deprivations at 
&lt;TT&gt;THU        &lt;/TT&gt;home, Elgar finally found the stimulus to finish his work 
&lt;TT&gt;THU        &lt;/TT&gt;The Spirit of England, with a setting of The Fourth of 
&lt;TT&gt;THU        &lt;/TT&gt;August. It wasn't only war music which Elgar concentrated on 
&lt;TT&gt;THU        &lt;/TT&gt;during this time, as he also composed his only ballet 
&lt;TT&gt;THU        &lt;/TT&gt;incorporating 18th century French costumes and classical 
&lt;TT&gt;THU        &lt;/TT&gt;mythology, in The Sanguine Fan. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;THU        &lt;/TT&gt;Variations on an original theme ('Enigma') Op.36 for 
&lt;TT&gt;THU        &lt;/TT&gt;orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;Leonard SLATKIN 
&lt;TT&gt;THU        &lt;/TT&gt;London Philharmonic Orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;RCA 
&lt;TT&gt;THU        &lt;/TT&gt;82876603892 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;THU        &lt;/TT&gt;The Sanguine fan - ballet Op.81 
&lt;TT&gt;THU        &lt;/TT&gt;Adrian BOULT 
&lt;TT&gt;THU        &lt;/TT&gt;London Philharmonic Orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;EMI 
&lt;TT&gt;THU        &lt;/TT&gt;CDM7631332 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;THU        &lt;/TT&gt;5 Improvisations for piano no 4 
&lt;TT&gt;THU        &lt;/TT&gt;Edward ELGAR - Piano 
&lt;TT&gt;THU        &lt;/TT&gt;EMI 
&lt;TT&gt;THU        &lt;/TT&gt;CDA 7543468 2 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;THU        &lt;/TT&gt;Fringes of the fleet for 4 baritones and orchestra [text by 
&lt;TT&gt;THU        &lt;/TT&gt;Kipling] 
&lt;TT&gt;THU        &lt;/TT&gt;Tom HIGGINS 
&lt;TT&gt;THU        &lt;/TT&gt;Duncan ROCK - Baritone 
&lt;TT&gt;THU        &lt;/TT&gt;Laurence MEIKLE - Baritone 
&lt;TT&gt;THU        &lt;/TT&gt;Nicholas LESTER - Baritone 
&lt;TT&gt;THU        &lt;/TT&gt;Roderick WILLIAMS - Baritone 
&lt;TT&gt;THU        &lt;/TT&gt;Guildford Philharmonic Orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;SOMM 
&lt;TT&gt;THU        &lt;/TT&gt;CD243 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;THU        &lt;/TT&gt;The Fourth of August from The Spirit of England Op.80 for 
&lt;TT&gt;THU        &lt;/TT&gt;high voice, chorus and orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;Alexander GIBSON 
&lt;TT&gt;THU        &lt;/TT&gt;Teresa CAHILL - Soprano 
&lt;TT&gt;THU        &lt;/TT&gt;Royal Scottish National Orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;Royal Scottish National Orchestra Chorus 
&lt;TT&gt;THU        &lt;/TT&gt;CHANDOS 
&lt;TT&gt;THU        &lt;/TT&gt;CHAN6574 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;13:00 Radio 3 Lunchtime Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhsp.html&gt;b019qhsp&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhsp&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Southwest Festivals 2011, Episode 3 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;More from the summer's music festivals in the south west, 
&lt;TT&gt;THU        &lt;/TT&gt;and a concert featuring songs and piano transcriptions from 
&lt;TT&gt;THU        &lt;/TT&gt;the Two Moors Festival in Devon. Plus a return to Plush in 
&lt;TT&gt;THU        &lt;/TT&gt;Dorset for music by Beethoven, and a work thought to have 
&lt;TT&gt;THU        &lt;/TT&gt;originated in an aborted opera based on Shakespeare's 
&lt;TT&gt;THU        &lt;/TT&gt;Macbeth. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Schubert: Der Wanderer D.489 
&lt;TT&gt;THU        &lt;/TT&gt;Schubert transcr. Liszt: Der Wanderer 
&lt;TT&gt;THU        &lt;/TT&gt;Schumann transc. Liszt: Fruhlingsnacht 
&lt;TT&gt;THU        &lt;/TT&gt;Schumann: Intermezzo, Mondnacht, Wehmut, Frühlingsnacht 
&lt;TT&gt;THU        &lt;/TT&gt;(Liederkreis op.39) 
&lt;TT&gt;THU        &lt;/TT&gt;Stephan Loges (baritone) 
&lt;TT&gt;THU        &lt;/TT&gt;Christoph Berner (piano) 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Beethoven: 'Ghost' Piano Trio Op. 70 no.1. 
&lt;TT&gt;THU        &lt;/TT&gt;Edward Dusinberre (violin) 
&lt;TT&gt;THU        &lt;/TT&gt;Louise Hopkins (cello) 
&lt;TT&gt;THU        &lt;/TT&gt;Charles Owen (piano). 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;14:00 Afternoon on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhsr.html&gt;b019qhsr&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhsr&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Opera matinee - Glinka's Ruslan and Lyudmila from the 
&lt;TT&gt;THU        &lt;/TT&gt;Bolshoi Theatre, Moscow. 
&lt;TT&gt;THU        &lt;/TT&gt;Katie Derham presents the first full opera staging in this 
&lt;TT&gt;THU        &lt;/TT&gt;iconic theatre after its four hundred million pound 
&lt;TT&gt;THU        &lt;/TT&gt;renovation. Vladimir Jurowski conducts a fairy tale opera 
&lt;TT&gt;THU        &lt;/TT&gt;which lies at the very heart of Russian operatic culture 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Glinka: Ruslan and Lyudmila, opera in five acts (eight 
&lt;TT&gt;THU        &lt;/TT&gt;tableaux), 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Svetozar Great Prince of Kiev ..... Vladimir Ognovenko 
&lt;TT&gt;THU        &lt;/TT&gt;(bass), 
&lt;TT&gt;THU        &lt;/TT&gt;Lyudmila his daughter ..... Albina Shagimuratova (soprano), 
&lt;TT&gt;THU        &lt;/TT&gt;Ruslan a Kievan knight Lyudmila's betrothed ..... Mikhail 
&lt;TT&gt;THU        &lt;/TT&gt;Petrenko (bass), 
&lt;TT&gt;THU        &lt;/TT&gt;Ratmir a Khazar prince ..... Yuri Minenko (contralto), 
&lt;TT&gt;THU        &lt;/TT&gt;Farlaf a Varangian knight ..... Almas Shvilpa (bass), 
&lt;TT&gt;THU        &lt;/TT&gt;Gorislava a captive of Ratmir ..... Alexandrina Pendachanska 
&lt;TT&gt;THU        &lt;/TT&gt;(soprano), 
&lt;TT&gt;THU        &lt;/TT&gt;Finn a good sorcerer ..... Charles Workman (tenor), 
&lt;TT&gt;THU        &lt;/TT&gt;Naina an evil sorceress ..... Elena Zaremba (mezzo-soprano), 
&lt;TT&gt;THU        &lt;/TT&gt;Bayan a bard ..... Charles Workman (tenor), 
&lt;TT&gt;THU        &lt;/TT&gt;Staging, sets and costumes .....Dmitri Cherniakov 
&lt;TT&gt;THU        &lt;/TT&gt;Bolshoi Theatre Chorus and Orchestra, Vladimir Jurowski 
&lt;TT&gt;THU        &lt;/TT&gt;(conductor) 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;continued tomorrow at 2pm. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;16:30 In Tune &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhst.html&gt;b019qhst&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhst&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Suzy Klein presents, with live music and guests from the 
&lt;TT&gt;THU        &lt;/TT&gt;music world - including world-famous countertenor Andreas 
&lt;TT&gt;THU        &lt;/TT&gt;Scholl, currently touring with Bach cantatas, and violinist 
&lt;TT&gt;THU        &lt;/TT&gt;Tasmin Little, in Edinburgh for a concert with the Royal 
&lt;TT&gt;THU        &lt;/TT&gt;Scottish National Orchestra. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Main news headlines are at 5.00 and 6.00 
&lt;TT&gt;THU        &lt;/TT&gt;E-mail: in.tune@bbc.co.uk 
&lt;TT&gt;THU        &lt;/TT&gt;Twitter: BBCInTune. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;18:30 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b016vq3p.html&gt;b016vq3p&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b016vq3p&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;[Repeat of broadcast at 12:00 today] 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;19:30 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhsw.html&gt;b019qhsw&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhsw&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Live from City Halls, Glasgow, Debussy, Debussy, arr Beamish 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Steven Isserlis and the BBC SSO conducted by Donald 
&lt;TT&gt;THU        &lt;/TT&gt;Runnicles play Debussy and Ravel. 
&lt;TT&gt;THU        &lt;/TT&gt;Two great orchestral portraits by Debussy and Ravel - of the 
&lt;TT&gt;THU        &lt;/TT&gt;ocean and of fin-de-siècle Vienna - begin and end the 
&lt;TT&gt;THU        &lt;/TT&gt;concert. But between them, two rarities for cello and 
&lt;TT&gt;THU        &lt;/TT&gt;orchestra - fruits of Steven Isserlis's restless quest to 
&lt;TT&gt;THU        &lt;/TT&gt;expand the cello repertoire. Most exciting is the 'lost' 
&lt;TT&gt;THU        &lt;/TT&gt;early Cello Suite by Debussy. Sally Beamish has beautifully 
&lt;TT&gt;THU        &lt;/TT&gt;orchestrated the two surviving movements and arranged three 
&lt;TT&gt;THU        &lt;/TT&gt;other pieces to sit alongside them, making a substantial 
&lt;TT&gt;THU        &lt;/TT&gt;'new' work. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Debussy: La Mer 
&lt;TT&gt;THU        &lt;/TT&gt;Debussy, arr. Beamish: Suite for cello and orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;(Scottish Premiere) 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;BBC Scottish Symphony Orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;Steven Isserlis, cello 
&lt;TT&gt;THU        &lt;/TT&gt;Donald Runnicles, conductor. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;20:10 Discovering Music &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b01bdcrt.html&gt;b01bdcrt&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b01bdcrt&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Ravel's La valse 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;We think of the waltz as the apotheosis of elegance, 
&lt;TT&gt;THU        &lt;/TT&gt;refinement, high society. But it wasn't always so... 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;In today's "Discovering Music", Stephen Johnson explores the 
&lt;TT&gt;THU        &lt;/TT&gt;roots of the waltz - from rustic German dances, to sinister, 
&lt;TT&gt;THU        &lt;/TT&gt;dizzy treatments by Schumann and Mahler - before looking 
&lt;TT&gt;THU        &lt;/TT&gt;in-depth at "La Valse" by Maurice Ravel. Ravel was 
&lt;TT&gt;THU        &lt;/TT&gt;fascinated by the history and cultural trappings of the 
&lt;TT&gt;THU        &lt;/TT&gt;waltz form - as well as its dark underbelly...and his 
&lt;TT&gt;THU        &lt;/TT&gt;"choreographic poem" for orchestra is a dazzling evocation 
&lt;TT&gt;THU        &lt;/TT&gt;of gliding dancers warped and transmuted into something 
&lt;TT&gt;THU        &lt;/TT&gt;rather more sinister...v. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;20:30 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b01bdcsg.html&gt;b01bdcsg&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b01bdcsg&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Live from City Halls, Glasgow, Ravel, arr Tognetti, Ravel 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Ravel. arr. Tognetti: Deux mélodies hébraïques 
&lt;TT&gt;THU        &lt;/TT&gt;Ravel: Une barque sur l'océan 
&lt;TT&gt;THU        &lt;/TT&gt;Ravel: Valse nobles et sentimentales 
&lt;TT&gt;THU        &lt;/TT&gt;Ravel: La Valse: poème choréographique 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;BBC Scottish Symphony Orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;Donald Runnicles, conductor. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;22:00 Night Waves &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qhsy.html&gt;b019qhsy&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qhsy&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Kate Grenville 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Anne McElvoy talks to the Australian writer Kate Grenville 
&lt;TT&gt;THU        &lt;/TT&gt;about her new novel, 'Sarah Thornhill', the third part in 
&lt;TT&gt;THU        &lt;/TT&gt;her trilogy set in nineteenth century Australia. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;22:45 The Essay &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qht0.html&gt;b019qht0&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qht0&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Tagore and the Bengali Sensibility, A Transformative Time 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;The Indian novelist, critic, musician and Professor of 
&lt;TT&gt;THU        &lt;/TT&gt;Contemporary Literature at the University of East Anglia, 
&lt;TT&gt;THU        &lt;/TT&gt;Amit Chaudhuri presents five essays on the creative work of 
&lt;TT&gt;THU        &lt;/TT&gt;Bengali polymath Rabindranath Tagore on the occasion of the 
&lt;TT&gt;THU        &lt;/TT&gt;150th anniversary of his birth. Chaudhuri explores the work, 
&lt;TT&gt;THU        &lt;/TT&gt;influence and the legacy of one of India's most revered 
&lt;TT&gt;THU        &lt;/TT&gt;artists and reflects on how Tagore's work provides an 
&lt;TT&gt;THU        &lt;/TT&gt;appreciation and an understanding of the Bengali 
&lt;TT&gt;THU        &lt;/TT&gt;intellectual and creative sensibility. 
&lt;TT&gt;THU        &lt;/TT&gt;With readings by John Hug. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;23:00 World on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qht2.html&gt;b019qht2&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qht2&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Celtic Connections 2012, Episode 3 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Mary Ann Kennedy live from Glasgow at the world's biggest 
&lt;TT&gt;THU        &lt;/TT&gt;winter music festival. The third of four Late Night 
&lt;TT&gt;THU        &lt;/TT&gt;Sessions, with a top line-up of festival artists and also 
&lt;TT&gt;THU        &lt;/TT&gt;recorded concert highlights. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;The line-up of the Late Night Sessions is always kept secret 
&lt;TT&gt;THU        &lt;/TT&gt;until the day of the event. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;A name='FR'&gt;&lt;B&gt;FRIDAY 03 FEBRUARY 2012&lt;/B&gt;&lt;/A&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;00:30 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qj19.html&gt;b019qj19&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qj19&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Jonathan Swain presents a concert by the Orchestra della 
&lt;TT&gt;FRI        &lt;/TT&gt;Svizzera Italiana joined by cellist Daniel Mϋller-Schott. 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;12:31 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Rautavaara, Einojuhani [b.1928] 
&lt;TT&gt;FRI        &lt;/TT&gt;Cantus arcticus (Concerto for birds and orchestra) (Op.61) 
&lt;TT&gt;FRI        &lt;/TT&gt;Orchestra della Svizzera Italiana, Antonello Manacorda 
&lt;TT&gt;FRI        &lt;/TT&gt;(conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;12:50 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Saint-Saens, Camille [1835-1921] 
&lt;TT&gt;FRI        &lt;/TT&gt;Concerto for cello and orchestra no. 1 (Op.33) in A minor 
&lt;TT&gt;FRI        &lt;/TT&gt;Daniel Müller-Schott (cello) Orchestra della Svizzera 
&lt;TT&gt;FRI        &lt;/TT&gt;Italiana, Antonello Manacorda (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;1:11 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Ravel, Maurice [1875-1937] 
&lt;TT&gt;FRI        &lt;/TT&gt;Piece en forme d'habanera arr. solo cello 
&lt;TT&gt;FRI        &lt;/TT&gt;Daniel Müller-Schott (cello) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;1:15 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Strauss, Richard [1864-1949] 
&lt;TT&gt;FRI        &lt;/TT&gt;Le Bourgeois gentilhomme - suite (Op.60) 
&lt;TT&gt;FRI        &lt;/TT&gt;Orchestra della Svizzera Italiana, Antonello Manacorda 
&lt;TT&gt;FRI        &lt;/TT&gt;(conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;1:52 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Lully, Jean-Baptiste (1632-1687) 
&lt;TT&gt;FRI        &lt;/TT&gt;Le Bourgeois gentilhomme - suite 
&lt;TT&gt;FRI        &lt;/TT&gt;Norwegian Chamber Orchestra, Terje Tønnesen (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;2:10 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Koehne, Graeme (b. 1956) 
&lt;TT&gt;FRI        &lt;/TT&gt;Divertissement: Trois pièces bourgeoises (aka String Quartet 
&lt;TT&gt;FRI        &lt;/TT&gt;no 1) (1983) 
&lt;TT&gt;FRI        &lt;/TT&gt;The Australian String Quartet 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;2:23 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Sibelius, Jean (1865-1957) 
&lt;TT&gt;FRI        &lt;/TT&gt;Music to a Scene (1904) 
&lt;TT&gt;FRI        &lt;/TT&gt;Finnish Radio Symphony Orchestra, Jukka-Pekka Saraste 
&lt;TT&gt;FRI        &lt;/TT&gt;(conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;2:31 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Beethoven, Ludwig van (1770-1827) 
&lt;TT&gt;FRI        &lt;/TT&gt;Symphony No.7 in A major (Op.92) 
&lt;TT&gt;FRI        &lt;/TT&gt;Oslo Philharmonic Orchestra, André Previn (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;3:11 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Lithander, Carl Ludwig (1773-1843) 
&lt;TT&gt;FRI        &lt;/TT&gt;Piano Sonata in C major (Op.8 No.1) 'Sonate facile' 
&lt;TT&gt;FRI        &lt;/TT&gt;Juhani Lagerspetz (piano) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;3:23 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Roman, Johan Helmich (1694-1758) 
&lt;TT&gt;FRI        &lt;/TT&gt;13 pieces from 'Drottningholmsmusiquen' (1744) 
&lt;TT&gt;FRI        &lt;/TT&gt;Concerto Köln 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;3:44 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Kuula, Toivo (1883-1918) 
&lt;TT&gt;FRI        &lt;/TT&gt;Häämarssi (Wedding March) - from Pieces vers. for piano 
&lt;TT&gt;FRI        &lt;/TT&gt;(Op.3b No.2) 
&lt;TT&gt;FRI        &lt;/TT&gt;Eero Heinonen (piano) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;3:50 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Borodin, Alexander (1833-1887) 
&lt;TT&gt;FRI        &lt;/TT&gt;Polovtsian dances - from 'Prince Igor' 
&lt;TT&gt;FRI        &lt;/TT&gt;Sydney Symphony Orchestra, Stuart Challender (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;4:01 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Liszt, Franz (1811-1886) 
&lt;TT&gt;FRI        &lt;/TT&gt;Tarantella from Venezia e Napoli (S.162) 
&lt;TT&gt;FRI        &lt;/TT&gt;Janina Fialkowska (piano) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;4:10 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Alpaerts, Flor (1876-1954) 
&lt;TT&gt;FRI        &lt;/TT&gt;Romanza for Violin and Orchestra (1928) 
&lt;TT&gt;FRI        &lt;/TT&gt;Guido De Neve (violin), Vlaams Radio Orkest , Michel 
&lt;TT&gt;FRI        &lt;/TT&gt;Tabachnik (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;4:16 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Tournier, Marcel (1879-1951) 
&lt;TT&gt;FRI        &lt;/TT&gt;Vers la source dans le bois 
&lt;TT&gt;FRI        &lt;/TT&gt;Rita Costanzi (harp) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;4:21 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Pez, Johann Christoph (1664-1716) 
&lt;TT&gt;FRI        &lt;/TT&gt;Passacaglia &amp; Aria - from Concerto Pastorella in F major for 
&lt;TT&gt;FRI        &lt;/TT&gt;2 recorders, strings &amp; continuo 
&lt;TT&gt;FRI        &lt;/TT&gt;Carin van Heerden &amp; Ales Rypan (recorders), L'Orfeo 
&lt;TT&gt;FRI        &lt;/TT&gt;Barockorchester, Michi Gaigg (director) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;4:31 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Grieg, Edvard (Hagerup) [1843-1907] 
&lt;TT&gt;FRI        &lt;/TT&gt;Norwegian Dance No.1 (Op.35) for piano duet 
&lt;TT&gt;FRI        &lt;/TT&gt;Leif Ove Andsnes &amp; Håvard Gimse (piano) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;4:37 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Grainger, Percy (1882-1961) 
&lt;TT&gt;FRI        &lt;/TT&gt;Rustic Dance 
&lt;TT&gt;FRI        &lt;/TT&gt;Symphony Nova Scotia, Georg Tintner (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;4:41 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Reinecke, Carl (1824-1910) 
&lt;TT&gt;FRI        &lt;/TT&gt;Ballade for flute and orchestra 
&lt;TT&gt;FRI        &lt;/TT&gt;Matej Zupan (flute), Slovenian National Radio Symphony 
&lt;TT&gt;FRI        &lt;/TT&gt;Orchestra, David de Villiers (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;4:50 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Chopin, Frédéric (1810-1849) 
&lt;TT&gt;FRI        &lt;/TT&gt;Ballade No.4 in F minor (Op.52) 
&lt;TT&gt;FRI        &lt;/TT&gt;Seung-Hee Hyun (female) (piano) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;5:01 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Maurice, Paule (1910-67) 
&lt;TT&gt;FRI        &lt;/TT&gt;Tableaux de Provence 
&lt;TT&gt;FRI        &lt;/TT&gt;Julia Nolan (saxophone), CBC Vancouver Orchestra, Mario 
&lt;TT&gt;FRI        &lt;/TT&gt;Bernardi (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;5:16 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Canteloube, Joseph (1879-1957) 
&lt;TT&gt;FRI        &lt;/TT&gt;Brezairola 
&lt;TT&gt;FRI        &lt;/TT&gt;Yvonne Kenny (soprano), Melbourne Symphony Orchestra, 
&lt;TT&gt;FRI        &lt;/TT&gt;Vladimir Kamirski (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;5:21 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Rachmaninov, Sergey (1873-1943) 
&lt;TT&gt;FRI        &lt;/TT&gt;From 'Morceaux de Salon' (Op.10) 
&lt;TT&gt;FRI        &lt;/TT&gt;Duncan Gifford (piano) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;5:33 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Bach, Johann Sebastian (1685-1750) 
&lt;TT&gt;FRI        &lt;/TT&gt;Jesu, meine Freude (BWV.227) 
&lt;TT&gt;FRI        &lt;/TT&gt;Tafelmusik Chamber Choir, Tafelmusik Baroque Orchestra, 
&lt;TT&gt;FRI        &lt;/TT&gt;Ivars Taurins (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;5:55 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Abel, Carl Friedrich (1723-1787) 
&lt;TT&gt;FRI        &lt;/TT&gt;Trio in G major for 2 flutes and continuo (Op.16 No.4) 
&lt;TT&gt;FRI        &lt;/TT&gt;La Stagione Frankfurt: Karl Kaiser and Michael Schneider 
&lt;TT&gt;FRI        &lt;/TT&gt;(flutes), Rainer Zipperling (cello) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;6:05 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Haydn, Joseph (1732-1809) 
&lt;TT&gt;FRI        &lt;/TT&gt;Oboe Concerto in C Major (Hob.VIIg:C1) 
&lt;TT&gt;FRI        &lt;/TT&gt;Bo?o Rogelja (oboe), Slovenian Radio &amp; Television Symphony 
&lt;TT&gt;FRI        &lt;/TT&gt;Orchestra, Samo Hubad (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;06:30 Breakfast &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qj1c.html&gt;b019qj1c&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qj1c&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;09:00 Essential Classics &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qj1f.html&gt;b019qj1f&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qj1f&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;A selection of music including the Essential CD of the Week: 
&lt;TT&gt;FRI        &lt;/TT&gt;Robert Johnson: The Prince's Almain and other dances for 
&lt;TT&gt;FRI        &lt;/TT&gt;lute (Nigel North). 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;9.30am&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;A daily brainteaser and performances by the Artist of the 
&lt;TT&gt;FRI        &lt;/TT&gt;Week, cellist Steven Isserlis. Today he is heard in one of 
&lt;TT&gt;FRI        &lt;/TT&gt;Elgar's most celebrated works, the Cello Concerto in E 
&lt;TT&gt;FRI        &lt;/TT&gt;minor. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;10.30am&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;The Essential Classics guest is weather presenter Sian 
&lt;TT&gt;FRI        &lt;/TT&gt;Lloyd, who introduces some of her essential classics. On her 
&lt;TT&gt;FRI        &lt;/TT&gt;final day as this week's guest, she talks about music she 
&lt;TT&gt;FRI        &lt;/TT&gt;likes to listen to when relaxing, and Sarah acts as her 
&lt;TT&gt;FRI        &lt;/TT&gt;personal shopper, with a mystery piece she hopes Sian will 
&lt;TT&gt;FRI        &lt;/TT&gt;enjoy. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;11am 
&lt;TT&gt;FRI        &lt;/TT&gt;Sarah's Essential Choice 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Mendelssohn: 
&lt;TT&gt;FRI        &lt;/TT&gt;String Quartet in F minor, op.80 
&lt;TT&gt;FRI        &lt;/TT&gt;Gewandhaus Quartet 
&lt;TT&gt;FRI        &lt;/TT&gt;NCA 60205. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Wolfgang Amadeus Mozart 
&lt;TT&gt;FRI        &lt;/TT&gt;No.3 in D of 5 Contredanses, K. 609 
&lt;TT&gt;FRI        &lt;/TT&gt;Vienna Mozart Ensemble, Willi Boskovsky (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;PHILIPS 422 649-2 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Hector Berlioz 
&lt;TT&gt;FRI        &lt;/TT&gt;Le Carnaval Romain Overture 
&lt;TT&gt;FRI        &lt;/TT&gt;Berlin Philharmonic, Claudio Abbado (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;DG 474 165-2 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Robert Johnson 
&lt;TT&gt;FRI        &lt;/TT&gt;Pavan no.1 
&lt;TT&gt;FRI        &lt;/TT&gt;Nigel North (lute) 
&lt;TT&gt;FRI        &lt;/TT&gt;NAXOS 8.572178 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Gustav Holst 
&lt;TT&gt;FRI        &lt;/TT&gt;2nd Suite for Military Band 
&lt;TT&gt;FRI        &lt;/TT&gt;Central Band of the RAF, Wing Commander Eric Banks 
&lt;TT&gt;FRI        &lt;/TT&gt;(conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;REGIS 1326 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Jean Sibelius 
&lt;TT&gt;FRI        &lt;/TT&gt;Pohjola's Daughter, symphonic fantasia op.49 
&lt;TT&gt;FRI        &lt;/TT&gt;Gothenburg Symphony Orchestra, Neeme Järvi (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;DG 453 426-2 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Georg Philipp Telemann 
&lt;TT&gt;FRI        &lt;/TT&gt;Paris Quartet no.2 
&lt;TT&gt;FRI        &lt;/TT&gt;Barthold Kuijken (flute), Sigiswald Kuijken (violin), 
&lt;TT&gt;FRI        &lt;/TT&gt;Wieland Kuijken (viola da gamba), Gustav Leonhardt 
&lt;TT&gt;FRI        &lt;/TT&gt;(harpsichord) 
&lt;TT&gt;FRI        &lt;/TT&gt;SONY S3K 63115 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;FRI        &lt;/TT&gt;Cello Concerto in E minor, op.85 
&lt;TT&gt;FRI        &lt;/TT&gt;Steven Isserlis (cello), London Symphony Orchestra, Richard 
&lt;TT&gt;FRI        &lt;/TT&gt;Hickox (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;VIRGIN 5 61490 2 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Vincenzo Bellini 
&lt;TT&gt;FRI        &lt;/TT&gt;‘Casta diva’ from Norma 
&lt;TT&gt;FRI        &lt;/TT&gt;Cecilia Bartoli (mezzo-soprano), Orchestra La Scintilla, 
&lt;TT&gt;FRI        &lt;/TT&gt;Adam Fischer (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;DECCA 478 2558 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Ralph Vaughan Williams 
&lt;TT&gt;FRI        &lt;/TT&gt;Household Music: 3 Preludes on Welsh Hymn Tunes, no. 1: 
&lt;TT&gt;FRI        &lt;/TT&gt;Crug-y-bar 
&lt;TT&gt;FRI        &lt;/TT&gt;The Nash Ensemble 
&lt;TT&gt;FRI        &lt;/TT&gt;HYPERION CDA67381/2 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Felix Mendelssohn 
&lt;TT&gt;FRI        &lt;/TT&gt;String Quartet in F minor, op.80 
&lt;TT&gt;FRI        &lt;/TT&gt;Gewandhaus Quartet 
&lt;TT&gt;FRI        &lt;/TT&gt;NCA 60205 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Wolfgang Amadeus Mozart 
&lt;TT&gt;FRI        &lt;/TT&gt;Piano Concerto no.26 in D, K. 537 (‘Coronation’) 
&lt;TT&gt;FRI        &lt;/TT&gt;Murray Perahia (piano and direction), English Chamber 
&lt;TT&gt;FRI        &lt;/TT&gt;Orchestra 
&lt;TT&gt;FRI        &lt;/TT&gt;SONY 87230 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;12:00 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b016vq5y.html&gt;b016vq5y&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b016vq5y&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Edward Elgar (1857-1934), Armistice Declared, but No 
&lt;TT&gt;FRI        &lt;/TT&gt;Celebration for Elgar 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;By the end of the Great War, Sir Edward Elgar couldn't 
&lt;TT&gt;FRI        &lt;/TT&gt;compose any music to celebrate peace, disillusioned as he 
&lt;TT&gt;FRI        &lt;/TT&gt;was by the whole period, which Donald Macleod explores in 
&lt;TT&gt;FRI        &lt;/TT&gt;conversation with Terry Charman from the Imperial War 
&lt;TT&gt;FRI        &lt;/TT&gt;Museum. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;By 1918, Elgar had stomach problems and was continually 
&lt;TT&gt;FRI        &lt;/TT&gt;unwell, finally being operated on to remove his tonsils. 
&lt;TT&gt;FRI        &lt;/TT&gt;Compared to what hundreds of thousands were enduring in the 
&lt;TT&gt;FRI        &lt;/TT&gt;trench warfare of the first world war, this was no great 
&lt;TT&gt;FRI        &lt;/TT&gt;thing, but Elgar was 61 and not in great shape. Once 
&lt;TT&gt;FRI        &lt;/TT&gt;installed with his wife in a rustic thatched cottage in West 
&lt;TT&gt;FRI        &lt;/TT&gt;Sussex to recuperate, his creativity started to flow again, 
&lt;TT&gt;FRI        &lt;/TT&gt;in particular sketching out a germ of a theme on his piano 
&lt;TT&gt;FRI        &lt;/TT&gt;entitled "?", which would later become part of his Cello 
&lt;TT&gt;FRI        &lt;/TT&gt;Concerto. There were also more rustic pursuits, including 
&lt;TT&gt;FRI        &lt;/TT&gt;gardening and fishing, but then came an official request 
&lt;TT&gt;FRI        &lt;/TT&gt;from the Ministry of Food for a new war work, Big Steamers. 
&lt;TT&gt;FRI        &lt;/TT&gt;When the Armistice was signed, with his Land of Hope and 
&lt;TT&gt;FRI        &lt;/TT&gt;Glory proving ever popular, Elgar did not feel inclined to 
&lt;TT&gt;FRI        &lt;/TT&gt;compose any work in celebration of peace. Many of his 
&lt;TT&gt;FRI        &lt;/TT&gt;friends had died, and his life was dramatically changed for 
&lt;TT&gt;FRI        &lt;/TT&gt;ever. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;FRI        &lt;/TT&gt;The Wand of youth - suite no. 1 Op.1a 
&lt;TT&gt;FRI        &lt;/TT&gt;Adrian BOULT 
&lt;TT&gt;FRI        &lt;/TT&gt;London Philharmonic Chamber Orchestra 
&lt;TT&gt;FRI        &lt;/TT&gt;EMI 
&lt;TT&gt;FRI        &lt;/TT&gt;CDM-7 69207 2 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;FRI        &lt;/TT&gt;? 
&lt;TT&gt;FRI        &lt;/TT&gt;David Owen NORRIS - Piano 
&lt;TT&gt;FRI        &lt;/TT&gt;Avie 
&lt;TT&gt;FRI        &lt;/TT&gt;AV2129 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;FRI        &lt;/TT&gt;Big Steamers 
&lt;TT&gt;FRI        &lt;/TT&gt;Barry COLLETT 
&lt;TT&gt;FRI        &lt;/TT&gt;Tudor Choir 
&lt;TT&gt;FRI        &lt;/TT&gt;PEARL SHE 
&lt;TT&gt;FRI        &lt;/TT&gt;CD9635 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;FRI        &lt;/TT&gt;Sonata in E minor Op.82 for violin and piano 
&lt;TT&gt;FRI        &lt;/TT&gt;David PARKHOUSE - Piano 
&lt;TT&gt;FRI        &lt;/TT&gt;Hugh BEAN - Violin 
&lt;TT&gt;FRI        &lt;/TT&gt;EMI 
&lt;TT&gt;FRI        &lt;/TT&gt;CDM-7 69889-2 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;FRI        &lt;/TT&gt;Coronation ode Op.44 vers. original 1902 
&lt;TT&gt;FRI        &lt;/TT&gt;Alfreda HODGSON - Contralto 
&lt;TT&gt;FRI        &lt;/TT&gt;Felicity LOTT - Soprano 
&lt;TT&gt;FRI        &lt;/TT&gt;Philip LEDGER - Musical Director 
&lt;TT&gt;FRI        &lt;/TT&gt;Richard MORTON - Tenor 
&lt;TT&gt;FRI        &lt;/TT&gt;Stephen ROBERTS - Bass 
&lt;TT&gt;FRI        &lt;/TT&gt;Cambridge University Musical Society 
&lt;TT&gt;FRI        &lt;/TT&gt;King's College Cambridge Choir 
&lt;TT&gt;FRI        &lt;/TT&gt;New Philharmonia Orchestra 
&lt;TT&gt;FRI        &lt;/TT&gt;Royal Military School Of Music Band 
&lt;TT&gt;FRI        &lt;/TT&gt;EMI 
&lt;TT&gt;FRI        &lt;/TT&gt;5654542 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Sir Edward Elgar 
&lt;TT&gt;FRI        &lt;/TT&gt;Symphony no. 2 in E flat major Op.63 
&lt;TT&gt;FRI        &lt;/TT&gt;Andrew DAVIS 
&lt;TT&gt;FRI        &lt;/TT&gt;BBC S O. 
&lt;TT&gt;FRI        &lt;/TT&gt;TELDEC 
&lt;TT&gt;FRI        &lt;/TT&gt;9031 -74888 2 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;13:00 Radio 3 Lunchtime Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qj1h.html&gt;b019qj1h&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qj1h&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Southwest Festivals 2011, Episode 4 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;More from a tour of the south west chamber festivals, 
&lt;TT&gt;FRI        &lt;/TT&gt;beginning in the fishing town of St Mawes in Cornwall which 
&lt;TT&gt;FRI        &lt;/TT&gt;came alive in November for a weekend celebrating Russian 
&lt;TT&gt;FRI        &lt;/TT&gt;music. Plus a performance from the Two Moors Festival in 
&lt;TT&gt;FRI        &lt;/TT&gt;Devon exploring the 'art of transcription'. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Prokofiev: Overture on Hebrew Themes 
&lt;TT&gt;FRI        &lt;/TT&gt;Silvia Simionescu (viola) 
&lt;TT&gt;FRI        &lt;/TT&gt;Noam Greenberg (piano) 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Schumann transcr. Liszt: Widmung 
&lt;TT&gt;FRI        &lt;/TT&gt;Schumann: Myrthen (selection) 
&lt;TT&gt;FRI        &lt;/TT&gt;Stephan Loges (baritone), Christoph Berner (piano) 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Rachmaninov: Cello Sonata in G minor Op.19 
&lt;TT&gt;FRI        &lt;/TT&gt;Alexander Chaushian (cello) 
&lt;TT&gt;FRI        &lt;/TT&gt;Noam Greenberg (piano). 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;14:00 Afternoon on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qj1k.html&gt;b019qj1k&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qj1k&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Ruslan and Lyudmila 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Opera matinee - Glinka's Ruslan and Lyudmila from the 
&lt;TT&gt;FRI        &lt;/TT&gt;Bolshoi Theatre, Moscow. 
&lt;TT&gt;FRI        &lt;/TT&gt;Katie Derham presents the first full opera staging in this 
&lt;TT&gt;FRI        &lt;/TT&gt;iconic theatre after its four hundred million pound 
&lt;TT&gt;FRI        &lt;/TT&gt;renovation. Vladimir Jurowski conducts a fairy tale opera 
&lt;TT&gt;FRI        &lt;/TT&gt;which lies at the very heart of Russian operatic culture 
&lt;TT&gt;FRI        &lt;/TT&gt;continued from yesterday afternoon 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Glinka: Ruslan and Ludmilla, opera in five acts (eight 
&lt;TT&gt;FRI        &lt;/TT&gt;tableaux), 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Svetozar Great Prince of Kiev ..... Vladimir Ognovenko 
&lt;TT&gt;FRI        &lt;/TT&gt;(bass), 
&lt;TT&gt;FRI        &lt;/TT&gt;Lyudmila his daughter ..... Albina Shagimuratova (soprano), 
&lt;TT&gt;FRI        &lt;/TT&gt;Ruslan a Kievan knight Lyudmila's betrothed ..... Mikhail 
&lt;TT&gt;FRI        &lt;/TT&gt;Petrenko (bass), 
&lt;TT&gt;FRI        &lt;/TT&gt;Ratmir a Khazar prince ..... Yuri Minenko (contralto), 
&lt;TT&gt;FRI        &lt;/TT&gt;Farlaf a Varangian knight ..... Almas Shvilpa (bass), 
&lt;TT&gt;FRI        &lt;/TT&gt;Gorislava a captive of Ratmir ..... Alexandrina Pendachanska 
&lt;TT&gt;FRI        &lt;/TT&gt;(soprano), 
&lt;TT&gt;FRI        &lt;/TT&gt;Finn a good sorcerer ..... Charles Workman (tenor), 
&lt;TT&gt;FRI        &lt;/TT&gt;Naina an evil sorceress ..... Elena Zaremba (mezzo-soprano), 
&lt;TT&gt;FRI        &lt;/TT&gt;Bayan a bard ..... Charles Workman (tenor), 
&lt;TT&gt;FRI        &lt;/TT&gt;Staging, sets and costumes .....Dmitri Cherniakov 
&lt;TT&gt;FRI        &lt;/TT&gt;Bolshoi Theatre Chorus and Orchestra, Vladimir Jurowski 
&lt;TT&gt;FRI        &lt;/TT&gt;(conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Followed at 3.10pm by 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Stravinsky Firebird Suite (1919) 
&lt;TT&gt;FRI        &lt;/TT&gt;Ulster Orchestra, Pascal Rophé (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Tchaikovsky &lt;TT&gt;FRI        &lt;/TT&gt;Symphony No. 6 in B minor, Op. 74, Pathétique 
&lt;TT&gt;FRI        &lt;/TT&gt;BBC National Orchestra of Wales, BBC National Orchestra of 
&lt;TT&gt;FRI        &lt;/TT&gt;Wales, Jurjen Hempel (conductor). 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;16:30 In Tune &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qj1m.html&gt;b019qj1m&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qj1m&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Suzy Klein presents, with live music and guests from the 
&lt;TT&gt;FRI        &lt;/TT&gt;music world - including composer Sally Beamish, whose new 
&lt;TT&gt;FRI        &lt;/TT&gt;work is about to be premiered by the Orchestra of the Age of 
&lt;TT&gt;FRI        &lt;/TT&gt;Enlightenment. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Main news headlines are at 5.00 and 6.00 
&lt;TT&gt;FRI        &lt;/TT&gt;E-mail: in.tune@bbc.co.uk 
&lt;TT&gt;FRI        &lt;/TT&gt;Twitter: BBCInTune. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;18:30 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b016vq5y.html&gt;b016vq5y&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b016vq5y&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;[Repeat of broadcast at 12:00 today] 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;19:30 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qj1p.html&gt;b019qj1p&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qj1p&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;BBC Philharmonic - Goehr, Britten, Cerha, HK Gruber 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;The BBC Philharmonic, with their Composer/Conductor HK 
&lt;TT&gt;FRI        &lt;/TT&gt;Gruber, perform works by Goehr, Britten, Friedrich Cerha and 
&lt;TT&gt;FRI        &lt;/TT&gt;HK Gruber. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;HK Gruber takes the BBC Philharmonic on an intriguing 
&lt;TT&gt;FRI        &lt;/TT&gt;journey that encompasses a suite from his most recent opera 
&lt;TT&gt;FRI        &lt;/TT&gt;- der herr nordwind - and his Viennese composing colleague 
&lt;TT&gt;FRI        &lt;/TT&gt;Friedrich Cerha's romp through the city both have made their 
&lt;TT&gt;FRI        &lt;/TT&gt;own, with humorous and irreverent bits of people-watching! 
&lt;TT&gt;FRI        &lt;/TT&gt;British enthusiasms also figure highly in Gruber's mind, and 
&lt;TT&gt;FRI        &lt;/TT&gt;here he joins the great Britten interpreter Ian Bostridge 
&lt;TT&gt;FRI        &lt;/TT&gt;for Britten's anti-hunting protest. 
&lt;TT&gt;FRI        &lt;/TT&gt;Alexander Goehr spent formative years in Manchester and will 
&lt;TT&gt;FRI        &lt;/TT&gt;celebrate his eightieth birthday in August. The concert 
&lt;TT&gt;FRI        &lt;/TT&gt;begins with his own musical self-portrait. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Alexander Goehr: Adagio (Self Portrait) 
&lt;TT&gt;FRI        &lt;/TT&gt;Britten: Our Hunting Fathers 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;20:20 Interval&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Friedrich Cerha: Vienna Kaleidoscope 
&lt;TT&gt;FRI        &lt;/TT&gt;HK Gruber: Northwind Pictures. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;22:00 The Verb &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019qj1r.html&gt;b019qj1r&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019qj1r&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Laura Veirs, Benjamin Markovits, Alex Horne 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;This week on Radio 3's cabaret of the word, Ian McMillan is 
&lt;TT&gt;FRI        &lt;/TT&gt;joined by singer songwriter Laura Veirs, who performs songs 
&lt;TT&gt;FRI        &lt;/TT&gt;and lullabies for children from her new album Tumble Bee. 
&lt;TT&gt;FRI        &lt;/TT&gt;Also in studio is novelist Benjamin Markovits, with a brand 
&lt;TT&gt;FRI        &lt;/TT&gt;new short story, Sleeping Arrangements, about growing up and 
&lt;TT&gt;FRI        &lt;/TT&gt;sexual awakening in Texas; and writer and comedian Alex 
&lt;TT&gt;FRI        &lt;/TT&gt;Horne delves into the language of childhood. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;22:45 The Essay &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b01bf4b8.html&gt;b01bf4b8&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b01bf4b8&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Tagore and the Bengali Sensibility, A Public Life 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;The Indian novelist, critic, musician and Professor of 
&lt;TT&gt;FRI        &lt;/TT&gt;Contemporary Literature at the University of East Anglia, 
&lt;TT&gt;FRI        &lt;/TT&gt;Amit Chaudhuri presents five essays on the creative work of 
&lt;TT&gt;FRI        &lt;/TT&gt;Bengali polymath Rabindranath Tagore on the occasion of the 
&lt;TT&gt;FRI        &lt;/TT&gt;150th anniversary of his birth. Chaudhuri explores the work, 
&lt;TT&gt;FRI        &lt;/TT&gt;influence and the legacy of one of India's most revered 
&lt;TT&gt;FRI        &lt;/TT&gt;artists and reflects on how Tagore's work provides an 
&lt;TT&gt;FRI        &lt;/TT&gt;appreciation and an understanding of the Bengali 
&lt;TT&gt;FRI        &lt;/TT&gt;intellectual and creative sensibility. 
&lt;TT&gt;FRI        &lt;/TT&gt;With readings by John Hug. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;23:00 World on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b01bf4bb.html&gt;b01bf4bb&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b01bf4bb&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Celtic Connections 2012, Episode 4 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Mary Ann Kennedy live from Glasgow at the world's biggest 
&lt;TT&gt;FRI        &lt;/TT&gt;winter music festival. The last of four Late Night Sessions, 
&lt;TT&gt;FRI        &lt;/TT&gt;with a top line-up of festival artists and also recorded 
&lt;TT&gt;FRI        &lt;/TT&gt;concert highlights. 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;The line-up of the Late Night Sessions is always kept secret 
&lt;TT&gt;FRI        &lt;/TT&gt;until the day of the event. 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;/FONT&gt;&lt;/PRE&gt;&lt;div class="blogger-post-footer"&gt;I'm not sure that this feed works&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1093256133395673204-1867578269791836780?l=radiolists.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://radiolists.blogspot.com/feeds/1867578269791836780/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1093256133395673204&amp;postID=1867578269791836780' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1093256133395673204/posts/default/1867578269791836780'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1093256133395673204/posts/default/1867578269791836780'/><link rel='alternate' type='text/html' href='http://radiolists.blogspot.com/2012/01/radio-3-listings-for-28012012-03022012.html' title='Radio 3 Listings for 28/01/2012 - 03/02/2012'/><author><name>Radio Lists</name><uri>http://www.blogger.com/profile/13339663840985935965</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1093256133395673204.post-1425255621079730077</id><published>2012-01-20T19:59:00.001Z</published><updated>2012-01-20T19:59:44.253Z</updated><title type='text'>Radio 3 Listings for 21/01/2012 - 27/01/2012</title><content type='html'>&lt;PRE&gt;&lt;FONT size = 3 face = arial&gt;&lt;P&gt;Go to: &lt;A href='#SU'&gt;SUN&lt;/A&gt; &lt;A href='#MO'&gt;MON&lt;/A&gt; &lt;A href='#TU'&gt;TUE&lt;/A&gt; &lt;A href='#WE'&gt;WED&lt;/A&gt; &lt;A href='#TH'&gt;THU&lt;/A&gt; &lt;A href='#FR'&gt;FRI&lt;/A&gt;&lt;/P&gt;

&lt;TT&gt;SAT        &lt;/TT&gt;&lt;A name='SA'&gt;&lt;B&gt;SATURDAY 21 JANUARY 2012&lt;/B&gt;&lt;/A&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;01:00 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b0197660.html&gt;b0197660&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b0197660&gt;(Listen)&lt;/A&gt;&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Trio Wanderer perform music by Haydn and Mendelssohn.
&lt;TT&gt;SAT        &lt;/TT&gt;Presented by Susan Sharpe
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;1:01 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Haydn, (Franz) Joseph [1732-1809]
&lt;TT&gt;SAT        &lt;/TT&gt;Trio for keyboard and strings (H.15.27) in C major
&lt;TT&gt;SAT        &lt;/TT&gt;Trio Wanderer
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;1:17 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Mendelssohn, Felix [1809-1847]
&lt;TT&gt;SAT        &lt;/TT&gt;Trio for piano and strings no. 1 (Op.49) in D minor
&lt;TT&gt;SAT        &lt;/TT&gt;Trio Wanderer
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;1:44 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Haydn, (Franz) Joseph [1732-1809]
&lt;TT&gt;SAT        &lt;/TT&gt;Trio for keyboard and strings (H.15.14) in A flat major
&lt;TT&gt;SAT        &lt;/TT&gt;Trio Wanderer
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;2:03 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Mendelssohn, Felix [1809-1847]
&lt;TT&gt;SAT        &lt;/TT&gt;Trio for piano and strings no. 2 (Op.66) in C minor
&lt;TT&gt;SAT        &lt;/TT&gt;Trio Wanderer
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;2:29 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Haydn, (Franz) Joseph [1732-1809]
&lt;TT&gt;SAT        &lt;/TT&gt;Trio for keyboard and strings (H.15.25) in G major "Gypsy
&lt;TT&gt;SAT        &lt;/TT&gt;rondo"
&lt;TT&gt;SAT        &lt;/TT&gt;Trio Wanderer
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;2:33 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Kirnberger, Johann Philipp (1721-1783)
&lt;TT&gt;SAT        &lt;/TT&gt;Cantata 'An den Flüssen Babylons'
&lt;TT&gt;SAT        &lt;/TT&gt;Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Detlef
&lt;TT&gt;SAT        &lt;/TT&gt;Bratschke (conductor), Johannes Happel (bass)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;2:45 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Bach, Johann Sebastian (1685-1750)
&lt;TT&gt;SAT        &lt;/TT&gt;Violin Concerto in A minor (BWV.1041)
&lt;TT&gt;SAT        &lt;/TT&gt;La Petite Bande, Sigiswald Kuijken (violin and conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;3:01 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Weber, Carl Maria von (1786-1826)
&lt;TT&gt;SAT        &lt;/TT&gt;Missa sancta No.2 in G major (Op.76) 'Jubelmesse'
&lt;TT&gt;SAT        &lt;/TT&gt;Henriette Schellenberg (soprano), Laverne G'Froerer (mezzo),
&lt;TT&gt;SAT        &lt;/TT&gt;Keith Boldt (tenor), George Roberts (baritone), CBC
&lt;TT&gt;SAT        &lt;/TT&gt;Vancouver Orchestra, Vancouver Chamber Choir, Jon Washburn
&lt;TT&gt;SAT        &lt;/TT&gt;(conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;3:26 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Beethoven, Ludwig van (1770-1827
&lt;TT&gt;SAT        &lt;/TT&gt;Symphony no 8 in F major (Op 93)
&lt;TT&gt;SAT        &lt;/TT&gt;Olso Philharmonic Orchestra, Rafael Fruhbeck de
&lt;TT&gt;SAT        &lt;/TT&gt;Burgos(conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;3:54 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Ravel, Maurice (1875-1937) (arr. for winds Richard McIntyre)
&lt;TT&gt;SAT        &lt;/TT&gt;Ma Mère l'Oye ('Mother Goose Suite')
&lt;TT&gt;SAT        &lt;/TT&gt;Canberra Wind Soloists
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;4:09 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Debussy, Claude (1862-1918)
&lt;TT&gt;SAT        &lt;/TT&gt;Danseuses de Delphes, La cathédrale engloutie, La danse de
&lt;TT&gt;SAT        &lt;/TT&gt;Puck, Le vent dans la plaine, Minstrels - from Preludes
&lt;TT&gt;SAT        &lt;/TT&gt;(Book 1)
&lt;TT&gt;SAT        &lt;/TT&gt;Claude Debussy (1862-1918) (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;4:24 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Handel, Georg Friedrich (1685-1759), arr. Johan Halvorsen
&lt;TT&gt;SAT        &lt;/TT&gt;(1864-1935)
&lt;TT&gt;SAT        &lt;/TT&gt;Passacaglia in G minor
&lt;TT&gt;SAT        &lt;/TT&gt;Dong-Ho An (male) (violin), Hee-Song Song (male) (cello)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;4:33 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Schoenberg, Arnold (1874-1951)
&lt;TT&gt;SAT        &lt;/TT&gt;Friede auf Erden (Op.13)
&lt;TT&gt;SAT        &lt;/TT&gt;Danish National Radio Choir
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;4:42 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Fritsch, Balthasar (1570/80-after 1608)
&lt;TT&gt;SAT        &lt;/TT&gt;Paduan and 2 Galliards - from Primitiae musicales,
&lt;TT&gt;SAT        &lt;/TT&gt;Frankfurt/Main 1606)
&lt;TT&gt;SAT        &lt;/TT&gt;Hortus Musicus, Andres Mustonen
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;4:51 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Brahms, Johannes (1833-1897) arranged by Francesco Squarcia
&lt;TT&gt;SAT        &lt;/TT&gt;3 Hungarian Dances (originally for piano duet) arr. for
&lt;TT&gt;SAT        &lt;/TT&gt;string orchestra (No.1 in G minor; No.3 in F major; No.5 in
&lt;TT&gt;SAT        &lt;/TT&gt;F sharp minor)
&lt;TT&gt;SAT        &lt;/TT&gt;I Cameristi Italiani
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;5:01 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Schubert, Franz (1797-1828)
&lt;TT&gt;SAT        &lt;/TT&gt;Overture in D major "In the Italian Style" (D. 590)
&lt;TT&gt;SAT        &lt;/TT&gt;Stavanger Symphony Orchestra, Paul McCreesh (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;5:09 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Wolf, Hugo (1860-1903)
&lt;TT&gt;SAT        &lt;/TT&gt;Italian Serenade for string quartet
&lt;TT&gt;SAT        &lt;/TT&gt;Ljubljana String Quartet
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;5:17 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Tailleferre, Germaine (1892-1983)
&lt;TT&gt;SAT        &lt;/TT&gt;Sonata for harp
&lt;TT&gt;SAT        &lt;/TT&gt;Godelieve Schrama (harp)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;5:28 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Vivaldi, Antonio (1678-1741)
&lt;TT&gt;SAT        &lt;/TT&gt;Kyrie eleison in G minor for double choir and orchestra
&lt;TT&gt;SAT        &lt;/TT&gt;(RV.587)
&lt;TT&gt;SAT        &lt;/TT&gt;Choir of Latvian Radio, Riga Chamber Players, Sigvards Klava
&lt;TT&gt;SAT        &lt;/TT&gt;(conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;5:38 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Chopin, Frédéric (1810-1849)
&lt;TT&gt;SAT        &lt;/TT&gt;Scherzo no.4 in E major
&lt;TT&gt;SAT        &lt;/TT&gt;Dubravka Tomsic (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;5:50 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Geminiani, Francesco (1687-1762)
&lt;TT&gt;SAT        &lt;/TT&gt;Concerto Grosso No.12 in D minor, 'Folia' (after Corelli's
&lt;TT&gt;SAT        &lt;/TT&gt;Sonata Op.5 No.12)
&lt;TT&gt;SAT        &lt;/TT&gt;Tafelmusik Baroque Orchestra, Jeanne Lamon (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;6:02 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791)
&lt;TT&gt;SAT        &lt;/TT&gt;Symphony No.29 in A major (K.201)
&lt;TT&gt;SAT        &lt;/TT&gt;Amsterdam Bach Soloists
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;6:24 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Langgaard, Rued (1883-1952)
&lt;TT&gt;SAT        &lt;/TT&gt;3 Rose Gardens Songs (1919) : 'Surely I may kiss you';
&lt;TT&gt;SAT        &lt;/TT&gt;'Behind the wall'; 'Tired'
&lt;TT&gt;SAT        &lt;/TT&gt;Danish National Radio Choir, Kaare Hansen (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;6:35 AM&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Debussy, Claude (1862-1918)
&lt;TT&gt;SAT        &lt;/TT&gt;String Quartet in G minor (Op.10)
&lt;TT&gt;SAT        &lt;/TT&gt;Yggdrasil String Quartet
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:00 Breakfast &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019lzmn.html&gt;b019lzmn&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019lzmn&gt;(Listen)&lt;/A&gt;&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;NB This playlist is subject to change during transmission.
&lt;TT&gt;SAT        &lt;/TT&gt;The final playlist will be put up by noon on Monday.
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:04&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Joseph Haydn
&lt;TT&gt;SAT        &lt;/TT&gt;Symphony no. 94 in G major "Surprise" mvt ii – Andante
&lt;TT&gt;SAT        &lt;/TT&gt;Les Musiciens du Louvre
&lt;TT&gt;SAT        &lt;/TT&gt;Marc Minkowski (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;Naïve V 5176
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:10&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Ralph Vaughan Williams
&lt;TT&gt;SAT        &lt;/TT&gt;Silent Noon
&lt;TT&gt;SAT        &lt;/TT&gt;Lynne Dawson (soprano)
&lt;TT&gt;SAT        &lt;/TT&gt;Malcolm Martineau (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;Hyperion CDA67227
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:15&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Ottorino Respighi
&lt;TT&gt;SAT        &lt;/TT&gt;The Fountains of Rome
&lt;TT&gt;SAT        &lt;/TT&gt;San Fransisco Symphony
&lt;TT&gt;SAT        &lt;/TT&gt;Edo de Waart (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;Philips 462 853-2
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:33&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Claude Debussy
&lt;TT&gt;SAT        &lt;/TT&gt;La Danse de Puck (preludes bk 2)
&lt;TT&gt;SAT        &lt;/TT&gt;Jorge Bolet (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;Decca 425 518-2
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:37&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Crusell
&lt;TT&gt;SAT        &lt;/TT&gt;Clarinet Concerto no 2 in F minor Op 5: mvt ii Rondo
&lt;TT&gt;SAT        &lt;/TT&gt;Emma Johnson (clarinet)
&lt;TT&gt;SAT        &lt;/TT&gt;English Chamber Orchestra
&lt;TT&gt;SAT        &lt;/TT&gt;Gerard Schwartz (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;ASV CD DCA 784
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:43&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;George Frideric Handel
&lt;TT&gt;SAT        &lt;/TT&gt;Ombra mai fu (from Serse)
&lt;TT&gt;SAT        &lt;/TT&gt;James Bowman (counter tenor)
&lt;TT&gt;SAT        &lt;/TT&gt;The King’s Consort
&lt;TT&gt;SAT        &lt;/TT&gt;Robert King (director)
&lt;TT&gt;SAT        &lt;/TT&gt;Regis RRC1062
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;07:47&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Samuel Coleridge-Taylor
&lt;TT&gt;SAT        &lt;/TT&gt;Ballade in A minor Op 33
&lt;TT&gt;SAT        &lt;/TT&gt;Royal Liverpool Phiharmonic Orchestra
&lt;TT&gt;SAT        &lt;/TT&gt;Grant Llewellyn (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;Argo 436 401-2
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:03&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Dag Wirén
&lt;TT&gt;SAT        &lt;/TT&gt;Serenade for strings: march
&lt;TT&gt;SAT        &lt;/TT&gt;Norwegian Radio orchestra
&lt;TT&gt;SAT        &lt;/TT&gt;Ari rasilainen (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;Finlandia 0927-49253-2
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:08&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Purcell
&lt;TT&gt;SAT        &lt;/TT&gt;Hear my prayer, O Lord
&lt;TT&gt;SAT        &lt;/TT&gt;Choir of Kings College Cambridge
&lt;TT&gt;SAT        &lt;/TT&gt;Philip Ledger (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;EMI CD-EMX 2172
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:11&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Sir Edward Elgar
&lt;TT&gt;SAT        &lt;/TT&gt;Cello Concerto: Finale
&lt;TT&gt;SAT        &lt;/TT&gt;Jacqueline du Pré (cello)
&lt;TT&gt;SAT        &lt;/TT&gt;BBC Symphony Orchestra
&lt;TT&gt;SAT        &lt;/TT&gt;Sir John Barbirolli (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;Testament SBT.1388
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:23&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Jacob van Eyck
&lt;TT&gt;SAT        &lt;/TT&gt;Wat zal men op den avand doen
&lt;TT&gt;SAT        &lt;/TT&gt;Pamela Thorby (recorder)
&lt;TT&gt;SAT        &lt;/TT&gt;Andrew Lawrence-King (harp)
&lt;TT&gt;SAT        &lt;/TT&gt;Linn CKD 291
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:29&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Lyadov
&lt;TT&gt;SAT        &lt;/TT&gt;Polonaise Op 55
&lt;TT&gt;SAT        &lt;/TT&gt;BBC Philharmonic
&lt;TT&gt;SAT        &lt;/TT&gt;Yuri Torchinsky (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;Chandos CHAN 9911
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:45&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;William Boyce
&lt;TT&gt;SAT        &lt;/TT&gt;Symphony No 4 in F major
&lt;TT&gt;SAT        &lt;/TT&gt;The Academy of Ancient Music
&lt;TT&gt;SAT        &lt;/TT&gt;Christopher Hogwood (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;L’oiseau-lyre 436 761-2
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:52&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Felix Mendelssohn
&lt;TT&gt;SAT        &lt;/TT&gt;Auf Flugeln des Gesanges
&lt;TT&gt;SAT        &lt;/TT&gt;Daniel Hope (violin)
&lt;TT&gt;SAT        &lt;/TT&gt;Sebastian Knauer (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;DG 477 8168
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;08:54&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Wolfgang Amadeus Mozart
&lt;TT&gt;SAT        &lt;/TT&gt;Laudate Dominum (from Vesperae solennes de confessore K339)
&lt;TT&gt;SAT        &lt;/TT&gt;Cecilia Bartoli (mezzo soprano)
&lt;TT&gt;SAT        &lt;/TT&gt;Orchestra and chorus of Accademia Nazionale di Santa
&lt;TT&gt;SAT        &lt;/TT&gt;Cecilia
&lt;TT&gt;SAT        &lt;/TT&gt;Myung-Whun Chung (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;Decca 478 2249
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;09:00 CD Review &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019lzmq.html&gt;b019lzmq&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019lzmq&gt;(Listen)&lt;/A&gt;&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Building a Library: Mussorgsky: Pictures at an Exhibition
&lt;TT&gt;SAT        &lt;/TT&gt;(orchestral version)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;9.05am&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;La Bella Minuta - Florid Songs for Cornetto around 1600
&lt;TT&gt;SAT        &lt;/TT&gt;IPPOLITO (TARTAGLINO): Canzon a 4 Susanna
&lt;TT&gt;SAT        &lt;/TT&gt;MAYONE: Canzon francese quarta
&lt;TT&gt;SAT        &lt;/TT&gt;GUAMI: L'Accorta; La Novellina; La Guamina; L'Armoniosa; La
&lt;TT&gt;SAT        &lt;/TT&gt;Brillantina; Canzon a 8 No. 25
&lt;TT&gt;SAT        &lt;/TT&gt;PALESTRINA: Quanti mercenarij, Nigra sum sed formosa
&lt;TT&gt;SAT        &lt;/TT&gt;DES PREZ: Mille Regretz
&lt;TT&gt;SAT        &lt;/TT&gt;TRABACI: Consonanze stravaganti; Durezze et ligature;
&lt;TT&gt;SAT        &lt;/TT&gt;Canzone francese terza
&lt;TT&gt;SAT        &lt;/TT&gt;BRUNELLI: O quam suavis
&lt;TT&gt;SAT        &lt;/TT&gt;LUZZASCHI: O primavera
&lt;TT&gt;SAT        &lt;/TT&gt;DE RORE: Ancor che co'l partire
&lt;TT&gt;SAT        &lt;/TT&gt;BARBARINO: Per fulgeat
&lt;TT&gt;SAT        &lt;/TT&gt;Bruce Dickey (cornetto); Liuwe Tamminga (organ); Claudia
&lt;TT&gt;SAT        &lt;/TT&gt;Pasetto, Leonardo Bortoletto and Alberto Rasi (viola da
&lt;TT&gt;SAT        &lt;/TT&gt;gamba); Maria Christina Cleary (harp)
&lt;TT&gt;SAT        &lt;/TT&gt;PASSACAILLE PAS979 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Los Pajaros Perdidos – The South American Project
&lt;TT&gt;SAT        &lt;/TT&gt;ANON. (Popular Argentina): Duerme Negrito
&lt;TT&gt;SAT        &lt;/TT&gt;LUNA / RAMIREZ: Alfonsina y el Mar
&lt;TT&gt;SAT        &lt;/TT&gt;ANON. (Popular Venezuela): Montilla; Pajarillo Verde;
&lt;TT&gt;SAT        &lt;/TT&gt;Caballo Viejo and Alma Llanera; Polo margariteno
&lt;TT&gt;SAT        &lt;/TT&gt;ANON. (Trad. Paraguay): Pajaro Campana
&lt;TT&gt;SAT        &lt;/TT&gt;TREJO / PIAZZOLLA: Los Pajaros perdidos
&lt;TT&gt;SAT        &lt;/TT&gt;ANON. (Popular Paraguay): Isla Saca
&lt;TT&gt;SAT        &lt;/TT&gt;RAMONES: La embarazada del viento
&lt;TT&gt;SAT        &lt;/TT&gt;QUINTANA / AMBROS: Zamba para no morir
&lt;TT&gt;SAT        &lt;/TT&gt;CABRAL: Ay ! este azul
&lt;TT&gt;SAT        &lt;/TT&gt;PLAZA: El Currucha
&lt;TT&gt;SAT        &lt;/TT&gt;RIVERA: La Cocoroba
&lt;TT&gt;SAT        &lt;/TT&gt;NELLA CASTRO / HERRERA: Zamba del Chaguanco
&lt;TT&gt;SAT        &lt;/TT&gt;RECHES / GLEIJER: Como un pajaro libre
&lt;TT&gt;SAT        &lt;/TT&gt;WALSH: Como la Cigarra
&lt;TT&gt;SAT        &lt;/TT&gt;OTAROLA: Ojito de Agua
&lt;TT&gt;SAT        &lt;/TT&gt;SOLER: Fandango
&lt;TT&gt;SAT        &lt;/TT&gt;VELASQUEZ: Besame mucho
&lt;TT&gt;SAT        &lt;/TT&gt;Philippe Jaroussky (countertenor); Lucilla Galeazzi, Luciana
&lt;TT&gt;SAT        &lt;/TT&gt;Mancini and Vincenzo Capezzuto (voices); Racquel Andueza
&lt;TT&gt;SAT        &lt;/TT&gt;(soprano); L'Arpeggiata; Christina Pluhar (director)
&lt;TT&gt;SAT        &lt;/TT&gt;VIRGIN CLASSICS 0709502 (CD) or 6785162 (CD + DVD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Ferita D’Amore (Wounded by Love) - Music for Theorbo
&lt;TT&gt;SAT        &lt;/TT&gt;CASTALDI: La follia; Capriccio bischizzoso; Lusinghevole
&lt;TT&gt;SAT        &lt;/TT&gt;passeggio; Furiosa; Fantasticaria detta Gioviale; Cecchina;
&lt;TT&gt;SAT        &lt;/TT&gt;Florida; Arpesca; Capriccio detto Cerimonioso; Dunque
&lt;TT&gt;SAT        &lt;/TT&gt;Clorida; Ferita d’amore; Capriccio svegliatoio; Tasteggio
&lt;TT&gt;SAT        &lt;/TT&gt;soave; Sonata I; Vissi allor; Mascherina
&lt;TT&gt;SAT        &lt;/TT&gt;Evangelina Mascardi (theorbo); Monica Pustilnik (tiorbino);
&lt;TT&gt;SAT        &lt;/TT&gt;Marco Beasley (tenor)
&lt;TT&gt;SAT        &lt;/TT&gt;ARCANA A368 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Himmels-Lieder - Sacred songs &amp; cantatas
&lt;TT&gt;SAT        &lt;/TT&gt;ERLEBACH: Kommt ihr Stunden;
&lt;TT&gt;SAT        &lt;/TT&gt;HILDEBRAND: Der V. Krieges-Angst-Seufftzer Ach Gott!; Der
&lt;TT&gt;SAT        &lt;/TT&gt;VI. Krieges-Angst-Seufftzer Ach hochster Gott
&lt;TT&gt;SAT        &lt;/TT&gt;SCHOP: Lachrimae Pavan
&lt;TT&gt;SAT        &lt;/TT&gt;BOHM: Mein Herz tichtet ein feines Lied
&lt;TT&gt;SAT        &lt;/TT&gt;FRANCK: Lass O Herr dein Ohr sich neigen
&lt;TT&gt;SAT        &lt;/TT&gt;SWEELINCK: Engelsche Fortuyn / Von der Fortuna werd‘ ich
&lt;TT&gt;SAT        &lt;/TT&gt;getrieben
&lt;TT&gt;SAT        &lt;/TT&gt;KRIEGER: Gedancken eines Sterbenden: Hier lieg ich in der
&lt;TT&gt;SAT        &lt;/TT&gt;Noth
&lt;TT&gt;SAT        &lt;/TT&gt;YOUNG: Aria
&lt;TT&gt;SAT        &lt;/TT&gt;CASATI: Pater noster
&lt;TT&gt;SAT        &lt;/TT&gt;BERTALI: Sonata a 5
&lt;TT&gt;SAT        &lt;/TT&gt;KOBELIUS: Ich furchte keinen Tod auf Erden
&lt;TT&gt;SAT        &lt;/TT&gt;Franz Vitzthum (countertenor); Capricornus Consort Basel
&lt;TT&gt;SAT        &lt;/TT&gt;CHRISTOPHORUS CHR77354 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;9.30am Building a Library&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Stephen Walsh surveys available recordings of Mussorgsky’s
&lt;TT&gt;SAT        &lt;/TT&gt;Pictures at an Exhibition (orchestrated by Ravel) and makes
&lt;TT&gt;SAT        &lt;/TT&gt;a recommendation
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;10.20am New Releases&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Beethoven - Piano Sonatas Vol. 1
&lt;TT&gt;SAT        &lt;/TT&gt;BEETHOVEN: Piano Sonata No. 5 in C minor Op. 10 No. 1; Piano
&lt;TT&gt;SAT        &lt;/TT&gt;Sonata No. 11 in B flat major Op. 22; Piano Sonata No. 12 in
&lt;TT&gt;SAT        &lt;/TT&gt;A flat major Op. 26 'March Funebre'; Piano Sonata No. 26 in
&lt;TT&gt;SAT        &lt;/TT&gt;E flat major Op. 81a 'Les Adieux'
&lt;TT&gt;SAT        &lt;/TT&gt;Jonathan Biss (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;ONYX ONYX4082 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Beethoven – Sonatas Vol. 1
&lt;TT&gt;SAT        &lt;/TT&gt;BEETHOVEN: Piano Sonata No. 14 in C sharp minor Op. 27 No. 2
&lt;TT&gt;SAT        &lt;/TT&gt;‘Moonlight'; Piano Sonata No. 9 in E major Op. 14 No. 1;
&lt;TT&gt;SAT        &lt;/TT&gt;Piano Sonata No. 10 in G major Op. 14 No. 2; Piano Sonata
&lt;TT&gt;SAT        &lt;/TT&gt;No. 11 in B flat major Op. 22; Piano Sonata No. 8 in C minor
&lt;TT&gt;SAT        &lt;/TT&gt;Op. 13 'Pathetique'; Piano Sonata No. 5 in C minor Op. 10
&lt;TT&gt;SAT        &lt;/TT&gt;No. 1; Piano Sonata No. 6 in F major Op. 10 No. 2; Piano
&lt;TT&gt;SAT        &lt;/TT&gt;Sonata No. 7 in D major Op. 10 No. 3; Piano Sonata No. 13 in
&lt;TT&gt;SAT        &lt;/TT&gt;E flat major Op. 27 No. 1 'Quasi una fantasia'; Piano Sonata
&lt;TT&gt;SAT        &lt;/TT&gt;No. 12 in A flat major Op. 26 'March Funebre' ;Piano Sonata
&lt;TT&gt;SAT        &lt;/TT&gt;No. 4 in E flat major Op. 7
&lt;TT&gt;SAT        &lt;/TT&gt;François-Frederic Guy (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;ZIG ZAG TERRITOIRES ZZT111101 (3CD, mid-price)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Beethoven Piano Sonatas Volume 1
&lt;TT&gt;SAT        &lt;/TT&gt;BEETHOVEN: Piano Sonata No. 29 in B-flat major Op. 106
&lt;TT&gt;SAT        &lt;/TT&gt;'Hammerklavier'; Piano Sonata No. 11 in B flat major Op. 22;
&lt;TT&gt;SAT        &lt;/TT&gt;Piano Sonata No. 26 in E flat major Op. 81a 'Les Adieux';
&lt;TT&gt;SAT        &lt;/TT&gt;Piano Sonata No. 4 in E flat major Op. 7; Piano Sonata No. 9
&lt;TT&gt;SAT        &lt;/TT&gt;in E major Op. 14 No. 1; Piano Sonata No. 10 in G major Op.
&lt;TT&gt;SAT        &lt;/TT&gt;14 No. 2; Piano Sonata No. 13 in E flat major Op. 27 No. 1
&lt;TT&gt;SAT        &lt;/TT&gt;'Quasi una fantasia'; Piano Sonata No. 14 in C sharp minor
&lt;TT&gt;SAT        &lt;/TT&gt;Op. 27 No. 2 ‘Moonlight'
&lt;TT&gt;SAT        &lt;/TT&gt;HJ Lim (piano)
&lt;TT&gt;SAT        &lt;/TT&gt;EMI 7300092 (2CD, mid-price)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;10:50am&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Julian Johnson joins Andrew to discuss some recent releases
&lt;TT&gt;SAT        &lt;/TT&gt;of orchestral repertoire:
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;BRAHMS: Variations on a Theme of Haydn “St. Anthony Chorale”
&lt;TT&gt;SAT        &lt;/TT&gt;Op. 56a; Serenade No.1 in D major Op. 11; Hungarian Dances
&lt;TT&gt;SAT        &lt;/TT&gt;Nos. 1, 3 &amp; 10
&lt;TT&gt;SAT        &lt;/TT&gt;Bamberg Symphony Orchestra, Robin Ticciati (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;TUDOR TUDOR7183 (Hybrid SACD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;BRUCKNER: Symphony No. 4
&lt;TT&gt;SAT        &lt;/TT&gt;Orchestre Metropolitain, Yannick Nezet-Seguin (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;ATMA CLASSIQUE ACD22667 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;SPOHR: Six lieder op. 154
&lt;TT&gt;SAT        &lt;/TT&gt;BEETHOVEN orch. Stravinsky: Mephistos Flohlied Op. 75 no. 3
&lt;TT&gt;SAT        &lt;/TT&gt;SCHUBERT orch. Max Reger: 3 Lieder
&lt;TT&gt;SAT        &lt;/TT&gt;WOLF: from Italienisches Liederbuch and Morike-Lieder
&lt;TT&gt;SAT        &lt;/TT&gt;SIBELIUS: 7 Lieder
&lt;TT&gt;SAT        &lt;/TT&gt;R. STRAUSS: Traum durch die Dammerung Op. 29 No. 1
&lt;TT&gt;SAT        &lt;/TT&gt;Bo Skovhus (baritone); WDR Rundfunkorchester Koln, Stefan
&lt;TT&gt;SAT        &lt;/TT&gt;Blunier (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;CRYSTAL CLASSICS N67062 (CD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;WEBER: Clarinet Concerto No. 1 in F minor Op. 73; Clarinet
&lt;TT&gt;SAT        &lt;/TT&gt;Concerto No. 2 in E flat Major Op. 74; Clarinet Concertino
&lt;TT&gt;SAT        &lt;/TT&gt;in E flat major Op. 26
&lt;TT&gt;SAT        &lt;/TT&gt;Karl-Heinz Steffens (clarinet), Bamberg Symphony Orchestra,
&lt;TT&gt;SAT        &lt;/TT&gt;Radoslaw Szulc (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;TUDOR TUDOR7159 (Hybrid SACD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;SCHUMANN: Symphony No. 1 in B flat major Op. 38 'Spring';
&lt;TT&gt;SAT        &lt;/TT&gt;Symphony No. 3 in E flat major Op. 97 'Rhenish'
&lt;TT&gt;SAT        &lt;/TT&gt;Deutsche Kammerphilharmonie Bremen, Paavo Jarvi (conductor)
&lt;TT&gt;SAT        &lt;/TT&gt;SONY CLASSICAL 88697964312 (Hybrid SACD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;11.50am Disc of the Week&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;W.A. Mozart and M. Haydn - Duo Sonatas
&lt;TT&gt;SAT        &lt;/TT&gt;MOZART: Duo for violin and viola in G major KV 423; Duo for
&lt;TT&gt;SAT        &lt;/TT&gt;violin and viola in B flat major KV 424; Menuetto (from 12
&lt;TT&gt;SAT        &lt;/TT&gt;Duos for Horn KV 487)
&lt;TT&gt;SAT        &lt;/TT&gt;HAYDN: Duo for violin and viola No. 1 in C major MH 335; Duo
&lt;TT&gt;SAT        &lt;/TT&gt;for violin and viola No. 2 in D major MH 336
&lt;TT&gt;SAT        &lt;/TT&gt;Rachel Podger (violin), Jane Rogers (viola)
&lt;TT&gt;SAT        &lt;/TT&gt;CHANNEL CLASSICS CCSSA32411 (Hybrid SACD)
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;12:15 Music Matters &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019lzms.html&gt;b019lzms&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019lzms&gt;(Listen)&lt;/A&gt;&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;András Schiff plays Brahms, Delius, Stephen Hough and
&lt;TT&gt;SAT        &lt;/TT&gt;Dallapiccola
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;A Brahms discovery!
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;András Schiff gives the first broadcast of a new piece by
&lt;TT&gt;SAT        &lt;/TT&gt;Johannes Brahms in a soon to be published edition by
&lt;TT&gt;SAT        &lt;/TT&gt;Christopher Hogwood . Tom Service learns the fascinating
&lt;TT&gt;SAT        &lt;/TT&gt;provenance and re-discovery of this little piece written by
&lt;TT&gt;SAT        &lt;/TT&gt;the 20 year-old Johannes. Written in 1853, the work - that
&lt;TT&gt;SAT        &lt;/TT&gt;Hogwood has called 'Albumblatt', (sheet from an album) - is
&lt;TT&gt;SAT        &lt;/TT&gt;a fabulously enchanting melody in A minor. But it's more
&lt;TT&gt;SAT        &lt;/TT&gt;than that: it's proper piece with a beginning, middle, and
&lt;TT&gt;SAT        &lt;/TT&gt;end – and it also has more than a few secrets to give up!
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Frederick Delius at 150
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Sunday 29th January marks the 150th anniversary of the birth
&lt;TT&gt;SAT        &lt;/TT&gt;of Frederick Delius. With the help of composer Anthony
&lt;TT&gt;SAT        &lt;/TT&gt;Payne, writer Daniel Grimley, violinist Tasmin Little and
&lt;TT&gt;SAT        &lt;/TT&gt;pianist Piers Lane, Tom challenges the perception that
&lt;TT&gt;SAT        &lt;/TT&gt;Delius was just a sentimental pastoralist exploring what the
&lt;TT&gt;SAT        &lt;/TT&gt;problem with Delius has been and why we should hear what his
&lt;TT&gt;SAT        &lt;/TT&gt;music is really about.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Would Rachmaninov have enjoyed Twitter?
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Pianist Stephen Hough provides the latest of our reflections
&lt;TT&gt;SAT        &lt;/TT&gt;on the musical world in 2012. His subject can be put quite
&lt;TT&gt;SAT        &lt;/TT&gt;concisely, in less than 140 characters in fact: would
&lt;TT&gt;SAT        &lt;/TT&gt;Rachmaninov have enjoyed Twitter? Hough, whose blogs and
&lt;TT&gt;SAT        &lt;/TT&gt;tweets are some of the most fascinating of any classical
&lt;TT&gt;SAT        &lt;/TT&gt;musician anywhere, gives us his thoughts on the relationship
&lt;TT&gt;SAT        &lt;/TT&gt;between the public and private sides of being a world-famous
&lt;TT&gt;SAT        &lt;/TT&gt;concert pianist. Social media, as he rightly says, are here
&lt;TT&gt;SAT        &lt;/TT&gt;to stay!
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Dallapiccola: The Prisoner
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Italian composer Luigi Dallapiccola knew what it was like to
&lt;TT&gt;SAT        &lt;/TT&gt;be a prisoner. In 1917 when he was a teenager, he and his
&lt;TT&gt;SAT        &lt;/TT&gt;family were interned in Graz by the Austrians. It was an
&lt;TT&gt;SAT        &lt;/TT&gt;experience that haunted him, but it would take decades
&lt;TT&gt;SAT        &lt;/TT&gt;before he would turn the strength of those feelings into
&lt;TT&gt;SAT        &lt;/TT&gt;music and the result is one of the most important operas of
&lt;TT&gt;SAT        &lt;/TT&gt;the 20th century: The Prisoner. That’s the view expressed by
&lt;TT&gt;SAT        &lt;/TT&gt;conductor Esa-Pekka Salonen, who leads a performance of the
&lt;TT&gt;SAT        &lt;/TT&gt;opera in London on Thursday. He and writer Misha Donat
&lt;TT&gt;SAT        &lt;/TT&gt;explain to Tom why The Prisoner is such an essential
&lt;TT&gt;SAT        &lt;/TT&gt;document of 20th century’s political and musical experience,
&lt;TT&gt;SAT        &lt;/TT&gt;and why its message is still so resonant today.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;13:00 The Early Music Show &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b01460gx.html&gt;b01460gx&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b01460gx&gt;(Listen)&lt;/A&gt;&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Performer Profile: Gustav Leonhardt
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Catherine Bott in conversation with the late Gustav
&lt;TT&gt;SAT        &lt;/TT&gt;Leonhardt: keyboardist, conductor, musicologist and teacher,
&lt;TT&gt;SAT        &lt;/TT&gt;who was one of the great pioneers of Early music.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;With great sadness, we learn of the death of Gustav
&lt;TT&gt;SAT        &lt;/TT&gt;Leonhardt on 16th January. In a change to the schedule, we
&lt;TT&gt;SAT        &lt;/TT&gt;repeat an interview that Catherine Bott recorded with him
&lt;TT&gt;SAT        &lt;/TT&gt;last year about his life in music, his great love of Bach
&lt;TT&gt;SAT        &lt;/TT&gt;and about a variety of Early music issues whilst featuring
&lt;TT&gt;SAT        &lt;/TT&gt;some of his many recordings, including music by JS Bach,
&lt;TT&gt;SAT        &lt;/TT&gt;Louis Couperin, and Sweelinck. This is the last interview
&lt;TT&gt;SAT        &lt;/TT&gt;that Gustav Leonhardt gave to the BBC.
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Gustav Leonhardt (30 May 1928 – 16 January 2012)
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Bach
&lt;TT&gt;SAT        &lt;/TT&gt;Harpsichord Concerto in D major BWV 1054: Allegro (3rd
&lt;TT&gt;SAT        &lt;/TT&gt;movement)
&lt;TT&gt;SAT        &lt;/TT&gt;Gustav Leonhardt (harpsichord) &amp; Leonhardt Consort
&lt;TT&gt;SAT        &lt;/TT&gt;TELDEC
&lt;TT&gt;SAT        &lt;/TT&gt;2564 69614-4
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Bach
&lt;TT&gt;SAT        &lt;/TT&gt;Sonata in D minor, BWV.964: Fuga: Allegro
&lt;TT&gt;SAT        &lt;/TT&gt;Gustav Leonhardt (harpsichord)
&lt;TT&gt;SAT        &lt;/TT&gt;TELDEC
&lt;TT&gt;SAT        &lt;/TT&gt;2564 69614-4
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Jan Pieterszoon Sweelinck
&lt;TT&gt;SAT        &lt;/TT&gt;Echo fantasia in A minor
&lt;TT&gt;SAT        &lt;/TT&gt;Gustav Leonhardt (organ of Grote of St Jakobskerk, the
&lt;TT&gt;SAT        &lt;/TT&gt;Hague)
&lt;TT&gt;SAT        &lt;/TT&gt;DEUTSCHE HARMONIA MUNDI
&lt;TT&gt;SAT        &lt;/TT&gt;05472 77434-2
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Bach
&lt;TT&gt;SAT        &lt;/TT&gt;Goldberg Variations: Variations 25-30
&lt;TT&gt;SAT        &lt;/TT&gt;Gustav Leonhardt (harpsichord)
&lt;TT&gt;SAT        &lt;/TT&gt;DEUTSCHE HARMONIA MUNDI
&lt;TT&gt;SAT        &lt;/TT&gt;GD 77149
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Bach
&lt;TT&gt;SAT        &lt;/TT&gt;Chorus: “Dem Gerechten muss das Licht” from Cantata, BWV.195
&lt;TT&gt;SAT        &lt;/TT&gt;Jan Patrick o’Farell (soprano), René Jacobs (alto), John
&lt;TT&gt;SAT        &lt;/TT&gt;Elwes (tenor), Harry van der Kamp (bass), Knabenchor
&lt;TT&gt;SAT        &lt;/TT&gt;Hannover (Heinz Hennig conducting), Collegium Vocale
&lt;TT&gt;SAT        &lt;/TT&gt;(Philippe Herreweghe conducting), Leonhardt Consort, Gustav
&lt;TT&gt;SAT        &lt;/TT&gt;Leonhardt (director)
&lt;TT&gt;SAT        &lt;/TT&gt;TELDEC
&lt;TT&gt;SAT        &lt;/TT&gt;244193-2
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;John Coprario
&lt;TT&gt;SAT        &lt;/TT&gt;Fantasia (unspecified)
&lt;TT&gt;SAT        &lt;/TT&gt;Leonhardt Consort
&lt;TT&gt;SAT        &lt;/TT&gt;TELDEC
&lt;TT&gt;SAT        &lt;/TT&gt;2564 69614-4
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Louis Couperin
&lt;TT&gt;SAT        &lt;/TT&gt;Chaconne from Suite in C major
&lt;TT&gt;SAT        &lt;/TT&gt;Gustav Leonhardt (harpsichord)
&lt;TT&gt;SAT        &lt;/TT&gt;DEUTSCHE HARMONIA MUNDI
&lt;TT&gt;SAT        &lt;/TT&gt;88697 57623-2
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Bach
&lt;TT&gt;SAT        &lt;/TT&gt;Prelude and Fugue in A minor, BWV. 895
&lt;TT&gt;SAT        &lt;/TT&gt;Gustav Leonhardt (harpsichord)
&lt;TT&gt;SAT        &lt;/TT&gt;TELDEC
&lt;TT&gt;SAT        &lt;/TT&gt;2564 69614-4
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;14:00 Radio 3 Lunchtime Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b0195q8y.html&gt;b0195q8y&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b0195q8y&gt;(Listen)&lt;/A&gt;&lt;/B&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;Hanno Muller-Brachmann, Hendrik Heilman
&lt;TT&gt;SAT        &lt;/TT&gt;
&lt;TT&gt;SAT        &lt;/TT&gt;From Wigmore Hall, London. Bass-baritone Hanno
&lt;TT&gt;SAT        &lt;/TT&gt;Müller-Brachmann and pianst Hendrik Heilman perform music by
&lt;TT&gt;SAT        &lt;/TT&gt;Schubert, Brahms and Schumann - all settings of poetry by
&lt;TT&gt;SAT        &lt;/TT&gt;Heine.
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Heinrich Heine inspired several of the greatest 
&lt;TT&gt;SAT        &lt;/TT&gt;song-composers to write some of their most personal music. 
&lt;TT&gt;SAT        &lt;/TT&gt;This recital includes settings of Heine that Schubert made 
&lt;TT&gt;SAT        &lt;/TT&gt;and which were included in the collection of songs published 
&lt;TT&gt;SAT        &lt;/TT&gt;after his death as his 'swansong' - Schwanengesang. 
&lt;TT&gt;SAT        &lt;/TT&gt;Schumann's Op.24 Liederkreis (song-circle or cycle) consists 
&lt;TT&gt;SAT        &lt;/TT&gt;of 9 Heine settings - products of the very happy year after 
&lt;TT&gt;SAT        &lt;/TT&gt;he'd married the love of his life. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;SCHUBERT: Heine Leider from Schwanengesang (Atlas; Ihr Bild; 
&lt;TT&gt;SAT        &lt;/TT&gt;Fischermädchen; Die Stadt; Am Meer; Doppelgänger) 
&lt;TT&gt;SAT        &lt;/TT&gt;BRAHMS: Es schauen die Blumen; Meerfahrt; Der Tod, das ist 
&lt;TT&gt;SAT        &lt;/TT&gt;die kühle Nacht; Es liebt sich so lieblich im Lenze 
&lt;TT&gt;SAT        &lt;/TT&gt;SCHUMANN: Liederkreis Op.24 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Hanno Müller-Brachmann (bass-baritone) 
&lt;TT&gt;SAT        &lt;/TT&gt;Hendrik Heilmann (piano). 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:00 Saturday Classics &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019lzmx.html&gt;b019lzmx&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019lzmx&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Simon Heffer's British Music, Episode 2 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;The second of four programmes in which journalist Simon 
&lt;TT&gt;SAT        &lt;/TT&gt;Heffer makes a personal selection of music from the British 
&lt;TT&gt;SAT        &lt;/TT&gt;Isles, including works by familiar composers as well as some 
&lt;TT&gt;SAT        &lt;/TT&gt;attractive pieces by less well-known names. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;This programme features Patrick Hadley's complete symphonic 
&lt;TT&gt;SAT        &lt;/TT&gt;ballad "The trees so high" as well as piano music by Alan 
&lt;TT&gt;SAT        &lt;/TT&gt;Rawsthorne, orchestral works by Britten, Bax, Holst, Delius 
&lt;TT&gt;SAT        &lt;/TT&gt;and Hamish MacCunn, some songs by Ivor Gurney, chamber music 
&lt;TT&gt;SAT        &lt;/TT&gt;by Rebecca Clarke and ending with Constant Lamberts ballet 
&lt;TT&gt;SAT        &lt;/TT&gt;score "Prize Fight". 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:00&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Arnold Bax 
&lt;TT&gt;SAT        &lt;/TT&gt;Rogue's Comedy overture 
&lt;TT&gt;SAT        &lt;/TT&gt;Vernon HANDLEY 
&lt;TT&gt;SAT        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;SAT        &lt;/TT&gt;CHANDOS 
&lt;TT&gt;SAT        &lt;/TT&gt;CHAN-10122(5) 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:09&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Gustav Holst 
&lt;TT&gt;SAT        &lt;/TT&gt;Hammersmith Prelude and Scherzo Op.52 vers. for orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;Adrian BOULT 
&lt;TT&gt;SAT        &lt;/TT&gt;London Philharmonic Orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;LYRITA 
&lt;TT&gt;SAT        &lt;/TT&gt;SRCD 2-22 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:23&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Frederick Delius 
&lt;TT&gt;SAT        &lt;/TT&gt;A Late lark RT.3.6 for tenor and small orchestra [words: W E 
&lt;TT&gt;SAT        &lt;/TT&gt;Henley] 
&lt;TT&gt;SAT        &lt;/TT&gt;Eric FENBY 
&lt;TT&gt;SAT        &lt;/TT&gt;Anthony ROLFE JOHNSON - Tenor 
&lt;TT&gt;SAT        &lt;/TT&gt;Royal Philharmonic Orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;UNICORN-KANCHANA 
&lt;TT&gt;SAT        &lt;/TT&gt;UKCD-2072 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:29&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Alan Rawsthorne 
&lt;TT&gt;SAT        &lt;/TT&gt;4 Bagatelles for piano 
&lt;TT&gt;SAT        &lt;/TT&gt;Stephen HOUGH - Piano 
&lt;TT&gt;SAT        &lt;/TT&gt;HYPERION 
&lt;TT&gt;SAT        &lt;/TT&gt;CDA-67267 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:35&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Hamish MacCunn 
&lt;TT&gt;SAT        &lt;/TT&gt;The Ship o' the Fiend - overture Op.5 
&lt;TT&gt;SAT        &lt;/TT&gt;Martyn BRABBINS 
&lt;TT&gt;SAT        &lt;/TT&gt;BBC Scottish Symphony Orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;HYPERION 
&lt;TT&gt;SAT        &lt;/TT&gt;CDA-66815 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:45&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Ivor Gurney 
&lt;TT&gt;SAT        &lt;/TT&gt;Severn Meadows 
&lt;TT&gt;SAT        &lt;/TT&gt;Benjamin LUXON - Baritone (Baritone) 
&lt;TT&gt;SAT        &lt;/TT&gt;David WILLISON - Piano (Piano) 
&lt;TT&gt;SAT        &lt;/TT&gt;CHANDOS 
&lt;TT&gt;SAT        &lt;/TT&gt;CHAN 88-31 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:47&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Ivor Gurney 
&lt;TT&gt;SAT        &lt;/TT&gt;An Epitaph 
&lt;TT&gt;SAT        &lt;/TT&gt;Benjamin LUXON - Baritone 
&lt;TT&gt;SAT        &lt;/TT&gt;David WILLISON - Piano 
&lt;TT&gt;SAT        &lt;/TT&gt;CHANDOS 
&lt;TT&gt;SAT        &lt;/TT&gt;CHAN 88-31 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;15:50&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;SAT        &lt;/TT&gt;Concerto Op.15 for violin and orchestra - 1st movement; 
&lt;TT&gt;SAT        &lt;/TT&gt;Moderato con moto 
&lt;TT&gt;SAT        &lt;/TT&gt;Paul WATKINS 
&lt;TT&gt;SAT        &lt;/TT&gt;Daniel HOPE - Violin 
&lt;TT&gt;SAT        &lt;/TT&gt;BBC Symphony Orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;Warner Classics 
&lt;TT&gt;SAT        &lt;/TT&gt;2564 60291-1 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;16:01&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Patrick Hadley 
&lt;TT&gt;SAT        &lt;/TT&gt;The Trees So High - symphonic ballad for baritone, chorus 
&lt;TT&gt;SAT        &lt;/TT&gt;and orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;Vernon HANDLEY 
&lt;TT&gt;SAT        &lt;/TT&gt;Thomas ALLEN - Baritone 
&lt;TT&gt;SAT        &lt;/TT&gt;Guildford Philharmonic Choir 
&lt;TT&gt;SAT        &lt;/TT&gt;New Philharmonia Orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;LYRITA 
&lt;TT&gt;SAT        &lt;/TT&gt;SRCD-238 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;16:35&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Rebecca Clarke 
&lt;TT&gt;SAT        &lt;/TT&gt;Midsummer Moon for violin and piano 
&lt;TT&gt;SAT        &lt;/TT&gt;Jonathan REES - Violin 
&lt;TT&gt;SAT        &lt;/TT&gt;Kathron STURROCK - Piano 
&lt;TT&gt;SAT        &lt;/TT&gt;Guild 
&lt;TT&gt;SAT        &lt;/TT&gt;GMCD 7208 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;16:41&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Constant Lambert 
&lt;TT&gt;SAT        &lt;/TT&gt;Prize fight - ballet [1924, rev.1927] 
&lt;TT&gt;SAT        &lt;/TT&gt;Barry WORDSWORTH 
&lt;TT&gt;SAT        &lt;/TT&gt;BBC Concert Orchestra 
&lt;TT&gt;SAT        &lt;/TT&gt;ASV 
&lt;TT&gt;SAT        &lt;/TT&gt;ASV CD WHL 2122 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;17:00 Jazz Record Requests &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019lzmz.html&gt;b019lzmz&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019lzmz&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Geoffrey Smith presents a selection of listeners' jazz 
&lt;TT&gt;SAT        &lt;/TT&gt;requests. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;18:00 Opera on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019lzn1.html&gt;b019lzn1&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019lzn1&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Live from the Met, The Enchanted Island 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;The Enchanted Island (Music by Handel, Rameau and Vivaldi) 
&lt;TT&gt;SAT        &lt;/TT&gt;Live from The Met 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;The Live from the Met season continues with the world 
&lt;TT&gt;SAT        &lt;/TT&gt;première of The Enchanted Island, a contemporary revival of 
&lt;TT&gt;SAT        &lt;/TT&gt;the 18th century musical pastiche by the British librettist 
&lt;TT&gt;SAT        &lt;/TT&gt;Jeremy Sams in collaboration with the Baroque music expert 
&lt;TT&gt;SAT        &lt;/TT&gt;William Christie. Inspired by two Shakespeare plays, the 
&lt;TT&gt;SAT        &lt;/TT&gt;story finds the four lovers from A Midsummer Night's Dream 
&lt;TT&gt;SAT        &lt;/TT&gt;landed on an island where Sycorax and Prospero from The 
&lt;TT&gt;SAT        &lt;/TT&gt;Tempest are embroiled in a supernatural battle. This modern 
&lt;TT&gt;SAT        &lt;/TT&gt;Baroque fantasy features arias by various composers 
&lt;TT&gt;SAT        &lt;/TT&gt;including Handel, Rameau and Vivaldi. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Prospero.....David Daniels (countertenor) 
&lt;TT&gt;SAT        &lt;/TT&gt;Sycorax.....Joyce DiDonato (mezzo-soprano) 
&lt;TT&gt;SAT        &lt;/TT&gt;Ariel.....Danielle de Niese (soprano) 
&lt;TT&gt;SAT        &lt;/TT&gt;Neptune.....Placido Domingo (tenor) 
&lt;TT&gt;SAT        &lt;/TT&gt;Caliban.....Luca Pisaroni (baritone) 
&lt;TT&gt;SAT        &lt;/TT&gt;Miranda.....Lisette Oropesa (soprano) 
&lt;TT&gt;SAT        &lt;/TT&gt;Ferdinand.....Anthony Roth Constanzo (countertenor) 
&lt;TT&gt;SAT        &lt;/TT&gt;Helena.....Layla Claire (soprano) 
&lt;TT&gt;SAT        &lt;/TT&gt;Hermia.....Elizabeth DeShong (mezzo-soprano) 
&lt;TT&gt;SAT        &lt;/TT&gt;Demetrius.....Paul Appleby (tenor) 
&lt;TT&gt;SAT        &lt;/TT&gt;Lysander.....Elliot Madore (baritone) 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;New York Metropolitan Opera Orchestra and Chorus 
&lt;TT&gt;SAT        &lt;/TT&gt;Conductor.....William Christie. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;21:30 Between the Ears &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019lzn3.html&gt;b019lzn3&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019lzn3&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Not Quite Cricket 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;In 1868, the first Australian cricket tour of England took 
&lt;TT&gt;SAT        &lt;/TT&gt;place; the team was made up of Aboriginal men from the 
&lt;TT&gt;SAT        &lt;/TT&gt;western plains in the state of Victoria. Based on historical 
&lt;TT&gt;SAT        &lt;/TT&gt;documents, Not Quite Cricket tells the story from the 
&lt;TT&gt;SAT        &lt;/TT&gt;Aboriginal team's perspective, in particular through the 
&lt;TT&gt;SAT        &lt;/TT&gt;experience of Yanggendyinanyuk - a Wotjobaluk warrior (named 
&lt;TT&gt;SAT        &lt;/TT&gt;Dick-a-Dick by the colonial management). 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Richard Kennedy is Yanggendyinanyuk's great great grandson, 
&lt;TT&gt;SAT        &lt;/TT&gt;and it is through him and his family that some of the text 
&lt;TT&gt;SAT        &lt;/TT&gt;was translated and spoken (by Richard) in the Wergaia 
&lt;TT&gt;SAT        &lt;/TT&gt;language. This language is currently being reconstructed 
&lt;TT&gt;SAT        &lt;/TT&gt;from 19th century sources; over 100 years of silence marks 
&lt;TT&gt;SAT        &lt;/TT&gt;the destruction of the Wergaia peoples and their culture. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Although a punishing schedule of cricket matches was played, 
&lt;TT&gt;SAT        &lt;/TT&gt;there were other more sinister motives for the trip. 
&lt;TT&gt;SAT        &lt;/TT&gt;Are the patronising racist attitudes heard in Not Quite 
&lt;TT&gt;SAT        &lt;/TT&gt;Cricket a distant harmless memory of the 1860s, or were they 
&lt;TT&gt;SAT        &lt;/TT&gt;inherent in the development of the pseudoscience of eugenics 
&lt;TT&gt;SAT        &lt;/TT&gt;and its aftermath? 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Richard Kennedy (Yanggendyinanyuk, Wergaia translation), 
&lt;TT&gt;SAT        &lt;/TT&gt;Warren Foster (Aboriginal cricket team narrator), Andrew 
&lt;TT&gt;SAT        &lt;/TT&gt;McLennan (Master of Ceremonies). 
&lt;TT&gt;SAT        &lt;/TT&gt;Hollis Taylor (violin), Anthony Pateras (piano), Rishin 
&lt;TT&gt;SAT        &lt;/TT&gt;Singh (trombone, tuba), Laura Altman (clarinet, whistle), 
&lt;TT&gt;SAT        &lt;/TT&gt;Jon Rose (violin, piano, voice). 
&lt;TT&gt;SAT        &lt;/TT&gt;Text written by, music composed by Jon Rose. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Additional contributions from Jane Ulman, Nick Shimmin, 
&lt;TT&gt;SAT        &lt;/TT&gt;Corinne Vernizeau, Adam Mountford. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;22:00 Pre-Hear &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019lzn5.html&gt;b019lzn5&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019lzn5&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;New Works for Old Instruments 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;New works for old instruments: Fretwork play contemporary 
&lt;TT&gt;SAT        &lt;/TT&gt;compositions for viol consort: 
&lt;TT&gt;SAT        &lt;/TT&gt;Duncan Druce Bereavement 
&lt;TT&gt;SAT        &lt;/TT&gt;John Woolrich Fantasy for 4 viols 
&lt;TT&gt;SAT        &lt;/TT&gt;Andrew Keeling Afterwords 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;with Clare Wilkinson, soprano. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;&lt;B&gt;22:30 Hear and Now &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019lzn7.html&gt;b019lzn7&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019lzn7&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;London Sinfonietta - New Chamber Music 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;Ivan Hewett introduces three new chamber-orchestral works by 
&lt;TT&gt;SAT        &lt;/TT&gt;British-based composers: 
&lt;TT&gt;SAT        &lt;/TT&gt;Charlie Piper: Insomniac 
&lt;TT&gt;SAT        &lt;/TT&gt;Francisco Coll: Piedras 
&lt;TT&gt;SAT        &lt;/TT&gt;Dai Fujikura: Double Bass Concerto 
&lt;TT&gt;SAT        &lt;/TT&gt;Enno Senft (double bass) 
&lt;TT&gt;SAT        &lt;/TT&gt;Sound Intermedia 
&lt;TT&gt;SAT        &lt;/TT&gt;London Sinfonietta conducted by Martyn Brabbins 
&lt;TT&gt;SAT        &lt;/TT&gt;(Recorded on 5th November 2011 at Queen Elizabeth Hall, 
&lt;TT&gt;SAT        &lt;/TT&gt;London) 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt;And in this week's installment of the Hear and Now Fifty, 
&lt;TT&gt;SAT        &lt;/TT&gt;film director Barrie Gavin and South Bank Centre's Gillian 
&lt;TT&gt;SAT        &lt;/TT&gt;Moore champion Jonathan Harvey's electronic work Mortuos 
&lt;TT&gt;SAT        &lt;/TT&gt;Plango, Vivos Voco. 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SAT        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;A name='SU'&gt;&lt;B&gt;SUNDAY 22 JANUARY 2012&lt;/B&gt;&lt;/A&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;00:00 Jazz Library &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019lzqh.html&gt;b019lzqh&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019lzqh&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Barney Bigard 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Throughout his career, Barney Bigard graced many jazz 
&lt;TT&gt;SUN        &lt;/TT&gt;settings with his fluent New Orleans clarinet. Dave Gelly 
&lt;TT&gt;SUN        &lt;/TT&gt;joins Alyn Shipton to select some of Bigard's finest 
&lt;TT&gt;SUN        &lt;/TT&gt;records. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;01:00 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m0b0.html&gt;b019m0b0&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m0b0&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Susan Sharpe presents performances of Beethoven's 3rd Piano 
&lt;TT&gt;SUN        &lt;/TT&gt;Concerto, Nielsen's Symphony no. 1 and Sibelius by the 
&lt;TT&gt;SUN        &lt;/TT&gt;Swedish Radio Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;1:01 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Beethoven, Ludwig van [1770 -1827] 
&lt;TT&gt;SUN        &lt;/TT&gt;Concerto for piano and orchestra no. 3 (Op.37) in C minor 
&lt;TT&gt;SUN        &lt;/TT&gt;Lars Vogt (piano) Swedish Radio Symphony Orchestra, Xian 
&lt;TT&gt;SUN        &lt;/TT&gt;Zhang (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;1:37 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Chopin, Fryderyk [1810-1849] 
&lt;TT&gt;SUN        &lt;/TT&gt;Nocturne in C sharp minor, op. posth 
&lt;TT&gt;SUN        &lt;/TT&gt;Lars Vogt (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;1:42 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Daniel-Lesur, Jean Yves (1908-2002) 
&lt;TT&gt;SUN        &lt;/TT&gt;Suite Mediévale for flute, harp and string trio (1946) 
&lt;TT&gt;SUN        &lt;/TT&gt;Arpea Ensemble 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;1:56 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791) 
&lt;TT&gt;SUN        &lt;/TT&gt;Symphony No.35, (K. 385) 'Haffner' 
&lt;TT&gt;SUN        &lt;/TT&gt;Hungarian Radio Orchestra, András Ligeti (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;2:15 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Nielsen, Carl [1865-1931] 
&lt;TT&gt;SUN        &lt;/TT&gt;Symphony no. 1 (Op.7) in G minor 
&lt;TT&gt;SUN        &lt;/TT&gt;Swedish Radio Symphony Orchestra, Shi-Yeon Sung (f) 
&lt;TT&gt;SUN        &lt;/TT&gt;(conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;2:52 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Sibelius, Jean [1865-1957] 
&lt;TT&gt;SUN        &lt;/TT&gt;Lemminkäinen's Return from Lemminkäinen Suite Op. 22 
&lt;TT&gt;SUN        &lt;/TT&gt;Swedish Radio Symphony Orchestra, Shi-Yeon Sung (f) 
&lt;TT&gt;SUN        &lt;/TT&gt;(conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;3:01 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Schubert, Franz (1797-1828) 
&lt;TT&gt;SUN        &lt;/TT&gt;Three Pieces for piano (D.946) 
&lt;TT&gt;SUN        &lt;/TT&gt;Halina Radvilaite (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;3:20 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Britten, Benjamin (1913-1976) 
&lt;TT&gt;SUN        &lt;/TT&gt;Variations on a theme by Frank Bridge (Op.10) 
&lt;TT&gt;SUN        &lt;/TT&gt;The Royal Academy Soloists, Clio Gould (director) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;3:46 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Holst, Gustav (1874-1934) 
&lt;TT&gt;SUN        &lt;/TT&gt;Wind Quintet in A flat major (Op.14) 
&lt;TT&gt;SUN        &lt;/TT&gt;Cinque Venti 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;4:01 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Fodor, Carolus Antonius (1768-1846) 
&lt;TT&gt;SUN        &lt;/TT&gt;Symphony No.4 in C minor (Op.19) 
&lt;TT&gt;SUN        &lt;/TT&gt;Netherlands Radio Philharmonic Orchestra, Guido Ajmone 
&lt;TT&gt;SUN        &lt;/TT&gt;Marsan (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;4:24 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Telemann, Georg Philipp (1681-1767) 
&lt;TT&gt;SUN        &lt;/TT&gt;Trio No.4 from Essercizii Musici 
&lt;TT&gt;SUN        &lt;/TT&gt;Camerata Köln 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;4:34 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Traditional American arr. Burleigh, Harry T [1866-1949] 
&lt;TT&gt;SUN        &lt;/TT&gt;Sometimes I feel like a motherless child 
&lt;TT&gt;SUN        &lt;/TT&gt;Victoria de los Angeles (soprano) Geoffrey Parsons 
&lt;TT&gt;SUN        &lt;/TT&gt;(1929-1995) (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;4:38 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Bartók, Béla (1881-1945) 
&lt;TT&gt;SUN        &lt;/TT&gt;For Children - Book 1 (excerpts) 
&lt;TT&gt;SUN        &lt;/TT&gt;Martá Fábián and Agnes Szakaly (cimbaloms) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;4:43 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Goldmark, Károly (1830-1915) 
&lt;TT&gt;SUN        &lt;/TT&gt;Scherzo for orchestra in E minor (Op.19) 
&lt;TT&gt;SUN        &lt;/TT&gt;Hungarian Radio Orchestra, Adam Medveczky (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;4:50 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Vivaldi, Antonio (1678-1741) 
&lt;TT&gt;SUN        &lt;/TT&gt;Concerto for strings and continuo in G major 'Al Rustica' 
&lt;TT&gt;SUN        &lt;/TT&gt;(RV.151) 
&lt;TT&gt;SUN        &lt;/TT&gt;I Cameristi Italiani 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;4:54 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Johann Strauss Jr. (1825-1899) 
&lt;TT&gt;SUN        &lt;/TT&gt;Spanischer Marsch (Op.433) 
&lt;TT&gt;SUN        &lt;/TT&gt;ORF Symphony Orchestra, Peter Guth (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;5:01 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Chabrier, Emmanuel (1841-1894) 
&lt;TT&gt;SUN        &lt;/TT&gt;España - rhapsody for orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Toronto Symphony Orchestra, Andrew Davis (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;5:07 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Bergh, Gertrude van den (1793-1840) 
&lt;TT&gt;SUN        &lt;/TT&gt;Rondeau (Op.3) 
&lt;TT&gt;SUN        &lt;/TT&gt;Frans van Ruth (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;5:15 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Naujalis, Juozas (1869-1934) 
&lt;TT&gt;SUN        &lt;/TT&gt;Motet: Caligaverunt 
&lt;TT&gt;SUN        &lt;/TT&gt;Kaunas State Choir, Petras Bingelis (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;5:20 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Bach, Carl Philipp Emanuel (1714-1788) 
&lt;TT&gt;SUN        &lt;/TT&gt;Sinfonia for 2 violins and continuo in D major, H.585 
&lt;TT&gt;SUN        &lt;/TT&gt;Les Adieux 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;5:30 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Cherubini, Luigi (1760-1842) 
&lt;TT&gt;SUN        &lt;/TT&gt;Ballet music from 'Anakreon' 
&lt;TT&gt;SUN        &lt;/TT&gt;Radio Bratislava Symphony Orchestra, Ondrej Lenard 
&lt;TT&gt;SUN        &lt;/TT&gt;(conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;5:39 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Larsson, Lars-Erik (1908-1986) 
&lt;TT&gt;SUN        &lt;/TT&gt;Concertino for Piano and Strings (Op.45 No.12) (1957) 
&lt;TT&gt;SUN        &lt;/TT&gt;Mårten Landström (piano), Members of Upsala Chamber Soloists 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;5:54 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Strauss, Richard (1864-1949) 
&lt;TT&gt;SUN        &lt;/TT&gt;Concerto for horn and orchestra No.1 in E flat major, 
&lt;TT&gt;SUN        &lt;/TT&gt;(Op.11) 
&lt;TT&gt;SUN        &lt;/TT&gt;Bostjan Lipovsek (french horn), Slovenian Radio and 
&lt;TT&gt;SUN        &lt;/TT&gt;Television Symphony Orchestra, David de Villiers (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;6:10 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Debussy, Claude (1862-1918) 
&lt;TT&gt;SUN        &lt;/TT&gt;Rhapsodie for Saxophone and Orchestra, arranged for 
&lt;TT&gt;SUN        &lt;/TT&gt;saxophone and piano 
&lt;TT&gt;SUN        &lt;/TT&gt;Miha Rogina (alto saxophone), Jan Sever (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;6:22 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Haydn, (Johann) Michael (1737-1806) 
&lt;TT&gt;SUN        &lt;/TT&gt;Divertimento for string quartet (MH.299) (P.121) in A major 
&lt;TT&gt;SUN        &lt;/TT&gt;Marcolini Quartett 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;6:39 AM&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Telemann, Georg Philipp (1681-1767) 
&lt;TT&gt;SUN        &lt;/TT&gt;Grand Motet 'Deus judicium tuum regi da' (Psalm 71) for 5 
&lt;TT&gt;SUN        &lt;/TT&gt;voices, 2 oboes, bassoon, strings and continuo 
&lt;TT&gt;SUN        &lt;/TT&gt;Veronika Winter (soprano), Andrea Stenzel (soprano), Patrick 
&lt;TT&gt;SUN        &lt;/TT&gt;von Goethem (alto), Markus Schäfer (tenor), Ekkehard Abele 
&lt;TT&gt;SUN        &lt;/TT&gt;(bass), Rheinische Kantorei, Das Kleine Konzert, Hermann Max 
&lt;TT&gt;SUN        &lt;/TT&gt;(conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:00 Breakfast &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m0b2.html&gt;b019m0b2&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m0b2&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;NB This playlist is subject to change during transmission. 
&lt;TT&gt;SUN        &lt;/TT&gt;The final playlist will be put up by noon on Monday. 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:03&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Ludwig van Beethoven 
&lt;TT&gt;SUN        &lt;/TT&gt;Symphony no. 1 (Op.21) in C major, 4th movement; Finale 
&lt;TT&gt;SUN        &lt;/TT&gt;Chamber Orchestra of Europe 
&lt;TT&gt;SUN        &lt;/TT&gt;Niklaus Harnoncourt (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Teldec 0927497682 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:09&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Muzio Clementi 
&lt;TT&gt;SUN        &lt;/TT&gt;Sonatina in C major Op 36’5 
&lt;TT&gt;SUN        &lt;/TT&gt;Howard Shelley (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Hyperion CDA7814 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:15&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Herbert Howells 
&lt;TT&gt;SUN        &lt;/TT&gt;Three dances for violin and orchestra Op 7 
&lt;TT&gt;SUN        &lt;/TT&gt;Malcolm Stewart (violin) 
&lt;TT&gt;SUN        &lt;/TT&gt;Royal Liverpool Philharmonic Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Vernon Handley (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Hyperion CDA66610 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:31&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Handel 
&lt;TT&gt;SUN        &lt;/TT&gt;Va tacito e nascosto (Giulio Cesare in Egitto) 
&lt;TT&gt;SUN        &lt;/TT&gt;David Daniels (counter tenor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Orchestra of the Age of Enlightenment 
&lt;TT&gt;SUN        &lt;/TT&gt;Sir Roger Norrington (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Virgin VC 5 45326 2 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:31&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Edward White 
&lt;TT&gt;SUN        &lt;/TT&gt;Puffin’ Billy 
&lt;TT&gt;SUN        &lt;/TT&gt;The New London Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Ronald Corp (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Hyperion CDA66868 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:35&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;John Blow 
&lt;TT&gt;SUN        &lt;/TT&gt;Ground in G minor 
&lt;TT&gt;SUN        &lt;/TT&gt;Palladian Ensemble 
&lt;TT&gt;SUN        &lt;/TT&gt;Linn CKD 041 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;07:40&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;César Franck 
&lt;TT&gt;SUN        &lt;/TT&gt;Symphonic Variations 
&lt;TT&gt;SUN        &lt;/TT&gt;Robert Casadesus (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Philadelphia Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Eugene Ormandy (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Sony SBK 60287 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;08:03&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Hector Berlioz 
&lt;TT&gt;SUN        &lt;/TT&gt;La Damnation de Faust; Marche hongroise (Rakoczy march) 
&lt;TT&gt;SUN        &lt;/TT&gt;Royal Philharmonic Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Enrique Bátiz (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;RPO CDRPO 5006 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;08:08&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Frédéric Chopin 
&lt;TT&gt;SUN        &lt;/TT&gt;Nocturne in E mionr Op 72’1 
&lt;TT&gt;SUN        &lt;/TT&gt;Benjamin Grosvenor (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Decca 478 3206 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;08:12&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Leonard Bernstein 
&lt;TT&gt;SUN        &lt;/TT&gt;West Side story: Symphonic Dances 
&lt;TT&gt;SUN        &lt;/TT&gt;New York Philharmonic 
&lt;TT&gt;SUN        &lt;/TT&gt;Leonard Bernstein (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;CBS MK 42263 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;08:40&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Bach 
&lt;TT&gt;SUN        &lt;/TT&gt;Suite No 4 BWV 908: Prélude 
&lt;TT&gt;SUN        &lt;/TT&gt;Gustav Leonhardt (harpsichord) 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI CDS 7 49000 8 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;08:45&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Samuel Barber 
&lt;TT&gt;SUN        &lt;/TT&gt;Adagio 
&lt;TT&gt;SUN        &lt;/TT&gt;Philadelphia Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Eugene Ormandy (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Sony Classical SMK60004 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;09:00 Sunday Morning &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m0ww.html&gt;b019m0ww&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m0ww&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;With Rob Cowan 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Rob Cowan presents three hours of great music, featuring the 
&lt;TT&gt;SUN        &lt;/TT&gt;best recordings from the archive and the present day. Today 
&lt;TT&gt;SUN        &lt;/TT&gt;with works by Liszt, Schubert and Rimsky-Korsakov. Plus a 
&lt;TT&gt;SUN        &lt;/TT&gt;challenge for your Innocent Ear. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Carl Orff 
&lt;TT&gt;SUN        &lt;/TT&gt;Entrata 
&lt;TT&gt;SUN        &lt;/TT&gt;Vienna State Opera Orchestra, Hermann Scherchen (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Westminster MVCW-18018, track 3 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Witold Lutoslawski 
&lt;TT&gt;SUN        &lt;/TT&gt;Variations on a Theme of Paganini 
&lt;TT&gt;SUN        &lt;/TT&gt;Jacek and Maciej Lukaszczyk (pianos) 
&lt;TT&gt;SUN        &lt;/TT&gt;Polskie Nagrania PNCD 045, track 2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Wolfgang Amadeus Mozart 
&lt;TT&gt;SUN        &lt;/TT&gt;Andante in C, K315 
&lt;TT&gt;SUN        &lt;/TT&gt;Aurèle Nicolet (flute), Royal Concertgebouw Orchestra, David 
&lt;TT&gt;SUN        &lt;/TT&gt;Zinman (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Philips 426 074-2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Franz Schubert 
&lt;TT&gt;SUN        &lt;/TT&gt;Fantasie in F minor, D.940 
&lt;TT&gt;SUN        &lt;/TT&gt;Paul Badura-Skoda, Jörg Demus (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;DG 453 675-2, track 1 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;John Taverner 
&lt;TT&gt;SUN        &lt;/TT&gt;Mater Christi 
&lt;TT&gt;SUN        &lt;/TT&gt;Alamire, David Skinner (director) 
&lt;TT&gt;SUN        &lt;/TT&gt;Obsidian CD707, track 5 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Nikolai Andreyevich Rimsky-Korsakov 
&lt;TT&gt;SUN        &lt;/TT&gt;Russian Easter Festival 
&lt;TT&gt;SUN        &lt;/TT&gt;Royal Philharmonic Orchestra, Artur Rodzinski (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI 5 75959 2, cd 1, track 1 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Johannes Hieronymus Kapsberger 
&lt;TT&gt;SUN        &lt;/TT&gt;Sinfonia prima a 4 con 2 bassi 
&lt;TT&gt;SUN        &lt;/TT&gt;Echo du Danube 
&lt;TT&gt;SUN        &lt;/TT&gt;Accent ACC 24231, track 2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Walter Piston 
&lt;TT&gt;SUN        &lt;/TT&gt;The Incredible Flautist (ballet suite) 
&lt;TT&gt;SUN        &lt;/TT&gt;Joseph Mariano (flute), Eastman-Rochester Orchestra, Howard 
&lt;TT&gt;SUN        &lt;/TT&gt;Hanson (conductor) 
&lt;TT&gt;SUN        &lt;/TT&gt;Mercury 434 307-2, tracks 4-15 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Joseph Haydn 
&lt;TT&gt;SUN        &lt;/TT&gt;String Quartet in D major, Op. 20 No. 4 
&lt;TT&gt;SUN        &lt;/TT&gt;Vienna Konzerthaus Quartet 
&lt;TT&gt;SUN        &lt;/TT&gt;Preiser 90904, CD4 tracks 11-14 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Georg Philipp Telemann 
&lt;TT&gt;SUN        &lt;/TT&gt;Der Geiz 
&lt;TT&gt;SUN        &lt;/TT&gt;Peter Schreier (tenor), Dietrich Knothe (harpsichord), 
&lt;TT&gt;SUN        &lt;/TT&gt;Matthias Pfaender (cello) 
&lt;TT&gt;SUN        &lt;/TT&gt;Berlin Classics 0093272BC, tracks 4-6 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Franz Liszt 
&lt;TT&gt;SUN        &lt;/TT&gt;St. Anthony Walking on the Water 
&lt;TT&gt;SUN        &lt;/TT&gt;Claudio Arrau (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;The Sodre Collection, AOS-06-1008-1-4000-SODRE 8, track 2, 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Bach 
&lt;TT&gt;SUN        &lt;/TT&gt;Ich ruf’ zu Dir, Herr Jesu Christ 
&lt;TT&gt;SUN        &lt;/TT&gt;Arranger: Thomas Demenga 
&lt;TT&gt;SUN        &lt;/TT&gt;Thomas Demenga (cello), Teodoro Anzellotti (accordion) 
&lt;TT&gt;SUN        &lt;/TT&gt;ECM 476 3022, track 12 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Bedrich Smetana 
&lt;TT&gt;SUN        &lt;/TT&gt;The Bartered Bride: Polka, Furiant, Dance of the Comedians 
&lt;TT&gt;SUN        &lt;/TT&gt;Hague Philharmonic Orchestra, Willem van Otterloo 
&lt;TT&gt;SUN        &lt;/TT&gt;Challenge Classics CC72383, CD1, track 2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;12:00 Private Passions &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b010nrfq.html&gt;b010nrfq&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b010nrfq&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Olivia Williams 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;The British actor Olivia Williams is pursuing an equally 
&lt;TT&gt;SUN        &lt;/TT&gt;successful career in film and TV on both sides of the 
&lt;TT&gt;SUN        &lt;/TT&gt;Atlantic. After spending three years at the RSC she played 
&lt;TT&gt;SUN        &lt;/TT&gt;Jane Fairfax in the 1996 British TV film of Jane Austen's 
&lt;TT&gt;SUN        &lt;/TT&gt;Emma. The following year she was screen tested by Kevin 
&lt;TT&gt;SUN        &lt;/TT&gt;Costner and made her Hollywood debut in 'The Postman', later 
&lt;TT&gt;SUN        &lt;/TT&gt;winning the lead role of Rosemary Cross in Wes Anderson's 
&lt;TT&gt;SUN        &lt;/TT&gt;'Rushmore' (1998). She went on to star as Bruce Willis's 
&lt;TT&gt;SUN        &lt;/TT&gt;wife in 'The Sixth Sense' (1999), and has appeared in 
&lt;TT&gt;SUN        &lt;/TT&gt;several British films including 'Lucky Break' (2001), 'The 
&lt;TT&gt;SUN        &lt;/TT&gt;Heart of Me' (2002), for which she won a Best Actress award, 
&lt;TT&gt;SUN        &lt;/TT&gt;and 'An Education' (2009). She played Mrs Darling in the 
&lt;TT&gt;SUN        &lt;/TT&gt;latest film adaptation of Peter Pan. On TV she took the 
&lt;TT&gt;SUN        &lt;/TT&gt;title role in the 2008 film 'Miss Austen Regrets', and was 
&lt;TT&gt;SUN        &lt;/TT&gt;cast as Adelle DeWitt in Joss Whedon's Dollhouse (Fox TV, 
&lt;TT&gt;SUN        &lt;/TT&gt;2009-10). She is currently starring opposite 'Lost's' 
&lt;TT&gt;SUN        &lt;/TT&gt;Matthew Fox on stage in London's West End in Neil LaBute's 
&lt;TT&gt;SUN        &lt;/TT&gt;play 'In a Forest Dark and Deep'. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Olivia Williams grew up in North London surrounded by music, 
&lt;TT&gt;SUN        &lt;/TT&gt;and her personal favourites include 'The trumpet shall 
&lt;TT&gt;SUN        &lt;/TT&gt;sound' from Handel's Messiah and the opening of 
&lt;TT&gt;SUN        &lt;/TT&gt;Mendelssohn's Elijah, both of which she sang in at school. 
&lt;TT&gt;SUN        &lt;/TT&gt;She also chooses the Prelude from Bach's G major cello 
&lt;TT&gt;SUN        &lt;/TT&gt;suite, played by Pablo Casals, which was the first classical 
&lt;TT&gt;SUN        &lt;/TT&gt;piece she discovered for herself; the second movement of a 
&lt;TT&gt;SUN        &lt;/TT&gt;Vivaldi mandolin concerto; a psalm setting by the 
&lt;TT&gt;SUN        &lt;/TT&gt;16th-century Spanish composer Diego Ortiz, which she loves 
&lt;TT&gt;SUN        &lt;/TT&gt;for its earthy quality; Arvo Part's 'Tabula Rasa', which she 
&lt;TT&gt;SUN        &lt;/TT&gt;uses as a 'prop' to make her cry; the cadenza of Brahms's 
&lt;TT&gt;SUN        &lt;/TT&gt;Violin Concerto, which her father hoped she might play (she 
&lt;TT&gt;SUN        &lt;/TT&gt;went into acting instead), and the opening of Mahler's 
&lt;TT&gt;SUN        &lt;/TT&gt;Second Symphony (the 'Resurrection'). 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Bach 
&lt;TT&gt;SUN        &lt;/TT&gt;Prelude (from the Cello Suite in G, BWV) 
&lt;TT&gt;SUN        &lt;/TT&gt;Pablo Casals (cello) 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI 566215-2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Diego Ortiz 
&lt;TT&gt;SUN        &lt;/TT&gt;Laudate Dominum à 4 alternatim (Psalm 116) (from Ad 
&lt;TT&gt;SUN        &lt;/TT&gt;Vesperas) 
&lt;TT&gt;SUN        &lt;/TT&gt;Cantar Lontano/Marco Mencoboni 
&lt;TT&gt;SUN        &lt;/TT&gt;EL 062319 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Arvo Pärt 
&lt;TT&gt;SUN        &lt;/TT&gt;Tabula Rasa 
&lt;TT&gt;SUN        &lt;/TT&gt;Tasmin Little and Richard Studt (violins), Bournemouth 
&lt;TT&gt;SUN        &lt;/TT&gt;Sinfonietta 
&lt;TT&gt;SUN        &lt;/TT&gt;CFP 575805-2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;George Frideric Handel 
&lt;TT&gt;SUN        &lt;/TT&gt;The trumpet shall sound (from Messiah) 
&lt;TT&gt;SUN        &lt;/TT&gt;David Thomas (bass) The Academy of Ancient Music/Christopher 
&lt;TT&gt;SUN        &lt;/TT&gt;Hogwood 
&lt;TT&gt;SUN        &lt;/TT&gt;OISEAU LYRE 411 858-2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Felix Mendelssohn 
&lt;TT&gt;SUN        &lt;/TT&gt;The Overture to Elijah 
&lt;TT&gt;SUN        &lt;/TT&gt;Edinburgh Festival Chorus, Orchestra of the Age of 
&lt;TT&gt;SUN        &lt;/TT&gt;Enlightenment/Paul Daniel 
&lt;TT&gt;SUN        &lt;/TT&gt;DECCA 455 688-2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Antonio Vivaldi 
&lt;TT&gt;SUN        &lt;/TT&gt;Mandolin concerto in C (2nd movement, Largo) 
&lt;TT&gt;SUN        &lt;/TT&gt;Paul O’Dette (mandolin), The Parley of Instruments/Roy 
&lt;TT&gt;SUN        &lt;/TT&gt;Goodman 
&lt;TT&gt;SUN        &lt;/TT&gt;HYPERION CDA 66160 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Gustav Mahler 
&lt;TT&gt;SUN        &lt;/TT&gt;Symphony No 2 (The Resurrection) [first movement, opening] 
&lt;TT&gt;SUN        &lt;/TT&gt;New York PO/Leonard Bernstein 
&lt;TT&gt;SUN        &lt;/TT&gt;SONY SX12K 89499 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Johannes Brahms 
&lt;TT&gt;SUN        &lt;/TT&gt;Violin Concerto in D, Op 77 
&lt;TT&gt;SUN        &lt;/TT&gt;Fritz Kreisler (violin), LPO/Sir John Barbirolli [recorded 
&lt;TT&gt;SUN        &lt;/TT&gt;1936] 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI 265042-2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;13:00 The Early Music Show &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m0x0.html&gt;b019m0x0&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m0x0&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;At the Court of Frederick the Great 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;A keen flautist himself, Frederich II of Prussia also 
&lt;TT&gt;SUN        &lt;/TT&gt;patronised and employed some of the finest composers of the 
&lt;TT&gt;SUN        &lt;/TT&gt;age. In the week of the 300th anniversary of his birth, 
&lt;TT&gt;SUN        &lt;/TT&gt;Lucie Skeaping explores the musicians of Frederick the 
&lt;TT&gt;SUN        &lt;/TT&gt;Great's court, including music by Agricola, Quantz, CPE 
&lt;TT&gt;SUN        &lt;/TT&gt;Bach, Fasch, Graun and Frederick himself. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;King Frederick II of Prussia 
&lt;TT&gt;SUN        &lt;/TT&gt;Concerto No. 3 for flute, string orchestra and double bass - 
&lt;TT&gt;SUN        &lt;/TT&gt;Allegro assai 
&lt;TT&gt;SUN        &lt;/TT&gt;Emmanuel Pahud (flute), Trevor Pinnock (harpsichord), 
&lt;TT&gt;SUN        &lt;/TT&gt;Kammerakadamie Potsdam 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI 
&lt;TT&gt;SUN        &lt;/TT&gt;0842302 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Johann Joachim Quantz 
&lt;TT&gt;SUN        &lt;/TT&gt;Flute Sonata No. 272 in F major; QV. 1:93 – Allegro 
&lt;TT&gt;SUN        &lt;/TT&gt;Vera Fischer (transverse flute), Klaus-Dieter Brandt 
&lt;TT&gt;SUN        &lt;/TT&gt;(baroque cello), Leon Berben (harpsichord) 
&lt;TT&gt;SUN        &lt;/TT&gt;NAXOS 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;8.557805&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Johann Joachim Quantz 
&lt;TT&gt;SUN        &lt;/TT&gt;Sonata No. 4 in D major – Presto 
&lt;TT&gt;SUN        &lt;/TT&gt;Gerhard Mallon (flute), Julian Byzantine (guitar) 
&lt;TT&gt;SUN        &lt;/TT&gt;MERIDIAN 
&lt;TT&gt;SUN        &lt;/TT&gt;CDE 84558 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Johann Friedrich Agricola 
&lt;TT&gt;SUN        &lt;/TT&gt;“Del terreno, nel centro profondo” (from the opera ‘Achille 
&lt;TT&gt;SUN        &lt;/TT&gt;in Sciro’) 
&lt;TT&gt;SUN        &lt;/TT&gt;Jochen Kowalski (countertenor), Kammerorchester Berlin, Max 
&lt;TT&gt;SUN        &lt;/TT&gt;Pommer (director) 
&lt;TT&gt;SUN        &lt;/TT&gt;CAPRICCIO 
&lt;TT&gt;SUN        &lt;/TT&gt;10 113 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Carl Heinrich Graun 
&lt;TT&gt;SUN        &lt;/TT&gt;Aria “Ah d’inflessibil sorte” (from ‘Montezuma’) 
&lt;TT&gt;SUN        &lt;/TT&gt;Encarnacion Vazquez (mezzo-soprano), Deutsche Kammerakamie, 
&lt;TT&gt;SUN        &lt;/TT&gt;Johannes Goritzki (director) 
&lt;TT&gt;SUN        &lt;/TT&gt;CAPRICCIO 
&lt;TT&gt;SUN        &lt;/TT&gt;60 032-2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Johann Gottlieb Graun 
&lt;TT&gt;SUN        &lt;/TT&gt;Trio Sonata in G minor 
&lt;TT&gt;SUN        &lt;/TT&gt;Collegium Musicum 90, Simon Standage (director &amp; violin) 
&lt;TT&gt;SUN        &lt;/TT&gt;CHANDOS 
&lt;TT&gt;SUN        &lt;/TT&gt;CHAN 0541 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Franz Benda 
&lt;TT&gt;SUN        &lt;/TT&gt;Sonata in E minor – Largo 
&lt;TT&gt;SUN        &lt;/TT&gt;Barthold Kuijken (transverse flute), Wieland Kuijken 
&lt;TT&gt;SUN        &lt;/TT&gt;(cello), Bob van Asperen (harpsichord) 
&lt;TT&gt;SUN        &lt;/TT&gt;SONY CLASSICAL 
&lt;TT&gt;SUN        &lt;/TT&gt;SK 66267 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Carl Philipp Emanuel Bach 
&lt;TT&gt;SUN        &lt;/TT&gt;Presto in C minor, Wq114: H 230 
&lt;TT&gt;SUN        &lt;/TT&gt;Linda Nicholson (clavichord) 
&lt;TT&gt;SUN        &lt;/TT&gt;CAPRICCIO 
&lt;TT&gt;SUN        &lt;/TT&gt;49 367 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Carl Friedrich Christian Fasch 
&lt;TT&gt;SUN        &lt;/TT&gt;Opening of Missa a 16 voci: Kyrie, Christe eleison, Kyrie, 
&lt;TT&gt;SUN        &lt;/TT&gt;Gloria, Et in terra pax 
&lt;TT&gt;SUN        &lt;/TT&gt;Kammerchor Stuttgart, Frieder Bernius (director) 
&lt;TT&gt;SUN        &lt;/TT&gt;CARUS 
&lt;TT&gt;SUN        &lt;/TT&gt;83222 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;King Frederick II of Prussia 
&lt;TT&gt;SUN        &lt;/TT&gt;Sonata in B minor for flute and basso continuo - Allegretto 
&lt;TT&gt;SUN        &lt;/TT&gt;Emmanuel Pahud (flute), Trevor Pinnock (harpsichord), 
&lt;TT&gt;SUN        &lt;/TT&gt;Kammerakadamie Potsdam 
&lt;TT&gt;SUN        &lt;/TT&gt;EMI 
&lt;TT&gt;SUN        &lt;/TT&gt;0842302 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;14:00 Sunday Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m0x4.html&gt;b019m0x4&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m0x4&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC SSO - Mendelssohn, Schumann, Pintscher, Brahms 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Recorded in City Halls Glasgow on Thursday 10th January 
&lt;TT&gt;SUN        &lt;/TT&gt;2012. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;The BBC Scottish Symphony Orchestra is conducted by it's 
&lt;TT&gt;SUN        &lt;/TT&gt;Artist in Association, Matthias Pintscher. Described by 
&lt;TT&gt;SUN        &lt;/TT&gt;Clara Schumann as "free but Joyful", Brahms' 3rd Symphony is 
&lt;TT&gt;SUN        &lt;/TT&gt;full of the "mysterious charms of the woods and forests". 
&lt;TT&gt;SUN        &lt;/TT&gt;Clara Schumann's husband's serene, dreamlike cello concerto 
&lt;TT&gt;SUN        &lt;/TT&gt;is played by Andreas Brantelid and in Homage to Brahms, and 
&lt;TT&gt;SUN        &lt;/TT&gt;the world premiere of Ex Nihilo a BBC commission by Matthias 
&lt;TT&gt;SUN        &lt;/TT&gt;Pintscher is his response to Brahms 3rd Symphony using the 
&lt;TT&gt;SUN        &lt;/TT&gt;creative possibilities of the symphony orchestra. The 
&lt;TT&gt;SUN        &lt;/TT&gt;concert opens with Mendelssohn's Fair Melusine overture. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Mendelssohn - The Fair Melusine: Overture 
&lt;TT&gt;SUN        &lt;/TT&gt;Schumann - Cello Concerto* 
&lt;TT&gt;SUN        &lt;/TT&gt;Pintscher - Ex Nihilo (World Premiere BBc Commission) 
&lt;TT&gt;SUN        &lt;/TT&gt;Brahms - Symphony No. 3 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Andreas Brantelid (cello)* 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Scottish Symphony Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Matthias Pintscher. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;16:00 Choral Evensong &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b01975yg.html&gt;b01975yg&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b01975yg&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;From Winchester Cathedral. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Introit: Cradle Song (Richard Causton) 
&lt;TT&gt;SUN        &lt;/TT&gt;Responses: Clucas 
&lt;TT&gt;SUN        &lt;/TT&gt;Psalms: 93, 94 (Harris, Wesley) 
&lt;TT&gt;SUN        &lt;/TT&gt;First Lesson: 1 Kings 19vv9b-18 
&lt;TT&gt;SUN        &lt;/TT&gt;Canticles: Collegium Regale (John Tavener) 
&lt;TT&gt;SUN        &lt;/TT&gt;Second Lesson: Mark 9vv2-13 
&lt;TT&gt;SUN        &lt;/TT&gt;Anthem: The Three Kings (Jonathan Dove) 
&lt;TT&gt;SUN        &lt;/TT&gt;Hymn: Brightest and best (Wessex) 
&lt;TT&gt;SUN        &lt;/TT&gt;Organ Voluntary: Dans le Verbe était la Vie et la Vie était 
&lt;TT&gt;SUN        &lt;/TT&gt;la Lumière (Messiaen) 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Andrew Lumsden (Director of Music) 
&lt;TT&gt;SUN        &lt;/TT&gt;Simon Bell (Assistant Director of Music). 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;17:00 The Choir &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m0x6.html&gt;b019m0x6&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m0x6&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Choirbook for the Queen 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Aled Jones in conversation with Sir Peter Maxwell Davies, 
&lt;TT&gt;SUN        &lt;/TT&gt;Ian Ritchie and Reverend Lucy Winkett, discuss the recent 
&lt;TT&gt;SUN        &lt;/TT&gt;publication of the Choirbook for the Queen, marking the 
&lt;TT&gt;SUN        &lt;/TT&gt;Diamond Jubilee for Her Majesty The Queen. Including a 
&lt;TT&gt;SUN        &lt;/TT&gt;number of new commissions, this collection of contemporary 
&lt;TT&gt;SUN        &lt;/TT&gt;anthems will be showcased throughout the year at services 
&lt;TT&gt;SUN        &lt;/TT&gt;held around the country. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Gabriel Jackson 
&lt;TT&gt;SUN        &lt;/TT&gt;To morning 
&lt;TT&gt;SUN        &lt;/TT&gt;Stephen Layton 
&lt;TT&gt;SUN        &lt;/TT&gt;Polyphony 
&lt;TT&gt;SUN        &lt;/TT&gt;HYPERION 
&lt;TT&gt;SUN        &lt;/TT&gt;CDA6770-8 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Leos Janacek 
&lt;TT&gt;SUN        &lt;/TT&gt;Otcenáš 
&lt;TT&gt;SUN        &lt;/TT&gt;Andrew Nethsingha 
&lt;TT&gt;SUN        &lt;/TT&gt;St John's College Cambridge Choir, Frances Kelly (Harp), 
&lt;TT&gt;SUN        &lt;/TT&gt;Justin Lavender (Tenor), Leon Charles (Organ) 
&lt;TT&gt;SUN        &lt;/TT&gt;SJCR 
&lt;TT&gt;SUN        &lt;/TT&gt;105-2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Cecilia McDowall 
&lt;TT&gt;SUN        &lt;/TT&gt;Ave Regina, from Three Latin Motets 
&lt;TT&gt;SUN        &lt;/TT&gt;Charles Buffy 
&lt;TT&gt;SUN        &lt;/TT&gt;Phoenix Chorale 
&lt;TT&gt;SUN        &lt;/TT&gt;CHANDOS 
&lt;TT&gt;SUN        &lt;/TT&gt;CHSA-5066 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Tarik O'Regan 
&lt;TT&gt;SUN        &lt;/TT&gt;Beatus auctor saeculi 
&lt;TT&gt;SUN        &lt;/TT&gt;Paul Gameson 
&lt;TT&gt;SUN        &lt;/TT&gt;Ebor Singers 
&lt;TT&gt;SUN        &lt;/TT&gt;Boreas 
&lt;TT&gt;SUN        &lt;/TT&gt;BMCD901 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Sir Peter Maxwell Davies 
&lt;TT&gt;SUN        &lt;/TT&gt;The Turn of the Tide - Section VI: The Warning is heeded: 
&lt;TT&gt;SUN        &lt;/TT&gt;Nature reborn 
&lt;TT&gt;SUN        &lt;/TT&gt;Peter Maxwell Davies 
&lt;TT&gt;SUN        &lt;/TT&gt;The Manchester Cathedral Girls Choir, The Boys of the 
&lt;TT&gt;SUN        &lt;/TT&gt;Manchester Cathedral Choir, The Boys of Manchester Cathedral 
&lt;TT&gt;SUN        &lt;/TT&gt;Voluntary Choir, The Choir of Manchester Grammar School, BBC 
&lt;TT&gt;SUN        &lt;/TT&gt;Philharmonic Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;Collins 
&lt;TT&gt;SUN        &lt;/TT&gt;13-902 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Howard Skempton 
&lt;TT&gt;SUN        &lt;/TT&gt;Ave Virgo Sanctissima 
&lt;TT&gt;SUN        &lt;/TT&gt;Matthew Owens 
&lt;TT&gt;SUN        &lt;/TT&gt;Exon Singers 
&lt;TT&gt;SUN        &lt;/TT&gt;Delphian 
&lt;TT&gt;SUN        &lt;/TT&gt;DCD-34056 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Sir Hubert Parry 
&lt;TT&gt;SUN        &lt;/TT&gt;The Lotos Eaters 
&lt;TT&gt;SUN        &lt;/TT&gt;Matthias Bamert 
&lt;TT&gt;SUN        &lt;/TT&gt;Della Jones (Mezzo-soprano), London Philharmonic Choir, 
&lt;TT&gt;SUN        &lt;/TT&gt;London Philharmonic Orchestra 
&lt;TT&gt;SUN        &lt;/TT&gt;CHANDOS 
&lt;TT&gt;SUN        &lt;/TT&gt;CHAN-8990 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Richard Causton 
&lt;TT&gt;SUN        &lt;/TT&gt;Cradle Song 
&lt;TT&gt;SUN        &lt;/TT&gt;Geoffrey Webber 
&lt;TT&gt;SUN        &lt;/TT&gt;The Choir of Gonville and Caius College Cambridge 
&lt;TT&gt;SUN        &lt;/TT&gt;Delphian 34075 
&lt;TT&gt;SUN        &lt;/TT&gt;Delphian-34075 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;18:30 Words and Music &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b011cjkz.html&gt;b011cjkz&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b011cjkz&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;The Gothic 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;The creeping, menacing, darkness of Verdi’s Prelude to 
&lt;TT&gt;SUN        &lt;/TT&gt;Macbeth raises the curtain on the entrancing, unsettling 
&lt;TT&gt;SUN        &lt;/TT&gt;world of The Gothic. Born of the twin eighteenth century 
&lt;TT&gt;SUN        &lt;/TT&gt;literary fascinations of romanticism and the sublime, gothic 
&lt;TT&gt;SUN        &lt;/TT&gt;literature took readers to cliff top castles, on Byronic 
&lt;TT&gt;SUN        &lt;/TT&gt;journeys through unnatural tempests and into the more 
&lt;TT&gt;SUN        &lt;/TT&gt;disturbing realms of imagination. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;This was a genre designed to deliver a pleasurable thrill of 
&lt;TT&gt;SUN        &lt;/TT&gt;terror and it gave rise to great literature. As ever, 
&lt;TT&gt;SUN        &lt;/TT&gt;Shakespeare looms large - his Lady Macbeth was arguably the 
&lt;TT&gt;SUN        &lt;/TT&gt;first gothic heroine and her chilling demand for 
&lt;TT&gt;SUN        &lt;/TT&gt;supernatural powers to ‘unsex me now’ starts our shadowy 
&lt;TT&gt;SUN        &lt;/TT&gt;journey. Mary Shelley’s entry in an 1816 story telling 
&lt;TT&gt;SUN        &lt;/TT&gt;competition bestowed upon the world a spine chilling monster 
&lt;TT&gt;SUN        &lt;/TT&gt;of a book which has lurked in the public consciousness ever 
&lt;TT&gt;SUN        &lt;/TT&gt;since. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;The name Frankenstein has become a metaphor in its own 
&lt;TT&gt;SUN        &lt;/TT&gt;right. In the programme you’ll hear the poignant moment when 
&lt;TT&gt;SUN        &lt;/TT&gt;Frankenstein’s monster suffers the painfully human sensation 
&lt;TT&gt;SUN        &lt;/TT&gt;of remorse after the murder of his creator. Nineteenth 
&lt;TT&gt;SUN        &lt;/TT&gt;century gothic revivalism in architecture revelled in the 
&lt;TT&gt;SUN        &lt;/TT&gt;macabre, gargoyle-encrusted grandeur of medieval religious 
&lt;TT&gt;SUN        &lt;/TT&gt;buildings. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;We step inside Ernest Walsh’s Cathedral accompanied by the 
&lt;TT&gt;SUN        &lt;/TT&gt;echoing enormity of Poulenc’s concerto for organ, strings 
&lt;TT&gt;SUN        &lt;/TT&gt;and timpani. The unearthly music of Perotin, one of the 
&lt;TT&gt;SUN        &lt;/TT&gt;twelfth century composers who served their apprenticeship 
&lt;TT&gt;SUN        &lt;/TT&gt;amidst the gothic splendour of Notre Dame, evokes the 
&lt;TT&gt;SUN        &lt;/TT&gt;ethereal majesty of a cathedral space with his Beata 
&lt;TT&gt;SUN        &lt;/TT&gt;Viscera. Gregory Lewis’ The Monk takes gothic religiosity in 
&lt;TT&gt;SUN        &lt;/TT&gt;a slightly more eccentric direction. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;This tale of a lustful man of the cloth trying to overcome 
&lt;TT&gt;SUN        &lt;/TT&gt;his demons has all the elements of gothic- gone-mad: we hear 
&lt;TT&gt;SUN        &lt;/TT&gt;the moment when a devilish preacher with 
&lt;TT&gt;SUN        &lt;/TT&gt;Pride!Lust!Inhumanity! written on his forehead lunges at an 
&lt;TT&gt;SUN        &lt;/TT&gt;alter-bound virgin; an ideal introduction to Carl Orff’s 
&lt;TT&gt;SUN        &lt;/TT&gt;demonic O Fortuna. While the gothic in music and literature 
&lt;TT&gt;SUN        &lt;/TT&gt;is most often associated with darkness and fear; some of its 
&lt;TT&gt;SUN        &lt;/TT&gt;defining principles come from the light infused excitement 
&lt;TT&gt;SUN        &lt;/TT&gt;of romantic writing. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Wordsworth’s Tintern Abbey, with its rapturous paean to the 
&lt;TT&gt;SUN        &lt;/TT&gt;haunting power of nature, shows us the roots of the gothic 
&lt;TT&gt;SUN        &lt;/TT&gt;preoccupation with ever heightened sensation. We finally 
&lt;TT&gt;SUN        &lt;/TT&gt;arrive at another iconic gothic location at the close of the 
&lt;TT&gt;SUN        &lt;/TT&gt;programme. Léonie Adams’ pealing evocation of a Bell Tower 
&lt;TT&gt;SUN        &lt;/TT&gt;is musically matched by Tallis’ luminous O Nata Lux, 
&lt;TT&gt;SUN        &lt;/TT&gt;allowing us to step momentarily out of the shadows and into 
&lt;TT&gt;SUN        &lt;/TT&gt;the light. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’00’00 
&lt;TT&gt;SUN        &lt;/TT&gt;Verdi 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Macbeth, prelude 
&lt;TT&gt;SUN        &lt;/TT&gt;New Philharmonia Orchestra conducted by Riccardo Muti 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: EMI Classics, 724356712829 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: CD 1, Tr.1 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’02’58 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: William Shakespeare 
&lt;TT&gt;SUN        &lt;/TT&gt;Speech: Macbeth, Act 1 scene V 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’04’09 
&lt;TT&gt;SUN        &lt;/TT&gt;John Morris 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: A Transylvanian Lullaby from Young Frankenstein 
&lt;TT&gt;SUN        &lt;/TT&gt;Gil Shaham (violin), Jonatahn Feldman (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: DG, 463483-2 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’08’01 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Mary Shelley 
&lt;TT&gt;SUN        &lt;/TT&gt;Speech: Frankenstein, extract 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’09’34 
&lt;TT&gt;SUN        &lt;/TT&gt;Debussy 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: La Mer 
&lt;TT&gt;SUN        &lt;/TT&gt;Orchestre du Capitole de Toulouse conducted by Michel 
&lt;TT&gt;SUN        &lt;/TT&gt;Plasson 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: EMI Classics, 724357472722 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 7 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’13’14 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Angela Carter 
&lt;TT&gt;SUN        &lt;/TT&gt;Speech: The Bloody Chamber, extract 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’13’31 
&lt;TT&gt;SUN        &lt;/TT&gt;Debussy 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Prelude, La Cathédrale engloutie 
&lt;TT&gt;SUN        &lt;/TT&gt;Werner Haas (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: Philips, 438718-2 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 10 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’14’58 
&lt;TT&gt;SUN        &lt;/TT&gt;Danny Elfman 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Edward Scissorhands, Introduction 
&lt;TT&gt;SUN        &lt;/TT&gt;The Paulist Choristers of California conducted by Shirley 
&lt;TT&gt;SUN        &lt;/TT&gt;Walker 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: MCA,MCAD-10133 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 1 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’17’36 
&lt;TT&gt;SUN        &lt;/TT&gt;N/A 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Annunciation Bells 
&lt;TT&gt;SUN        &lt;/TT&gt;The Benedictine Nuns of Notre-Dame de l’Annonciation 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: Decca, 2748264 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 4 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’17’46 
&lt;TT&gt;SUN        &lt;/TT&gt;Poulenc 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Concerto for organ, strings and timpani 
&lt;TT&gt;SUN        &lt;/TT&gt;Gillian Weir (organ), City of London Sinfonia, conducted by 
&lt;TT&gt;SUN        &lt;/TT&gt;Richard Hickox 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: Virgin Classics, 5450672 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 7 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’19’29 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Ernest Walsh 
&lt;TT&gt;SUN        &lt;/TT&gt;Speech: The Cathedral 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’23’14 
&lt;TT&gt;SUN        &lt;/TT&gt;Perotin 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Beata Viscera 
&lt;TT&gt;SUN        &lt;/TT&gt;The Hilliard Ensemble 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: ECM, 1385837751-2 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 8 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’29’15 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Giosuè Carducci 
&lt;TT&gt;SUN        &lt;/TT&gt;Speech: In a Gothic Cathedral, extract 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’30’43 
&lt;TT&gt;SUN        &lt;/TT&gt;Danney Elfman 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Castle on a Hill from Edward Scissorhands 
&lt;TT&gt;SUN        &lt;/TT&gt;The Paulist Choristers of California conducted by Shirley 
&lt;TT&gt;SUN        &lt;/TT&gt;Walker 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: MCA,MCAD-10133 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 3 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’34’57 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Matthew Gregory Lewis 
&lt;TT&gt;SUN        &lt;/TT&gt;Speech: The Monk, extract 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’35’45 
&lt;TT&gt;SUN        &lt;/TT&gt;Carl Orff 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: O Fortuna from Carmina Burana 
&lt;TT&gt;SUN        &lt;/TT&gt;San Francisco Symphony conducted by Herbert Blomstedt 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: Decca, 430509-2 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 1 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’37’04 
&lt;TT&gt;SUN        &lt;/TT&gt;Dowland 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Galliard to Lachrimae 
&lt;TT&gt;SUN        &lt;/TT&gt;David Miller (lute) 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: Coro, COR16081 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 17 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’37’29 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Christina Rossetti 
&lt;TT&gt;SUN        &lt;/TT&gt;Speech: Goblin Market, extract 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’39’11 
&lt;TT&gt;SUN        &lt;/TT&gt;Dowland 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: In this trembling shadow 
&lt;TT&gt;SUN        &lt;/TT&gt;Elin Manahan Thomas (soprano), David Milar (lute) 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: CORO. COR16081 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 21 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’42’00 
&lt;TT&gt;SUN        &lt;/TT&gt;Eugène Ysaye 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Obsession from Solo Sonata No. 2 
&lt;TT&gt;SUN        &lt;/TT&gt;Gil Shaham (violin), Jonathan Feldman (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: DG, 463482-2 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 13 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’44’16 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Samuel Taylor Coleridge 
&lt;TT&gt;SUN        &lt;/TT&gt;Speech: The Raven 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’46’21 
&lt;TT&gt;SUN        &lt;/TT&gt;Saint-Saëns 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Danse Macabre 
&lt;TT&gt;SUN        &lt;/TT&gt;Royal Philharmonic Orchestra conducted by Charles Dutoit 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: Decca 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 1 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’53’21 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Oscar Wilde 
&lt;TT&gt;SUN        &lt;/TT&gt;Speech: The Picture of Dorian Gray, extract 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’54’50 
&lt;TT&gt;SUN        &lt;/TT&gt;Weber 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Der Freischutz, Act 2 finale 
&lt;TT&gt;SUN        &lt;/TT&gt;Bavarian Radio Chorus and Symphony Orchestra conducted by 
&lt;TT&gt;SUN        &lt;/TT&gt;Rafael Kubelik 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: Decca, 417120-2 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: CD 2, Tr. 1 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’57’18 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Emily Bronte 
&lt;TT&gt;SUN        &lt;/TT&gt;Speech: Wuthering Heights, extract 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 00’59’32 
&lt;TT&gt;SUN        &lt;/TT&gt;Ravel 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Gaspard de la Nuit, Ondine 
&lt;TT&gt;SUN        &lt;/TT&gt;Louis Lortie (piano) 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: Chandos, CHAN8647 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 1 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 01’06’07 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Worsworth 
&lt;TT&gt;SUN        &lt;/TT&gt;Speech: Tintern Abbey, extract 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 01’06’37 
&lt;TT&gt;SUN        &lt;/TT&gt;Schubert 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Nocturno Op. 148 
&lt;TT&gt;SUN        &lt;/TT&gt;Trio Florestan 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: Koch, DICD920488-9 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 5 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 01’11’00 
&lt;TT&gt;SUN        &lt;/TT&gt;N/A 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Annunciation Peal of Bells 
&lt;TT&gt;SUN        &lt;/TT&gt;The Benedictine Nuns of Notre-Dame de l’Annonciation 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: Decca, 2748264 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 22 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 01’11’13 
&lt;TT&gt;SUN        &lt;/TT&gt;Tallis 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: O nata lux 
&lt;TT&gt;SUN        &lt;/TT&gt;The Tallis Scholars 
&lt;TT&gt;SUN        &lt;/TT&gt;Label: Gimell, CDGIM025 
&lt;TT&gt;SUN        &lt;/TT&gt;Track: 10 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Offset: 01’11’41 
&lt;TT&gt;SUN        &lt;/TT&gt;Title: Léonie Adams 
&lt;TT&gt;SUN        &lt;/TT&gt;Speech: The Bell Tower 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;19:45 Sunday Feature &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b00wlj9d.html&gt;b00wlj9d&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b00wlj9d&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;The Little Prince Died at Dawn 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Screenwriter Frank Cottrell Boyce soars amongst the winged 
&lt;TT&gt;SUN        &lt;/TT&gt;words and short life of pilot and writer Antoine De 
&lt;TT&gt;SUN        &lt;/TT&gt;Saint-Exupéry whose career began and ended in the air. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Pilot, poet, philosopher, journalist and inventor; Antoine 
&lt;TT&gt;SUN        &lt;/TT&gt;De Saint-Exupéry (read by David Morrissey) opened the skies 
&lt;TT&gt;SUN        &lt;/TT&gt;and the deserts to an astonished readership and left behind 
&lt;TT&gt;SUN        &lt;/TT&gt;the most beautiful words on flight as well as The Little 
&lt;TT&gt;SUN        &lt;/TT&gt;Prince. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;He flew the perilous mail routes over mountains, sea and 
&lt;TT&gt;SUN        &lt;/TT&gt;desert in the 1920's &amp; 30's. Vividly conveying the danger 
&lt;TT&gt;SUN        &lt;/TT&gt;and beauty in works such as Southern Mail and Night Flight, 
&lt;TT&gt;SUN        &lt;/TT&gt;becoming a literary star in the process. By 1940, already 
&lt;TT&gt;SUN        &lt;/TT&gt;ageing, and with a broken body from numerous crashes, he 
&lt;TT&gt;SUN        &lt;/TT&gt;flew several high risk reconnaissance missions as France 
&lt;TT&gt;SUN        &lt;/TT&gt;fell. For this he was awarded the Croix de Guerre. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;He transformed this nightmarish experience into Flight to 
&lt;TT&gt;SUN        &lt;/TT&gt;Arras his final aerial testament. Now exiled to America, in 
&lt;TT&gt;SUN        &lt;/TT&gt;support of Free France, he found unexpected riches and 
&lt;TT&gt;SUN        &lt;/TT&gt;adulation. There he began his most famous work, The Little 
&lt;TT&gt;SUN        &lt;/TT&gt;Prince. But the call of the air and of duty was too strong 
&lt;TT&gt;SUN        &lt;/TT&gt;for St Ex In 1944 he resumed operational flying. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Barely able to squeeze his bulky and battered frame into the 
&lt;TT&gt;SUN        &lt;/TT&gt;cockpit of his unarmed P38 Lightning, St. Ex flew over his 
&lt;TT&gt;SUN        &lt;/TT&gt;beloved France photographing enemy targets. On July 31st 
&lt;TT&gt;SUN        &lt;/TT&gt;1944 he vanished. Like the final instructions from his 
&lt;TT&gt;SUN        &lt;/TT&gt;beloved creation, Little Prince, many have been waiting for 
&lt;TT&gt;SUN        &lt;/TT&gt;his return ever since. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Readers David Morrissey &amp; Claudia Coulter 
&lt;TT&gt;SUN        &lt;/TT&gt;Producer: Mark Burman. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;20:30 Drama on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m11n.html&gt;b019m11n&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m11n&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Things Might Change or Cease 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;When Maggie sees an illusionist on television she becomes 
&lt;TT&gt;SUN        &lt;/TT&gt;convinced that he is her half-brother and that through him 
&lt;TT&gt;SUN        &lt;/TT&gt;she and her sisters Lena and Nell will finally find the 
&lt;TT&gt;SUN        &lt;/TT&gt;father, Austin Birtwhistle, who walked out on them thirty 
&lt;TT&gt;SUN        &lt;/TT&gt;seven years before. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Linda Marshall Griffiths' original play explores illusion 
&lt;TT&gt;SUN        &lt;/TT&gt;and disillusion, the boundaries of love and the extremes of 
&lt;TT&gt;SUN        &lt;/TT&gt;grief as a family, fractured by abandonment, tread the 
&lt;TT&gt;SUN        &lt;/TT&gt;emotional hinterland of reconciliation. Echoing 
&lt;TT&gt;SUN        &lt;/TT&gt;Shakespeare's King Lear, we see Austin, an old man, raving 
&lt;TT&gt;SUN        &lt;/TT&gt;on Brighton Beach, as he wanders through the gaps in his own 
&lt;TT&gt;SUN        &lt;/TT&gt;life, conjuring all the things he left behind. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;MAGGIE.....Julia Ford 
&lt;TT&gt;SUN        &lt;/TT&gt;LENA.....Deborah McAndrew 
&lt;TT&gt;SUN        &lt;/TT&gt;NELL.....Jo Hartley 
&lt;TT&gt;SUN        &lt;/TT&gt;IVAN.....Tom Rolinson 
&lt;TT&gt;SUN        &lt;/TT&gt;AUSTIN.....Oliver Cotton 
&lt;TT&gt;SUN        &lt;/TT&gt;CHARLIE.....Ifan Meredith 
&lt;TT&gt;SUN        &lt;/TT&gt;TOM.....Jake Norton 
&lt;TT&gt;SUN        &lt;/TT&gt;TERRY/DAVE.....Russell Richardson 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Directed by Nadia Molinari 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Featuring music from 'Infra' composed by Max Richter. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;22:00 World Routes &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m11q.html&gt;b019m11q&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m11q&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;World Routes in Madagascar, Episode 5 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Lucy Duran's in Madagascar to record the island's unique 
&lt;TT&gt;SUN        &lt;/TT&gt;traditional music. This week, she's in the sleepy seaside 
&lt;TT&gt;SUN        &lt;/TT&gt;town of Tulear, home of musician, wrestler and magician 
&lt;TT&gt;SUN        &lt;/TT&gt;Mandindry. Plus she takes a small boat to the remote 
&lt;TT&gt;SUN        &lt;/TT&gt;community of Anakao where she meets a group who play 
&lt;TT&gt;SUN        &lt;/TT&gt;mandolins stringed with fishing line, and has to kill a goat 
&lt;TT&gt;SUN        &lt;/TT&gt;in order to visit the grave of renowned local musician 
&lt;TT&gt;SUN        &lt;/TT&gt;Robert Rindy. Producer James Parkin. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;In January 2010 World Routes broadcast three programmes made 
&lt;TT&gt;SUN        &lt;/TT&gt;on the high central plateau of Madagascar. In January 2012, 
&lt;TT&gt;SUN        &lt;/TT&gt;Lucy Duran and the team continue the journey, moving from 
&lt;TT&gt;SUN        &lt;/TT&gt;the plateau down to the coast in the far south. As with all 
&lt;TT&gt;SUN        &lt;/TT&gt;World Routes on-location programmes, all the music was 
&lt;TT&gt;SUN        &lt;/TT&gt;specially recorded in or near the homes of the musicians. 
&lt;TT&gt;SUN        &lt;/TT&gt;This mysterious island is full of extraordinary animal and 
&lt;TT&gt;SUN        &lt;/TT&gt;plant life - home to more unique species than just about 
&lt;TT&gt;SUN        &lt;/TT&gt;anywhere on the planet. But for us, what makes this island 
&lt;TT&gt;SUN        &lt;/TT&gt;of strange dreams, ancestral worship and sorcery so special 
&lt;TT&gt;SUN        &lt;/TT&gt;is its music. And, like the natural life, its unique 
&lt;TT&gt;SUN        &lt;/TT&gt;evolution - neither African nor Asian - makes it a wonderful 
&lt;TT&gt;SUN        &lt;/TT&gt;melting pot of instruments and styles. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;title: Title Unknown 
&lt;TT&gt;SUN        &lt;/TT&gt;artist: Crysantho 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, the Victory Hotel, Tulear, Madagascar 
&lt;TT&gt;SUN        &lt;/TT&gt;11th September 2009 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;title: Tokalava 
&lt;TT&gt;SUN        &lt;/TT&gt;artist: Mandindry 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, Tulear, Madagascar 
&lt;TT&gt;SUN        &lt;/TT&gt;10th September 2009 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;title: Mahinte ty lamba 
&lt;TT&gt;SUN        &lt;/TT&gt;artist: Mandindry 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, Tulear, Madagascar 
&lt;TT&gt;SUN        &lt;/TT&gt;10th September 2009 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;title: Beko Ndolo 
&lt;TT&gt;SUN        &lt;/TT&gt;artist: Mandindry 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, Tulear, Madagascar 
&lt;TT&gt;SUN        &lt;/TT&gt;10th September 2009 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Location Recording 
&lt;TT&gt;SUN        &lt;/TT&gt;title: Apelo-kombo 
&lt;TT&gt;SUN        &lt;/TT&gt;artist: Sambiasy 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, the Victory Hotel, Tulear, Madagascar 
&lt;TT&gt;SUN        &lt;/TT&gt;11th September 2009 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;title: Lasamasy 
&lt;TT&gt;SUN        &lt;/TT&gt;artist: Madame Masy with Mony &amp; Biga 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, Tulear, Madagascar 
&lt;TT&gt;SUN        &lt;/TT&gt;13th September 2009 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;title: Itardala 
&lt;TT&gt;SUN        &lt;/TT&gt;artist: Madame Masy 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, Tulear, Madagascar 
&lt;TT&gt;SUN        &lt;/TT&gt;13th September 2009 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;title: Talaky 
&lt;TT&gt;SUN        &lt;/TT&gt;artist: Crysantho 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, the Victory Hotel, Tulear, Madagascar 
&lt;TT&gt;SUN        &lt;/TT&gt;11th September 2009 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;title: Akalo Telo 
&lt;TT&gt;SUN        &lt;/TT&gt;artist: Robert Rindy 
&lt;TT&gt;SUN        &lt;/TT&gt;performers: Written and performed by Robert Rindy 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;title: Kininy Habo 
&lt;TT&gt;SUN        &lt;/TT&gt;artist: Manavasava 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, Anakao, Madagascar 
&lt;TT&gt;SUN        &lt;/TT&gt;12th September 2009 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;title: Voaroe Namatoy 
&lt;TT&gt;SUN        &lt;/TT&gt;artist: Manavasava 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, Anakao, Madagascar 
&lt;TT&gt;SUN        &lt;/TT&gt;12th September 2009 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;title: Hay Ianareo 
&lt;TT&gt;SUN        &lt;/TT&gt;artist: Manavasava 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, Anakao, Madagascar 
&lt;TT&gt;SUN        &lt;/TT&gt;12th September 2009 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;title: Untitled improvisation 
&lt;TT&gt;SUN        &lt;/TT&gt;artist: Paddy Bush 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, The grave of Robert Rindy in Anakao, 
&lt;TT&gt;SUN        &lt;/TT&gt;Madagascar 
&lt;TT&gt;SUN        &lt;/TT&gt;12th September 2009 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;&lt;B&gt;23:00 Jazz Line-Up &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m11s.html&gt;b019m11s&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m11s&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;McCoy Tyner 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Claire Martin presents a concert of music from the iconic 
&lt;TT&gt;SUN        &lt;/TT&gt;pianist McCoy Tyner recorded at the 2011 London Jazz 
&lt;TT&gt;SUN        &lt;/TT&gt;Festival, featuring the stellar line-up of saxophonist Chris 
&lt;TT&gt;SUN        &lt;/TT&gt;Potter, bassist Gerald Cannon, drummer Joe Farnsworth, 
&lt;TT&gt;SUN        &lt;/TT&gt;vocalist Jose James and McCoy Tyner on piano. Plus an 
&lt;TT&gt;SUN        &lt;/TT&gt;interview with Chris Potter conducted by Kevin Le Gendre 
&lt;TT&gt;SUN        &lt;/TT&gt;prior to his perfomance with McCoy Tyner, which marked the 
&lt;TT&gt;SUN        &lt;/TT&gt;50th Anniversary of the legendary Impulse record label. 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;The Beatles 
&lt;TT&gt;SUN        &lt;/TT&gt;Day Tripper 
&lt;TT&gt;SUN        &lt;/TT&gt;Lennon/McCartney 
&lt;TT&gt;SUN        &lt;/TT&gt;Northern Songs 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;McCoy Tyner Trio 
&lt;TT&gt;SUN        &lt;/TT&gt;In A Mellow Tone 
&lt;TT&gt;SUN        &lt;/TT&gt;McCoy Tyner (Piano), Gerald Cannon (Bass), Joe Farnsworth 
&lt;TT&gt;SUN        &lt;/TT&gt;(Drums), Chris Potter (Sax) 
&lt;TT&gt;SUN        &lt;/TT&gt;Duke Ellington 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, recorded at London’s Barbican, 12th November 
&lt;TT&gt;SUN        &lt;/TT&gt;as part of the London Jazz Festival 2011 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Dave Douglas 
&lt;TT&gt;SUN        &lt;/TT&gt;Tree &amp; Shrub 
&lt;TT&gt;SUN        &lt;/TT&gt;Dave Douglas 
&lt;TT&gt;SUN        &lt;/TT&gt;Greenleaf Music 1011 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Esperanza Spalding 
&lt;TT&gt;SUN        &lt;/TT&gt;Radio Song 
&lt;TT&gt;SUN        &lt;/TT&gt;Esperanza Spalding 
&lt;TT&gt;SUN        &lt;/TT&gt;Decca Promo 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Meadow 
&lt;TT&gt;SUN        &lt;/TT&gt;Will 
&lt;TT&gt;SUN        &lt;/TT&gt;Thomas Stronen (Drums), John Taylor (Piano), Tore Brunborg 
&lt;TT&gt;SUN        &lt;/TT&gt;(Sax) 
&lt;TT&gt;SUN        &lt;/TT&gt;Thomas Stronen 
&lt;TT&gt;SUN        &lt;/TT&gt;Edition Records EDN 1025 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Brad Mehldau 
&lt;TT&gt;SUN        &lt;/TT&gt;Blackbird 
&lt;TT&gt;SUN        &lt;/TT&gt;Brad Mehldau (Piano), larry Grenadier (Bass), Jorge Rossy 
&lt;TT&gt;SUN        &lt;/TT&gt;(Drums) 
&lt;TT&gt;SUN        &lt;/TT&gt;Lennon/McCartney 
&lt;TT&gt;SUN        &lt;/TT&gt;Nonesuch 9362 46260-2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Chris Potter 
&lt;TT&gt;SUN        &lt;/TT&gt;Snake Oil 
&lt;TT&gt;SUN        &lt;/TT&gt;Chris Potter 
&lt;TT&gt;SUN        &lt;/TT&gt;Verve Records/Universal Music 0182432 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Brad Mehldau 
&lt;TT&gt;SUN        &lt;/TT&gt;Blackbird 
&lt;TT&gt;SUN        &lt;/TT&gt;Brad Mehldau (Piano), larry Grenadier (Bass), Jorge Rossy 
&lt;TT&gt;SUN        &lt;/TT&gt;(Drums) 
&lt;TT&gt;SUN        &lt;/TT&gt;Lennon/McCartney 
&lt;TT&gt;SUN        &lt;/TT&gt;Nonesuch 9362 46260-2 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Chris Potter 
&lt;TT&gt;SUN        &lt;/TT&gt;Family Tree 
&lt;TT&gt;SUN        &lt;/TT&gt;Chris Potter 
&lt;TT&gt;SUN        &lt;/TT&gt;Emarcy Records 5301907 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;McCoy Tyner Trio 
&lt;TT&gt;SUN        &lt;/TT&gt;Fly With The Wind 
&lt;TT&gt;SUN        &lt;/TT&gt;McCoy Tyner (Piano), Gerald Cannon (Bass), Joe Farnsworth 
&lt;TT&gt;SUN        &lt;/TT&gt;(Drums), Chris Potter (Sax), Jose James (Vocal) 
&lt;TT&gt;SUN        &lt;/TT&gt;McCoy Tyner 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, recorded at London’s Barbican, 12th November 
&lt;TT&gt;SUN        &lt;/TT&gt;as part of the London Jazz Festival 2011 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;McCoy Tyner Trio 
&lt;TT&gt;SUN        &lt;/TT&gt;You Are Too Beautiful 
&lt;TT&gt;SUN        &lt;/TT&gt;McCoy Tyner (Piano), Gerald Cannon (Bass), Joe Farnsworth 
&lt;TT&gt;SUN        &lt;/TT&gt;(Drums), Chris Potter (Sax), Jose James (Vocal) 
&lt;TT&gt;SUN        &lt;/TT&gt;Rodgers &amp; Hart 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, recorded at London’s Barbican, 12th November 
&lt;TT&gt;SUN        &lt;/TT&gt;as part of the London Jazz Festival 2011 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;McCoy Tyner Trio 
&lt;TT&gt;SUN        &lt;/TT&gt;In A Mellow Tone 
&lt;TT&gt;SUN        &lt;/TT&gt;McCoy Tyner (Piano), Gerald Cannon (Bass), Joe Farnsworth 
&lt;TT&gt;SUN        &lt;/TT&gt;(Drums), Chris Potter (Sax), Jose James (Vocal) 
&lt;TT&gt;SUN        &lt;/TT&gt;Duke Ellington 
&lt;TT&gt;SUN        &lt;/TT&gt;BBC Recording, recorded at London’s Barbican, 12th November 
&lt;TT&gt;SUN        &lt;/TT&gt;as part of the London Jazz Festival 2011 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Curtis Stigers 
&lt;TT&gt;SUN        &lt;/TT&gt;Into Temptation 
&lt;TT&gt;SUN        &lt;/TT&gt;Neil Finn 
&lt;TT&gt;SUN        &lt;/TT&gt;Decca Promo 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Matthew Bourne 
&lt;TT&gt;SUN        &lt;/TT&gt;Movement No.8 - Juliet 
&lt;TT&gt;SUN        &lt;/TT&gt;Matthew Bourne (Piano and Cello) 
&lt;TT&gt;SUN        &lt;/TT&gt;Matthew Bourne 
&lt;TT&gt;SUN        &lt;/TT&gt;Leaf Records AY 77CDP 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt;Zoe Rahman 
&lt;TT&gt;SUN        &lt;/TT&gt;Conversation with Nellie 
&lt;TT&gt;SUN        &lt;/TT&gt;Zoe Rahman (Piano), Gene Calderazzo (Drums), Oli Hayhurst 
&lt;TT&gt;SUN        &lt;/TT&gt;(Double Bass), Courtney Pine (Alto Flute) 
&lt;TT&gt;SUN        &lt;/TT&gt;Zoe Rahman 
&lt;TT&gt;SUN        &lt;/TT&gt;Manushi Records MANUCD 005 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;SUN        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;A name='MO'&gt;&lt;B&gt;MONDAY 23 JANUARY 2012&lt;/B&gt;&lt;/A&gt; 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;00:30 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m2zm.html&gt;b019m2zm&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m2zm&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Susan Sharpe selects an outstanding concert of early tenor 
&lt;TT&gt;MON        &lt;/TT&gt;duets recorded at the 2009 Flanders Festival. Kapsberger, 
&lt;TT&gt;MON        &lt;/TT&gt;Frescobaldi and Monteverdi are brought to life by Ensemble 
&lt;TT&gt;MON        &lt;/TT&gt;Vivante 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;12:31 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Kapsberger, Giovanni Girolamo [c.1580-1651] &amp; Strozzi, 
&lt;TT&gt;MON        &lt;/TT&gt;Barbara [1619-1677] 
&lt;TT&gt;MON        &lt;/TT&gt;Kapsberger: All'ombra; Strozzi: quante volte; Kapsberger: 
&lt;TT&gt;MON        &lt;/TT&gt;Amor piangente 
&lt;TT&gt;MON        &lt;/TT&gt;Vivante 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;12:41 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Kapsberger, Giovanni Girolamo [c.1580-1651] &amp; Foscarini, 
&lt;TT&gt;MON        &lt;/TT&gt;Giovanni Paolo [fl1621-1647] 
&lt;TT&gt;MON        &lt;/TT&gt;Kapsberger: O dolci sguardi; Foscarini: Ciacona sopra la B 
&lt;TT&gt;MON        &lt;/TT&gt;(instrumental); Kapsberger: alla luce 
&lt;TT&gt;MON        &lt;/TT&gt;Vivante 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;12:51 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Beethoven, Ludwig van (1770-1827) 
&lt;TT&gt;MON        &lt;/TT&gt;Duo for viola and cello in E flat major, WoO.32 
&lt;TT&gt;MON        &lt;/TT&gt;Milan Telecky (viola), Juraj Alexander (cello) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;1:01 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Debussy, Claude (1862-1918) 
&lt;TT&gt;MON        &lt;/TT&gt;Petite suite for piano duet 
&lt;TT&gt;MON        &lt;/TT&gt;Anna Klas, Bruno Lukk (pianos) 
&lt;TT&gt;MON        &lt;/TT&gt;EEER 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;1:14 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Rovetta, Giovanni [c.1595/7-1668] &amp; Kapsberger, Giovanni 
&lt;TT&gt;MON        &lt;/TT&gt;Girolamo [c.1580-1651] 
&lt;TT&gt;MON        &lt;/TT&gt;Rovetta: voi partite crudele; Kapsberger: Gagliarda in D &amp; 
&lt;TT&gt;MON        &lt;/TT&gt;Anemone &amp; Giunto il sole; Rovetta: O quante volte 
&lt;TT&gt;MON        &lt;/TT&gt;Vivante 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;1:33 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Holst, Gustav (1874-1934) 
&lt;TT&gt;MON        &lt;/TT&gt;St Paul's Suite (Op.29 No.2) 
&lt;TT&gt;MON        &lt;/TT&gt;Seoul Chamber Orchestra, Yong-Yun Kim (male) (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;1:47 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Storace, Bernado [fl. 1664] &amp; Frescobaldi, Girolamo 
&lt;TT&gt;MON        &lt;/TT&gt;[1583-1643] &amp; Monteverdi, Claudio [1567-1643] 
&lt;TT&gt;MON        &lt;/TT&gt;Storace: Ciacone ; Frescobaldi: se l'aura spira; Monteverdi: 
&lt;TT&gt;MON        &lt;/TT&gt;Ardo e scoprir &amp; si dolce e il tormento 
&lt;TT&gt;MON        &lt;/TT&gt;Vivante 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;2:04 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Gershwin, George (1898-1937) 
&lt;TT&gt;MON        &lt;/TT&gt;Lullaby 
&lt;TT&gt;MON        &lt;/TT&gt;New Stenhammar String Quartet 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;2:14 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Kapsberger, Giovanni Girolamo [c.1580-1651] 
&lt;TT&gt;MON        &lt;/TT&gt;Bianca rosa &amp; Alla Caccia &amp; Tranquilita d'animo 
&lt;TT&gt;MON        &lt;/TT&gt;Vivante 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;2:25 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Frescobaldi, Girolamo [1583-1643] 
&lt;TT&gt;MON        &lt;/TT&gt;De vien a me 
&lt;TT&gt;MON        &lt;/TT&gt;Vivante 
&lt;TT&gt;MON        &lt;/TT&gt;BEVRT 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;2:31 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Dvorák, Antonín (1841-1904) 
&lt;TT&gt;MON        &lt;/TT&gt;Concerto No.2 for cello and orchestra (Op.104) in B minor 
&lt;TT&gt;MON        &lt;/TT&gt;Truls Mørk (cello), Oslo Philharmonic Orchestra, André 
&lt;TT&gt;MON        &lt;/TT&gt;Previn (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;NONRK 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;3:01 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791) 
&lt;TT&gt;MON        &lt;/TT&gt;Trio for piano and strings in C major (K.548) 
&lt;TT&gt;MON        &lt;/TT&gt;Trio Orlando 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;3:25 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Vaughan Williams, Ralph (1872-1958) 
&lt;TT&gt;MON        &lt;/TT&gt;Serenade to music for 16 soloists (or 4 soloists &amp; chorus) &amp; 
&lt;TT&gt;MON        &lt;/TT&gt;orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;Bette Cosar (soprano), Delia Wallis (mezzo-soprano), Edd 
&lt;TT&gt;MON        &lt;/TT&gt;Wright (tenor), Gary Dahl (bass), Alexander Skwortsow 
&lt;TT&gt;MON        &lt;/TT&gt;(violin), Vancouver Bach Choir, Vancouver Symphony 
&lt;TT&gt;MON        &lt;/TT&gt;Orchestra, Bruce Pullan (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;CACBC 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;3:49 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Bozza, Eugène (1905-1991) 
&lt;TT&gt;MON        &lt;/TT&gt;Jour d'été à la montagne 
&lt;TT&gt;MON        &lt;/TT&gt;Giedrius Gelgoras, Albertas Stupakas, Valentinas Kazlauskas, 
&lt;TT&gt;MON        &lt;/TT&gt;Linas Gailiunas (flutes) 
&lt;TT&gt;MON        &lt;/TT&gt;LTLR 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:00 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Lanner, Joseph (1801-1843) 
&lt;TT&gt;MON        &lt;/TT&gt;Old Viennese Waltzes 
&lt;TT&gt;MON        &lt;/TT&gt;Arthur Schnabel (1882-1951) (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;SESR 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:06 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Kunzen, Friedrich (1761-1817) 
&lt;TT&gt;MON        &lt;/TT&gt;Overture to the play The Hussites 
&lt;TT&gt;MON        &lt;/TT&gt;Danish Radio Concert Orchestra, Peter Marschik (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:14 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Glazunov, Alexander Konstantinovich (1865-1936) 
&lt;TT&gt;MON        &lt;/TT&gt;Lyric poem for orchestra in D flat major (Op.12) 
&lt;TT&gt;MON        &lt;/TT&gt;West Australian Symphony Orchestra, Vladimir Verbitsky 
&lt;TT&gt;MON        &lt;/TT&gt;(conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:25 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Corelli, Arcangelo (1653-1713) 
&lt;TT&gt;MON        &lt;/TT&gt;Sonate da Chiesa in C major (Op.1 No.7) 
&lt;TT&gt;MON        &lt;/TT&gt;London Baroque 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:31 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Boeck, August de (1865-1937) 
&lt;TT&gt;MON        &lt;/TT&gt;Fantasy on two Flemish Folk Songs (1923) 
&lt;TT&gt;MON        &lt;/TT&gt;Vlaams Radio Orkest , Marc Soustrot (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:38 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Abel, Carl Friedrich (1723-1787) 
&lt;TT&gt;MON        &lt;/TT&gt;Symphony in E (Op.10 No.1) 
&lt;TT&gt;MON        &lt;/TT&gt;La Stagione Frankfurt, Michael Schneider (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:50 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Dostal, Nico (1895-1981) 
&lt;TT&gt;MON        &lt;/TT&gt;If a beautiful woman says to you 'perhaps' 
&lt;TT&gt;MON        &lt;/TT&gt;Jean Stilwell (mezzo soprano), Robert Kortgaard (piano), 
&lt;TT&gt;MON        &lt;/TT&gt;Marie Bérard (violin), Andy Morris (percussion), Peter 
&lt;TT&gt;MON        &lt;/TT&gt;Tiefenbach (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;4:53 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Horovitz, Joseph (b. 1926) 
&lt;TT&gt;MON        &lt;/TT&gt;Music Hall Suite 
&lt;TT&gt;MON        &lt;/TT&gt;The Slovene Brass Quintet 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;5:04 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Matthews, Artie (1888-1959) 
&lt;TT&gt;MON        &lt;/TT&gt;Pastime Rags (1913-20): Slow Drags No.4 
&lt;TT&gt;MON        &lt;/TT&gt;Donna Coleman (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;5:08 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Haapalainen, Väinö (1893-1945) 
&lt;TT&gt;MON        &lt;/TT&gt;Lemminkainen Overture (1925) 
&lt;TT&gt;MON        &lt;/TT&gt;The Finnish Radio Symphony Orchestra, Atso Almila 
&lt;TT&gt;MON        &lt;/TT&gt;(conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;5:16 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Haydn, Joseph (1732-1809) [Text: Peter Pindar] 
&lt;TT&gt;MON        &lt;/TT&gt;Der Sturm - chorus for SATB choir and orchestra (H.24a.8) 
&lt;TT&gt;MON        &lt;/TT&gt;Netherlands Radio Choir and Chamber Orchestra, Antoni 
&lt;TT&gt;MON        &lt;/TT&gt;Ros-Marba (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;5:26 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Buxtehude, Dietrich (1637-1707) 
&lt;TT&gt;MON        &lt;/TT&gt;Five Choral Preludes 
&lt;TT&gt;MON        &lt;/TT&gt;Juliusz Gembalski 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;5:40 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Mozetich, Marjan (b. 1948) 
&lt;TT&gt;MON        &lt;/TT&gt;The Passion of Angels 
&lt;TT&gt;MON        &lt;/TT&gt;Nora Bumanis &amp; Julia Shaw (harps), Marc Destrubé (violin), 
&lt;TT&gt;MON        &lt;/TT&gt;Diane Berthelsdorf (cello), Roger Cole (oboe), Christopher 
&lt;TT&gt;MON        &lt;/TT&gt;Millard (bassoon), CBC Vancouver Orchestra, Mario Bernardi 
&lt;TT&gt;MON        &lt;/TT&gt;(conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;6:01 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Bach, Johann Sebastian (1685-1750) 
&lt;TT&gt;MON        &lt;/TT&gt;Violin Concerto in A minor, (BWV.1041) 
&lt;TT&gt;MON        &lt;/TT&gt;Midori Seiler (violin), Akademie für Alte Musik Berlin 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;6:16 AM&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Parker, Horatio William (1863-1919) 
&lt;TT&gt;MON        &lt;/TT&gt;A Northern Ballad (1899) 
&lt;TT&gt;MON        &lt;/TT&gt;Albany Symphony Orchestra, Julius Hegyi (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;06:30 Breakfast &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m2zp.html&gt;b019m2zp&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m2zp&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;NB This playlist is subject to change during transmission. 
&lt;TT&gt;MON        &lt;/TT&gt;The final playlist will be put up by noon on the day of 
&lt;TT&gt;MON        &lt;/TT&gt;broadcast. 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;06:31&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Desprez 
&lt;TT&gt;MON        &lt;/TT&gt;Qui habitat a 24 
&lt;TT&gt;MON        &lt;/TT&gt;Huelgas Ensemble 
&lt;TT&gt;MON        &lt;/TT&gt;Paul Van Nevel (director) 
&lt;TT&gt;MON        &lt;/TT&gt;HARMONIA MUNDI HMC801954 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;06:37&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Camille Saint-Saëns 
&lt;TT&gt;MON        &lt;/TT&gt;Air &amp; Danse Bacchanale (from Samson and Dalila) 
&lt;TT&gt;MON        &lt;/TT&gt;Montréal Symphony Orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;Charles Dutoit (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;DECCA 4445522 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;06:54&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Tan Dun 
&lt;TT&gt;MON        &lt;/TT&gt;For the World (from the soundtr to Hero) 
&lt;TT&gt;MON        &lt;/TT&gt;Itzhak Perlman (violin) 
&lt;TT&gt;MON        &lt;/TT&gt;China Philharmonic Orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;Tan Dun (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;SONY SK87726 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:03&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Grainger/Stokowski 
&lt;TT&gt;MON        &lt;/TT&gt;Country Gardens 
&lt;TT&gt;MON        &lt;/TT&gt;City of Birmingham Symphony Orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;Simon Rattle (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;EMI 6975882 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:06&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Beethoven 
&lt;TT&gt;MON        &lt;/TT&gt;Violin Sonata No.3 in E flat major Op.12 No.3 – 1st movement 
&lt;TT&gt;MON        &lt;/TT&gt;Isabelle Faust (violin) 
&lt;TT&gt;MON        &lt;/TT&gt;Alexander Melnikov (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;HARMONIA MUNDI HMC902205.27 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:15&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Sibelius 
&lt;TT&gt;MON        &lt;/TT&gt;Karelia – Overture Op.10 
&lt;TT&gt;MON        &lt;/TT&gt;Lahti Symphony Orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;Osmo Vänskä (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;BIS CD1921/23 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:31&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;performer: 
&lt;TT&gt;MON        &lt;/TT&gt;The Yellow River in Wrath (from Yellow River Piano Concerto) 
&lt;TT&gt;MON        &lt;/TT&gt;Arranger: performer: 
&lt;TT&gt;MON        &lt;/TT&gt;Lang Lang (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;China Philharmonic Orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;Long Yu (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;DG 4776229 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:40&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Dvorak 
&lt;TT&gt;MON        &lt;/TT&gt;Polka from Czech Suite Op.39 
&lt;TT&gt;MON        &lt;/TT&gt;Scottish Chamber Orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;Joseph Svensen (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;LINN CKD241 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;07:45&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;J.S. Bach 
&lt;TT&gt;MON        &lt;/TT&gt;Concerto for violin, oboe &amp; strings in C minor BWV1060 
&lt;TT&gt;MON        &lt;/TT&gt;Richard Tognetti (violin) 
&lt;TT&gt;MON        &lt;/TT&gt;Diana Doherty (oboe) 
&lt;TT&gt;MON        &lt;/TT&gt;Australian Chamber Orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;ABC 4765691 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:03&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Johannes Brahms 
&lt;TT&gt;MON        &lt;/TT&gt;Hungarian Dance No.7 in A major 
&lt;TT&gt;MON        &lt;/TT&gt;Oscar Shumsky (violin) 
&lt;TT&gt;MON        &lt;/TT&gt;Frank Maus (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;NIMBUS NI2552 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:05&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Pyotr Ilyich Tchaikovsky 
&lt;TT&gt;MON        &lt;/TT&gt;Sleeping Beauty – Act 1 Waltz 
&lt;TT&gt;MON        &lt;/TT&gt;Orchestra of the Royal Opera House 
&lt;TT&gt;MON        &lt;/TT&gt;Mark Ermler (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;ROH 003 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:11&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Joseph Haydn 
&lt;TT&gt;MON        &lt;/TT&gt;Dove sei, mio bel Tesoro (from Arianna a Naxos) 
&lt;TT&gt;MON        &lt;/TT&gt;Alice Coote (mezzo) 
&lt;TT&gt;MON        &lt;/TT&gt;Julius Drake (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;EMI 5855592 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:16&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Mozart 
&lt;TT&gt;MON        &lt;/TT&gt;String Quartet No.16 in E flat major K428 – 1st movement 
&lt;TT&gt;MON        &lt;/TT&gt;Takacs Quartet 
&lt;TT&gt;MON        &lt;/TT&gt;HUNGAROTON HCD12983-85 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:31&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;MON        &lt;/TT&gt;Simple Symphony – Boisterous bourree (1st movement) 
&lt;TT&gt;MON        &lt;/TT&gt;Northern Sinfonia 
&lt;TT&gt;MON        &lt;/TT&gt;Steuart Bedford (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt;NAXOS 8557205 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:37&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;[traditional] 
&lt;TT&gt;MON        &lt;/TT&gt;Song of the Birds 
&lt;TT&gt;MON        &lt;/TT&gt;Pablo Casals (cello) 
&lt;TT&gt;MON        &lt;/TT&gt;Mieczyslaw Horszowski (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;COLUMBIA LP CBS72035 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;08:54&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Frédéric Chopin 
&lt;TT&gt;MON        &lt;/TT&gt;Mazurka in B flat minor Op.24 No.4 
&lt;TT&gt;MON        &lt;/TT&gt;Fou Ts’ong (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;NIFC CD001 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;09:00 Essential Classics &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m2zr.html&gt;b019m2zr&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m2zr&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;9am 
&lt;TT&gt;MON        &lt;/TT&gt;A selection of music including the Essential CD of the Week: 
&lt;TT&gt;MON        &lt;/TT&gt;The recorder player Michala Petri plays baroque Concertos 
&lt;TT&gt;MON        &lt;/TT&gt;and Sonatas: RCA 88697672632 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;9.30am&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;A daily brainteaser and performances by our Artist of the 
&lt;TT&gt;MON        &lt;/TT&gt;Week, Dietrich Fischer-Dieskau 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;10.30am&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;In the week of Burns Night, the Essential Classics guest is 
&lt;TT&gt;MON        &lt;/TT&gt;the Scottish poet and novelist Jackie Kay who introduces her 
&lt;TT&gt;MON        &lt;/TT&gt;essential pieces of classical music. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;11am 
&lt;TT&gt;MON        &lt;/TT&gt;Mussorgsky: Pictures at an Exhibition 
&lt;TT&gt;MON        &lt;/TT&gt;The Building a Library recommendation from last Saturday's 
&lt;TT&gt;MON        &lt;/TT&gt;CD Review. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;12:00 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b00vw4f3.html&gt;b00vw4f3&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b00vw4f3&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Benjamin Britten (1913-1976), Episode 1 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Donald Macleod reveals some of the wealth of music English 
&lt;TT&gt;MON        &lt;/TT&gt;composer Benjamin Britten wrote during his remarkably 
&lt;TT&gt;MON        &lt;/TT&gt;successful career in the light of two enduring influences - 
&lt;TT&gt;MON        &lt;/TT&gt;his life partner, the tenor Peter Pears and his beloved 
&lt;TT&gt;MON        &lt;/TT&gt;native county of Suffolk. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;The BBC helped advance Britten's career by broadcasting two 
&lt;TT&gt;MON        &lt;/TT&gt;chamber pieces he had composed while still a student at the 
&lt;TT&gt;MON        &lt;/TT&gt;Royal College of Music. He was soon writing soundtracks for 
&lt;TT&gt;MON        &lt;/TT&gt;the GPO Film Unit as well as incidental music for the 
&lt;TT&gt;MON        &lt;/TT&gt;theatre, TV and radio. In programme 1, Donald introduces 
&lt;TT&gt;MON        &lt;/TT&gt;music from those early years including one of Britten's best 
&lt;TT&gt;MON        &lt;/TT&gt;known soundtracks for the GPO - 'Night Mail', and two works 
&lt;TT&gt;MON        &lt;/TT&gt;written during his wartime years in America - the Seven 
&lt;TT&gt;MON        &lt;/TT&gt;Sonnets of Michelangelo, written for Pears, and his first 
&lt;TT&gt;MON        &lt;/TT&gt;opera, based on the story of the mythological lumberjack, 
&lt;TT&gt;MON        &lt;/TT&gt;Paul Bunyan. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;MON        &lt;/TT&gt;Sally Gardens 
&lt;TT&gt;MON        &lt;/TT&gt;Peter Pears (tenor) 
&lt;TT&gt;MON        &lt;/TT&gt;Benjamin Britten (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;BBC BBCB8015-2 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;MON        &lt;/TT&gt;A Boy was Born (finale) 
&lt;TT&gt;MON        &lt;/TT&gt;Holst Singers 
&lt;TT&gt;MON        &lt;/TT&gt;St Paul’s Cathedral Choristers 
&lt;TT&gt;MON        &lt;/TT&gt;Conductor Stephen Layton 
&lt;TT&gt;MON        &lt;/TT&gt;Hyperion CDA66825 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;MON        &lt;/TT&gt;Night Mail 
&lt;TT&gt;MON        &lt;/TT&gt;Simon Russell Beale 
&lt;TT&gt;MON        &lt;/TT&gt;NMC NMCD112 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;MON        &lt;/TT&gt;Britten 
&lt;TT&gt;MON        &lt;/TT&gt;Seven Sonnets of Michaelangelo 
&lt;TT&gt;MON        &lt;/TT&gt;Peter Pears (tenor) 
&lt;TT&gt;MON        &lt;/TT&gt;Benjamin Britten (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;BBC BBCB8015-2 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;MON        &lt;/TT&gt;Young Apollo 
&lt;TT&gt;MON        &lt;/TT&gt;City of Birmingham Symphony Orchestra 
&lt;TT&gt;MON        &lt;/TT&gt;Conductor Simon Rattle 
&lt;TT&gt;MON        &lt;/TT&gt;EMI CZS 573983-2 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;MON        &lt;/TT&gt;Paul Bunyan (extract) 
&lt;TT&gt;MON        &lt;/TT&gt;Leah-Marian Jones (mezzo soprano) 
&lt;TT&gt;MON        &lt;/TT&gt;Timothy Robinson (tenor) 
&lt;TT&gt;MON        &lt;/TT&gt;Peter Coleman-Wright (baritone) 
&lt;TT&gt;MON        &lt;/TT&gt;Jeremy White (bass) 
&lt;TT&gt;MON        &lt;/TT&gt;Orchestra of the Royal Opera House 
&lt;TT&gt;MON        &lt;/TT&gt;Conductor Richard Hickox 
&lt;TT&gt;MON        &lt;/TT&gt;Chandos 9781 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;13:00 Radio 3 Lunchtime Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m31w.html&gt;b019m31w&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m31w&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Takacs Quartet 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Formed in 1975, the Takacs Quartet are widely acknowledged 
&lt;TT&gt;MON        &lt;/TT&gt;as one of the world's pre-eminent string quartets. In this 
&lt;TT&gt;MON        &lt;/TT&gt;live broadcast in Radio 3's regular Monday lunchtime series 
&lt;TT&gt;MON        &lt;/TT&gt;from London's Wigmore Hall, they perform Haydn's Quartet in 
&lt;TT&gt;MON        &lt;/TT&gt;D, Op 64 No. 5 (known as 'The Lark' because of its soaring 
&lt;TT&gt;MON        &lt;/TT&gt;first violin line) and a less well known Dvorak quartet, the 
&lt;TT&gt;MON        &lt;/TT&gt;one in E flat, Op 51. Presented by Sarah Walker. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Haydn: String Quartet in D Op 64 No 5 'The Lark' 
&lt;TT&gt;MON        &lt;/TT&gt;Dvorak: String Quartet in E flat Op 51 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Takacs Quartet. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;14:00 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m31y.html&gt;b019m31y&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m31y&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;BBC Philharmonic, Episode 1 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;From Monday to Wednesday this week Louise Fryer introduces 
&lt;TT&gt;MON        &lt;/TT&gt;performances by the BBC Philharmonic. There's a Spanish 
&lt;TT&gt;MON        &lt;/TT&gt;thread inspired by the BBC Philharmonic's new Basque-born 
&lt;TT&gt;MON        &lt;/TT&gt;Chief Conductor Juanjo Mena, with works by Spanish composers 
&lt;TT&gt;MON        &lt;/TT&gt;and also by Maurice Ravel whose mother was Basque and who 
&lt;TT&gt;MON        &lt;/TT&gt;was inspired by Spain throughout his life. Plus, by way of 
&lt;TT&gt;MON        &lt;/TT&gt;contrast, Russian music. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Ravel: Rapsodie espagnole 
&lt;TT&gt;MON        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;MON        &lt;/TT&gt;Juanjo Mena (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;c.2.15pm 
&lt;TT&gt;MON        &lt;/TT&gt;De Falla: The Three-Cornered Hat - Suites 1&amp; 2 
&lt;TT&gt;MON        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;MON        &lt;/TT&gt;Juanjo Mena (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;c.2.35pm 
&lt;TT&gt;MON        &lt;/TT&gt;Ravel: Bolero 
&lt;TT&gt;MON        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;MON        &lt;/TT&gt;Juanjo Mena (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;c.2.50pm 
&lt;TT&gt;MON        &lt;/TT&gt;Ravel: Piano Concerto in G major 
&lt;TT&gt;MON        &lt;/TT&gt;Benjamin Grosvenor (piano) 
&lt;TT&gt;MON        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;MON        &lt;/TT&gt;Daniele Rustioni (conductor) 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;c.3.10pm 
&lt;TT&gt;MON        &lt;/TT&gt;Shostakovich: Symphony No. 11 
&lt;TT&gt;MON        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;MON        &lt;/TT&gt;Vassily Sinaisky (conductor). 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;16:30 In Tune &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m320.html&gt;b019m320&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m320&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Kronos Quartet, Alice Coote, Juilliard String Quartet 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;A star-studded programme if ever there was one: 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Arguably the world's leading contemporary music ensemble, 
&lt;TT&gt;MON        &lt;/TT&gt;the Kronos Quartet perform live in the studio as they embark 
&lt;TT&gt;MON        &lt;/TT&gt;on a week-long residency in London, performing at the 
&lt;TT&gt;MON        &lt;/TT&gt;Barbican, Wilton's Music Hall and Hackney Empire. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Star mezzo-soprano Alice Coote sings live in the studio with 
&lt;TT&gt;MON        &lt;/TT&gt;pianist Julius Drake ahead of their Wigmore Hall 
&lt;TT&gt;MON        &lt;/TT&gt;performances of Schubert's Winterreise. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Plus the Juilliard String Quartet play live and join 
&lt;TT&gt;MON        &lt;/TT&gt;presenter Sean Rafferty with pianist Stephen Hough to talk 
&lt;TT&gt;MON        &lt;/TT&gt;about their upcoming concert together at the Wigmore Hall. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Main news headlines are at 5.00 and 6.00 
&lt;TT&gt;MON        &lt;/TT&gt;E-mail: in.tune@bbc.co.uk 
&lt;TT&gt;MON        &lt;/TT&gt;Twitter: BBCInTune. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;18:30 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b00vw4f3.html&gt;b00vw4f3&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b00vw4f3&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;[Repeat of broadcast at 12:00 today] 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;19:30 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m322.html&gt;b019m322&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m322&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Live from St Paul's Hall, Huddersfield, Haydn, Shostakovich 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Live from St Paul's Hall, Huddersfield, the Atrium Quartet 
&lt;TT&gt;MON        &lt;/TT&gt;celebrate their homeland, performing the first of Haydn's 
&lt;TT&gt;MON        &lt;/TT&gt;"Russian" quartets and two of Shostakovich's fifteen 
&lt;TT&gt;MON        &lt;/TT&gt;quartets, the 1st and the 11th, which is dedicated to the 
&lt;TT&gt;MON        &lt;/TT&gt;memory of Vasili Pyotrovich Shirinsky, a close friend of 
&lt;TT&gt;MON        &lt;/TT&gt;Shostakovich's and one of the founders of the Beethoven 
&lt;TT&gt;MON        &lt;/TT&gt;Quartet. They conclude their programme with Beethoven's own 
&lt;TT&gt;MON        &lt;/TT&gt;first Quartet. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Haydn String Quartet in B Minor, op.33 No.1 
&lt;TT&gt;MON        &lt;/TT&gt;Shostakovich Quartet No.11 in F Minor, op.122. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;20:10 Twenty Minutes &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b010xy9s.html&gt;b010xy9s&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b010xy9s&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;A History of the Interval 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;We know that the dramatists of Ancient Greece presented 
&lt;TT&gt;MON        &lt;/TT&gt;their work in a festival that lasted days and was both 
&lt;TT&gt;MON        &lt;/TT&gt;competitive and religious. But, following the inexorable 
&lt;TT&gt;MON        &lt;/TT&gt;horror of Oedipus's tragedy, did the audience have a break? 
&lt;TT&gt;MON        &lt;/TT&gt;Some dramas of the Middle Ages actually began in the 
&lt;TT&gt;MON        &lt;/TT&gt;interval, inasmuch as they were performed during pauses in 
&lt;TT&gt;MON        &lt;/TT&gt;the liturgy. Shakespeare's plays were originally performed 
&lt;TT&gt;MON        &lt;/TT&gt;without a break, though members of the audience came and 
&lt;TT&gt;MON        &lt;/TT&gt;went as they pleased. But by the middle of the 19th century 
&lt;TT&gt;MON        &lt;/TT&gt;full curtain calls were taken at the end of the first act. 
&lt;TT&gt;MON        &lt;/TT&gt;Today, at Glyndebourne, no matter how urgent the drama, the 
&lt;TT&gt;MON        &lt;/TT&gt;performance stops long enough for everyone to have a full 
&lt;TT&gt;MON        &lt;/TT&gt;meal and a snooze, before returning to the opera. But the 
&lt;TT&gt;MON        &lt;/TT&gt;National Theatre's current production of 'Frankenstein', 
&lt;TT&gt;MON        &lt;/TT&gt;which lasts two hours, is played straight through, to the 
&lt;TT&gt;MON        &lt;/TT&gt;discomfort of some of those not forewarned. 
&lt;TT&gt;MON        &lt;/TT&gt;In this interval feature the writer and broadcaster Paul 
&lt;TT&gt;MON        &lt;/TT&gt;Allen explores the interval itself. He talks to a conductor, 
&lt;TT&gt;MON        &lt;/TT&gt;a director, performers, a bar person and audience members to 
&lt;TT&gt;MON        &lt;/TT&gt;find out how and when the interval came about; its purpose, 
&lt;TT&gt;MON        &lt;/TT&gt;physical, social and economic; and its dramatic and musical 
&lt;TT&gt;MON        &lt;/TT&gt;effect. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Producer: Julian May. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;20:30 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m33c.html&gt;b019m33c&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m33c&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Live from St Paul's Hall, Huddersfield, Shostakovich, 
&lt;TT&gt;MON        &lt;/TT&gt;Beethoven 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Shostakovich Quartet No.1 in C Major, op.49 
&lt;TT&gt;MON        &lt;/TT&gt;Beethoven String Quartet in F Major, op.18 No.1. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;22:00 Night Waves &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m3g8.html&gt;b019m3g8&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m3g8&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Night Waves at Free Thinking 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Dame Margaret Drabble whose acclaimed novels have chronicled 
&lt;TT&gt;MON        &lt;/TT&gt;the political and social conditions of their time, from 
&lt;TT&gt;MON        &lt;/TT&gt;motherhood in the 60s with The Millstone, to her searing 
&lt;TT&gt;MON        &lt;/TT&gt;portrait of the English middle classes The Witch of Exmoor 
&lt;TT&gt;MON        &lt;/TT&gt;is in conversation at the recent Free Thinking Festival . 
&lt;TT&gt;MON        &lt;/TT&gt;With Juliet Gardiner. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;22:45 The Essay &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m3gb.html&gt;b019m3gb&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m3gb&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;The Sound and the Fury, Episode 1 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;The author and journalist Andrew Martin has phonophobic 
&lt;TT&gt;MON        &lt;/TT&gt;traits, which call for some extreme actions: 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;"So I went out to buy my first box of earplugs. I must have 
&lt;TT&gt;MON        &lt;/TT&gt;bought... well, about a box a month ever since. The best 
&lt;TT&gt;MON        &lt;/TT&gt;ones are made of wax; they're covered in cotton wool and 
&lt;TT&gt;MON        &lt;/TT&gt;they're about the size of aniseed balls. You get twelve in a 
&lt;TT&gt;MON        &lt;/TT&gt;box. Soon I know I'd become addicted to them. I had also, by 
&lt;TT&gt;MON        &lt;/TT&gt;then, become addicted to the use at night of electrical fans 
&lt;TT&gt;MON        &lt;/TT&gt;for the creation of 'white noise'. I kept them going all 
&lt;TT&gt;MON        &lt;/TT&gt;night long..." 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;In the first of five essays, author Andrew Martin lays bare 
&lt;TT&gt;MON        &lt;/TT&gt;his life as 
&lt;TT&gt;MON        &lt;/TT&gt;a 'phonophobic'. How to cope with jarring sounds in the 
&lt;TT&gt;MON        &lt;/TT&gt;modern world. 
&lt;TT&gt;MON        &lt;/TT&gt;And is there an another way to live without the daily 
&lt;TT&gt;MON        &lt;/TT&gt;cacophony? 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Producer Duncan Minshull. 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;&lt;B&gt;23:00 Jazz on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m3gd.html&gt;b019m3gd&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m3gd&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;London Jazz Festival: Michel Portal 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt;Jez Nelson presents French clarinettist and saxophonist 
&lt;TT&gt;MON        &lt;/TT&gt;Michel Portal with his Bailador band at the 2011 London Jazz 
&lt;TT&gt;MON        &lt;/TT&gt;Festival. Now 75, Portal has had a wide-ranging musical 
&lt;TT&gt;MON        &lt;/TT&gt;career that began in the European free jazz movement and has 
&lt;TT&gt;MON        &lt;/TT&gt;also taken in the classical avant-garde, award-winning film 
&lt;TT&gt;MON        &lt;/TT&gt;scores and, in recent years, a more mainstream duo project 
&lt;TT&gt;MON        &lt;/TT&gt;with accordionist Richard Galliano. His new ensemble 
&lt;TT&gt;MON        &lt;/TT&gt;performs music influenced by Latin and Eastern European folk 
&lt;TT&gt;MON        &lt;/TT&gt;sounds and reflecting the cutting-edge line-up of the band: 
&lt;TT&gt;MON        &lt;/TT&gt;Serbian pianist Bojan Z and Americans Ambrose Akinmusire 
&lt;TT&gt;MON        &lt;/TT&gt;(trumpet), Scott Colley (bass) and Nasheet Waits (drums). 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;MON        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;A name='TU'&gt;&lt;B&gt;TUESDAY 24 JANUARY 2012&lt;/B&gt;&lt;/A&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;00:30 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m3nj.html&gt;b019m3nj&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m3nj&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Susan Sharpe presents a BBC Proms performance of Mozart's 
&lt;TT&gt;TUE        &lt;/TT&gt;Requiem. 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;12:31 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Mozart, Wolfgang Amadeus [1756-1791] 
&lt;TT&gt;TUE        &lt;/TT&gt;Requiem in D minor K.626, compl. Sussmayr 
&lt;TT&gt;TUE        &lt;/TT&gt;Emma Bell (soprano), Renata Pokupic (contralto), Ian 
&lt;TT&gt;TUE        &lt;/TT&gt;Bostridge (tenor), Henk Neven (baritone), Polyphony, City of 
&lt;TT&gt;TUE        &lt;/TT&gt;London Sinfonia, Stephen Layton (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;1:17 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Shostakovich, Dimitri (1906-1975) 
&lt;TT&gt;TUE        &lt;/TT&gt;Chamber Symphony for strings in C minor (Op.110a) arr. 
&lt;TT&gt;TUE        &lt;/TT&gt;Rudolph Barshai from String Quartet no.8 
&lt;TT&gt;TUE        &lt;/TT&gt;The Slovenian Philharmonic String Chamber Orchestra, Andrej 
&lt;TT&gt;TUE        &lt;/TT&gt;Petrac (Artistic leader) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;1:40 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Bach, Johann Sebastian (1685-1750) 
&lt;TT&gt;TUE        &lt;/TT&gt;Cantata: 'Ich hatte viel Bekümmernis' (BWV.21) 
&lt;TT&gt;TUE        &lt;/TT&gt;Antonella Balducci (soprano), Frieder Lang (tenor), Fulvio 
&lt;TT&gt;TUE        &lt;/TT&gt;Bettini (baritone), Solisti e Chorus of Swiss-Italian Radio 
&lt;TT&gt;TUE        &lt;/TT&gt;and Ensemble Vanitas, Lugano, Diego Fasolis (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;2:15 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791) 
&lt;TT&gt;TUE        &lt;/TT&gt;Serenade in G major (K.525), 'Eine Kleine Nachtmusik' 
&lt;TT&gt;TUE        &lt;/TT&gt;BBC National Orchestra of Wales, Grant Llewellyn (Conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;2:31 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Suchoň, Eugen (1908-1993) 
&lt;TT&gt;TUE        &lt;/TT&gt;Nocturne for Cello and Orchestra 
&lt;TT&gt;TUE        &lt;/TT&gt;Ján Slávik (cello), Slovak Radio Symphony Orchestra in 
&lt;TT&gt;TUE        &lt;/TT&gt;Bratislava, Mário Kosík (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;2:46 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Kraus, Joseph Martin (1756-1792) 
&lt;TT&gt;TUE        &lt;/TT&gt;Quatre Intermèdes et Divertissements for Molière's comedy 
&lt;TT&gt;TUE        &lt;/TT&gt;'Amphitryon' (VB.27) 
&lt;TT&gt;TUE        &lt;/TT&gt;L'Arte del mondo, Werner Ehrhardt (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;3:13 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Saint-Saëns, Camille (1835-1921) 
&lt;TT&gt;TUE        &lt;/TT&gt;Piano Concerto No.2 in G minor (Op.22) 
&lt;TT&gt;TUE        &lt;/TT&gt;Shura Cherkassky (piano); Sofia Philharmonic Orchestra; 
&lt;TT&gt;TUE        &lt;/TT&gt;Konstantin Iliev (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;3:38 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Saint-Saëns, Camille (1835-1921) 
&lt;TT&gt;TUE        &lt;/TT&gt;The Swan, from 'The Carnival of the Animals' 
&lt;TT&gt;TUE        &lt;/TT&gt;Gyözö Máté (viola), Balázs Szokolay (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;3:41 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Raitio, Väinö (1891-1945) 
&lt;TT&gt;TUE        &lt;/TT&gt;Joutsenet (Op.15) (1919) 
&lt;TT&gt;TUE        &lt;/TT&gt;Finnish Radio Symphony Orchestra, Okko Kamu (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;3:50 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Schumann, Robert (1810-1856) 
&lt;TT&gt;TUE        &lt;/TT&gt;Introduction and Allegro appassionato (Op.92) 
&lt;TT&gt;TUE        &lt;/TT&gt;Ivan Palovic (piano), The Radio Bratislava Symphony 
&lt;TT&gt;TUE        &lt;/TT&gt;Orchestra, Ondrej Lenard (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:06 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Bach, Georg Christoph (1642-1703) 
&lt;TT&gt;TUE        &lt;/TT&gt;Siehe, wie fein und lieblich ist es 
&lt;TT&gt;TUE        &lt;/TT&gt;Paul Elliott and Hein Meens (tenors), Stephen Varcoe (bass), 
&lt;TT&gt;TUE        &lt;/TT&gt;Musica Antiqua Koln, Reinhard Goebel (director) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:13 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Schubert, Franz (1797-1828) transcr Liszt, Franz 
&lt;TT&gt;TUE        &lt;/TT&gt;Ständchen arr. for piano -- from Schwanengesang (D. 957) 
&lt;TT&gt;TUE        &lt;/TT&gt;Simon Trpceski (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:20 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Wieniawski, Henryk (1835-1880) 
&lt;TT&gt;TUE        &lt;/TT&gt;Polonaise in A major for violin &amp; piano (Op.21) 
&lt;TT&gt;TUE        &lt;/TT&gt;Piotr Plawner (violin), Andrzej Guz (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:31 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Geminiani, Francesco (1687-1762) 
&lt;TT&gt;TUE        &lt;/TT&gt;Concerto Grosso in G minor 
&lt;TT&gt;TUE        &lt;/TT&gt;Academy of Ancient Music, Andrew Manze (director/violin) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:39 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Kreisler, Fritz (1875-1962) 
&lt;TT&gt;TUE        &lt;/TT&gt;Nina, after 'Tre Giorni son che Nina' by Giovanni Pergolesi 
&lt;TT&gt;TUE        &lt;/TT&gt;The Hertz Trio 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:43 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Verdi, Giuseppe (1813-1901), arr. Liszt 
&lt;TT&gt;TUE        &lt;/TT&gt;Rigoletto (paraphrase de concert for piano) (S. 434) 
&lt;TT&gt;TUE        &lt;/TT&gt;Gyõrgy Cziffra (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;4:51 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Avison, Charles (1709-1770) 
&lt;TT&gt;TUE        &lt;/TT&gt;Concerto Grosso No.4 in A minor (after Domenico Scarlatti) 
&lt;TT&gt;TUE        &lt;/TT&gt;Tafelmusik, Jeanne Lamon (director) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;5:05 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Sarasate, Pablo (1844-1908) 
&lt;TT&gt;TUE        &lt;/TT&gt;Fantasy after Bizet's 'Carmen' (Op.25) 
&lt;TT&gt;TUE        &lt;/TT&gt;Julia Fischer (violin), Bergen Philharmonic Orchestra, 
&lt;TT&gt;TUE        &lt;/TT&gt;Christopher Warren-Green (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;5:18 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Anonymous, arr. Percy Grainger (1882-1961) 
&lt;TT&gt;TUE        &lt;/TT&gt;O Danny Boy' 
&lt;TT&gt;TUE        &lt;/TT&gt;Camerata Chamber Choir, Michael Bojesen (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;5:23 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Strauss, Johann jr. (1825-1899) arranged by Berg, Alban 
&lt;TT&gt;TUE        &lt;/TT&gt;(1885-1935) 
&lt;TT&gt;TUE        &lt;/TT&gt;Wine, Woman and Song 
&lt;TT&gt;TUE        &lt;/TT&gt;Canadian Chamber Ensemble, Raffi Armenian (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;5:34 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Bach, Johann Sebastian (1685-1750), orch. Webern, Anton 
&lt;TT&gt;TUE        &lt;/TT&gt;(1883-1945) 
&lt;TT&gt;TUE        &lt;/TT&gt;Fuga ricercata No.2 from Bach's 'Musikalischen Opfer' 
&lt;TT&gt;TUE        &lt;/TT&gt;(BWV.1079) 
&lt;TT&gt;TUE        &lt;/TT&gt;Saarbrücken Radio Symphony Orchestra, Wolfgang Fortner 
&lt;TT&gt;TUE        &lt;/TT&gt;(conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;5:45 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791) 
&lt;TT&gt;TUE        &lt;/TT&gt;Quartet for strings in B flat major (K.458), 'Hunt' 
&lt;TT&gt;TUE        &lt;/TT&gt;Virtuoso String Quartet 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;6:12 AM&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Stravinsky, Igor (1882-1971) 
&lt;TT&gt;TUE        &lt;/TT&gt;Three movements from Petrushka transcribed for solo piano by 
&lt;TT&gt;TUE        &lt;/TT&gt;the composer 
&lt;TT&gt;TUE        &lt;/TT&gt;Alex Slobodyanik (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;06:30 Breakfast &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m3nl.html&gt;b019m3nl&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m3nl&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;09:00 Essential Classics &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m3nn.html&gt;b019m3nn&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m3nn&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;9am 
&lt;TT&gt;TUE        &lt;/TT&gt;A selection of music including the Essential CD of the Week: 
&lt;TT&gt;TUE        &lt;/TT&gt;The recorder player Michala Petri plays baroque Concertos 
&lt;TT&gt;TUE        &lt;/TT&gt;and Sonatas: RCA 88697672632 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;9.30am&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;A daily brainteaser and performances by our Artist of the 
&lt;TT&gt;TUE        &lt;/TT&gt;Week, Dietrich Fischer-Dieskau 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;10.30am&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;In the week of Burns Night, the Essential Classics guest is 
&lt;TT&gt;TUE        &lt;/TT&gt;the Scottish poet and novelist Jackie Kay who introduces her 
&lt;TT&gt;TUE        &lt;/TT&gt;essential pieces of classical music. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;11am 
&lt;TT&gt;TUE        &lt;/TT&gt;Rob's Essential Choice 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Debussy: 
&lt;TT&gt;TUE        &lt;/TT&gt;Preludes Book II (selection) 
&lt;TT&gt;TUE        &lt;/TT&gt;Jacques Rouvier (piano). 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;12:00 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b00vw4ff.html&gt;b00vw4ff&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b00vw4ff&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Benjamin Britten (1913-1976), Episode 2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;The first ever Aldeburgh Festival took place in June 1948. 
&lt;TT&gt;TUE        &lt;/TT&gt;Donald Macleod introduces part of Britten's cantata St 
&lt;TT&gt;TUE        &lt;/TT&gt;Nicholas, premiered on the opening night, plus extracts from 
&lt;TT&gt;TUE        &lt;/TT&gt;two operas, both set in Suffolk - the dark tale of Peter 
&lt;TT&gt;TUE        &lt;/TT&gt;Grimes, set in a fishing village based on Aldeburgh and the 
&lt;TT&gt;TUE        &lt;/TT&gt;comedy Albert Herring, about a socially inept young man 
&lt;TT&gt;TUE        &lt;/TT&gt;destined to be crowned May King. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;TUE        &lt;/TT&gt;Spring Symphony (extract) 
&lt;TT&gt;TUE        &lt;/TT&gt;Alison Hagley (soprano) 
&lt;TT&gt;TUE        &lt;/TT&gt;Catherine Robbin (alto) 
&lt;TT&gt;TUE        &lt;/TT&gt;John Mark Ainsley (tenor) 
&lt;TT&gt;TUE        &lt;/TT&gt;Monteverdi Choir 
&lt;TT&gt;TUE        &lt;/TT&gt;Philharmonia Choir 
&lt;TT&gt;TUE        &lt;/TT&gt;John Eliot Gardiner 
&lt;TT&gt;TUE        &lt;/TT&gt;DG 453 433-2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;TUE        &lt;/TT&gt;Serenade (Nocturne) 
&lt;TT&gt;TUE        &lt;/TT&gt;Peter Pears (tenor) 
&lt;TT&gt;TUE        &lt;/TT&gt;Dennis Brain (horn) 
&lt;TT&gt;TUE        &lt;/TT&gt;Boyd Neel String Orchestra 
&lt;TT&gt;TUE        &lt;/TT&gt;Conductor Benjamin Britten 
&lt;TT&gt;TUE        &lt;/TT&gt;Decca 425996-2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;TUE        &lt;/TT&gt;Peter Grimes (extract) 
&lt;TT&gt;TUE        &lt;/TT&gt;Anthony Rolfe Johnson (Peter) 
&lt;TT&gt;TUE        &lt;/TT&gt;Felicity Lott (Ellen) 
&lt;TT&gt;TUE        &lt;/TT&gt;Thomas Allen (Balstrode) 
&lt;TT&gt;TUE        &lt;/TT&gt;Patricia Payne (Auntie) 
&lt;TT&gt;TUE        &lt;/TT&gt;Maria Bovino, Gillian Webster (Nieces) 
&lt;TT&gt;TUE        &lt;/TT&gt;Stuart Kale (Boles) 
&lt;TT&gt;TUE        &lt;/TT&gt;Sarah Walker (Mrs Sedley) 
&lt;TT&gt;TUE        &lt;/TT&gt;Simon Keenleyside (Ned) 
&lt;TT&gt;TUE        &lt;/TT&gt;David Wilson-Johnson (Hobson) 
&lt;TT&gt;TUE        &lt;/TT&gt;Christopher Lackner (Fisherman) 
&lt;TT&gt;TUE        &lt;/TT&gt;Chorus and Orchestra of the Royal Opera House 
&lt;TT&gt;TUE        &lt;/TT&gt;Conductor Bernard Haitink 
&lt;TT&gt;TUE        &lt;/TT&gt;EMI CDS 754 832-2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;TUE        &lt;/TT&gt;St Nicholas - No. VII: Nicholas and the Pickled Boys 
&lt;TT&gt;TUE        &lt;/TT&gt;Robert Tear (tenor) 
&lt;TT&gt;TUE        &lt;/TT&gt;Choir of King’s College, Cambridge 
&lt;TT&gt;TUE        &lt;/TT&gt;Academy of St Martin in the Fields 
&lt;TT&gt;TUE        &lt;/TT&gt;Conductor Sir David Willcocks 
&lt;TT&gt;TUE        &lt;/TT&gt;EMI CDM565112-2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;TUE        &lt;/TT&gt;Albert Herring (extract) 
&lt;TT&gt;TUE        &lt;/TT&gt;Josephine Barstow (Lady Billows) 
&lt;TT&gt;TUE        &lt;/TT&gt;Felicity Palmer (Florence Pike) 
&lt;TT&gt;TUE        &lt;/TT&gt;Peter Savidge (Vicar) 
&lt;TT&gt;TUE        &lt;/TT&gt;Susan Gritton (Miss Wordsworth) 
&lt;TT&gt;TUE        &lt;/TT&gt;Stuart Kale (Mayor) 
&lt;TT&gt;TUE        &lt;/TT&gt;Robert Lloyd (Superintendent) 
&lt;TT&gt;TUE        &lt;/TT&gt;Northern Sinfonia 
&lt;TT&gt;TUE        &lt;/TT&gt;Conductor and piano Steuart Bedford 
&lt;TT&gt;TUE        &lt;/TT&gt;Naxos 8.660107-08 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;13:00 Radio 3 Lunchtime Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m4pg.html&gt;b019m4pg&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m4pg&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Bath Mozartfest 2011, Episode 1 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;This week's Lunchtime Concerts come from the 2011 Bath 
&lt;TT&gt;TUE        &lt;/TT&gt;Mozartfest, and feature recitals by pianist Grace Francis, 
&lt;TT&gt;TUE        &lt;/TT&gt;cellist Steven Isserlis, and the tenor Mark Padmore with 
&lt;TT&gt;TUE        &lt;/TT&gt;horn player Richard Watkins and pianist Julius Drake. In 
&lt;TT&gt;TUE        &lt;/TT&gt;today's programme, there's piano music by Mozart and Liszt 
&lt;TT&gt;TUE        &lt;/TT&gt;alongside Schubert's "Arpeggione Sonata" and his wonderful 
&lt;TT&gt;TUE        &lt;/TT&gt;"Auf den Strom" for voice, horn and piano. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;MOZART - Fantasia in D minor, K.397 
&lt;TT&gt;TUE        &lt;/TT&gt;Grace Francis (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;SCHUBERT - Auf den Strom 
&lt;TT&gt;TUE        &lt;/TT&gt;Mark Padmore (tenor) / Richard Watkins (horn) / Julius Drake 
&lt;TT&gt;TUE        &lt;/TT&gt;(piano) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;SCHUBERT - Arpeggione Sonata, D.821 
&lt;TT&gt;TUE        &lt;/TT&gt;Steven Isserlis (cello) with Dénes Várjon (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;LISZT - Mephisto Waltz No.1 
&lt;TT&gt;TUE        &lt;/TT&gt;Grace Francis (piano). 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;14:00 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m4pj.html&gt;b019m4pj&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m4pj&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;BBC Philharmonic, Episode 2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Louise Fryer introduces performances by the BBC Philharmonic 
&lt;TT&gt;TUE        &lt;/TT&gt;with a Spanish thread inspired by the orchestra's new 
&lt;TT&gt;TUE        &lt;/TT&gt;Basque-born Chief Conductor Juanjo Mena. There's music by 
&lt;TT&gt;TUE        &lt;/TT&gt;Spanish composers from the nineteenth and twentieth 
&lt;TT&gt;TUE        &lt;/TT&gt;centuries, and also by Maurice Ravel whose mother was Basque 
&lt;TT&gt;TUE        &lt;/TT&gt;and who was inspired by Spain throughout his life. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Plus Shostakovich and Tchaikovsky's musical interpretations 
&lt;TT&gt;TUE        &lt;/TT&gt;of Shakespearean protagonists, King Lear and Hamlet. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Arriaga: Los Esclavos Felices - Overture 
&lt;TT&gt;TUE        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;TUE        &lt;/TT&gt;Gianandrea Noseda (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;c.2.05pm 
&lt;TT&gt;TUE        &lt;/TT&gt;Rodrigo: Concierto en modo galante 
&lt;TT&gt;TUE        &lt;/TT&gt;Asier Polo (cello) 
&lt;TT&gt;TUE        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;TUE        &lt;/TT&gt;Juanjo Mena (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;c.2.30pm 
&lt;TT&gt;TUE        &lt;/TT&gt;Ravel: Alborada del gracioso 
&lt;TT&gt;TUE        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;TUE        &lt;/TT&gt;Gianandrea Noseda (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;c.2.40pm 
&lt;TT&gt;TUE        &lt;/TT&gt;Ravel: Concerto for piano (left hand) and orchestra in D 
&lt;TT&gt;TUE        &lt;/TT&gt;major 
&lt;TT&gt;TUE        &lt;/TT&gt;Nelson Goerner (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;TUE        &lt;/TT&gt;Arvo Volmer (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;c.2.55pm 
&lt;TT&gt;TUE        &lt;/TT&gt;Shostakovich: King Lear - music from the film score, Op. 137 
&lt;TT&gt;TUE        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;TUE        &lt;/TT&gt;Gianadrea Noseda (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;c.3.10pm 
&lt;TT&gt;TUE        &lt;/TT&gt;Tchaikovsky: Hamlet - Fantasy Overture, Op. 67 
&lt;TT&gt;TUE        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;TUE        &lt;/TT&gt;Vassily Sinaisky (conductor) 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;c.3.25pm 
&lt;TT&gt;TUE        &lt;/TT&gt;Shostakovich: Symphony no. 15 in A major, Op. 141 
&lt;TT&gt;TUE        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;TUE        &lt;/TT&gt;Vassily Sinaisky (conductor). 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;16:30 In Tune &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m4pl.html&gt;b019m4pl&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m4pl&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;18:30 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b00vw4ff.html&gt;b00vw4ff&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b00vw4ff&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;[Repeat of broadcast at 12:00 today] 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;19:30 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m4pn.html&gt;b019m4pn&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m4pn&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;London Symphony Orchestra - Debussy, Berlioz 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Michael Tilson Thomas returns to conduct the LSO in music by 
&lt;TT&gt;TUE        &lt;/TT&gt;Debussy, in this his 150th anniversary year. The enigmatic 
&lt;TT&gt;TUE        &lt;/TT&gt;quality of Debussy's piano Preludes has been magically 
&lt;TT&gt;TUE        &lt;/TT&gt;captured in these orchestrations by Colin Matthews. The 
&lt;TT&gt;TUE        &lt;/TT&gt;piano Fantaisie has an intriguing history, as Debussy 
&lt;TT&gt;TUE        &lt;/TT&gt;withdrew it from publication just before the first planned 
&lt;TT&gt;TUE        &lt;/TT&gt;performance. It was revived after his death, and deserves to 
&lt;TT&gt;TUE        &lt;/TT&gt;be better known. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;The work concluding the concert is by a Frenchman 
&lt;TT&gt;TUE        &lt;/TT&gt;dramatically different in style to Debussy - Berlioz. His 
&lt;TT&gt;TUE        &lt;/TT&gt;Symphonie fantastique recounts the doomed love affair of a 
&lt;TT&gt;TUE        &lt;/TT&gt;man who has poisoned himself with opium, causing 
&lt;TT&gt;TUE        &lt;/TT&gt;hallucinations of a masked ball, the countryside, a march to 
&lt;TT&gt;TUE        &lt;/TT&gt;the scaffold and finally a witches' Sabbath. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Debussy, orch. Colin Matthews: Preludes (selection) 
&lt;TT&gt;TUE        &lt;/TT&gt;Debussy: Fantaisie for piano and orchestra 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;20:10&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Interval: Interval Music 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;20:30&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Part 2: 
&lt;TT&gt;TUE        &lt;/TT&gt;Berlioz: Symphonie fantastique 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Nelson Freire (piano) 
&lt;TT&gt;TUE        &lt;/TT&gt;London Symphony Orchestra 
&lt;TT&gt;TUE        &lt;/TT&gt;conductor Michael Tilson Thomas. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;22:00 Night Waves &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m4xq.html&gt;b019m4xq&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m4xq&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Religion for Atheists 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Anne McElvoy discusses Religion for Atheists with Alain de 
&lt;TT&gt;TUE        &lt;/TT&gt;Botton. His new book is a non-believer's guide to the uses 
&lt;TT&gt;TUE        &lt;/TT&gt;of religion. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;22:45 The Essay &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019n5f7.html&gt;b019n5f7&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019n5f7&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;The Sound and the Fury, Episode 2 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;The author and journalist Andrew Martin has phonophobic 
&lt;TT&gt;TUE        &lt;/TT&gt;traits, which call for some extreme actions: 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;"So I went out to buy my first box of earplugs. I must have 
&lt;TT&gt;TUE        &lt;/TT&gt;bought... well, about a box a month ever since. The best 
&lt;TT&gt;TUE        &lt;/TT&gt;ones are made of wax; they're covered in cotton wool and 
&lt;TT&gt;TUE        &lt;/TT&gt;they're about the size of aniseed balls. You get twelve in a 
&lt;TT&gt;TUE        &lt;/TT&gt;box. Soon I know I'd become addicted to them. I had also, by 
&lt;TT&gt;TUE        &lt;/TT&gt;then, become addicted to the use at night of electrcial fans 
&lt;TT&gt;TUE        &lt;/TT&gt;for the creation of 'white noise'. I kept them going all 
&lt;TT&gt;TUE        &lt;/TT&gt;night long..." 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Author Andrew Martin lays bare his life as 
&lt;TT&gt;TUE        &lt;/TT&gt;a 'phonophobic'. How to cope with jarring sounds 
&lt;TT&gt;TUE        &lt;/TT&gt;in the modern world. And is there another way to live 
&lt;TT&gt;TUE        &lt;/TT&gt;without the daily cacophony? 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Producer Duncan Minshull. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;&lt;B&gt;23:00 Late Junction &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m59c.html&gt;b019m59c&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m59c&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt;Fiona Talkington presents an eclectic selection of music, 
&lt;TT&gt;TUE        &lt;/TT&gt;including pianist Jens Thomas's tribute to AC/DC, music from 
&lt;TT&gt;TUE        &lt;/TT&gt;Rory Simmons' Glass Dancers, drummer Erland Dahlen, the 
&lt;TT&gt;TUE        &lt;/TT&gt;voice of June Tabor, and Portico Quartet. 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;TUE        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;A name='WE'&gt;&lt;B&gt;WEDNESDAY 25 JANUARY 2012&lt;/B&gt;&lt;/A&gt; 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;00:30 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m5j2.html&gt;b019m5j2&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m5j2&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;with Susan Sharpe. Artist focus on Bulgarian cellist Anatoli 
&lt;TT&gt;WED        &lt;/TT&gt;Krastev, with concerti by Saint-Saens and Haydn, and a solo 
&lt;TT&gt;WED        &lt;/TT&gt;sonata by Marin Goleminov 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;12:31 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Haydn, Joseph (1732-1809) 
&lt;TT&gt;WED        &lt;/TT&gt;Concerto for cello and orchestra no. 1 (H.7b.1) in C major 
&lt;TT&gt;WED        &lt;/TT&gt;Anatoli Krastev (cello), Sofia Soloists Chamber Ensemble, 
&lt;TT&gt;WED        &lt;/TT&gt;Emil Tabakov (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;12:56 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Goleminov, Marin (1908-2000) 
&lt;TT&gt;WED        &lt;/TT&gt;Sonata for solo cello 
&lt;TT&gt;WED        &lt;/TT&gt;Anatoli Krastev (cello) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;1:04 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Vladigerov, Pancho (1899-1978) 
&lt;TT&gt;WED        &lt;/TT&gt;Divertimento for chamber orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;Bulgarian National Radio Symphony Orchestra, Alexander 
&lt;TT&gt;WED        &lt;/TT&gt;Vladigerov (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;1:20 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Chopin, Frédéric (1810-1849) 
&lt;TT&gt;WED        &lt;/TT&gt;Variations Brillantes in B flat major, on a theme from 
&lt;TT&gt;WED        &lt;/TT&gt;Hérold's 'Ludovic' 
&lt;TT&gt;WED        &lt;/TT&gt;Ludmil Angelov (piano) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;1:28 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Saint-Saëns, Camille (1835-1921) 
&lt;TT&gt;WED        &lt;/TT&gt;Concerto for cello and orchestra no. 1 (Op.33) in A minor 
&lt;TT&gt;WED        &lt;/TT&gt;Anatoli Krastev (cello), Bulgarian National Radio Symphony 
&lt;TT&gt;WED        &lt;/TT&gt;Orchestra, Vassil Kazandjiev (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;1:49 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Infante, Manuel (1883-1958) 
&lt;TT&gt;WED        &lt;/TT&gt;Three Andalucian Dances 
&lt;TT&gt;WED        &lt;/TT&gt;Aglika Genova &amp; Liuben Dimitrov (pianos) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;2:04 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Brahms, Johannes (1833-1897) 
&lt;TT&gt;WED        &lt;/TT&gt;Trio for clarinet or viola, cello and piano (Op.114) in A 
&lt;TT&gt;WED        &lt;/TT&gt;minor 
&lt;TT&gt;WED        &lt;/TT&gt;Mina Ivanova (piano), Svilen Simeonov (clarinet), Anatoli 
&lt;TT&gt;WED        &lt;/TT&gt;Krastev (cello) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;2:31 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Stravinsky, Igor (1882-1971) 
&lt;TT&gt;WED        &lt;/TT&gt;Orpheus 
&lt;TT&gt;WED        &lt;/TT&gt;Royal Concertgebouw Orchestra, Bernard Haitink (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;2:59 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Pergolesi, Giovanni Battista (1710-1736) 
&lt;TT&gt;WED        &lt;/TT&gt;Salve Regina in F minor 
&lt;TT&gt;WED        &lt;/TT&gt;Sara Mingardo (mezzo-soprano) Danish Radio Sinfonietta/DR, 
&lt;TT&gt;WED        &lt;/TT&gt;Rinaldo Alessandrini (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;3:14 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Handel, Georg Frideric [1685-1759] 
&lt;TT&gt;WED        &lt;/TT&gt;Music for the Royal Fireworks (HWV 351) 
&lt;TT&gt;WED        &lt;/TT&gt;Norwegian Radio Orchestra, Roy Goodman (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;3:31 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Gershwin, George [1898-1937] 
&lt;TT&gt;WED        &lt;/TT&gt;3 Preludes for piano 
&lt;TT&gt;WED        &lt;/TT&gt;Nikolay Evrov (piano) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;3:39 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Halvorsen, Johan [1864-1935] 
&lt;TT&gt;WED        &lt;/TT&gt;Pictures from Norwegian Fairy-Tales (Op.37) 
&lt;TT&gt;WED        &lt;/TT&gt;Norwegian Radio Orchestra, Vytautas Lukocius (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;3:53 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Schumann, Robert (1810-1856) arr. Stefan Bojsten 
&lt;TT&gt;WED        &lt;/TT&gt;Hör' ich das Liedchen klingen - from Dichterliebe (Op.48 
&lt;TT&gt;WED        &lt;/TT&gt;No.10) arranged for baritone, piano, violin &amp; cello 
&lt;TT&gt;WED        &lt;/TT&gt;Olle Persson (baritone), Dan Almgren (violin), Torleif 
&lt;TT&gt;WED        &lt;/TT&gt;Thedén (cello), Stefan Bojsten (piano) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;3:57 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Chopin, Fryderyk (1810-1849) 
&lt;TT&gt;WED        &lt;/TT&gt;Waltz for piano (Op.34 No.2) in A minor 
&lt;TT&gt;WED        &lt;/TT&gt;Zoltán Kocsis (piano) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;4:03 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Marais, Marin (1656-1728) 
&lt;TT&gt;WED        &lt;/TT&gt;Tombeau pour Monsr. de Lully 
&lt;TT&gt;WED        &lt;/TT&gt;Ricercar Consort, Henri Ledroit (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;4:11 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Moniuszko, Stanislaw (1819-1872) 
&lt;TT&gt;WED        &lt;/TT&gt;Mazurka - from the idyll 'Jawnuta' (1850) 
&lt;TT&gt;WED        &lt;/TT&gt;Polish Radio Symphony Orchestra, Jerzy Salwarowski 
&lt;TT&gt;WED        &lt;/TT&gt;(conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;4:17 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Solnitz, Anton Wilhelm (c.1708-c.1752-3) 
&lt;TT&gt;WED        &lt;/TT&gt;Sinfonia (Op.3 No.4) in A major for strings and continuo 
&lt;TT&gt;WED        &lt;/TT&gt;Musica ad Rhenum 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;4:31 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Weber, Carl Maria von (1786-1826) 
&lt;TT&gt;WED        &lt;/TT&gt;Overture - Peter Schmoll und sein Nachbarn 
&lt;TT&gt;WED        &lt;/TT&gt;Netherlands Radio Chamber Orchestra, Antoni Ros-Marbà 
&lt;TT&gt;WED        &lt;/TT&gt;(conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;4:41 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Paganini, Nicolò (1782-1840) 
&lt;TT&gt;WED        &lt;/TT&gt;Sonata for violin and guitar No.3 in C major from Centone di 
&lt;TT&gt;WED        &lt;/TT&gt;sonate (Op.64) 
&lt;TT&gt;WED        &lt;/TT&gt;Andrea Sestakova (violin), Alois Mensik (guitar) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;4:46 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Lassus, Orlande de (1532-1594) 
&lt;TT&gt;WED        &lt;/TT&gt;Motet - Iam Lucis orto sidere 
&lt;TT&gt;WED        &lt;/TT&gt;Currende, Erik van Nevel (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;4:49 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Karlowicz, Mieczyslaw (1876-1909) 
&lt;TT&gt;WED        &lt;/TT&gt;Serenade in G major, for strings (Op.2) 
&lt;TT&gt;WED        &lt;/TT&gt;Polish Radio Chamber Orchestra "Amadeus", Agnieszka Duczmal 
&lt;TT&gt;WED        &lt;/TT&gt;(conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;5:11 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Groneman, Johannes (c.1710-1778) 
&lt;TT&gt;WED        &lt;/TT&gt;Flute Sonata in E minor 
&lt;TT&gt;WED        &lt;/TT&gt;Jed Wentz (flute), Balazs Mate (cello), Marcelo Bussi 
&lt;TT&gt;WED        &lt;/TT&gt;(harpsichord) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;5:22 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Liszt, Franz (1811-1886) 
&lt;TT&gt;WED        &lt;/TT&gt;Hungarian Royal Song 
&lt;TT&gt;WED        &lt;/TT&gt;Zoltán Kocsis &amp; György Oravecz (piano duet) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;5:29 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791) 
&lt;TT&gt;WED        &lt;/TT&gt;Symphony No.5 in B flat major (K.22) 
&lt;TT&gt;WED        &lt;/TT&gt;Netherlands Radio Chamber Orchestra, Ernest Bour (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;5:37 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Karlowicz, Mieczyslaw (1876-1909) 
&lt;TT&gt;WED        &lt;/TT&gt;10 Songs (Op.3) (1896) 
&lt;TT&gt;WED        &lt;/TT&gt;Jadwiga Rappé (contralto), Ewa Poblocka (piano) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;5:52 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Grieg, Edvard (1843-1907) 
&lt;TT&gt;WED        &lt;/TT&gt;2 Elegiac melodies for string orchestra (Op.34) 
&lt;TT&gt;WED        &lt;/TT&gt;CBC Vancouver Orchestra, Mario Bernardi (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;6:02 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Haydn, Joseph (1732-1809) 
&lt;TT&gt;WED        &lt;/TT&gt;Keyboard Sonata in C minor, Hob.XVI/20 
&lt;TT&gt;WED        &lt;/TT&gt;Andreas Staier (fortepiano) 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;6:19 AM&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Farkas, Ferenc (1905-2000) 
&lt;TT&gt;WED        &lt;/TT&gt;5 Ancient Hungarian Dances for wind quintet 
&lt;TT&gt;WED        &lt;/TT&gt;Tae-Won Kim (male) (flute), Hyong-Sup Kim (male) &amp; Pil-Kwan 
&lt;TT&gt;WED        &lt;/TT&gt;Sung (male) (oboes), Hyon-Kon Kim (male) (clarinet), 
&lt;TT&gt;WED        &lt;/TT&gt;Sang-Won Yoon (male) (bassoon) 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;06:30 Breakfast &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m5jv.html&gt;b019m5jv&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m5jv&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;09:00 Essential Classics &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m5jx.html&gt;b019m5jx&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m5jx&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;9am 
&lt;TT&gt;WED        &lt;/TT&gt;A selection of music including the Essential CD of the Week: 
&lt;TT&gt;WED        &lt;/TT&gt;The recorder player Michala Petri plays baroque Concertos 
&lt;TT&gt;WED        &lt;/TT&gt;and Sonatas: RCA 88697672632 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;9.30am&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;A daily brainteaser and performances by our Artist of the 
&lt;TT&gt;WED        &lt;/TT&gt;Week, Dietrich Fischer-Dieskau 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;10.30am&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;In the week of Burns Night, the Essential Classics guest is 
&lt;TT&gt;WED        &lt;/TT&gt;the Scottish poet and novelist Jackie Kay who introduces her 
&lt;TT&gt;WED        &lt;/TT&gt;essential pieces of classical music. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;11.00am&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Rob's Essential Choice 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Elgar: 
&lt;TT&gt;WED        &lt;/TT&gt;Sea Pictures 
&lt;TT&gt;WED        &lt;/TT&gt;Dame Janet Baker (mezzo soprano) 
&lt;TT&gt;WED        &lt;/TT&gt;The London Symphony Orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;Sir John Barbirolli (conductor). 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;12:00 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b00vw4gl.html&gt;b00vw4gl&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b00vw4gl&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Benjamin Britten (1913-1976), Episode 3 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;By 1952, when the Aldeburgh Festival was in its 5th year, 
&lt;TT&gt;WED        &lt;/TT&gt;Britten was nearing forty. By then, he and Pears were very 
&lt;TT&gt;WED        &lt;/TT&gt;much part of the fabric of the community there. Donald 
&lt;TT&gt;WED        &lt;/TT&gt;Macleod introduces Canticle II: Abraham and Isaac, which was 
&lt;TT&gt;WED        &lt;/TT&gt;premiered at the festival that year, extracts from two more 
&lt;TT&gt;WED        &lt;/TT&gt;operas - the first based on Henry James' ghostly novella 
&lt;TT&gt;WED        &lt;/TT&gt;Turn of the Screw and the second on Shakespeare's Midsummer 
&lt;TT&gt;WED        &lt;/TT&gt;Night's Dream, plus another fairy-tale work - the ballet 
&lt;TT&gt;WED        &lt;/TT&gt;Prince of the Pagodas, complete with magical evocation of 
&lt;TT&gt;WED        &lt;/TT&gt;the Balinese gamelan. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;WED        &lt;/TT&gt;Gloriana (Morris Dance) 
&lt;TT&gt;WED        &lt;/TT&gt;Royal Philharmonic Orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;Conductor André Previn 
&lt;TT&gt;WED        &lt;/TT&gt;Telarc CD80126 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;WED        &lt;/TT&gt;Canticle II: Abraham and Isaac 
&lt;TT&gt;WED        &lt;/TT&gt;Peter Pears (tenor) 
&lt;TT&gt;WED        &lt;/TT&gt;John Hahessy (alto) 
&lt;TT&gt;WED        &lt;/TT&gt;Benjamin Britten (piano) 
&lt;TT&gt;WED        &lt;/TT&gt;London 425 716-2 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;WED        &lt;/TT&gt;Turn of the Screw (extract) 
&lt;TT&gt;WED        &lt;/TT&gt;Ian Bostridge (Peter Quint) 
&lt;TT&gt;WED        &lt;/TT&gt;Julian Leang (Miles) 
&lt;TT&gt;WED        &lt;/TT&gt;Vivian Tierney (Miss Jessel) 
&lt;TT&gt;WED        &lt;/TT&gt;Caroline Wise (Flora) 
&lt;TT&gt;WED        &lt;/TT&gt;Joan Rodgers (Governess) 
&lt;TT&gt;WED        &lt;/TT&gt;Jane Henschel (Mrs Grose) 
&lt;TT&gt;WED        &lt;/TT&gt;Mahler Chamber Orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;Conductor Daniel Harding 
&lt;TT&gt;WED        &lt;/TT&gt;Virgin Classics VCD 545521 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;WED        &lt;/TT&gt;Winter words – Midnight on the Great Western 
&lt;TT&gt;WED        &lt;/TT&gt;Anthony Rolfe Johnson (tenor) 
&lt;TT&gt;WED        &lt;/TT&gt;Graham Johnson (piano) 
&lt;TT&gt;WED        &lt;/TT&gt;Helios CDH55067 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;WED        &lt;/TT&gt;Prince of the Pagodas (extract) 
&lt;TT&gt;WED        &lt;/TT&gt;BBC Symphony Orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;Conductor Leonard Slatkin 
&lt;TT&gt;WED        &lt;/TT&gt;Chandos CHAN 10111 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;WED        &lt;/TT&gt;Midsummer Night’s Dream (extract) 
&lt;TT&gt;WED        &lt;/TT&gt;Alfred Deller (Oberon) 
&lt;TT&gt;WED        &lt;/TT&gt;Elizabeth Harwood (Tytania) 
&lt;TT&gt;WED        &lt;/TT&gt;Stephen Terry (Puck) 
&lt;TT&gt;WED        &lt;/TT&gt;Richard Dakin, John Pryer, Ian Wodehouse (Fairies) 
&lt;TT&gt;WED        &lt;/TT&gt;London Symphony Orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;Conductor Benjamin Britten 
&lt;TT&gt;WED        &lt;/TT&gt;London 425 663-2 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;13:00 Radio 3 Lunchtime Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m5jz.html&gt;b019m5jz&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m5jz&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Bath Mozartfest 2011, Episode 2 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;This week's Lunchtime Concerts come from the 2011 Bath 
&lt;TT&gt;WED        &lt;/TT&gt;Mozartfest, and feature recitals by pianist Grace Francis, 
&lt;TT&gt;WED        &lt;/TT&gt;cellist Steven Isserlis with pianist Dénes Várjon, and the 
&lt;TT&gt;WED        &lt;/TT&gt;tenor Mark Padmore with pianist Julius Drake. Today's 
&lt;TT&gt;WED        &lt;/TT&gt;repertoire is an all-Beethoven programme including his 
&lt;TT&gt;WED        &lt;/TT&gt;song-cycle "An die ferne Geliebte", one of his late cello 
&lt;TT&gt;WED        &lt;/TT&gt;sonatas and the wonderful "Appassionata" piano sonata. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;BEETHOVEN - An die ferne Geliebte 
&lt;TT&gt;WED        &lt;/TT&gt;Mark Padmore (tenor) / Julius Drake (piano) 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;BEETHOVEN - Sonata for cello &amp; piano in C, Op.102'1 
&lt;TT&gt;WED        &lt;/TT&gt;Steven Isserlis (cello) with Dénes Várjon (piano) 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;BEETHOVEN - Sonata for piano in F minor, Op.57 
&lt;TT&gt;WED        &lt;/TT&gt;"Appassionata" 
&lt;TT&gt;WED        &lt;/TT&gt;Grace Francis (piano). 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;14:00 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m5wf.html&gt;b019m5wf&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m5wf&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;BBC Philharmonic, Episode 3 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Stuart Flinders presents the BBC Philharmonic performing 
&lt;TT&gt;WED        &lt;/TT&gt;live at their home in MediaCity, Salford. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Still in his first season as Chief Conductor, Juanjo Mena 
&lt;TT&gt;WED        &lt;/TT&gt;conducts music by fellow Spaniards Xavier Montsalvage and 
&lt;TT&gt;WED        &lt;/TT&gt;Joaquin Turina, as well as works by Carl Maria von Weber. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Weber: Symphony No. 1 
&lt;TT&gt;WED        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;WED        &lt;/TT&gt;Juanjo Mena (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;c.2.25pm 
&lt;TT&gt;WED        &lt;/TT&gt;Weber orch. Berlioz: Invitation to the Dance 
&lt;TT&gt;WED        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;WED        &lt;/TT&gt;Juanjo Mena (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;c.2.35pm 
&lt;TT&gt;WED        &lt;/TT&gt;Xavier Montsalvatge: Calidoscopi simfonic 
&lt;TT&gt;WED        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;WED        &lt;/TT&gt;Juanjo Mena (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;c.2.55pm 
&lt;TT&gt;WED        &lt;/TT&gt;Joaquín Turina: Sinfonia Sevillana 
&lt;TT&gt;WED        &lt;/TT&gt;BBC Philharmonic 
&lt;TT&gt;WED        &lt;/TT&gt;Juanjo Mena (conductor). 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;15:30 Choral Evensong &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m5wh.html&gt;b019m5wh&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m5wh&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Live from Durham Cathedral on the Feast of the Conversion of 
&lt;TT&gt;WED        &lt;/TT&gt;St Paul. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Introit: Happy and blest are they (Mendelssohn) 
&lt;TT&gt;WED        &lt;/TT&gt;Responses: Ayleward 
&lt;TT&gt;WED        &lt;/TT&gt;Office Hymn: We sing the glorious conquest (King's Lynn) 
&lt;TT&gt;WED        &lt;/TT&gt;Psalm: 119, vv41-64 (Turle) 
&lt;TT&gt;WED        &lt;/TT&gt;First Lesson: Isaiah 56vv1-8 
&lt;TT&gt;WED        &lt;/TT&gt;Canticles: The St Hild Service (Richard Lloyd) 
&lt;TT&gt;WED        &lt;/TT&gt;Second Lesson: Colossians 1v24-2v7 
&lt;TT&gt;WED        &lt;/TT&gt;Anthems: How lovely are the messengers (Mendelssohn) 
&lt;TT&gt;WED        &lt;/TT&gt;See what love hath the Father (Mendelssohn) 
&lt;TT&gt;WED        &lt;/TT&gt;Hymn: Disposer supreme (Old 104th) 
&lt;TT&gt;WED        &lt;/TT&gt;Organ Voluntary: Allegro maestoso from Sonata in D, Opus 65 
&lt;TT&gt;WED        &lt;/TT&gt;No 5 (Mendelssohn) 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;James Lancelot (Master of the Choristers and Organist) 
&lt;TT&gt;WED        &lt;/TT&gt;Francesca Massey (Sub-Organist). 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;16:30 In Tune &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m5wk.html&gt;b019m5wk&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m5wk&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Sean Rafferty presents, with live music and guests from the 
&lt;TT&gt;WED        &lt;/TT&gt;music world, including world-renown baritone Sir Thomas 
&lt;TT&gt;WED        &lt;/TT&gt;Allen, and clarinettist Michael Collins, who is celebrating 
&lt;TT&gt;WED        &lt;/TT&gt;his 50th birthday. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Main news headlines are at 5.00 and 6.00 
&lt;TT&gt;WED        &lt;/TT&gt;E-mail: in.tune@bbc.co.uk 
&lt;TT&gt;WED        &lt;/TT&gt;Twitter: BBCInTune. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;18:30 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b00vw4gl.html&gt;b00vw4gl&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b00vw4gl&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;[Repeat of broadcast at 12:00 today] 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;19:30 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m5wm.html&gt;b019m5wm&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m5wm&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Bournemouth Symphony Orchestra - Weber, Dvorak, Sibelius 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;The Bournemouth Symphony Orchestra under the baton of 
&lt;TT&gt;WED        &lt;/TT&gt;Principal Conductor Kirill Karabits performs Weber's 
&lt;TT&gt;WED        &lt;/TT&gt;overture Oberon, Dvorak's Cello Concerto (with Gautier 
&lt;TT&gt;WED        &lt;/TT&gt;Capucon as soloist) and Sibelius's 5th Symphony. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Weber's Shakespeare-inspired opera Oberon has never really 
&lt;TT&gt;WED        &lt;/TT&gt;caught on. It's overture, though, has become a favourite and 
&lt;TT&gt;WED        &lt;/TT&gt;it begins with a portrayal of the magical forest where 
&lt;TT&gt;WED        &lt;/TT&gt;Oberon lives - a great moment for the horns! 
&lt;TT&gt;WED        &lt;/TT&gt;Dvorak's concerto for the cello is one of the most famous of 
&lt;TT&gt;WED        &lt;/TT&gt;all and he wrote it while living in the United States. It's 
&lt;TT&gt;WED        &lt;/TT&gt;lyrical sound-world hides both a story of personal tragedy 
&lt;TT&gt;WED        &lt;/TT&gt;for the composer as well as an exile's longing for home. 
&lt;TT&gt;WED        &lt;/TT&gt;While working on his 5th Symphony Sibelius said that it was 
&lt;TT&gt;WED        &lt;/TT&gt;'as if God the Father had thrown down pieces of a mosaic 
&lt;TT&gt;WED        &lt;/TT&gt;from the floor of heaven and asked me to work out the 
&lt;TT&gt;WED        &lt;/TT&gt;pattern.' It took him a while to solve the puzzle but what 
&lt;TT&gt;WED        &lt;/TT&gt;he eventually produced has become one of his best-loved 
&lt;TT&gt;WED        &lt;/TT&gt;works - by turns intimate, powerful and exciting. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Weber: Overture Oberon 
&lt;TT&gt;WED        &lt;/TT&gt;Dvorak: Cello Concerto in B Minor Op. 104 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Interval: Recordings of chamber music played by Gautier 
&lt;TT&gt;WED        &lt;/TT&gt;Capucon and his violinist brother Renaud 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Sibelius: Symphony No.5 in E Flat Major 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Bournemouth Symphony Orchestra 
&lt;TT&gt;WED        &lt;/TT&gt;Kirill Karabits (conductor) 
&lt;TT&gt;WED        &lt;/TT&gt;Gautier Capucon (cello). 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;22:00 Night Waves &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m5yf.html&gt;b019m5yf&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m5yf&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Hajj 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Matthew Sweet goes to the new Hajj exhibition at the British 
&lt;TT&gt;WED        &lt;/TT&gt;Museum. It examines the significance of the Hajj as one of 
&lt;TT&gt;WED        &lt;/TT&gt;the Five Pillars of Islam, exploring its importance for 
&lt;TT&gt;WED        &lt;/TT&gt;Muslims and looking at how this spiritual journey has 
&lt;TT&gt;WED        &lt;/TT&gt;evolved throughout history. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;22:45 The Essay &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m599.html&gt;b019m599&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m599&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;The Sound and the Fury, Episode 3 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;The author and journalist Andrew Martin has phonophobic 
&lt;TT&gt;WED        &lt;/TT&gt;traits, which call for some extreme actions: 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;"So I went out to buy my first box of earplugs. I must have 
&lt;TT&gt;WED        &lt;/TT&gt;bought... well, about a box a month ever since. The best 
&lt;TT&gt;WED        &lt;/TT&gt;ones are made of wax; they're covered in cotton wool and 
&lt;TT&gt;WED        &lt;/TT&gt;they're about the size of aniseed balls. You get twelve in a 
&lt;TT&gt;WED        &lt;/TT&gt;box. Soon I know I'd become addicted to them. I had also, by 
&lt;TT&gt;WED        &lt;/TT&gt;then, become addicted to the use at night of electrcial fans 
&lt;TT&gt;WED        &lt;/TT&gt;for the creation of 'white noise'. I kept them going all 
&lt;TT&gt;WED        &lt;/TT&gt;night long..." 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Author Andrew Martin lays bare his life as 
&lt;TT&gt;WED        &lt;/TT&gt;a 'phonophobic'. How to cope with jarring sounds 
&lt;TT&gt;WED        &lt;/TT&gt;in the modern world. And is there another way to live 
&lt;TT&gt;WED        &lt;/TT&gt;without the daily cacophony? 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Producer Duncan Minshull. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;&lt;B&gt;23:00 Late Junction &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m5yk.html&gt;b019m5yk&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m5yk&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;WED        &lt;/TT&gt;Fiona Talkington presents an eclectic selection of music, 
&lt;TT&gt;WED        &lt;/TT&gt;including Kronos Quartet playing Philip Glass, cellist 
&lt;TT&gt;WED        &lt;/TT&gt;Okkyung Lee with John Hollenbeck and Ikue Mori, Finnish 
&lt;TT&gt;WED        &lt;/TT&gt;singer Sanna Kurki-Suonio, and saxophonist Håkon Kornstad's 
&lt;TT&gt;WED        &lt;/TT&gt;album The Symphonies in My Head. 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;WED        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;A name='TH'&gt;&lt;B&gt;THURSDAY 26 JANUARY 2012&lt;/B&gt;&lt;/A&gt; 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;00:30 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m6b9.html&gt;b019m6b9&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m6b9&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Susan Sharpe presents a 2009 BBC Prom from the BBC National 
&lt;TT&gt;THU        &lt;/TT&gt;Orchestra of Wales, conducted by David Atherton in Holst's 
&lt;TT&gt;THU        &lt;/TT&gt;Choral Symphony, Delius' Brigg Fair and Elgar's Enigma 
&lt;TT&gt;THU        &lt;/TT&gt;Variations 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;12:31 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Holst, Gustav (1874-1934) 
&lt;TT&gt;THU        &lt;/TT&gt;First Choral symphony (Op.41) 
&lt;TT&gt;THU        &lt;/TT&gt;Susan Gritton (soprano), BBC National Chorus of Wales, BBC 
&lt;TT&gt;THU        &lt;/TT&gt;Symphony Chorus, BBC National Orchestra of Wales, David 
&lt;TT&gt;THU        &lt;/TT&gt;Atherton (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;1:26 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Byrd, William (c.1543-1623) 
&lt;TT&gt;THU        &lt;/TT&gt;The Earl of Salisbury - gaillard 
&lt;TT&gt;THU        &lt;/TT&gt;Colin Tilney (harpsichord) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;1:28 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Tye, Christopher (c.1505-c.1572) 
&lt;TT&gt;THU        &lt;/TT&gt;Peccavimus cum patribus for 7 voices 
&lt;TT&gt;THU        &lt;/TT&gt;BBC Singers, Stephen Cleobury (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;1:40 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Delius, Frederick (1862-1934) 
&lt;TT&gt;THU        &lt;/TT&gt;Brigg Fair for orchestra (RT.6.16) 
&lt;TT&gt;THU        &lt;/TT&gt;BBC National Orchestra of Wales, David Atherton (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;1:57 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Elgar, Edward (1857-1934) 
&lt;TT&gt;THU        &lt;/TT&gt;Variations on an original theme ('Enigma') for orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;(Op.36) 
&lt;TT&gt;THU        &lt;/TT&gt;BBC National Orchestra of Wales, David Atherton (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;2:31 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Schumann, Robert (1810-1856) [text Heine, Heinrich 
&lt;TT&gt;THU        &lt;/TT&gt;1797-1856] 
&lt;TT&gt;THU        &lt;/TT&gt;Liederkreis (Op.24) 
&lt;TT&gt;THU        &lt;/TT&gt;Jan Van Elsacker (tenor), Claire Chevallier (fortepiano) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;2:51 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Mendelssohn, Felix (1809-1847) 
&lt;TT&gt;THU        &lt;/TT&gt;Concerto for violin and orchestra (Op.64) in E minor 
&lt;TT&gt;THU        &lt;/TT&gt;Hilary Hahn (violin), Oslo Philharmonic Orchestra, Hugh 
&lt;TT&gt;THU        &lt;/TT&gt;Wolff (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;3:18 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Satie, Erik (1866-1925) 
&lt;TT&gt;THU        &lt;/TT&gt;Parade (Ballet réaliste) 
&lt;TT&gt;THU        &lt;/TT&gt;Pianoduo Kolacny 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;3:32 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791) 
&lt;TT&gt;THU        &lt;/TT&gt;Symphony No.29 (K.201) in A major 
&lt;TT&gt;THU        &lt;/TT&gt;The Amadeus Polish Radio Chamber Orchestra in Poznan; 
&lt;TT&gt;THU        &lt;/TT&gt;Agnieszka Duczmal (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:00 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Telemann, Georg Philipp (1681-1767) 
&lt;TT&gt;THU        &lt;/TT&gt;Fantasia (TWV.33 No.2) in D minor 
&lt;TT&gt;THU        &lt;/TT&gt;Peter Westerbrink (organ) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:05 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Haydn, Joseph (1732-1809) 
&lt;TT&gt;THU        &lt;/TT&gt;Overture (Sinfonia) from L' Isola disabitata - azione 
&lt;TT&gt;THU        &lt;/TT&gt;teatrale in 2 acts (H.28.9) 
&lt;TT&gt;THU        &lt;/TT&gt;Norwegian Radio Orchestra, Rolf Gupta (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:13 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Saint-Saëns, Camille (1835-1921) 
&lt;TT&gt;THU        &lt;/TT&gt;Introduction and rondo capriccioso for violin and orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;(Op.28) 
&lt;TT&gt;THU        &lt;/TT&gt;Moshe Hammer (violin), Winnepeg Symphony Orchestra, Kazuhiro 
&lt;TT&gt;THU        &lt;/TT&gt;Koizumi (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:23 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Wilms, Johann Wilhelm (1772-1847) 
&lt;TT&gt;THU        &lt;/TT&gt;Rondo - Polonaise pour le pianoforte in D major (1809) 
&lt;TT&gt;THU        &lt;/TT&gt;Arthur Schoonderwoerd 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:31 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791) 
&lt;TT&gt;THU        &lt;/TT&gt;Overture to Le Nozze di Figaro (K.492) 
&lt;TT&gt;THU        &lt;/TT&gt;Norwegian Radio Orchestra, Susanna Mälkki (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:35 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Durante, Francesco (1684-1755) 
&lt;TT&gt;THU        &lt;/TT&gt;Concerto no.8 in A major 'La Pazzia' 
&lt;TT&gt;THU        &lt;/TT&gt;Concerto Köln 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:49 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Brahms, Johannes (1833-1897) 
&lt;TT&gt;THU        &lt;/TT&gt;No.1 'Minnelied' &amp; No.10 'Und gehst du über den Kirchhof' - 
&lt;TT&gt;THU        &lt;/TT&gt;from Songs and romances for female chorus (Op.44) 
&lt;TT&gt;THU        &lt;/TT&gt;Mädchenchor Hannover (Germany), Gudrun Schröfel (director) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;4:52 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Haydn, (Franz) Joseph (1732-1809) 
&lt;TT&gt;THU        &lt;/TT&gt;Symphony no. 38 (H.1.38 ) in C major 
&lt;TT&gt;THU        &lt;/TT&gt;Danish Radio Sinfonietta/DR, Rinaldo Alessandrini 
&lt;TT&gt;THU        &lt;/TT&gt;(conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;5:11 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Debussy, Claude (1862-1918) 
&lt;TT&gt;THU        &lt;/TT&gt;Sonata for violin and piano in G minor 
&lt;TT&gt;THU        &lt;/TT&gt;Peter Oundjian (violin), William Tritt (piano) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;5:25 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Fauré, Gabriel (1845-1924) 
&lt;TT&gt;THU        &lt;/TT&gt;Pavane for orchestra (Op.50) 
&lt;TT&gt;THU        &lt;/TT&gt;BBC National Orchestra of Wales, Grant Llewellyn (Conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;5:32 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Ravel, Maurice (1875-1937) [orch. Zygel, Jean-François 
&lt;TT&gt;THU        &lt;/TT&gt;(b.1960)] 
&lt;TT&gt;THU        &lt;/TT&gt;Lullaby (Berceuse) on the name of Fauré, orch. for violin 
&lt;TT&gt;THU        &lt;/TT&gt;and orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;Ronald Patterson (violin), Monte-Carlo Philharmonic 
&lt;TT&gt;THU        &lt;/TT&gt;Orchestra, Murry Sidlin (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;5:36 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Chopin, Fryderyk (1810-1849) 
&lt;TT&gt;THU        &lt;/TT&gt;Four Nocturnes for piano 
&lt;TT&gt;THU        &lt;/TT&gt;Dubravka Tomsic (piano) 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;6:00 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Quantz, Johann Joachim [1697-1773] 
&lt;TT&gt;THU        &lt;/TT&gt;Trio (QV 218) in E flat major 
&lt;TT&gt;THU        &lt;/TT&gt;Nova Stravaganza 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;6:09 AM&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Saint-Saens, Camille [1835-1921] 
&lt;TT&gt;THU        &lt;/TT&gt;Concerto for Cello &amp; Orchestra No 1 (Op.33) in A minor 
&lt;TT&gt;THU        &lt;/TT&gt;Luca Sulic (cello), Slovenian Radio Symphony Orchestra, 
&lt;TT&gt;THU        &lt;/TT&gt;Shuntaro Sato (conductor) 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;06:30 Breakfast &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m6bc.html&gt;b019m6bc&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m6bc&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;09:00 Essential Classics &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m6bf.html&gt;b019m6bf&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m6bf&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;9am 
&lt;TT&gt;THU        &lt;/TT&gt;A selection of music including the Essential CD of the Week: 
&lt;TT&gt;THU        &lt;/TT&gt;The recorder player Michala Petri plays baroque Concertos 
&lt;TT&gt;THU        &lt;/TT&gt;and Sonatas: RCA 88697672632 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;9.30am&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;A daily brainteaser and performances by our Artist of the 
&lt;TT&gt;THU        &lt;/TT&gt;Week, Dietrich Fischer-Dieskau 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;10.30am&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;In the week of Burns Night, the Essential Classics guest is 
&lt;TT&gt;THU        &lt;/TT&gt;the Scottish poet and novelist Jackie Kay who introduces her 
&lt;TT&gt;THU        &lt;/TT&gt;essential pieces of classical music. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;11.00am&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Rob's Essential Choice 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Ravel: 
&lt;TT&gt;THU        &lt;/TT&gt;Miroirs 
&lt;TT&gt;THU        &lt;/TT&gt;Monique Haas (piano). 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;12:00 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b00vw4gs.html&gt;b00vw4gs&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b00vw4gs&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Benjamin Britten (1913-1976), Episode 4 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;In September 1960, Britten had the good fortune to meet the 
&lt;TT&gt;THU        &lt;/TT&gt;Russian cellist Mstislav Rostropovich who became a close 
&lt;TT&gt;THU        &lt;/TT&gt;friend and inspiration behind five works for cello, and a 
&lt;TT&gt;THU        &lt;/TT&gt;song cycle for him and his wife, the singer Galina 
&lt;TT&gt;THU        &lt;/TT&gt;Vishnevskaya. In the fifth programme, Donald introduces the 
&lt;TT&gt;THU        &lt;/TT&gt;final song from the cycle - The Poet's Echo - together with 
&lt;TT&gt;THU        &lt;/TT&gt;part of the Cello Suite No.2, plus an extract from the 
&lt;TT&gt;THU        &lt;/TT&gt;intensely moving War Requiem and the second of Britten's 
&lt;TT&gt;THU        &lt;/TT&gt;church parables, The Burning Fiery Furnace. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;THU        &lt;/TT&gt;Jubilate Deo 
&lt;TT&gt;THU        &lt;/TT&gt;Finzi Singers 
&lt;TT&gt;THU        &lt;/TT&gt;Andrew Lumsden (organ) 
&lt;TT&gt;THU        &lt;/TT&gt;Director Paul Spicer 
&lt;TT&gt;THU        &lt;/TT&gt;Chandos CHAN 9598 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;THU        &lt;/TT&gt;Cello Suite no.2 (final mvt) 
&lt;TT&gt;THU        &lt;/TT&gt;Mstislav Rostropovich (cello) 
&lt;TT&gt;THU        &lt;/TT&gt;London 421 859-2 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;THU        &lt;/TT&gt;War Requiem (extract) 
&lt;TT&gt;THU        &lt;/TT&gt;Galina Vishnevskaya (soprano) 
&lt;TT&gt;THU        &lt;/TT&gt;Peter Pears (tenor) 
&lt;TT&gt;THU        &lt;/TT&gt;Dietrich Fischer-Dieskau (baritone) 
&lt;TT&gt;THU        &lt;/TT&gt;Decca 475 751-1 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;THU        &lt;/TT&gt;The Poet’s Echo - Lines written during a sleepless night 
&lt;TT&gt;THU        &lt;/TT&gt;Galina Vishnesvkaya (soprano) 
&lt;TT&gt;THU        &lt;/TT&gt;Mstislav Rostropovich (piano) 
&lt;TT&gt;THU        &lt;/TT&gt;Decca 468 811-2 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Benjamin Britten 
&lt;TT&gt;THU        &lt;/TT&gt;Burning Fiery Furnace (extract) 
&lt;TT&gt;THU        &lt;/TT&gt;Nebuchadnezzar    Peter Pears 
&lt;TT&gt;THU        &lt;/TT&gt;Astrologer              Bryan Drake 
&lt;TT&gt;THU        &lt;/TT&gt;Ananias                 John Shirley-Quirk 
&lt;TT&gt;THU        &lt;/TT&gt;Misael                    Robert Tear 
&lt;TT&gt;THU        &lt;/TT&gt;Azarias                  Stafford Dean 
&lt;TT&gt;THU        &lt;/TT&gt;English Opera Group 
&lt;TT&gt;THU        &lt;/TT&gt;London 414663-2 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;13:00 Radio 3 Lunchtime Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m6bh.html&gt;b019m6bh&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m6bh&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Bath Mozartfest 2011, Episode 3 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;This week's Lunchtime Concerts come from the 2011 Bath 
&lt;TT&gt;THU        &lt;/TT&gt;Mozartfest, and feature recitals by pianist Grace Francis, 
&lt;TT&gt;THU        &lt;/TT&gt;cellist Steven Isserlis with pianist Dénes Várjon, and the 
&lt;TT&gt;THU        &lt;/TT&gt;tenor Mark Padmore and horn player Richard Watkins with 
&lt;TT&gt;THU        &lt;/TT&gt;pianist Julius Drake. In today's programme, there's piano 
&lt;TT&gt;THU        &lt;/TT&gt;music by Rachmaninov alongside Beethoven's horn sonata and 
&lt;TT&gt;THU        &lt;/TT&gt;his Variations on "Ein Mädchen oder Weibchen" from Mozart's 
&lt;TT&gt;THU        &lt;/TT&gt;"Magic Flute" and Britten's beautiful Canticle I "My beloved 
&lt;TT&gt;THU        &lt;/TT&gt;is mine". 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;BEETHOVEN - Variations on "Ein Mädchen oder Weibchen..." 
&lt;TT&gt;THU        &lt;/TT&gt;Steven Isserlis (cello) with Dénes Várjon (piano) 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;BRITTEN - Canticle I "My beloved is mine" 
&lt;TT&gt;THU        &lt;/TT&gt;Mark Padmore (tenor) / Julius Drake (piano) 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;BEETHOVEN - Sonata for horn &amp; piano in F, Op.17 
&lt;TT&gt;THU        &lt;/TT&gt;Richard Watkins (horn) / Julius Drake (piano) 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;RACHMANINOV - Corelli Variations, Op.42 
&lt;TT&gt;THU        &lt;/TT&gt;Grace Francis (piano). 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;14:00 Afternoon on 3 &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m8n4.html&gt;b019m8n4&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m8n4&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Opera Matinee 
&lt;TT&gt;THU        &lt;/TT&gt;Louise Fryer presents Gluck's opera Telemaco performed at 
&lt;TT&gt;THU        &lt;/TT&gt;the Schwetzingen Festival in Germany. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Commissioned by the imperial court in 1765, the rarely 
&lt;TT&gt;THU        &lt;/TT&gt;performed opera was premiered at the wedding of the future 
&lt;TT&gt;THU        &lt;/TT&gt;Emperor Joseph II. It tells the story of Telemaco's search 
&lt;TT&gt;THU        &lt;/TT&gt;for his missing father and their meeting on the island of 
&lt;TT&gt;THU        &lt;/TT&gt;the sorceress Circe. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Telemaco ..... David DQ Lee (countertenor) 
&lt;TT&gt;THU        &lt;/TT&gt;Ulisse .....Tomasz Zagorski (tenor) 
&lt;TT&gt;THU        &lt;/TT&gt;Circe ..... Agneta Eichenholz (soprano) 
&lt;TT&gt;THU        &lt;/TT&gt;Merione ..... Solenn' Lavanant-Linke (soprano) 
&lt;TT&gt;THU        &lt;/TT&gt;Asteria ..... Maya Boog (soprano) 
&lt;TT&gt;THU        &lt;/TT&gt;Oracle ..... Christopher Bolduc (baritone) 
&lt;TT&gt;THU        &lt;/TT&gt;Basel Theatre Chorus 
&lt;TT&gt;THU        &lt;/TT&gt;Freiburg Baroque Orchestra 
&lt;TT&gt;THU        &lt;/TT&gt;Anu Tali (conductor). 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;16:30 In Tune &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m6bm.html&gt;b019m6bm&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m6bm&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Sean Rafferty presents, with live music and guests from the 
&lt;TT&gt;THU        &lt;/TT&gt;music world, including the Fitzwilliam String Quartet, 
&lt;TT&gt;THU        &lt;/TT&gt;celebrating the 150th anniversary of Delius, plus 
&lt;TT&gt;THU        &lt;/TT&gt;saxophonist Soweto Kinch. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Main news headlines are at 5.00 and 6.00 
&lt;TT&gt;THU        &lt;/TT&gt;E-mail: in.tune@bbc.co.uk 
&lt;TT&gt;THU        &lt;/TT&gt;Twitter: BBCInTune. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;18:00 Composer of the Week &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b00vw4gs.html&gt;b00vw4gs&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b00vw4gs&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;[Repeat of broadcast at 12:00 today] 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;19:00 Radio 3 Live in Concert &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m6bp.html&gt;b019m6bp&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m6bp&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Orchestre National de France - Schubert, Berg 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Live from the Theatre des Champs-Elysees, Paris 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Tonight we join with Radio France in Paris as Daniele Gatti 
&lt;TT&gt;THU        &lt;/TT&gt;and the Orchestre National de France perform masterworks by 
&lt;TT&gt;THU        &lt;/TT&gt;Schubert and Berg. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Two works by Schubert open the concert - his sublime 
&lt;TT&gt;THU        &lt;/TT&gt;'Unfinished' 8th Symphony is followed by Carl Reinecke's 
&lt;TT&gt;THU        &lt;/TT&gt;orchestration of his 'Shepherd on the Rock' a song of a 
&lt;TT&gt;THU        &lt;/TT&gt;lonely shepherd high in the mountains which swings from 
&lt;TT&gt;THU        &lt;/TT&gt;despair to hope and which is sung tonight by soprano Chen 
&lt;TT&gt;THU        &lt;/TT&gt;Reiss. She returns in the second half to perform the suite 
&lt;TT&gt;THU        &lt;/TT&gt;Berg made from his opera Lulu, a dark tale of seduction and 
&lt;TT&gt;THU        &lt;/TT&gt;murder with richly scored music. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Tonight's concert takes place in the Theatre des 
&lt;TT&gt;THU        &lt;/TT&gt;Champs-Elysees which has been the home to the ONF since 1944 
&lt;TT&gt;THU        &lt;/TT&gt;and was famously the venue for the riotous first performance 
&lt;TT&gt;THU        &lt;/TT&gt;of Stravinsky's Rite of Spring. The orchestra itself is run 
&lt;TT&gt;THU        &lt;/TT&gt;by Radio France and tonight's conductor Daniele Gatti is the 
&lt;TT&gt;THU        &lt;/TT&gt;latest in a long line of distinguished Music Directors 
&lt;TT&gt;THU        &lt;/TT&gt;including Charles Munch, Sergiu Celibidache, Lorin Maazel, 
&lt;TT&gt;THU        &lt;/TT&gt;Charles Dutoit and Kurt Masur. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Schubert: Symphony no.8 in B minor D.759 'Unfinished' 
&lt;TT&gt;THU        &lt;/TT&gt;Schubert arr.Reinecke: 'The Shepherd on the Rock' D.965 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;8.10 Interval - Martin Handley explores the illustrious&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;history of the Orchestra National de France and its home. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Berg: Symphonic Pieces from 'Lulu' 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Chen Reiss (soprano) 
&lt;TT&gt;THU        &lt;/TT&gt;Patrick Messina (clarinet) 
&lt;TT&gt;THU        &lt;/TT&gt;Orchestre National de France 
&lt;TT&gt;THU        &lt;/TT&gt;Daniele Gatti (conductor). 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;22:00 Night Waves &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m6br.html&gt;b019m6br&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m6br&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Iran 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Rana Mitter presents a special programme on Iran. The 
&lt;TT&gt;THU        &lt;/TT&gt;Almeida Theatre's production of The House of Bernarda Alba 
&lt;TT&gt;THU        &lt;/TT&gt;is set in Iran and there's a first night review. And what is 
&lt;TT&gt;THU        &lt;/TT&gt;it like to be an Iranian living at home today? How does the 
&lt;TT&gt;THU        &lt;/TT&gt;world look from Tehran, and how much do we in Britain really 
&lt;TT&gt;THU        &lt;/TT&gt;know about a country that we are constantly being persuaded 
&lt;TT&gt;THU        &lt;/TT&gt;is dangerous, destabilising to its geographical region, and 
&lt;TT&gt;THU        &lt;/TT&gt;a nuclear danger? 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;22:45 The Essay &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m6bt.html&gt;b019m6bt&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m6bt&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;The Sound and the Fury, Episode 4 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;The author and journalist Andrew Martin has phonophobic 
&lt;TT&gt;THU        &lt;/TT&gt;traits, which calls for some extreme actions: 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;"So I went out to buy my first box of earplugs. I must have 
&lt;TT&gt;THU        &lt;/TT&gt;bought... well, about a box a month ever since. The best 
&lt;TT&gt;THU        &lt;/TT&gt;ones are made of wax; they're covered in cotton wool and 
&lt;TT&gt;THU        &lt;/TT&gt;they're about the size of aniseed balls. You get twelve in a 
&lt;TT&gt;THU        &lt;/TT&gt;box. Soon I know I'd become addicted to them. I had also, by 
&lt;TT&gt;THU        &lt;/TT&gt;then, become addicted to the use at night of electrical fans 
&lt;TT&gt;THU        &lt;/TT&gt;for the creation of 'white noise'. I kept them going all 
&lt;TT&gt;THU        &lt;/TT&gt;night long..." 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Author Andrew Martin lays bare his life as 
&lt;TT&gt;THU        &lt;/TT&gt;a 'phonophobic'. How to cope with jarring sounds 
&lt;TT&gt;THU        &lt;/TT&gt;in the modern world. And is there an another way 
&lt;TT&gt;THU        &lt;/TT&gt;to live without the daily cacophony? 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Producer Duncan Minshull. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;&lt;B&gt;23:00 Late Junction &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m6bw.html&gt;b019m6bw&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m6bw&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;THU        &lt;/TT&gt;Fiona Talkington presents an eclectic selection of music 
&lt;TT&gt;THU        &lt;/TT&gt;including Christian Fennesz and Ryuichi Sakamoto, the tuba 
&lt;TT&gt;THU        &lt;/TT&gt;trio Microtub, percussion sounds from the duo Emo Albino, 
&lt;TT&gt;THU        &lt;/TT&gt;and Ola Kvernberg's Liarbird. Also tonight, this month's 
&lt;TT&gt;THU        &lt;/TT&gt;Late Junction session brings together two duos from the 
&lt;TT&gt;THU        &lt;/TT&gt;North of England, Field Music and Warm Digits, for a unique 
&lt;TT&gt;THU        &lt;/TT&gt;collaboration. 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;THU        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;A name='FR'&gt;&lt;B&gt;FRIDAY 27 JANUARY 2012&lt;/B&gt;&lt;/A&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;00:30 Through the Night &lt;A target = "_blank" HREF = http://www.bbc.co.uk/programmes/b019m6y1.html&gt;b019m6y1&lt;/A&gt; &lt;A target = "_blank" HREF=http://www.bbc.co.uk/iplayer/episode/b019m6y1&gt;(Listen)&lt;/A&gt;&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Susan Sharpe presents a concert of piano duets by 
&lt;TT&gt;FRI        &lt;/TT&gt;Rachmaninov, Debussy and Ravel. 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;12:31 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Rachmaninov, Sergey [1873-1943] 
&lt;TT&gt;FRI        &lt;/TT&gt;6 Duets for piano 4 hands (Op.11) 
&lt;TT&gt;FRI        &lt;/TT&gt;Lestari Scholtes (piano), Gwylim Janssens (piano) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;12:57 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Debussy, Claude [1862-1918] 
&lt;TT&gt;FRI        &lt;/TT&gt;En blanc et noir for 2 pianos 
&lt;TT&gt;FRI        &lt;/TT&gt;Lestari Scholtes (piano), Gwylim Janssens (piano) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;1:14 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Ravel, Maurice (1875-1937) [1875-1937] 
&lt;TT&gt;FRI        &lt;/TT&gt;La Valse - choreographic poem arranged for 2 pianos 
&lt;TT&gt;FRI        &lt;/TT&gt;Lestari Scholtes (piano), Gwylim Janssens (piano) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;1:26 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Svendsen, Johan (1840-1911) 
&lt;TT&gt;FRI        &lt;/TT&gt;Romeo and Juliet - fantasy (Op.18) 
&lt;TT&gt;FRI        &lt;/TT&gt;Stavanger Symphony Orchestra, John Storgårds 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;1:40 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Mozart, Wolfgang Amadeus (1756-1791) 
&lt;TT&gt;FRI        &lt;/TT&gt;Violin Concerto No.1 in B flat major (K.207) 
&lt;TT&gt;FRI        &lt;/TT&gt;Benjamin Schmid (violin), The Danish Radio Concert 
&lt;TT&gt;FRI        &lt;/TT&gt;Orchestra, Adam Fischer (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;2:01 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Mercure, Pierre (1927-1966) 
&lt;TT&gt;FRI        &lt;/TT&gt;Pantomime for wind and percussion 
&lt;TT&gt;FRI        &lt;/TT&gt;Edmonton Wind Ensemble, Harry Pinchin (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;2:06 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Bruhns, Nicolaus (1665-1697) 
&lt;TT&gt;FRI        &lt;/TT&gt;Cantata: 'O werter heil'ger Geist' 
&lt;TT&gt;FRI        &lt;/TT&gt;Greta de Reyghere (soprano), James Bowman (countertenor), 
&lt;TT&gt;FRI        &lt;/TT&gt;Guy de Mey (tenor), Max van Egmond (bass), Ricercar Consort 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;2:21 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Chopin, Frédéric (1810-1849) 
&lt;TT&gt;FRI        &lt;/TT&gt;Preludes No.16 in Bb minor; No.17 in Ab major; No.18 in F 
&lt;TT&gt;FRI        &lt;/TT&gt;minor; No.19 in Eb major; No.20 in C minor - from Preludes 
&lt;TT&gt;FRI        &lt;/TT&gt;(Op.28) 
&lt;TT&gt;FRI        &lt;/TT&gt;Krzysztof Jablonski (piano) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;2:31 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Stravinsky, Igor (1882-1971) 
&lt;TT&gt;FRI        &lt;/TT&gt;Petrushka, Burlesque in Four Scenes (1947) 
&lt;TT&gt;FRI        &lt;/TT&gt;Ruud van den Brink (piano), Peter Masseurs (trumpet), 
&lt;TT&gt;FRI        &lt;/TT&gt;Jacques Zoon (flute), Royal Concertgebouw Orchestra, 
&lt;TT&gt;FRI        &lt;/TT&gt;Riccardo Chailly (conductor) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;3:06 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Bergh, Gertrude van den (1793-1840) 
&lt;TT&gt;FRI        &lt;/TT&gt;Lied fur pianoforte 
&lt;TT&gt;FRI        &lt;/TT&gt;Frans van Ruth (Piano) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;3:11 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Mendelssohn, Felix (1809-1847) 
&lt;TT&gt;FRI        &lt;/TT&gt;String Symphony No 9 in C minor 
&lt;TT&gt;FRI        &lt;/TT&gt;Liszt Ferenc Chamber Orchestra, János Rolla (leader) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;3:39 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Bach, Johann Sebastian [1685-1750] 
&lt;TT&gt;FRI        &lt;/TT&gt;Prelude and Fughetta in G major BWV 902 
&lt;TT&gt;FRI        &lt;/TT&gt;Leon de Broekert (organ of Hervormde kerk, Gapinge (1760) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;3:45 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Handel, Georg Frideric [1685-1759] 
&lt;TT&gt;FRI        &lt;/TT&gt;Ombre pallide, Alcina's aria from 'Alcina' (HWV.34/II,13) 
&lt;TT&gt;FRI        &lt;/TT&gt;Elisabeth Scholl (soprano), Orchestra Barocca Modo Antiquo, 
&lt;TT&gt;FRI        &lt;/TT&gt;Federico Maria Sardelli (director) 
&lt;TT&gt;FRI        &lt;/TT&gt;&lt;B&gt;3:50 AM&lt;/B&gt; 
&lt;TT&gt;FRI        &lt;/TT&gt;Wegelius, Martin (1846-1906) 
&lt;TT&gt;FRI        &lt;/TT&gt;Rondo quasi Fantasia for Piano &amp; Orchestra (1872) 
&lt;TT&gt;FRI  
